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무료Dramatic Works
Henrik Ibsen
116,730 words
영어First ActRun: 2026-07-18 22:57쪽 1 / 346
First Act
DRAMATIC POEM IN THREE ACTS
PERSONS
Mrs. Halm, widow of a civil servant. Zwaanhilde, her daughter. Anna, her daughter. Valk, a young writer, and Lind, a theology student, lodgers of Mrs. Halm. Goudstad, wholesale merchant. Stuiver, clerk. Miss Ekster, his fiancée. Strooman, village pastor. Mrs. Strooman, his wife. Students, guests, family and engaged couples. The pastor's eight little girls. Four aunts, a housekeeper, an attendant, maids.
The play takes place at Mrs. Halm's villa on the Drammensvei near
Kristiania.
A beautiful garden, irregular but tastefully laid out. In the
background one sees the fjord with its islands. To the left of
the spectator, the main building with a veranda and above it an
open attic window. To the right in the foreground, an open arbor with
table and benches. The landscape lies in strong evening light. It is
early summer; the fruit trees are in bloom.
At the rising of the curtain, Mrs. Halm, Anna, and Miss Ekster are sitting
on the veranda, the first two with needlework, the latter with
a book. In the arbor, one sees Valk, Lind, Goudstad, and Stuiver;
on the table is a punch bowl with glasses. Zwaanhilde sits alone in
the background by the water.
(stands with raised glass and sings)
First Act쪽 2 / 346
VALKFor joy and pleasure you were given,
In quiet garden, sun-bright day;
Forget that autumn often cannot give
What spring promised with a lovely laugh.
Blossoming branches full of sweet scents
Spread arching over you...
So let tonight the storm tear them apart,
Scatter their spoils along fields and roads.
Why ask for ripe fruit
When all the trees are in bloom?
Why grieve, why sigh,
Toiling and slaving through life?
Why in the field on tall poles
Scarecrows with coat and hat?
Brothers, we want the birds' songs
To sound sweetly in our ears.
Why drive the birds away
From your richly blooming cherry orchard!
Let them steal for a few days...
Birds are doubly worth their singing pay.
Truly in the end you still gain by the exchange,
Get sweet songs for late fruit...
Time passes quickly, and remember
How soon summer flees again.
I want to live, enjoy and sing,
Until the last hedge is leafless;
Not like a child will I demand more,
Then clear away the remains at your leisure.
Open the gate; let the cattle graze greedily
As they desire, content and quiet;
I plucked the flowers... what can it matter to me
Who wants the dead remains!
In quiet garden, sun-bright day;
Forget that autumn often cannot give
What spring promised with a lovely laugh.
Blossoming branches full of sweet scents
Spread arching over you...
So let tonight the storm tear them apart,
Scatter their spoils along fields and roads.
Why ask for ripe fruit
When all the trees are in bloom?
Why grieve, why sigh,
Toiling and slaving through life?
Why in the field on tall poles
Scarecrows with coat and hat?
Brothers, we want the birds' songs
To sound sweetly in our ears.
Why drive the birds away
From your richly blooming cherry orchard!
Let them steal for a few days...
Birds are doubly worth their singing pay.
Truly in the end you still gain by the exchange,
Get sweet songs for late fruit...
Time passes quickly, and remember
How soon summer flees again.
I want to live, enjoy and sing,
Until the last hedge is leafless;
Not like a child will I demand more,
Then clear away the remains at your leisure.
Open the gate; let the cattle graze greedily
As they desire, content and quiet;
I plucked the flowers... what can it matter to me
Who wants the dead remains!
(to the ladies)
VALKSee, that was the song you asked for;...
Be a bit indulgent... it's nothing much.
Be a bit indulgent... it's nothing much.
GOUDSTADOh, what does that matter, as long as the song sounds good!
(looks around)
MISS EKSTERBut Zwaanhilde, who insisted so much on it?
When Valk began, she immediately fled;
Now she is gone.
When Valk began, she immediately fled;
Now she is gone.
(points to the background)
ANNANo, she is sitting over there.
(sighing)
MRS. HALMOh dear, that child! Who will ever teach her manners!
MISS EKSTERBut tell me, sir, your song seemed to me at the end
Much less rich in... yes... in poetry,
Than in the rest it is to be found.
Much less rich in... yes... in poetry,
Than in the rest it is to be found.
STUIVERYes, and it would have been easy enough
To add a bit more at the end.
To add a bit more at the end.
(clinks glasses with him)
First Act쪽 3 / 346
VALKYou just spread it on, like glue between the cracks,
Until it sticks and the wood looks marbled.
Until it sticks and the wood looks marbled.
(imperturbably)
STUIVERYes, that works fine; I still remember it well;
I did it like that too...
I did it like that too...
GOUDSTADWhat? Have you also written poetry?
MISS EKSTERMy friend? Oh yes!
STUIVEROh, it was nothing.
(to the ladies)
MISS EKSTERHe is romantic at heart.
MRS. HALMYes, he is.
STUIVEROh, not anymore; that was long ago.
VALKVarnish and romance wear off in time.
But earlier then...?
But earlier then...?
STUIVERYes, it was at that time,
When I was in love.
When I was in love.
VALKWas? Is that over already?
I didn't think your intoxication of love was out yet!
I didn't think your intoxication of love was out yet!
STUIVERNow I am officially engaged,
That is surely better than being in love, I think.
That is surely better than being in love, I think.
VALKQuite right, my dear friend, I think so too!
Having thus been promoted, the hardest part was overcome;
Promotion from lover to beloved.
Having thus been promoted, the hardest part was overcome;
Promotion from lover to beloved.
(with a complacent smile of recollection)
STUIVERIt's strange nonetheless! I almost begin to doubt
Whether my memory deceives me. (Turning to Valk)
Now seven years ago,... it's the truth!
I secretly wrote verses at the office.
Whether my memory deceives me. (Turning to Valk)
Now seven years ago,... it's the truth!
I secretly wrote verses at the office.
VALKYou wrote verses... where?
STUIVERWell, at the desk.
GOUDSTADSilentium! The clerk now has the floor!
STUIVEREspecially in the evenings, when I had time off,
Then I wrote whole series of verses,
Sometimes as long as... yes, two or three sheets full.
That went smoothly!
Then I wrote whole series of verses,
Sometimes as long as... yes, two or three sheets full.
That went smoothly!
VALKYou just gave your Muse a kick,
Then she trotted along...
Then she trotted along...
STUIVERWhether the paper was stamped
Or not, she didn't care at all.
Or not, she didn't care at all.
VALKSo the versifying flowed just as easily?
But tell me, how did you enter the temple?
But tell me, how did you enter the temple?
First Act쪽 4 / 346
STUIVERWith the crowbar of love, my dear friend!
In other words, it was Miss Ekster,
Who a while later became my fiancée;
For at that time she was...
In other words, it was Miss Ekster,
Who a while later became my fiancée;
For at that time she was...
VALKOnly your flame.
(continuing)
STUIVERThat was a strange time; I forgot my studies;
I did not mend my pen, no, I had to tune it,
And when it sometimes caught on the paper,
It sounded like a melody of what I wrote;...
At last I dispatched a letter
To her... to her...
I did not mend my pen, no, I had to tune it,
And when it sometimes caught on the paper,
It sounded like a melody of what I wrote;...
At last I dispatched a letter
To her... to her...
VALKWhose beloved you then became.
STUIVERThat same day she sent me the reply;
She accepted my proposal... the matter was settled!
She accepted my proposal... the matter was settled!
VALKAnd you, you felt like a hero at the office;
Now you had safely secured your love!
Now you had safely secured your love!
STUIVERNaturally, yes.
VALKAnd did you ever write poetry again?
STUIVERNo, I never felt the urge again;
It was as if my poetic fire was suddenly extinguished;
And if I once try now
To compose a New Year's verse or something like that,
I can't manage it with rhyme or rhythm,
And,... I don't understand what's missing,...
But it becomes office-style work, not poetry.
It was as if my poetic fire was suddenly extinguished;
And if I once try now
To compose a New Year's verse or something like that,
I can't manage it with rhyme or rhythm,
And,... I don't understand what's missing,...
But it becomes office-style work, not poetry.
(clinks glasses with him)
GOUDSTADAnd you are none the worse for that! (To Valk)
You probably think that in the boat of happiness
Only a seat is reserved for you;
But be careful when you venture the trip.
As for your verse, I don't know
Whether it is poetic in every respect,
But however you twist or turn the words,
Your moral is not right, I tell you.
How would you call such an administration,
That lets birds freely peck the green fruit
Before it could become ripe fruit?
That lets cows and calves graze freely in the grass,
So that everything is bare when haymaking comes?
Well, it would look nice here next year!
You probably think that in the boat of happiness
Only a seat is reserved for you;
But be careful when you venture the trip.
As for your verse, I don't know
Whether it is poetic in every respect,
But however you twist or turn the words,
Your moral is not right, I tell you.
How would you call such an administration,
That lets birds freely peck the green fruit
Before it could become ripe fruit?
That lets cows and calves graze freely in the grass,
So that everything is bare when haymaking comes?
Well, it would look nice here next year!
(stands up)
First Act쪽 5 / 346
VALKOh, next, next! The sense
That lies in that feeble word "next" is disgusting;
It makes the happiest person suddenly poor!
If I were but for an hour the fairy-tale sultan
Who freely disposes of life and death,
That word would soon be condemned to death,
Like double o and e in new spelling rules.
That lies in that feeble word "next" is disgusting;
It makes the happiest person suddenly poor!
If I were but for an hour the fairy-tale sultan
Who freely disposes of life and death,
That word would soon be condemned to death,
Like double o and e in new spelling rules.
STUIVERWhat have you got against the word of hope?
VALKThat it darkens God's beautiful world.
"The next love", "the next woman",
"The next meal" and "the next life",...
See, that caution, which lies in it,
Is what impoverishes the child of joy.
As far as you can see, the whole world becomes ugly,
It kills the highest pleasure of the moment;
You have no peace until you have steered the boat
With toiling worry to the "next" shore;
And once you are there... may you rest then?
No; you must go on to a "next" island.
Thus it continues... on and on, through life...
God knows if a resting place is given yonder.
"The next love", "the next woman",
"The next meal" and "the next life",...
See, that caution, which lies in it,
Is what impoverishes the child of joy.
As far as you can see, the whole world becomes ugly,
It kills the highest pleasure of the moment;
You have no peace until you have steered the boat
With toiling worry to the "next" shore;
And once you are there... may you rest then?
No; you must go on to a "next" island.
Thus it continues... on and on, through life...
God knows if a resting place is given yonder.
MRS. HALMFie, Mr. Valk, how can you speak like that!
(thoughtfully)
ANNAOh, I understand everything he says very well;
There must, I think, be some truth in it.
There must, I think, be some truth in it.
(anxiously)
MISS EKSTERAh, my intended must not hear that,
He is eccentric enough... Listen, my dear,
Come here for a moment!
He is eccentric enough... Listen, my dear,
Come here for a moment!
(busy cleaning his pipe)
STUIVERI'll come right away.
(to Valk)
GOUDSTADYes, one thing is clear to me at least:
You could hold caution in higher esteem;
Suppose the case that you
Went poetry-writing today and used
All you have in stock of poetry,
The whole precious store... and you saw
That nothing was left of it, when you
The next morning wanted to go composing "next"...
Then Mrs. Criticism would soon catch you.
You could hold caution in higher esteem;
Suppose the case that you
Went poetry-writing today and used
All you have in stock of poetry,
The whole precious store... and you saw
That nothing was left of it, when you
The next morning wanted to go composing "next"...
Then Mrs. Criticism would soon catch you.
First Act쪽 6 / 346
VALKI strongly doubt whether she would notice the bankruptcy;
Then Mrs. Criticism and I would
Amicably stroll on arm in arm together. (Breaking off, with changed voice)
But tell me, Lind, what is actually the matter with you?
You sit there all the time so gloomy;
Or are you perhaps studying the construction of the house?
Then Mrs. Criticism and I would
Amicably stroll on arm in arm together. (Breaking off, with changed voice)
But tell me, Lind, what is actually the matter with you?
You sit there all the time so gloomy;
Or are you perhaps studying the construction of the house?
(composing himself)
LINDMe? How do you get that idea?
VALKIndeed;
You don't take your eyes off the balcony.
Is it the wide arches of the veranda
That you contemplate with such deep earnestness,
Or perhaps the intricate carving of the door,
Or of the window shutters, tell me what it is?
For something must be attracting your thoughts.
You don't take your eyes off the balcony.
Is it the wide arches of the veranda
That you contemplate with such deep earnestness,
Or perhaps the intricate carving of the door,
Or of the window shutters, tell me what it is?
For something must be attracting your thoughts.
(with a radiant face)
LINDNo, you are mistaken; I just sit here and live.
Intoxicated by the present, I desire nothing more.
I feel as if at my feet
I saw the treasures of the whole world spread out.
Thank you for your song of joyful spring life.
It was as if taken from my own soul! (Raises his glass and
exchanges a glance with Anna, unnoticed by the others.)
Hail to the bloom, which spreads sweet scents
Not thinking of the fruit to come! (Empties his glass.)
VALK (looks at him, surprised and moved, but forces a light tone).
Listen, dear ladies, that is something new!
Here I unexpectedly made a proselyte.
Yesterday he still walked around with the hymn book,
Today he boldly beats the poet's drum...
They say a poet is born;
But sometimes one can fatten a prose writer
As mercilessly as a poor goose,
With rhyming trifles and metrical botching,
So that everything in him, liver, soul and crop,
Is stuffed with lyrical fat and crumbs
Of rhetoric, when he is disemboweled. (To Lind)
My thanks meanwhile for your friendly word;
Henceforth we shall pluck the lyre together.
Intoxicated by the present, I desire nothing more.
I feel as if at my feet
I saw the treasures of the whole world spread out.
Thank you for your song of joyful spring life.
It was as if taken from my own soul! (Raises his glass and
exchanges a glance with Anna, unnoticed by the others.)
Hail to the bloom, which spreads sweet scents
Not thinking of the fruit to come! (Empties his glass.)
VALK (looks at him, surprised and moved, but forces a light tone).
Listen, dear ladies, that is something new!
Here I unexpectedly made a proselyte.
Yesterday he still walked around with the hymn book,
Today he boldly beats the poet's drum...
They say a poet is born;
But sometimes one can fatten a prose writer
As mercilessly as a poor goose,
With rhyming trifles and metrical botching,
So that everything in him, liver, soul and crop,
Is stuffed with lyrical fat and crumbs
Of rhetoric, when he is disemboweled. (To Lind)
My thanks meanwhile for your friendly word;
Henceforth we shall pluck the lyre together.
MISS EKSTEROh yes, you work a lot now, sir?
The peace here among blossoming trees,
Where you can wander undisturbed and lonely...
The peace here among blossoming trees,
Where you can wander undisturbed and lonely...
(smiling)
MRS. HALMNo, he is lazy, it's a real shame.
First Act쪽 7 / 346
MISS EKSTERI thought that as a guest of Mrs. Halm
You would become very busy composing. (Points to the right.)
This small arbor, so hidden behind the foliage,
Seems to me as if made for a poet;
There, I think, inspiration must come...
You would become very busy composing. (Points to the right.)
This small arbor, so hidden behind the foliage,
Seems to me as if made for a poet;
There, I think, inspiration must come...
(goes to the veranda and leans his arms on the balustrade)
VALKCover my eyes with the veil of blindness,
Then I will sing of the bright sky.
Provide me for the time of one month
With a sorrow, a deep, gigantic grief,
And I will sing rejoicingly of life's joy.
Or rather, just provide me with a woman
Who is my light, my sun, my God.
I have begged Our Dear Lord for that,
But He remained deaf, or pretends to be, alas.
Then I will sing of the bright sky.
Provide me for the time of one month
With a sorrow, a deep, gigantic grief,
And I will sing rejoicingly of life's joy.
Or rather, just provide me with a woman
Who is my light, my sun, my God.
I have begged Our Dear Lord for that,
But He remained deaf, or pretends to be, alas.
MISS EKSTERFie, how profane you are!
MRS. HALMYes, that is terrible!
VALKOh, don't think it is my intention
To walk arm in arm with her in public;
No, from the wildest jubilant intoxication
She would suddenly have to return to eternity.
What spiritual gymnastics I need;
Perhaps I would get my share that way.
ZWAANHILDE (has come closer; she now stands close to Valk and says
with a jesting expression, but firmly)
Good, I will pray for such a fate for you:
But when it comes,... bear it like a man.
To walk arm in arm with her in public;
No, from the wildest jubilant intoxication
She would suddenly have to return to eternity.
What spiritual gymnastics I need;
Perhaps I would get my share that way.
ZWAANHILDE (has come closer; she now stands close to Valk and says
with a jesting expression, but firmly)
Good, I will pray for such a fate for you:
But when it comes,... bear it like a man.
(has turned around in surprise)
VALKOh, Miss Zwaanhilde!... Yes, I will arm myself.
But do you also think that I can trust
In your prayer as something of great power?
For alas, heaven does not let itself be prayed into granting.
I know that your will is sufficient for two
To rob me of my peace of mind;
But whether your faith is sufficient for that,
See, that is the question.
But do you also think that I can trust
In your prayer as something of great power?
For alas, heaven does not let itself be prayed into granting.
I know that your will is sufficient for two
To rob me of my peace of mind;
But whether your faith is sufficient for that,
See, that is the question.
(half in earnest, half jesting)
ZWAANHILDEWait until the sorrow comes
Devastating life's bright, green summer,...
Wait until it gnaws and stings day and night,
Then you will know the power of my faith. (She goes to the ladies.)
Devastating life's bright, green summer,...
Wait until it gnaws and stings day and night,
Then you will know the power of my faith. (She goes to the ladies.)
(in a low tone)
First Act쪽 8 / 346
MRS. HALMOh, that you can never keep peace together!
Now you have seriously made Valk angry. (Continues speaking softly
and admonishingly. Miss Ekster joins the conversation. Zwaanhilde stands there cold and silent.)
VALK (after a short pensive silence, goes to the arbor and says to
himself).
There was certainty shining from her eyes.
If only I could believe as she does, so firmly,
That heaven would...
Now you have seriously made Valk angry. (Continues speaking softly
and admonishingly. Miss Ekster joins the conversation. Zwaanhilde stands there cold and silent.)
VALK (after a short pensive silence, goes to the arbor and says to
himself).
There was certainty shining from her eyes.
If only I could believe as she does, so firmly,
That heaven would...
GOUDSTADNo, God forbid!
It would be, with respect, far too foolish
If such orders were carried out.
No, you know what you definitely need
Is gymnastics for arms, legs, body;
Don't lie here staring at the green foliage
The whole livelong day, rather chop wood.
And it would have to be damned unlucky,
If within a fortnight you were not
Freed from all those foolish poet's whims.
It would be, with respect, far too foolish
If such orders were carried out.
No, you know what you definitely need
Is gymnastics for arms, legs, body;
Don't lie here staring at the green foliage
The whole livelong day, rather chop wood.
And it would have to be damned unlucky,
If within a fortnight you were not
Freed from all those foolish poet's whims.
VALKI stand like the donkey between heavy choices;
To the left flesh beckons me, to the right spirit;
What would be the wisest choice here?
To the left flesh beckons me, to the right spirit;
What would be the wisest choice here?
(while pouring)
GOUDSTADFirst a glass of punch, that drives away thirst and worry.
(looks at her watch)
MRS. HALMBut it is almost eight o'clock; I think now
We will soon see the pastor. (Stands up and tidies up a bit on the
veranda.)
We will soon see the pastor. (Stands up and tidies up a bit on the
veranda.)
VALKWhat? A pastor here?
MISS EKSTERYes, why not?
MRS. HALMI told you recently...
ANNANo, Mother, Mr. Valk was not there.
MRS. HALMYes, that is true. But don't look so sour,
For his company is doubly worth it.
For his company is doubly worth it.
VALKOh come, who is he then, this so-desired one?
MRS. HALMWell, good Lord, his name is Strooman.
VALKIndeed; I have heard that name before;
And also seen that he is now active
As a member of parliament, in the field of politics.
And also seen that he is now active
As a member of parliament, in the field of politics.
STUIVERYes, he speaks well.
GOUDSTADBut too bad he is hoarse.
MISS EKSTERHe is coming here with his wife and...
First Act쪽 9 / 346
MRS. HALMWith his children...
VALKTo give them a bit of fun in advance...
Because afterwards he will have his hands full of work.
With Swedish issues and many other matters.
Yes, I understand that.
Because afterwards he will have his hands full of work.
With Swedish issues and many other matters.
Yes, I understand that.
MRS. HALMThat is a man, sir!
GOUDSTADYes, in his youth he was quite a rogue.
(offended)
MISS EKSTERNot at all, sir! For even when I was little
I always heard with great reverence—
And from people one can believe—
About the pastor and his romance.
I always heard with great reverence—
And from people one can believe—
About the pastor and his romance.
(laughing)
GOUDSTADRomance?
MISS EKSTERYes. I call something romantic
That ordinary people cannot appreciate.
That ordinary people cannot appreciate.
VALKOh, my curiosity is highly aroused.
(continuing)
MISS EKSTERBut oh, there are naturally always people
Who let themselves be provoked by the touching
Into mockery! It is well enough known,
That someone here, he was still a student,
Was so incredibly pedantic, so terribly rude,
As to even criticize "William Russell."
Who let themselves be provoked by the touching
Into mockery! It is well enough known,
That someone here, he was still a student,
Was so incredibly pedantic, so terribly rude,
As to even criticize "William Russell."
VALKBut is that pastor then a poem,
A Christian drama or something perhaps?
A Christian drama or something perhaps?
(moved to silent tears)
MISS EKSTERNo, Valk,... a person, but with a deep soul.
But when such a thing, which has no life,
Already stirs so much wickedness and base passion
And knows how to unleash fierce and violent emotions,
So deeply and bitterly...
But when such a thing, which has no life,
Already stirs so much wickedness and base passion
And knows how to unleash fierce and violent emotions,
So deeply and bitterly...
VALKAnd so terribly long...
MISS EKSTERThen you with your sharp eye will also
Understand that...
Understand that...
VALKYes, I understand that perfectly.
But what has not yet become clear to me
Is, what that romance consists of,
I suspect it is very moving;
But is it not possible, in brief...
But what has not yet become clear to me
Is, what that romance consists of,
I suspect it is very moving;
But is it not possible, in brief...
STUIVERI will try to summarize the main points
From the facts.
From the facts.
MISS EKSTERNo, I know more about it,
I can tell it...
I can tell it...
MRS. HALMYes, I can too!
First Act쪽 10 / 346
MISS EKSTEROh no, ma'am, I have already started well.
You see, sir,... he was regarded as a candidate
For one of the sharpest minds in the city,
Knew about criticism and also about new fashions...
You see, sir,... he was regarded as a candidate
For one of the sharpest minds in the city,
Knew about criticism and also about new fashions...
MRS. HALMAnd also performed plays indoors.
MISS EKSTERWait! And painted,... and made music...
MRS. HALMAnd do you remember how beautifully he could tell stories!
MISS EKSTERLet me have the floor; I know everything about it.
He wrote and composed music himself
To something that... was published by a publisher;
It was called: "A Wreath of Sonnets to Her."
How deeply he sang it to the guitar!
He wrote and composed music himself
To something that... was published by a publisher;
It was called: "A Wreath of Sonnets to Her."
How deeply he sang it to the guitar!
MRS. HALMYes, that is certain, he was a genius!
(in a low tone)
GOUDSTADHm, others simply called him a fool.
VALKA wise man, old and practical, who did not derive
What he knew from musty parchments,
Once said, love could make Petrarchs
Just as cattle and laziness make patriarchs.
But who was "she"?
What he knew from musty parchments,
Once said, love could make Petrarchs
Just as cattle and laziness make patriarchs.
But who was "she"?
MISS EKSTERThat was his greatly beloved,
Now long his wife, whom you will come to know.
She was a daughter of a firm that...
Now long his wife, whom you will come to know.
She was a daughter of a firm that...
GOUDSTADDealt in timber.
MISS EKSTERYes, sir will know that.
GOUDSTADFor it did business with Holland.
MISS EKSTEROh, those are trivial matters.
VALKA firm that...?
(continuing)
MISS EKSTERWas very rich, true Nabobs.
You can understand that she was much sought after;
The most prominent men courted her.
You can understand that she was much sought after;
The most prominent men courted her.
MRS. HALMAnd there was even a chamberlain among them.
MISS EKSTERBut she fought bravely for her woman's right.
She had seen Strooman on the stage;
To see him and to love him were one...
She had seen Strooman on the stage;
To see him and to love him were one...
VALKAnd all the suitors could leave!
MRS. HALMYes, imagine, isn't that truly romantic!
First Act쪽 11 / 346
MISS EKSTERAnd add to that a cruel old father
Who would do nothing but break hearts;
And there was also a guardian, I believe,
To make the bitter suffering even bitterer;
But she remained true to him and he to her;
They dreamed of a little hut on the heath,
A snow-white lamb that would feed them both...
Who would do nothing but break hearts;
And there was also a guardian, I believe,
To make the bitter suffering even bitterer;
But she remained true to him and he to her;
They dreamed of a little hut on the heath,
A snow-white lamb that would feed them both...
MRS. HALMYes, at most a little cow, small and spotted...
MISS EKSTERIn short, as they have often told me:
A hut, a cool brook, each other's hearts!
A hut, a cool brook, each other's hearts!
VALKAh yes! And then...?
MISS EKSTERShe broke with her family.
VALKFor good...?
MRS. HALMYes, she did.
VALKSee, that was bold.
MISS EKSTERAnd then moved to Strooman's little room.
VALKMoved in with him! So without... first marrying?
MISS EKSTEROh fie!
MRS. HALMShame on you! My husband himself witnessed
The young couple's...!
The young couple's...!
(to Miss Ekster)
STUIVERYes, omitting facts
Arouses doubt and confuses the story;
In reports, it comes down to
Organizing, chronologically and correctly.
But I have never been able to understand properly,
How they lived there...
Arouses doubt and confuses the story;
In reports, it comes down to
Organizing, chronologically and correctly.
But I have never been able to understand properly,
How they lived there...
(continuing)
VALKFor one may assume
That cow and sheep did not also live in the attic.
That cow and sheep did not also live in the attic.
(to Stuiver)
MISS EKSTEROh, you must consider one thing, my dear,
One needs nothing where love dwells;
Two tender hearts live on almost nothing. (To Valk)
He loved her with string music and song
To which she responded with piano playing.
One needs nothing where love dwells;
Two tender hearts live on almost nothing. (To Valk)
He loved her with string music and song
To which she responded with piano playing.
MRS. HALMAnd then, of course, they lived on credit...
GOUDSTADFor a year, until the firm went bankrupt.
MRS. HALMBut then Strooman got a call to the North.
MISS EKSTERAnd in a letter, which I later saw, he swore
To live only for her and for his duty.
To live only for her and for his duty.
(supplementing)
First Act쪽 12 / 346
VALKAnd with that his romance was ended.
(stands up)
MRS. HALMCome, let us now go and look in the garden;
It could be that he is on his way.
It could be that he is on his way.
(puts on her shawl)
MISS EKSTERIt is getting cool.
MRS. HALMOh, Zwaanhild, fetch me
My woolen shawl.
My woolen shawl.
(unnoticed to Anna)
LINDGo on ahead!
MRS. HALMAre you coming too?
(Zwaanhilde goes into the house; the others, except Valk, go
to the background or exit left. Lind, who had gone along, stops
and comes back.)
(Zwaanhilde goes into the house; the others, except Valk, go
to the background or exit left. Lind, who had gone along, stops
and comes back.)
LINDMy friend!
VALKLikewise!
LINDGive me your hand!
I am so happy;... it's as if my heart would burst,
If I don't tell someone...
I am so happy;... it's as if my heart would burst,
If I don't tell someone...
VALKBut take it easy;
First you are heard, then convicted, then hanged.
What kind of behavior is this? You hide
From me, your friend, the treasure you have found;...
Confess it, my suspicion is well-founded:
You drew a prize in life's lottery!
First you are heard, then convicted, then hanged.
What kind of behavior is this? You hide
From me, your friend, the treasure you have found;...
Confess it, my suspicion is well-founded:
You drew a prize in life's lottery!
LINDYes, I laid hands on a beautiful bird!
VALKReally? Alive,... undamaged by the net?
LINDJust be patient; now it will soon be said:
I am engaged!...
I am engaged!...
(quickly)
VALKEngaged, you say?
LINDYes!
Today,... how I dared, I don't know myself!
I said... well, I can't tell that;
But you know... she, that beautiful young girl,
Blushed like a rose,... and was not at all angry!
Say, can you understand it, Valk, how I dared!
She listened and... cried, I even think;
That is a good sign, isn't it?
Today,... how I dared, I don't know myself!
I said... well, I can't tell that;
But you know... she, that beautiful young girl,
Blushed like a rose,... and was not at all angry!
Say, can you understand it, Valk, how I dared!
She listened and... cried, I even think;
That is a good sign, isn't it?
VALKCertainly.
LINDAnd so, isn't she now my fiancée?
VALKI suppose so; but if you want to know
Perfectly for sure, then ask Miss Ekster.
Perfectly for sure, then ask Miss Ekster.
LINDOh no, I know it for certain, my feeling
Does not deceive me, I am calm, without fear.
Does not deceive me, I am calm, without fear.
(Radiant and mysterious).
First Act쪽 13 / 346
LINDSay, I was even allowed to press her little hand
When she took the coffee cups from the table!
When she took the coffee cups from the table!
(raises his glass and empties it)
VALKNow, may spring blossoms adorn your union!
(does likewise)
LINDAnd I want here loudly and solemnly to swear
That I will love her until my death,
As warmly as now... for oh, she is so sweet!
That I will love her until my death,
As warmly as now... for oh, she is so sweet!
VALKEngaged! So that's why your thoughts
Were with neither Moses nor the prophets today.
Were with neither Moses nor the prophets today.
(laughing)
LINDAnd you, who thought that your song had done that!...
VALKAh yes, poets easily believe that.
(seriously)
LINDYou must not think that because of happiness
I have already shaken off the theologian.
The only difference is that I do not use the Bible
As Jacob's ladder to my God.
Now I must seek Him in life itself;
I already feel more goodness in my heart,
I love the blade of grass, the worm at my foot;
They, too, must have their share of happiness.
I have already shaken off the theologian.
The only difference is that I do not use the Bible
As Jacob's ladder to my God.
Now I must seek Him in life itself;
I already feel more goodness in my heart,
I love the blade of grass, the worm at my foot;
They, too, must have their share of happiness.
VALKBut tell me...
LINDI have now said everything,
My sweet secret remains sacred to us three.
My sweet secret remains sacred to us three.
VALKYes, but I mean, have you thought ahead?
LINDThought? Ahead? Me? No, for the moment
I live entirely in spring-joyful delight.
I fix my eye on our happiness close at hand:
There we hold the reins of fate.
Neither you, nor Goudstad,... nor even Mrs. Halm
Can say to my fresh flower: "Wilt!"
For I have willpower, radiance shines from her eyes.
And therefore she must and shall rise upward!
I live entirely in spring-joyful delight.
I fix my eye on our happiness close at hand:
There we hold the reins of fate.
Neither you, nor Goudstad,... nor even Mrs. Halm
Can say to my fresh flower: "Wilt!"
For I have willpower, radiance shines from her eyes.
And therefore she must and shall rise upward!
VALKWell said; whoever thinks like that will force happiness!
LINDWildly seething, my courage for life boils in me.
Oh, I feel so strong! If there were an abyss
Before me... however yawning... I would dare a leap!
Oh, I feel so strong! If there were an abyss
Before me... however yawning... I would dare a leap!
VALKWhich in plain prose means:
Your love almost makes you a reindeer.
Your love almost makes you a reindeer.
LINDWell... if I join the wild reindeer herd,
Then I know where my longing draws me!
Then I know where my longing draws me!
First Act쪽 14 / 346
VALKYou can show that tomorrow already.
You must go into the mountains with the quartet?
But I bet you won't need a fur coat...
You must go into the mountains with the quartet?
But I bet you won't need a fur coat...
LINDThe quartet! Well, let it climb without me.
I breathe mountain air now in the deep valley;
Here I have flowers and the wide fjord,
Here I have rustling leaves, bird songs,
And my fairy of happiness... she is here!
I breathe mountain air now in the deep valley;
Here I have flowers and the wide fjord,
Here I have rustling leaves, bird songs,
And my fairy of happiness... she is here!
VALKOh, a fairy of happiness here in these parts,
Hold on to her!... They are only too rare. (With a glance at
the house.)
Shh,... Zwaanhild...
Hold on to her!... They are only too rare. (With a glance at
the house.)
Shh,... Zwaanhild...
(presses his hand)
LINDGood; I'm going,... let no one know
What must remain between you and me and her.
Thank you for listening to my secret.
Bury it in your heart, keep it safe there...
What must remain between you and me and her.
Thank you for listening to my secret.
Bury it in your heart, keep it safe there...
(exits to the background to the others).
LIND(Valk looks after him for a moment and walks up and down the garden a
few times, visibly struggling with his emotions. Shortly after,
Zwaanhilde comes out of the house with a shawl over her arm; she is about
to go to the background; Valk approaches her and looks at her intently.
Zwaanhilde stops.)
few times, visibly struggling with his emotions. Shortly after,
Zwaanhilde comes out of the house with a shawl over her arm; she is about
to go to the background; Valk approaches her and looks at her intently.
Zwaanhilde stops.)
(after a short pause)
ZWAANHILDEYou look at me so strangely...?
(half to himself)
VALKYes, there is the feature,
Deep in those eyes glides a fleeting shadow,
Which lurks around the mouth full of mockery.
It is there.
Deep in those eyes glides a fleeting shadow,
Which lurks around the mouth full of mockery.
It is there.
ZWAANHILDEWhat? You almost frighten me.
VALKYour name is Zwaanhilde?
ZWAANHILDEYes, you know that.
VALKBut do you know that name is ridiculous?
Do me the favor... throw it overboard!
Do me the favor... throw it overboard!
ZWAANHILDEOh, that would be arbitrary, improper...
VALKHm, "Zwaanhild"... "Zwaanhild"... (suddenly serious).
Why did you get
Such a memento mori even when you were little?
Why did you get
Such a memento mori even when you were little?
ZWAANHILDEDoes it sound ugly then?
First Act쪽 15 / 346
VALKNo, beautiful as a poem,
But far too grand, too severe for our times.
How can a girl of our days now
Understand what the name Zwaanhilde implies?
No, throw it away, like an outgrown garment.
But far too grand, too severe for our times.
How can a girl of our days now
Understand what the name Zwaanhilde implies?
No, throw it away, like an outgrown garment.
ZWAANHILDEYou are surely thinking of the legendary king's child?
VALKWho was innocently trampled by horses.
ZWAANHILDEBut our law no longer allows such a thing.
No, high in the saddle! In my quiet dreams
I rode, carried on a fiery steed,
Often far away, into the world with courage,
Its mane waving around me like a flag of freedom!
No, high in the saddle! In my quiet dreams
I rode, carried on a fiery steed,
Often far away, into the world with courage,
Its mane waving around me like a flag of freedom!
VALKThat's an old song. In those "quiet dreams"
None of us knows boundary or limit,
Then no one fears using the spurs;...
When it comes to deeds, we stay sweetly down here;
For everyone dearly loves life,
And no one wants to risk a leap to death.
None of us knows boundary or limit,
Then no one fears using the spurs;...
When it comes to deeds, we stay sweetly down here;
For everyone dearly loves life,
And no one wants to risk a leap to death.
(animatedly)
ZWAANHILDEYes, show me the goal, and I'll dare the leap.
But then the goal must be worth the leap to death.
A California after sandy deserts,...
If not, it's better to stay home.
But then the goal must be worth the leap to death.
A California after sandy deserts,...
If not, it's better to stay home.
(mockingly)
VALKOh yes, "the times" are surely to blame for that.
(warmly)
ZWAANHILDEYes, exactly, that's it! Why, when it's calm,
Launch the boat and hoist the sails?
Launch the boat and hoist the sails?
(ironically)
VALKYes, why wear out whip or sharp spurs,
When he who has the courage to go out into the world
And ride high in the saddle, boldly forging ahead,
Is not rewarded with a golden prize?
Such a journey, without purpose, is for the nobility,
But our time laughs at what is noble;
That's what I wanted to say, isn't it?
When he who has the courage to go out into the world
And ride high in the saddle, boldly forging ahead,
Is not rewarded with a golden prize?
Such a journey, without purpose, is for the nobility,
But our time laughs at what is noble;
That's what I wanted to say, isn't it?
ZWAANHILDEYes, that is true;
Look at that pear tree standing there,...
How withered and blossomless it is this year.
Last year, you should have seen it,
The whole tree bent under its burden of fruit.
Look at that pear tree standing there,...
How withered and blossomless it is this year.
Last year, you should have seen it,
The whole tree bent under its burden of fruit.
(a bit uncertain)
VALKI believe it gladly; but what am I to learn from that?
(archly)
First Act쪽 16 / 346
ZWAANHILDEOh, among other things, that for a Zacharias
Of our time, it is too much to expect to harvest pears
Where last year the tree bore too many flowers and fruits.
Of our time, it is too much to expect to harvest pears
Where last year the tree bore too many flowers and fruits.
VALKI knew it. You would find the trail again
In old romantic histories.
In old romantic histories.
ZWAANHILDEYes, our virtue is of a different kind.
Who still rises and fights for truth,
Who risks his skin and his personality?
Where does one find heroes?
Who still rises and fights for truth,
Who risks his skin and his personality?
Where does one find heroes?
(looks sharply at her)
VALKAnd where are the Valkyries?
(shakes head)
ZWAANHILDEValkyries are not needed in this country!
When the faith was recently threatened in Syria,
Did you then go there as a defender?
No, on paper you took the matter to heart.
And for the good cause you sent some money.
(Pause. Valk seems to want to answer, but restrains himself and goes into the garden).
When the faith was recently threatened in Syria,
Did you then go there as a defender?
No, on paper you took the matter to heart.
And for the good cause you sent some money.
(Pause. Valk seems to want to answer, but restrains himself and goes into the garden).
(looks at him for a moment, then approaches and asks softly)
ZWAANHILDEValk, are you angry?
VALKNo, I'm pondering;...
And nothing else.
And nothing else.
(pensively and sympathetically)
ZWAANHILDEYou have two characters...
Completely different...
Completely different...
VALKYes, I know that.
(passionately)
ZWAANHILDEBut why?
(exploding)
VALKBecause I cannot bear
To display my naked soul to everyone... like the profane masses,
Who parade their love on the street...
Like young women with their bare arms!
You were the only one,... you, Swanhild, you...
That I thought... but that too is over now...
To display my naked soul to everyone... like the profane masses,
Who parade their love on the street...
Like young women with their bare arms!
You were the only one,... you, Swanhild, you...
That I thought... but that too is over now...
(turns to her as she goes to the arbor and looks out).
VALKYou're listening...
ZWAANHILDETo another voice, which in the evening...
Hush! Do you hear?... speaks as the sun goes down.
A little bird, look, hides there
In the foliage,... there it comes out again...
And do you know what I firmly believe? She who
Was given no poet's soul, no singing voice,
Was given by God a little bird as a friend...
Created only for her and her garden.
Hush! Do you hear?... speaks as the sun goes down.
A little bird, look, hides there
In the foliage,... there it comes out again...
And do you know what I firmly believe? She who
Was given no poet's soul, no singing voice,
Was given by God a little bird as a friend...
Created only for her and her garden.
First Act쪽 17 / 346
(picks up a stone from the ground)
VALKThen man and animal must meet,
Lest his song be lost to a stranger.
Lest his song be lost to a stranger.
ZWAANHILDEYes, that is true; but I have found mine.
I was not given the gift of speech nor a singing voice;
There my little bird warbles in its green retreat,
There I feel songs descending into my soul...
Well yes... they do not stay... they fly away...
I was not given the gift of speech nor a singing voice;
There my little bird warbles in its green retreat,
There I feel songs descending into my soul...
Well yes... they do not stay... they fly away...
(Valk angrily throws the stone; Swanhild utters a cry).
ZWAANHILDEOh God! You hit him! How could you do it!
(runs to the right and returns immediately).
ZWAANHILDEOh that was bad, very bad!
(passionately excited)
VALKNo... eye for eye
And tooth for tooth, Swanhild, that was all!
Now you will get no more greetings from on high,
No more gifts from the land of songs.
That is my revenge now for what you did!
And tooth for tooth, Swanhild, that was all!
Now you will get no more greetings from on high,
No more gifts from the land of songs.
That is my revenge now for what you did!
ZWAANHILDEWhat I did?
VALKYes, you! Until this moment
A bold and strong bird sang in my breast.
Now the death knell can toll for both of them,...
You killed him!
A bold and strong bird sang in my breast.
Now the death knell can toll for both of them,...
You killed him!
ZWAANHILDEI?
VALKYes, when you defeated
My faith, so young, so joyful and triumphant...! (contemptuously).
When you got engaged!
My faith, so young, so joyful and triumphant...! (contemptuously).
When you got engaged!
ZWAANHILDEWhat do you mean?
VALKOh yes, that's certainly a very nice affair;
He takes exams, will soon be called,...
He wants to go to America...
He takes exams, will soon be called,...
He wants to go to America...
(in the same tone)
ZWAANHILDEAnd still has a nice little sum coming;...
For you must mean Lind, of course?
For you must mean Lind, of course?
VALKThat
You would know...
You would know...
(with suppressed laughter)
ZWAANHILDEYes, as a bride's sister,
That comes in handy...
That comes in handy...
VALKGod! Is it not you then...?
ZWAANHILDEWho reaped
Such immense happiness? Oh no, alas!
Such immense happiness? Oh no, alas!
(almost childishly happy)
First Act쪽 18 / 346
VALKIt is not you! Oh now praise be to God!
Oh, Our Lord is good and merciful!
I will not see you arm in arm with another...
He only wanted to light the lamp of sorrow...
Oh, Our Lord is good and merciful!
I will not see you arm in arm with another...
He only wanted to light the lamp of sorrow...
(wants to take her hand).
VALKOh Swanhild, listen, hear...
(points quickly to the background)
ZWAANHILDELook there!
(She goes to the house. At that moment, Mrs. Halm, Anna, Miss Ekster, Goudstad, Stuiver, and Lind approach from the background. During the preceding, the sun has set; the landscape lies in twilight).
(She goes to the house. At that moment, Mrs. Halm, Anna, Miss Ekster, Goudstad, Stuiver, and Lind approach from the background. During the preceding, the sun has set; the landscape lies in twilight).
(to Swanhild)
MRS. HALMThe pastor will be here soon now.
Where were you?
Where were you?
(with a glance at Valk)
MISS EKSTERYou look dumbfounded.
ZWAANHILDEI have a headache; it will pass.
MRS. HALMAnd you walk around here with your head uncovered?
Now put on the tea and tidy the room;
It must be perfect; I know the lady.
Now put on the tea and tidy the room;
It must be perfect; I know the lady.
(Swanhild goes into the house).
(to Valk)
STUIVERDo you know what Strooman wants in the House?
VALKI don't think he'll vote for the increase.
STUIVERBut if he were given a gentle hint
That I keep verses hidden in my writing case?
That I keep verses hidden in my writing case?
VALKMaybe that would help.
STUIVEROh if only it were true... because really
It's urgent, now that it comes to marriage.
The cares of love are not easily counted!
It's urgent, now that it comes to marriage.
The cares of love are not easily counted!
VALKServes you right: why get into such a hornet's nest!
STUIVERSo you call love that?
VALKNo, but marriage,
With bonds, loss of freedom, and slave life.
With bonds, loss of freedom, and slave life.
(seeing that Miss Ekster approaches)
STUIVERYou don't know what a wonderful capital
Lies in a woman's word and in her spirit.
Lies in a woman's word and in her spirit.
(softly)
MISS EKSTERDo you think Goudstad will give an advance?
(grumpily)
STUIVERI'm not sure yet; I'll try.
First Act쪽 19 / 346
(muffled to Valk as he approaches with Anna)
LINDI can't stand it any longer; I must now
Tell everyone at once...
Tell everyone at once...
VALKInstead of keeping quiet,
And not telling the uninitiated
What only concerns you...
And not telling the uninitiated
What only concerns you...
LINDThat's fine talk!...
For you, my friend, also a guest in this house,
I should hide my young happiness!
No, now that my head is ablaze with joy...
For you, my friend, also a guest in this house,
I should hide my young happiness!
No, now that my head is ablaze with joy...
VALKNow you want to get yourself angry too?
Yes, good dear friend, if that is your opinion,
Then go ahead and tell your engagement!
Yes, good dear friend, if that is your opinion,
Then go ahead and tell your engagement!
LINDThat's what I thought, for more than one reason,
And one of them seems to me of some weight;
Suppose that among us there might be
A silent admirer, creeping around her;
Suppose he suddenly came with marriage plans
And proposed for her hand... how embarrassing that would be...!
And one of them seems to me of some weight;
Suppose that among us there might be
A silent admirer, creeping around her;
Suppose he suddenly came with marriage plans
And proposed for her hand... how embarrassing that would be...!
VALKYou're right; yes, I forgot entirely
That you feel destined for something higher.
From the free priest of love that you are now,
Sooner or later you must be promoted;
But it is even against all forms
To present yourself now as a high-priest.
That you feel destined for something higher.
From the free priest of love that you are now,
Sooner or later you must be promoted;
But it is even against all forms
To present yourself now as a high-priest.
LINDYes, you see, if not Goudstad...
VALKWhat about him?
(embarrassed)
ANNAOh, that's something Lind has put into his head.
LINDDon't say that; I feel he steps between
My new happiness and me, wherever he can.
That fellow comes here daily, after all,
Is rich and single, always around;
In short, my dearest, there is still so much
That can only bode ill for us.
My new happiness and me, wherever he can.
That fellow comes here daily, after all,
Is rich and single, always around;
In short, my dearest, there is still so much
That can only bode ill for us.
(with a sigh)
ANNAOh what a pity, it was so beautiful today!
(sympathetically to Lind)
VALKDon't let happiness slip away through gloomy whims,
Wait a bit... don't expose yourself needlessly.
Wait a bit... don't expose yourself needlessly.
ANNAOh! Miss Ekster is looking at us; say no more!
(She and Lind exit, each to a different side)
(looks after Lind)
First Act쪽 20 / 346
VALKThere he goes and kills his own youth.
GOUDSTAD (who has been standing by the steps in conversation with Mrs. Halm and Miss Ekster, now approaches and taps him on the shoulder).
Well, are you standing here brooding over a song?
GOUDSTAD (who has been standing by the steps in conversation with Mrs. Halm and Miss Ekster, now approaches and taps him on the shoulder).
Well, are you standing here brooding over a song?
VALKNo, over a drama.
GOUDSTADOh? Well, that's even better!...
I didn't think you were into that too.
I didn't think you were into that too.
VALKNo, this is actually for someone else,
A friend of mine, yes, of both of us;...
A writer of particular skill,
For between noon and evening
He has already finished a whole idyll.
A friend of mine, yes, of both of us;...
A writer of particular skill,
For between noon and evening
He has already finished a whole idyll.
(craftily)
GOUDSTADWith a happy ending, right?
## You know well that the curtain only falls when they get each other. But that is only one of his three pieces: Next come the writer's woes, As number two, the farce of the engagement, Treated through five acts. And from this he spins new material For the marriage drama, which is the third
## You know well that the curtain only falls when they get each other. But that is only one of his three pieces: Next come the writer's woes, As number two, the farce of the engagement, Treated through five acts. And from this he spins new material For the marriage drama, which is the third
(smiling)
GOUDSTADThe writing urge seems contagious.
VALKOh? How so?
GOUDSTADI mean only insofar
As I too am walking around brooding over a poem,...
As I too am walking around brooding over a poem,...
(mysteriously).
GOUDSTADBut very realistic and extremely practical.
VALKWho is the hero, if I may ask?
GOUDSTADI'll tell you tomorrow, but not before.
VALKThen it's you yourself!
GOUDSTADDo you think I'd be suitable for that?
VALKA better hero truly could not be found.
But the heroine then? She surely lives in the country,
In the open air, not in a stuffy city?
But the heroine then? She surely lives in the country,
In the open air, not in a stuffy city?
(wags a finger)
GOUDSTADThere's the rub... I must not reveal that!...
(changes tone).
GOUDSTADTell me, what do you think of Miss Halm?
VALKOh, you must certainly know her much better;
My judgment can mean neither ill nor good...
My judgment can mean neither ill nor good...
(smiling).
First Act쪽 21 / 346
VALKBut be careful that it doesn't go wrong
With that poem you told me about.
Suppose I abuse your trust
And ruin the outcome and the plot.
With that poem you told me about.
Suppose I abuse your trust
And ruin the outcome and the plot.
(amiably)
GOUDSTADWell then, I would just say amen to that.
VALKDo you mean that?
GOUDSTADYou are a man of the profession, after all;
And it would be absurd to spurn your help
By someone who, like me, is only a dilettante (goes to the background).
And it would be absurd to spurn your help
By someone who, like me, is only a dilettante (goes to the background).
(to Lind as he passes)
VALKYou were right; that rich man is walking around
With murderous plans against your happiness, hear? (withdraws).
With murderous plans against your happiness, hear? (withdraws).
(softly to Anna)
LINDNow you see, I wasn't afraid for nothing;
We really must speak to your mother at once.
(They go to Mrs. Halm, who is standing with Miss Ekster by the house).
We really must speak to your mother at once.
(They go to Mrs. Halm, who is standing with Miss Ekster by the house).
(talking with Stuiver)
GOUDSTADWhat a wonderfully beautiful evening.
STUIVEROh certainly, yes,
If only there's the right mood...
If only there's the right mood...
(jokingly)
GOUDSTADSomething wrong
With your love, perhaps?
With your love, perhaps?
STUIVERNot exactly with that...
(who has joined them)
VALKBut with the engagement?
STUIVERMaybe it is that.
VALKHurray, then you are not entirely devoid
Of any spark of poetry, fortunately.
Of any spark of poetry, fortunately.
(offended)
STUIVERI don't understand what my engagement
Or myself have to do with poetry.
Or myself have to do with poetry.
VALKYou shouldn't understand that either; if love
Knows its own nature, then it must die.
Knows its own nature, then it must die.
(to Stuiver)
GOUDSTADBut if there is something I can help you with,
Then just say so.
Then just say so.
STUIVERYes, all day I have been
Thinking how I could tell you the matter,
But I couldn't come to a good decision.
Thinking how I could tell you the matter,
But I couldn't come to a good decision.
VALKI'll help you and make it short:
Since you were promoted to an "intended,"
You feel oppressed and more and more oppressed...
Since you were promoted to an "intended,"
You feel oppressed and more and more oppressed...
First Act쪽 22 / 346
STUIVERYes, that was sometimes quite bad...
(continuing)
VALKAnd actually went bowed down under obligations
That drove you to hell, if you could;
That's the matter.
That drove you to hell, if you could;
That's the matter.
STUIVERWhat kind of fabrications are those!
I have extended, as an honest man. (to Goudstad).
But it gets worse every month.
And one does take a wife when one marries...
I have extended, as an honest man. (to Goudstad).
But it gets worse every month.
And one does take a wife when one marries...
(cheerfully)
VALKNow the sky of your youth is bright again,
This was an echo from your poet days!
That's how it should be; I understood it at once;
You needed a pair of wings and a pair of scissors!
This was an echo from your poet days!
That's how it should be; I understood it at once;
You needed a pair of wings and a pair of scissors!
STUIVERScissors?
VALKA will-scissors, yes, to cut all bonds
Loose again, so you could fly out
Again free and bold...
Loose again, so you could fly out
Again free and bold...
(angry)
STUIVERNo, that's going too far!
That I am accused of such a crime
Against authority, that I would just sneak away?
Such a thing is a stain on my honor
And slanderous talk!
That I am accused of such a crime
Against authority, that I would just sneak away?
Such a thing is a stain on my honor
And slanderous talk!
VALKMan, are you crazy?
What do you want to say then? Speak... speak!
What do you want to say then? Speak... speak!
(laughing to Stuiver)
GOUDSTADYes, try to think the matter through clearly.
What did you want then?
What did you want then?
(calms down again)
STUIVERA loan from the savings bank.
VALKA loan!
(quickly to Goudstad)
STUIVERI mean an endorsement
For about a hundred thalers or so.
For about a hundred thalers or so.
(who has been standing with Mrs. Halm, Lind, and Anna)
MISS EKSTERHow nice! Oh! Well, good luck, children!
GOUDSTADWhat's this? (goes to the ladies).
STUIVERThat came at an inconvenient time.
(throws his arms around his neck exuberantly)
VALKHurray, fanfares proclaim loudly
That Amor has brought you a little brother.
That Amor has brought you a little brother.
(pulls him along to the others).
(overwhelmed to the gentlemen)
MISS EKSTEROh, Lind and Anna,... Lind has got her!
They are engaged!
They are engaged!
First Act쪽 23 / 346
(with tears of emotion, while the couple is congratulated)
MRS. HALMThat's the eighth,
Who leaves this house well cared for and happy;... (turning to Valk).
Seven nieces... all with guests... (her emotion overcomes her; she holds her handkerchief to her eyes).
Who leaves this house well cared for and happy;... (turning to Valk).
Seven nieces... all with guests... (her emotion overcomes her; she holds her handkerchief to her eyes).
(to Anna)
MISS EKSTERNow there will be many visits.
(caresses her, very moved).
(grasps Valk's hands)
LINDOh friend, I live as in a dizzying ecstasy!
VALKHush;... as an engaged person you have become a member
Of the spiritual temperance society;
You know the commandment:... no revelries here!
Of the spiritual temperance society;
You know the commandment:... no revelries here!
(turns to Goudstad with somewhat malicious sympathy).
VALKNow Mr. Goudstad?
(pleased)
GOUDSTADWell, I would dare to think
That this happiness promises well for both of them.
That this happiness promises well for both of them.
(looks at him in wonder)
VALKYou bear your sorrow with praiseworthy composure.
That pleases me.
That pleases me.
GOUDSTADWhat do you mean, my dear fellow?
VALKI mean that since you yourself nurtured
A sweet hope...
A sweet hope...
GOUDSTADDid I? Indeed?
VALKYou were at least well on the way;
You mentioned Miss Halm; you stood there
And asked me...
You mentioned Miss Halm; you stood there
And asked me...
(smiling)
GOUDSTADYes, but are there not two?
VALKSo it's the other one you mean... her sister?
GOUDSTADHer sister, yes, the other one,... exactly, that's her.
First get to know that sister a little better,
And judge for yourself whether she does not deserve
That more work be done with her
Than is usually done in this house.
First get to know that sister a little better,
And judge for yourself whether she does not deserve
That more work be done with her
Than is usually done in this house.
(coolly)
VALKShe has all the good qualities.
GOUDSTADNot all yet: the conversational tone
She cannot grasp; she falls short there...
She cannot grasp; she falls short there...
VALKYes, that's too bad.
GOUDSTADBut if Mrs. Halm brings her out
For one winter, I bet she will be inferior to none.
For one winter, I bet she will be inferior to none.
First Act쪽 24 / 346
VALKYes, that is probably so.
GOUDSTADYes, it's amazing with young girls!
(cheerfully)
VALKThey are like winter rye in the field;
They sprout unnoticed in frost and snow.
They sprout unnoticed in frost and snow.
GOUDSTADThe ballroom is their home from Christmas onward...
VALKThere the manure goes on... scandals, gossip...
GOUDSTADAnd when the warm spring air comes...
VALKThen little green ladies appear!
(comes to them and grasps Valk's hands)
LINDWell, was it wise that I took that step...
I feel so happy and so calm!
I feel so happy and so calm!
GOUDSTADBehold the bridegroom; now tell us
How one acts as a newly engaged lover!
How one acts as a newly engaged lover!
(unpleasantly affected)
LINDOne does not speak of that with a third party.
(jokingly)
GOUDSTADIn a bad mood? I'll tell Anna. (goes to the ladies).
(looks after him)
LINDIs that a question? That man is insufferable!
VALKBut you were mistaken about him,...
LINDOh come?
VALKIt wasn't Anna he had in mind.
LINDWhat! Was it Swanhild?
VALKYes, I can't say that. (waggishly)
Forgive me, you suffered for someone else!
Forgive me, you suffered for someone else!
LINDWhat do you mean?
VALKTell me, have you read the newspaper?
LINDNo.
VALKI'll send you the paper;
There's something in it about someone whose fate
Pulled his good, healthy eyetooth
Because a nephew of his suffered from toothache.
There's something in it about someone whose fate
Pulled his good, healthy eyetooth
Because a nephew of his suffered from toothache.
(looks out the window)
MISS EKSTEROh, here comes the pastor!
MRS. HALMHow many are they?
STUIVERFive, six... eight children.
VALKThat's excessive!
First Act쪽 25 / 346
MISS EKSTEROh, such a thing is almost indecent!
(Meanwhile, a carriage is heard stopping to the left outside. The pastor, his wife, and eight little girls, all in traveling clothes, enter one by one).
(Meanwhile, a carriage is heard stopping to the left outside. The pastor, his wife, and eight little girls, all in traveling clothes, enter one by one).
(rushes to meet the newcomers)
MRS. HALMWelcome, hearty welcome!
STROOMANThank you.
MRS. STROOMANOh, you surely have guests...
MRS. HALMOh no!
MRS. STROOMANFor if we come at an inconvenient time...
MRS. HALMNo... on the contrary;
You come just in time, for just think,
My daughter Anna has just become engaged.
You come just in time, for just think,
My daughter Anna has just become engaged.
(shakes Anna's hand with unction)
STROOMANLet me testify;... love,... communion of souls...
That is a treasure that neither moth nor rust
Can corrupt... if it is genuine, that is.
That is a treasure that neither moth nor rust
Can corrupt... if it is genuine, that is.
MRS. HALMHow nice that you brought all the little ones
Into town.
Into town.
STROOMANThere are four more
Who stayed behind in the country.
Who stayed behind in the country.
MRS. HALMOh really?
STROOMANThree of them are too small to understand
What it is to miss a loving father's heart
For the sake of the kingdom.
What it is to miss a loving father's heart
For the sake of the kingdom.
(to Mrs. Halm as she takes leave)
MISS EKSTERNow I will leave you.
MRS. HALMOh, why are you leaving so soon?
MISS EKSTERI still have to tell the news in town;
At Jensen's, I know, they go to bed late;
The aunts will be happy, that goes without saying.
My dear Anna, don't be shy any longer...
For tomorrow is Sunday; with visits
You will be flooded, you can count on that!
At Jensen's, I know, they go to bed late;
The aunts will be happy, that goes without saying.
My dear Anna, don't be shy any longer...
For tomorrow is Sunday; with visits
You will be flooded, you can count on that!
MRS. HALMWell, safe home then! (to the others).
And you would surely like
A cup of tea? Madam, be so kind!
(Mrs. Halm, Strooman, his wife and children, with Goudstad, Lind, and Anna go into the house).
And you would surely like
A cup of tea? Madam, be so kind!
(Mrs. Halm, Strooman, his wife and children, with Goudstad, Lind, and Anna go into the house).
(taking Stuiver's arm)
MISS EKSTERNow we shall be sentimental! Stuiver, look here,
How Luna rests floating among the clouds!
But no, you don't even look!
How Luna rests floating among the clouds!
But no, you don't even look!
First Act쪽 26 / 346
STUIVEROh yes, of course!
I was just thinking about our debit.
(They exit to the left. Valk, who during the preceding has been watching Strooman and his wife intently, remains alone in the garden. It is now completely dark; lights are on in the house).
I was just thinking about our debit.
(They exit to the left. Valk, who during the preceding has been watching Strooman and his wife intently, remains alone in the garden. It is now completely dark; lights are on in the house).
VALKEverything burnt and dead;... comfortless misery!
Thus they go through life, two by two,
Together they stand like the black trunks
That a forest fire left on the barren heath;...
As far as the eye can see, it is bare plain...
Oh, won't anyone bring the fresh green of life!
(Swanhild comes onto the veranda with a blooming rose bush which she places on the balustrade).
That one... yes...!
Thus they go through life, two by two,
Together they stand like the black trunks
That a forest fire left on the barren heath;...
As far as the eye can see, it is bare plain...
Oh, won't anyone bring the fresh green of life!
(Swanhild comes onto the veranda with a blooming rose bush which she places on the balustrade).
That one... yes...!
ZWAANHILDEValk, are you standing there in the dark?
VALKAnd not afraid? No, the dark is beautiful.
But tell me, aren't you afraid in there,
Where the lamplight falls on the pale corpses...
But tell me, aren't you afraid in there,
Where the lamplight falls on the pale corpses...
ZWAANHILDEOh fie!
(looks at Strooman, who appears at the window)
VALKWhat high courage he once had;
Fought for his love against the whole world,
Took the field against custom and usage.
His love he expressed in joyful songs...!
Look at him now! In a long coat... his best...
The walking drama of his deep fall!
And then that woman, with her faded dress,
With worn-out shoes, loose and flapping,
She is the fairy who was to lead him into the great world
To a life of beauty.
What remains of that flame? Not even the smoke!
Sic transit gloria Amoris, you see!
Fought for his love against the whole world,
Took the field against custom and usage.
His love he expressed in joyful songs...!
Look at him now! In a long coat... his best...
The walking drama of his deep fall!
And then that woman, with her faded dress,
With worn-out shoes, loose and flapping,
She is the fairy who was to lead him into the great world
To a life of beauty.
What remains of that flame? Not even the smoke!
Sic transit gloria Amoris, you see!
ZWAANHILDEOh yes, it's miserably wretched, everything.
I don't know a person whose fate I would want to share.
I don't know a person whose fate I would want to share.
(quickly)
VALKWell then, we two stand against an order
That is contrary to nature, false!
That is contrary to nature, false!
(shakes head)
ZWAANHILDEThen our union would surely be wrong,
As surely as we stand here on the ground.
As surely as we stand here on the ground.
First Act쪽 27 / 346
VALKNo, it will be triumph when two strive together.
We no longer want to be members
Of the community of flat commonplace!
To develop independently, truly and freely
Must surely be the goal of a serious person.
You have seen that as well as I.
There beats a life of soul in your pulse
That finds warm words for powerful thought.
You do not tolerate the corset of formality
Squeezed around the heart that wants to beat freely and spaciously;
Your voice is not suited to sing along
In the choir of habit, to the measure of custom.
We no longer want to be members
Of the community of flat commonplace!
To develop independently, truly and freely
Must surely be the goal of a serious person.
You have seen that as well as I.
There beats a life of soul in your pulse
That finds warm words for powerful thought.
You do not tolerate the corset of formality
Squeezed around the heart that wants to beat freely and spaciously;
Your voice is not suited to sing along
In the choir of habit, to the measure of custom.
ZWAANHILDEAnd don't you think that many a time sorrow
Has darkened my eye, oppressed my breast?
I wanted to make my own way...
Has darkened my eye, oppressed my breast?
I wanted to make my own way...
VALKYes, in thought, silently?
ZWAANHILDENo, in deed.
Then came aunts with their good advice,...
They had to deliberate, weigh, consider... (closer).
But in thought, you say; no, I ventured
A bold attempt even... I went to learn painting.
Then came aunts with their good advice,...
They had to deliberate, weigh, consider... (closer).
But in thought, you say; no, I ventured
A bold attempt even... I went to learn painting.
VALKAnd then?
ZWAANHILDEIt went wrong, because I had no talent;
But still my urge for freedom would not be bound;
And afterwards I sought the boards of the theatre...
But still my urge for freedom would not be bound;
And afterwards I sought the boards of the theatre...
VALKThat plan must have met with opposition?
ZWAANHILDEYes, it was mainly my eldest aunt;
She would rather see me go as a governess...
She would rather see me go as a governess...
VALKBut of all that I have never heard!
ZWAANHILDENaturally not; they saw to that. (with a smile).
They were afraid it would be bad for my future
If young gentlemen found out.
They were afraid it would be bad for my future
If young gentlemen found out.
(looks at her sympathetically for a moment)
First Act쪽 28 / 346
VALKI long suspected that your fate must be thus...
I saw at once when I first met you,
How little you resembled the others,
And how no one really understood you.
Around the table they all sat,
With cups of tea,... and the conversations hummed,
The ladies blushed and the gentlemen cooed
Like tame doves on a summer day.
And about religion, even morality,
Girls and matrons chattered,
And domesticity was celebrated by young women,
While you sat alone, as if completely isolated.
And when the babble finally rose
To a frenzy, a tea-and-prose bacchanal,...
Then you shone like silver, a noble coin,
As if lost among copper and paper.
You were a gold piece from a distant land
That was valued here at a different rate,
And barely current in light conversation,
Where verses, butter, art and the like
Were treated... just then Miss Ekster spoke...
I saw at once when I first met you,
How little you resembled the others,
And how no one really understood you.
Around the table they all sat,
With cups of tea,... and the conversations hummed,
The ladies blushed and the gentlemen cooed
Like tame doves on a summer day.
And about religion, even morality,
Girls and matrons chattered,
And domesticity was celebrated by young women,
While you sat alone, as if completely isolated.
And when the babble finally rose
To a frenzy, a tea-and-prose bacchanal,...
Then you shone like silver, a noble coin,
As if lost among copper and paper.
You were a gold piece from a distant land
That was valued here at a different rate,
And barely current in light conversation,
Where verses, butter, art and the like
Were treated... just then Miss Ekster spoke...
(quasi-seriously)
ZWAANHILDEWhile her lover, like a bold knight,
His hat in his arms like a shield, stood there...
His hat in his arms like a shield, stood there...
VALKThen across the table your mother nodded:
"Come, Swanhild, do drink, your tea is getting cold."
And sweetly you drank your tea, the weak, insipid,
As they all, young and old, did.
But at once that name struck and seized me;
The wild Völsung saga, gruesome, cruel,
With all its long line of slain knights,
Seemed to reach into our time to me then;
I saw in you a second Swanhild,
Renewed and in a different form.
The flag of lies had to cover the right to war
In former times, now the people themselves demand justice and peace;
But if someone sins against our customs,
Then he must atone innocently for his lineage.
"Come, Swanhild, do drink, your tea is getting cold."
And sweetly you drank your tea, the weak, insipid,
As they all, young and old, did.
But at once that name struck and seized me;
The wild Völsung saga, gruesome, cruel,
With all its long line of slain knights,
Seemed to reach into our time to me then;
I saw in you a second Swanhild,
Renewed and in a different form.
The flag of lies had to cover the right to war
In former times, now the people themselves demand justice and peace;
But if someone sins against our customs,
Then he must atone innocently for his lineage.
(slightly ironic)
ZWAANHILDEI certainly did not think that from tea vapor
Such bloody fantasizing could arise;
But for you it is a small art
Where wit is lacking, still to see spirits rise.
Such bloody fantasizing could arise;
But for you it is a small art
Where wit is lacking, still to see spirits rise.
(moved)
First Act쪽 29 / 346
VALKNo, do not laugh, Swanhild; I hear that you mock
With tears in your voice,... oh I see it well.
And more I see;... if you are trampled in the dust,
Your own free being kneaded like clay,
Then many a bungler will soon come
With the modeling knife, clumsy and stupid and rough.
They will ape God's creation
To reshape you in their own image,
Changed, padded, diminished, unrecognizable.
And when you can be displayed like that,
Then they exult: "Look, now she is normal!
Look at that plastic repose, cool as marble!
Illuminated by the light of lamps and chandeliers,
She is as if created for salon décor!"
With tears in your voice,... oh I see it well.
And more I see;... if you are trampled in the dust,
Your own free being kneaded like clay,
Then many a bungler will soon come
With the modeling knife, clumsy and stupid and rough.
They will ape God's creation
To reshape you in their own image,
Changed, padded, diminished, unrecognizable.
And when you can be displayed like that,
Then they exult: "Look, now she is normal!
Look at that plastic repose, cool as marble!
Illuminated by the light of lamps and chandeliers,
She is as if created for salon décor!"
(seizes her hand passionately).
VALKBut if you must die, then live first!
First be mine free in God's nature;
Soon enough you will come into a gilded cage;
There the lady thrives, but the woman languishes,
And it is her alone I love. Another may
Then one day lead you into his house;
But here, here my spring has blossomed,...
My first song sprang here from my soul.
Here I got wings;... here, if you support me,
I know it, Swanhild,... here, here I become a poet!
First be mine free in God's nature;
Soon enough you will come into a gilded cage;
There the lady thrives, but the woman languishes,
And it is her alone I love. Another may
Then one day lead you into his house;
But here, here my spring has blossomed,...
My first song sprang here from my soul.
Here I got wings;... here, if you support me,
I know it, Swanhild,... here, here I become a poet!
ZWAANHILDE(softly reproachful as she withdraws her hand).
Oh why do you tell me all that now?
It was so beautiful to meet each other freely.
Is it then so necessary to support happiness
With words of promise, so that it does not break!
You have spoken and now it is over.
Oh why do you tell me all that now?
It was so beautiful to meet each other freely.
Is it then so necessary to support happiness
With words of promise, so that it does not break!
You have spoken and now it is over.
VALKNo, I pointed you to a goal, now leap over it.
My proud Swanhild,... if you dare to leap.
Be brave, if you have the courage to be free!
My proud Swanhild,... if you dare to leap.
Be brave, if you have the courage to be free!
ZWAANHILDETo be free?
First Act쪽 30 / 346
VALKYes, that is true freedom:
To do what our innermost being drives us to do;
And I know that you are appointed by God
To prevent my fall from beauty.
I must, like my namesake the bird,
Head into the wind, into the air, if I am to rise.
You are the breeze on which I let myself be rocked,
With you I first get lift in my wings.
Oh be mine, before you get the world,...
And when the leaves fall, then our paths will part.
Sing your soul's treasures into my soul,
And song for song I will richly return them...
Then you can go under, calmly, quietly,
Like leaves withering, without pain or complaint.
To do what our innermost being drives us to do;
And I know that you are appointed by God
To prevent my fall from beauty.
I must, like my namesake the bird,
Head into the wind, into the air, if I am to rise.
You are the breeze on which I let myself be rocked,
With you I first get lift in my wings.
Oh be mine, before you get the world,...
And when the leaves fall, then our paths will part.
Sing your soul's treasures into my soul,
And song for song I will richly return them...
Then you can go under, calmly, quietly,
Like leaves withering, without pain or complaint.
(with suppressed bitterness)
ZWAANHILDEI cannot thank you for your good will,
Although it clearly shows your disposition.
For you regard me like a child the willow
That it calmly cuts into a one-day whistle.
Although it clearly shows your disposition.
For you regard me like a child the willow
That it calmly cuts into a one-day whistle.
(after a pause)
VALKAnd yet you know that I am not so heartless
As to break a living branch, because my thoughts
Go in and out of the woods in winter,
And the echo of storms hurries past my ear.
But in the summer, when the sun warms the trunk,
Then I can hear the life singing in the wood.
Then I tread carefully on the mossy ground,
And if a leaf falls, it is with my permission.
But now my winter is over; I feel
A new springtime rising in my breast.
And do you know what I ask of you, Swanhild?
As to break a living branch, because my thoughts
Go in and out of the woods in winter,
And the echo of storms hurries past my ear.
But in the summer, when the sun warms the trunk,
Then I can hear the life singing in the wood.
Then I tread carefully on the mossy ground,
And if a leaf falls, it is with my permission.
But now my winter is over; I feel
A new springtime rising in my breast.
And do you know what I ask of you, Swanhild?
(looking at him expectantly)
ZWAANHILDENo.
VALKThat you will keep yourself free for me this summer,
Until the leaves fall. Then we shall see.
If you are then still what you are now,
And I am what I am,... then perhaps,... I cannot say more.
But if you are bound, then I am bound too.
Now you know my condition. Answer me!
Until the leaves fall. Then we shall see.
If you are then still what you are now,
And I am what I am,... then perhaps,... I cannot say more.
But if you are bound, then I am bound too.
Now you know my condition. Answer me!
(shakes her head slowly)
ZWAANHILDEI cannot bind myself in that way either.
You must not ask that of me. It is not right.
You must not ask that of me. It is not right.
VALKNot right? Why not?
ZWAANHILDEBecause it is not right to bargain with hearts.
VALKThen you refuse?
(after a short silence)
First Act쪽 31 / 346
ZWAANHILDEI do not refuse, but I cannot promise.
VALKBut then what will happen?
ZWAANHILDELet it happen as it will. I cannot shape my life
According to your poems.
According to your poems.
VALKThen there is no hope for me?
ZWAANHILDEHope? I do not know. I do not understand you.
(goes toward the house, but turns back)
ZWAANHILDEGood night, Valk.
First Act쪽 32 / 346
(stands a moment, then goes slowly into the house. Valk remains alone).
::dialogue speaker="VALK"
Now, that's better than standing in the water
Until autumn shrouds it in grey mist. (vehemently).
You must! You shall! Yes more, it is your duty
To grant me what you so richly received.
What you dream there becomes a song in me!
See the bird I killed... foolish...
That was for you a source of song's delight...
Oh, do not refuse; sing for me as it did...
My life becomes for you one poem!
::
::dialogue speaker="ZWAANHILDE"
And when you then know me and I am empty,
When I have sung my last song...
What then?
::
::stage
(looks at her)
::
::dialogue speaker="VALK"
What then? Think then of what he did. (points into the garden).
::
::stage
(softly)
::
::dialogue speaker="ZWAANHILDE"
Oh yes, I know, you can throw stones.
::
::stage
(laughs mockingly)
::
::dialogue speaker="VALK"
See there that freedom-spirit you boast of...
That would dare everything for a visible goal! (with force).
I showed you the goal; now give an answer that
Will satisfy me forever.
::
::dialogue speaker="ZWAANHILDE"
That you already know:
On that path I can never approach you.
::
::stage
(coldly dismissive)
::
::dialogue speaker="VALK"
Well then it's over; stay in your world then.
ZWAANHILDE (has silently turned away from him. She places her hands on the balustrade and rests her head on them).
VALK (paces back and forth a few times, lights a cigar, stops close to her and says after a pause):
You surely find it extremely ridiculous
What I have told you this evening? (pauses, waiting for an answer; Zwaanhilde is silent).
I went too far, I see that well;
You feel only as a sister or a daughter;...
I'll speak with gloves on from now on
Then we will best understand each other... (waits a moment; but as Zwaanhilde remains motionless, he turns and goes to the right).
ZWAANHILDE (lifts her head after a silence, looks intently at him and comes closer).
Now I want to say a serious word to you
In thanks for having wanted to save me.
You used an image that suddenly helped me understand your "ascent."
I saw you as a falcon, who must rise
Head into the wind; to reach the heights.
I was the zephyr that carried you upward,...
And without me your striving was powerless...
How pitiful! How unspeakably small!...
Laughable even, as you yourself realized.
Yet your image did not fall on barren ground;
For before my eye another arose,
That does not, like the first, limp and hobble.
I saw you, not as a falcon, but as a kite,
As a poet's kite, made of paper,
Whose own self is and remains a side issue,
While the towline is the main thing.
The broad front was written, dense,
With future drafts on poetic gold;
And each wing a bundle of epigrams,
That flapped in the wind, but hit no one;
The long tail was a modern poem
That wanted to scourge the faults of our time,
But could only softly whisper
Of someone or other who neglected his duty.
So you lay powerless before me, and you asked:
"Oh, set me up in the west or the east!
Oh, drive me with my songs into the air,
Even if it costs you your mother's anger!"
::
::stage
(clasps her hands together in violent emotion)
::
::dialogue speaker="VALK"
By God, that's all true...!
::
::dialogue speaker="ZWAANHILDE"
No, thank you,
I am too big for that kind of child's play;
But you, born for high spiritual work,...
You,... are content to fly to the clouds,
And bind your poet's life to a thread,
Which I, when I wish, can let slip.
::
::stage
(quickly)
::
::dialogue speaker="VALK"
What day is it today?"
::
::stage
(softer)
::
::dialogue speaker="ZWAANHILDE"
Look, that's fine;
Let this day be a date for you;
From now on trust your own wingbeat,
And let it then bend or break.
Paper songs belong in the folder,
The living ones are property of life;
And only those are current on the heights.
So choose which of the two you want. (closer to him).
Now I did what you asked me earlier:
I sang my last song from the depths of my heart;
And it was my only one; now I am empty;
If you want, throw a stone at me!
(She goes into the house; Valk remains motionless and watches her; far away on the water a boat is seen; from it is heard in the distance and muffled the following:)
::
::dialogue speaker="CHOIR"
Hoisted the sails, in gliding undulation
Like an eagle soared over world sea-level;
And behind us remain the flocks of stormbirds.
Reason is only ballast... overboard with it at once!
Perhaps my little boat will soon run aground,
But it is still so glorious to sail!
::
::stage
(absent-mindedly... awakens from his thoughts)
::
::dialogue speaker="VALK"
Singing? Oh yes,... it's certainly Lind's quartet.
(to Goudstad, who comes out with a light overcoat over his arm).
Well, Mr. Goudstad,... are you sneaking away so quietly?
::
::dialogue speaker="GOUDSTAD"
Yes. Let me first put on my coat;
We non-poets don't like drafts;
We catch cold from the evening air.
Goodnight!
::
::dialogue speaker="VALK"
Oh, before you go a single word!
Point me to something to do, but preferably something great...!
Something that makes an impact...!
::
::stage
(with mocking emphasis)
::
::dialogue speaker="GOUDSTAD"
... Well, just reach into life
Then you will see, you will grasp life well.
::
::stage
(looks at him thoughtfully and says slowly)
::
::dialogue speaker="VALK"
There in short is the program given. (lively)
Now I am awake from my empty dreaming,
Now I have thrown the dice of life,
And you will see... the devil take me...
::
::dialogue speaker="GOUDSTAD"
Hey!
Don't swear; you won't scare off a fly with that.
::
::dialogue speaker="VALK"
No, not words, but deeds, only deeds!
I now turn the Creator's work plan upside down;...
Six long days I did nothing but yawn;
My world-building work still lies unbuilt;...
But tomorrow, Sunday—then I will create!
::
::stage
(laughing)
::
::dialogue speaker="GOUDSTAD"
Yes, let's see how vigorously you tackle it then;
But first go get some sleep; good night!
(exits left. Zwaanhilde becomes visible in the room above the veranda; she closes the window and lowers the curtain).
::
::dialogue speaker="VALK"
No, deeds now! Too long have I slept. (looks up at Zwaanhilde's window and bursts out as if seized by great emotion).
Goodnight! Goodnight! Sleep well and dream tonight;
And tomorrow, Zwaanhild, we two will be engaged. (goes quickly away to the right; from the water is heard again):
::
::dialogue speaker="CHOIR"
Perhaps my little boat will soon run aground,
But it is still so glorious to sail!
::
::stage
(The boat glides slowly away while the curtain falls).
::
First Act쪽 33 / 346
END OF THE FIRST ACT
Second Act쪽 34 / 346
Second Act
Sunday afternoon. Finely dressed ladies and gentlemen are drinking coffee on the veranda. Through the open glass doors, several guests are visible inside the garden room; from there the following is heard:
CHORUSWelcome, betrothed, on this day!
Openly you may now be in love,
Embrace each other, blow upon blow,
Kiss as much as you like... it's allowed!...
No eavesdropper need you fear.
Now you can dote to your heart's content,
Everywhere together, outside and in.
Now you can nurture your love in peace,
Let it grow and rest in calm;
Show now how you can love!
Openly you may now be in love,
Embrace each other, blow upon blow,
Kiss as much as you like... it's allowed!...
No eavesdropper need you fear.
Now you can dote to your heart's content,
Everywhere together, outside and in.
Now you can nurture your love in peace,
Let it grow and rest in calm;
Show now how you can love!
(in the room)
MISS EKSTERNo, that you said nothing about it, Lind;
How I would have teased you!
How I would have teased you!
(also there)
A LADYOh yes, it's terrible!
(in the doorway)
ANOTHER LADYDid he write to you, Anna?
AN AUNTNo!
MISS EKSTERMine wrote.
(on the veranda)
A LADYAnna, how long has it been quiet? (walks into the room).
MISS EKSTERNow you must go out ring shopping tomorrow.
(bustling)
SEVERAL LADIESWe will measure him!
MISS EKSTEROh no,
She will do that herself.
She will do that herself.
(on the veranda to a lady with needlework)
MRS. STROOMANAre you sewing with a backstitch?
(in the doorway with a tray)
THE HOUSEKEEPERAnother cup of coffee?
A LADYYes, please, half a cup.
MISS EKSTERHow wonderful that you'll have your new coat
Just when you go visiting.
Just when you go visiting.
(in the room by the window)
AN ELDERLY LADYAnd when shall we start on the trousseau?
MRS. STROOMANWhat does purslane cost these days?
(to some ladies on the veranda)
A GENTLEMANLook at Mr. Lind, with Anna's glove.
(with raised voices)
SOME LADIESIndeed, he kissed it!
(jumping up similarly)
Second Act쪽 35 / 346
OTHER LADIESWhat! Is it true?
(appears red and embarrassed in the doorway)
LINDOh, nonsense! (withdraws).
MISS EKSTERYes indeed, I saw it just now!
STUIVER (in the doorway, with a cup of coffee in one hand and a rusk in the other).
No, one must not distort the facts like that,
I attest that one is mistaken here.
STUIVER (in the doorway, with a cup of coffee in one hand and a rusk in the other).
No, one must not distort the facts like that,
I attest that one is mistaken here.
(inside, without being seen)
MISS EKSTERCome Anna, go stand before the mirror!
(calling)
SOME LADIESCome here too, Lind!
MISS EKSTERBack to back! Closer!
THE LADIES ON THE VERANDALet us see how much taller he is.
(All go into the room; laughter and loud talk are heard from within for a while).
VALK (who has been walking around in the garden during the previous scene, now comes forward, stops and looks inside, until the activity has calmed down a bit).
There they slaughter love's poetry...
The butcher who slaughters a cow so clumsily
That it suffers unnecessary pain in dying,
Is locked up for ten days or so; but here...
That whole brood of torturers goes free again. (clenches his fists).
I could them... quiet, no empty words;
From today I will act, I have sworn.
(All go into the room; laughter and loud talk are heard from within for a while).
VALK (who has been walking around in the garden during the previous scene, now comes forward, stops and looks inside, until the activity has calmed down a bit).
There they slaughter love's poetry...
The butcher who slaughters a cow so clumsily
That it suffers unnecessary pain in dying,
Is locked up for ten days or so; but here...
That whole brood of torturers goes free again. (clenches his fists).
I could them... quiet, no empty words;
From today I will act, I have sworn.
(comes hurriedly and cautiously out of the door)
LINDThank God, now they are talking about fashion;
Now I can get away for a bit...
Now I can get away for a bit...
VALKWell, getting too warm in there? Good wishes have
Been swarming around you like mosquitoes all day here.
Been swarming around you like mosquitoes all day here.
LINDThey mean so well, oh, all of them;
But I could do with a bit less.
Their interest is a bit too exhausting;
A moment's rest will revive me. (about to go right).
But I could do with a bit less.
Their interest is a bit too exhausting;
A moment's rest will revive me. (about to go right).
VALKWhere are you going?
LINDTo the garden house, I thought.
Knock if you find the door locked.
Knock if you find the door locked.
VALKBut Anna, don't you want her with you?
Second Act쪽 36 / 346
LINDNo... if anything, she can send a message.
We talked last night until after midnight;
And we have already discussed the most important things;
And besides, I think it is best
To be somewhat sparing with one's happiness.
We talked last night until after midnight;
And we have already discussed the most important things;
And besides, I think it is best
To be somewhat sparing with one's happiness.
VALKYou are right; you must not take too much
For everyday use...
For everyday use...
LINDHush, let me go.
Now I am going to enjoy a good pipe;
I haven't done that in three days.
My blood was so restless;
I was so afraid she would refuse me...
Now I am going to enjoy a good pipe;
I haven't done that in three days.
My blood was so restless;
I was so afraid she would refuse me...
VALKYes, you really need a refresher.
LINDAnd the pipe will taste good, that's certain. (exit right. Miss Ekster and some other ladies come out of the garden room).
(to Valk)
MISS EKSTERWas that him who just left?
VALKThat was the wild one, yes.
SOME LADIESRunning away like that!
OTHER LADIESOh, that's shameful, fie!
VALKHe is still a bit shy, but will soon become quite tame,
After he has worn the signboard for a week.
After he has worn the signboard for a week.
MISS EKSTERWhere is he now?
VALKHe is now in the attic
Of the garden house, where we both are staying. (pleadingly).
Oh, do let him catch his breath for a moment;
Don't chase him away from there!
Of the garden house, where we both are staying. (pleadingly).
Oh, do let him catch his breath for a moment;
Don't chase him away from there!
MISS EKSTERWell, all right, but the rest
Must not last long.
Must not last long.
VALKGive him a quarter of an hour...
Then you can start the game anew.
Now he wants to write a sermon in English.
Then you can start the game anew.
Now he wants to write a sermon in English.
MISS EKSTERIn English...?
THE LADIESOh, you're making fun of us!
VALKIn all earnest. For he is firmly resolved
To pursue a possible calling among the emigrants...
To pursue a possible calling among the emigrants...
(horrified)
MISS EKSTERWhat? Has he not yet forgotten those crazy whims?
(to the ladies) Call all the aunts!
Fetch Anna and her mother, Strooman too!
(to the ladies) Call all the aunts!
Fetch Anna and her mother, Strooman too!
(in commotion)
SOME LADIESThat must be prevented!
OTHER LADIESWe'll join in!
Second Act쪽 37 / 346
MISS EKSTERThere they are, thank God! (to Anna, who comes out of the garden room with the minister, his wife and children, Stuiver, Goudstad, Mrs. Halm and the other guests).
Do you know what Lind
Has firmly resolved, in his heart, secretly?
To become a minister...
Do you know what Lind
Has firmly resolved, in his heart, secretly?
To become a minister...
ANNATo go abroad.
MRS. HALMAnd you have promised him...!
ANNATo go with him.
(indignant)
MISS EKSTERSo he has talked you into it!
(clasp their hands)
THE LADIESOh... how cunning!
VALKBut if he feels a calling for it...
MISS EKSTERWell, yes
One follows that when one is free and not engaged;
But an engaged man follows only his bride...
No, dear Anna, think it over in time;
You, who from childhood in a big city...?
One follows that when one is free and not engaged;
But an engaged man follows only his bride...
No, dear Anna, think it over in time;
You, who from childhood in a big city...?
VALKTo suffer for an idea is fine!
MISS EKSTERTo suffer for the idea of one's fiancé?
Such a thing, I think, is very curious. (to the ladies).
Come, everyone now! (she takes Anna by the arm).
Wait, now you must hear;...
And then you tell him what he must do now.
(They go to the background and exit right, talking eagerly together, with several ladies; the other guests disperse in various groups through the garden. Valk stops Strooman, whose wife and children are always near him. Goudstad paces back and forth during the following conversation).
Such a thing, I think, is very curious. (to the ladies).
Come, everyone now! (she takes Anna by the arm).
Wait, now you must hear;...
And then you tell him what he must do now.
(They go to the background and exit right, talking eagerly together, with several ladies; the other guests disperse in various groups through the garden. Valk stops Strooman, whose wife and children are always near him. Goudstad paces back and forth during the following conversation).
VALKHelp the young fighter, pastor,
Before Anna is set against him.
Before Anna is set against him.
(solemnly)
STROOMANIndeed, the wife must be submissive... (thoughtfully).
But if I understood him correctly this afternoon,
That calling rests on a shaky foundation,
And the sacrifice offered is uncertain...
But if I understood him correctly this afternoon,
That calling rests on a shaky foundation,
And the sacrifice offered is uncertain...
VALKOh no, I see that you misunderstand it,
I can vouch with my own self
That he feels his calling great and honest...
I can vouch with my own self
That he feels his calling great and honest...
(more lively)
STROOMANYes,... can he count on a fixed sum,
An annual salary,... yes, then it is a different matter.
An annual salary,... yes, then it is a different matter.
(impatiently)
Second Act쪽 38 / 346
VALKYou put first what for me is last;
I speak of calling, drive... not of salary!
I speak of calling, drive... not of salary!
(with a sentimental smile)
STROOMANBut without that, no one can preach in
America, Europe, or Asia,...
Or anywhere else. Yes, if he were still free,
My dear young friend,... if he were alone,
Still a bachelor,... yes, then it would be fine;
But Lind, who is just engaged,... no, for him
Such a sphere of work is surely not advisable.
Just think; he is a strong man,
And in time he will have a family;...
I assume he has much good will;...
But "means," you know...? "Build not on sand"
So it is written. It would be somewhat different,
If the sacrifice now...
America, Europe, or Asia,...
Or anywhere else. Yes, if he were still free,
My dear young friend,... if he were alone,
Still a bachelor,... yes, then it would be fine;
But Lind, who is just engaged,... no, for him
Such a sphere of work is surely not advisable.
Just think; he is a strong man,
And in time he will have a family;...
I assume he has much good will;...
But "means," you know...? "Build not on sand"
So it is written. It would be somewhat different,
If the sacrifice now...
VALKYes, that will not be small,
I know that well.
I know that well.
STROOMANYes, you see... that is the main thing!
If the sacrifice that one voluntarily wishes to bring,
Is also generous...
If the sacrifice that one voluntarily wishes to bring,
Is also generous...
VALKHis good will is great.
STROOMANHis will? How am I to understand that, tell me?
It is placed on the altar for him, after all.
He does not have to bring it...
It is placed on the altar for him, after all.
He does not have to bring it...
(looks toward the background)
MRS. STROOMANThere they are back.
VALK (stares at him a moment in amazement, then suddenly understands and bursts out laughing).
Oh, that sacrifice... yes!... that which they bring you
On feast days... rustling banknotes!
VALK (stares at him a moment in amazement, then suddenly understands and bursts out laughing).
Oh, that sacrifice... yes!... that which they bring you
On feast days... rustling banknotes!
STROOMANWhen one has to toil in harness for a year,
That is compensated by Christmas and Pentecost.
That is compensated by Christmas and Pentecost.
(cheerfully)
VALKAnd you feel a "calling"... when it pays enough,...
Even if you are a stupid, lazy lout!
Even if you are a stupid, lazy lout!
STROOMANNaturally; if one is sure of one's money
One may even go as a Zulu missionary. (muffled).
Now I hope to win her over gently. (to one of the little girls).
My dear child, oh fetch my pipe for a moment,
My pipe, I mean, you understand... (feels in his coat pocket).
No, wait a moment;... I have it with me.
One may even go as a Zulu missionary. (muffled).
Now I hope to win her over gently. (to one of the little girls).
My dear child, oh fetch my pipe for a moment,
My pipe, I mean, you understand... (feels in his coat pocket).
No, wait a moment;... I have it with me.
(continues, filling his pipe, followed by wife and children).
(approaches)
Second Act쪽 39 / 346
GOUDSTADYou are playing the serpent in the Paradise
Of love here... or I am much mistaken?
Of love here... or I am much mistaken?
VALKThe tree of knowledge bears such bitter fruits,
They tempt no one... (to Lind, who comes from the right). So, you're already here?
They tempt no one... (to Lind, who comes from the right). So, you're already here?
LINDBut good heavens, what a mess it looks
Up there, I say: the lamp is in pieces,
The curtain pulled down, your pen broken,
And the whole stove plate splattered with ink...
Up there, I say: the lamp is in pieces,
The curtain pulled down, your pen broken,
And the whole stove plate splattered with ink...
(pats him on the shoulder)
VALKI made an end of the old time there;
I sat behind the curtains far too long
And wrote poetry on paper by lamplight;
Now it's over with room poetry;...
I prefer to walk in God's sunshine now;...
My spring came, with it my soul's renewal;
And henceforth I will only compose in deeds.
I sat behind the curtains far too long
And wrote poetry on paper by lamplight;
Now it's over with room poetry;...
I prefer to walk in God's sunshine now;...
My spring came, with it my soul's renewal;
And henceforth I will only compose in deeds.
LINDYes, compose as you like, but don't think
That the lady here is pleased
With the loss... especially of her curtains.
That the lady here is pleased
With the loss... especially of her curtains.
VALKWhat! She who sacrifices everything for her guests,
Even sisters' children, daughters... would she
Make a sour face over such a trifle!
Even sisters' children, daughters... would she
Make a sour face over such a trifle!
(angry)
LINDIt is ill-bred to do such a thing,
And very compromising for both of us!
But settle that with her. However, the little lamp was
My property, with everything belonging to it...
And very compromising for both of us!
But settle that with her. However, the little lamp was
My property, with everything belonging to it...
VALKOh, come on,... I feel no remorse about that;
You have God's summer with its clear light,...
What use is a lamp then?
You have God's summer with its clear light,...
What use is a lamp then?
LINDYou're a fine one,
Forgetting how short the summer still is.
If I want to go for my exam at Christmas
I really must make the most of my time.
Forgetting how short the summer still is.
If I want to go for my exam at Christmas
I really must make the most of my time.
(wide-eyed)
VALKAre you thinking of the future?
LINDYes, I am;
It seems to me such an exam is no joke...
It seems to me such an exam is no joke...
VALKAnd last night! When you lived only for the moment,
Drunk on the present, you had no desires,...
Even a mediocre "haud" didn't appeal to you;...
You caught the beautiful bird of happiness;
You felt as if at your feet
Lay spread the riches of the whole world...
Drunk on the present, you had no desires,...
Even a mediocre "haud" didn't appeal to you;...
You caught the beautiful bird of happiness;
You felt as if at your feet
Lay spread the riches of the whole world...
Second Act쪽 40 / 346
LINDI said that, yes; but one naturally takes such things
Cum grano salis...
Cum grano salis...
VALKSo!
LINDI intend to devote the morning to happiness.
That I have firmly decided.
That I have firmly decided.
VALKThat's bold!
LINDWell, there are many visits still to be made,
That will take a lot of time.
But to take away even more free time,
That I must unfortunately deny myself.
That will take a lot of time.
But to take away even more free time,
That I must unfortunately deny myself.
VALKAnd you, who a few days ago
Wanted to go out into the wide world with song.
Wanted to go out into the wide world with song.
LINDYes, but I saw that took too much time;
I can't spare those fourteen days.
I can't spare those fourteen days.
VALKNo, you stayed home for another reason;
You said something about mountain air also blowing in the valley
And birds singing there.
You said something about mountain air also blowing in the valley
And birds singing there.
LINDYes, indeed,... here the air is very healthy;
One can enjoy it, even if one
Sits regularly studying with one's book.
One can enjoy it, even if one
Sits regularly studying with one's book.
VALKBut with the book you were done, weren't you,
As Jacob's ladder...
As Jacob's ladder...
LINDOh, how annoying you are;
One says that when one is free and alone...
One says that when one is free and alone...
(looks at him and clasps his hands in mute amazement)
VALKYou too, Brutus!
(a bit embarrassed and irritated)
LINDBut consider
That I now have other duties than you;
I have my girl now. Look at the other
Engaged couples, even people with long experience,
Whom I hope you won't find fault with,
They all say, when two go through life together,
Then...
That I now have other duties than you;
I have my girl now. Look at the other
Engaged couples, even people with long experience,
Whom I hope you won't find fault with,
They all say, when two go through life together,
Then...
VALKSpare me your explanation.
Who gave it to you?
Who gave it to you?
LINDOh... well, for example Stuiver,
And he is a man who cannot lie.
And Miss Ekster, she is so knowledgeable,
She says...
And he is a man who cannot lie.
And Miss Ekster, she is so knowledgeable,
She says...
VALKAnd the pastor with his wife?
LINDYes, that is strange, you know, with these two,
They are sunk in a peace of mind...
Just think, she no longer remembers her engagement,
Has completely forgotten what it is to love.
They are sunk in a peace of mind...
Just think, she no longer remembers her engagement,
Has completely forgotten what it is to love.
Second Act쪽 41 / 346
VALKYes, that is the fate of all who oversleep themselves,...
Then memory flees like a shy bird, (places hands on his shoulders and looks at him mockingly).
Say, my boy, did you sleep well last night?
Then memory flees like a shy bird, (places hands on his shoulders and looks at him mockingly).
Say, my boy, did you sleep well last night?
LINDYes, well and long; I went to bed so tired,
And at the same time so full of emotions;
I was almost afraid I had gone mad.
And at the same time so full of emotions;
I was almost afraid I had gone mad.
VALKOh yes, you suffered from something like being bewitched...
LINDBut then, thank God, I woke up normal.
(During the preceding, Strooman has occasionally been seen walking in the background, talking earnestly with Anna; Mrs. Strooman and the children follow them. Miss Ekster now appears; along with her, Mrs. Halm with some other ladies).
(During the preceding, Strooman has occasionally been seen walking in the background, talking earnestly with Anna; Mrs. Strooman and the children follow them. Miss Ekster now appears; along with her, Mrs. Halm with some other ladies).
(invisible)
MISS EKSTERWhere is Lind?
(to Valk)
LINDThere they are again!
Oh please, come with me!
Oh please, come with me!
MISS EKSTERNo, stay; where do you want to go?
Let us quickly resolve the disagreement
That has arisen between you and Anna.
Let us quickly resolve the disagreement
That has arisen between you and Anna.
LINDAre we in disagreement?
(points to Anna, who is standing further away in the garden)
MISS EKSTERRead your own judgment
In her tearful eyes. It is about the plans
Over there in America.
In her tearful eyes. It is about the plans
Over there in America.
LINDBut, God,
She herself wanted...
She herself wanted...
(mockingly)
MISS EKSTERThat's what it looks like!
No, my friend, you will think differently about it
When we examine the matter more calmly.
No, my friend, you will think differently about it
When we examine the matter more calmly.
LINDBut then that struggle for faith, that was precisely
My most beautiful and dearest dream!
My most beautiful and dearest dream!
MISS EKSTERWho still believes in dreams in our highly civilized age...?
Look, Stuiver dreamed the other day that
A letter arrived with such strange corners...
Look, Stuiver dreamed the other day that
A letter arrived with such strange corners...
MRS. STROOMANSuch a dream means coming into a fortune.
(with a nod)
MISS EKSTERHe might have to pay tax into the treasury.
(The ladies form a circle around Lind and walk with him deeper into the garden, talking).
(The ladies form a circle around Lind and walk with him deeper into the garden, talking).
Second Act쪽 42 / 346
STROOMAN(continuing to Anna, who would gladly escape him).
On these grounds, then, my dear child,
On these grounds, which reason gives us,
Moral teaching, partly also the Bible,
You see that such a division
Of opinion has no reason to exist.
On these grounds, then, my dear child,
On these grounds, which reason gives us,
Moral teaching, partly also the Bible,
You see that such a division
Of opinion has no reason to exist.
(half crying)
ANNAOh, yes... I am still so inexperienced...
STROOMANAnd it is also so natural that one fears
All sorts of complications and dangers;
But do not let doubt catch you in its net,...
Be brave, take example from me and Maren!
All sorts of complications and dangers;
But do not let doubt catch you in its net,...
Be brave, take example from me and Maren!
MRS. STROOMANYes, I heard just today from your mother
That I was just as sad as you are now,
When the call came...
That I was just as sad as you are now,
When the call came...
STROOMANThat was also because
She had to leave all the city pleasures;
But when we later had a bit more room,
And the first pair of twins was born to us,
Then it passed.
She had to leave all the city pleasures;
But when we later had a bit more room,
And the first pair of twins was born to us,
Then it passed.
(softly to Strooman)
VALKExcellent! Bravo!
Go on like that!
Go on like that!
STROOMANTherefore do as said!
Man must not be afraid. Valk,
That such a calling is also not unprofitable,
You said that, didn't you?
Man must not be afraid. Valk,
That such a calling is also not unprofitable,
You said that, didn't you?
VALKNo, not that...
STROOMANOh, come on...! (to Anna).
Well, it will certainly bring you something.
And if that is so, why fear?
Look back to long-gone days!
To Adam, Eve, Noah with his animals...
The lilies of the field... the birds of the air...
The little birds... the little birds... the fish... (continues in a muffled voice, moving away with Anna).
Well, it will certainly bring you something.
And if that is so, why fear?
Look back to long-gone days!
To Adam, Eve, Noah with his animals...
The lilies of the field... the birds of the air...
The little birds... the little birds... the fish... (continues in a muffled voice, moving away with Anna).
(as Miss Ekster and the aunts arrive with Lind)
VALKHurrah! Here comes another new bunch,
The whole old guard in arms!
The whole old guard in arms!
MISS EKSTERCome, it is good that we find her here. (muffled to Valk).
We have him!... now quickly with him to her. (goes to Anna).
We have him!... now quickly with him to her. (goes to Anna).
(with a defensive gesture)
STROOMANShe needs no further persuasion;
Let the Holy Spirit do His own work
Then it is accomplished...! (modestly). And if I have done something,
I received strength...!
Let the Holy Spirit do His own work
Then it is accomplished...! (modestly). And if I have done something,
I received strength...!
Second Act쪽 43 / 346
MRS. HALMWell, then no more delay...
Reconciliation, eh?
Reconciliation, eh?
(moved)
THE AUNTSOh Lord, how beautiful!
STROOMANYes, is there a heart so hard, so cold,
That would not find such a scene moving?
It works so sharpening, so stimulating to the soul.
It is so uplifting to see such a child,
Still immature, making a sacrifice, sad,
Yet willing, on the altar of duty.
That would not find such a scene moving?
It works so sharpening, so stimulating to the soul.
It is so uplifting to see such a child,
Still immature, making a sacrifice, sad,
Yet willing, on the altar of duty.
MRS. HALMBut her family also did their best.
MISS EKSTERThe aunts, yes, and I,... as if I don't know!
You, Lind, possess the key to her heart;
But we, friends, still have a master key
That opens where the key sometimes fails;... (presses his hand).
And if needed in later time,
Come to us,... we remain friends.
You, Lind, possess the key to her heart;
But we, friends, still have a master key
That opens where the key sometimes fails;... (presses his hand).
And if needed in later time,
Come to us,... we remain friends.
MRS. HALMYes, we are with you wherever you go or stand...
MISS EKSTERProtect you from the bitter pains of discord.
STROOMANOh, that unity! Loving care and friendship!
A moment so joyful, and yet so sorrowful! (turns to Lind).
But my young friend, let the matter be settled now. (leads Anna to him).
Take her... your bride... your bride... take her... and kiss her then!
A moment so joyful, and yet so sorrowful! (turns to Lind).
But my young friend, let the matter be settled now. (leads Anna to him).
Take her... your bride... your bride... take her... and kiss her then!
(reaches out his hand to Anna)
LINDI am not going!
(at the same time)
ANNAI will go with you!
(astonished)
ANNAYou are not going now?
(likewise)
LINDYou want to?
(looking helplessly at the bystanders)
ANNABut, then we are separated again!
LINDYes, how is that?
THE LADIESWhat now?
(bustling)
MISS EKSTERNo, here there is a
Misunderstanding... that is certain.
Misunderstanding... that is certain.
STROOMAN... To go with him
She has promised!
She has promised!
MISS EKSTERAnd Lind swore to stay!
(laughing)
VALKAnd both complied; what more do you want?
Second Act쪽 44 / 346
STROOMANNo, this confusion is too much for me! (goes to the background).
(to each other)
THE AUNTSBut where does the dispute actually come from?
(to Goudstad and Stuiver, who have been walking in the garden and now approach)
MRS. HALMThere is disagreement on all sides. (speaks softly with them).
(to Miss Ekster as she sees that the tea table is set)
MRS. STROOMANWe'll have tea soon.
(curtly)
MISS EKSTERThank God.
VALKHurrah!
Friendship, tea, love and the aunts!
Friendship, tea, love and the aunts!
STUIVERBut now that the matter has ended this way,
It can certainly take a cheerful conclusion.
The case thus rests on a paragraph
Where it says: to follow the man is the woman's duty.
That is clear to everyone.
It can certainly take a cheerful conclusion.
The case thus rests on a paragraph
Where it says: to follow the man is the woman's duty.
That is clear to everyone.
MISS EKSTERAnd what does the agreement mean then?
STROOMANShe may not withdraw from a higher law...
STUIVERBut Lind can certainly escape that law. (to Lind).
Just postpone your trip and stay here quietly.
Just postpone your trip and stay here quietly.
(happily)
THE AUNTSYes, that can be done!
MRS. HALMCertainly!
MISS EKSTERThen it's settled.
(Meanwhile, Zwaanhilde and the maids have set the tea table at the foot of the veranda steps. Invited by Mrs. Halm, all the ladies sit around the table. The rest of the company sit partly on the veranda or in the arbor, partly in the garden. Valk sits on the veranda. During the following, tea is drunk).
(Meanwhile, Zwaanhilde and the maids have set the tea table at the foot of the veranda steps. Invited by Mrs. Halm, all the ladies sit around the table. The rest of the company sit partly on the veranda or in the arbor, partly in the garden. Valk sits on the veranda. During the following, tea is drunk).
MRS. HALMSo this little storm passed by,
Like summer rain, afterward beneficial;
Then the sun shines even more beautifully, and promises us
A summer afternoon clear and cloudless.
Like summer rain, afterward beneficial;
Then the sun shines even more beautifully, and promises us
A summer afternoon clear and cloudless.
MISS EKSTERYes, the little flower of love needs
Those showers, large and small, they keep it fresh.
Those showers, large and small, they keep it fresh.
VALKIt dies as soon as it is brought onto dry land...
In that it resembles a fish...
In that it resembles a fish...
ZWAANHILDENo, because love can live on air...
Second Act쪽 45 / 346
MISS EKSTERAnd in that the fish dies...
VALKAbsolutely true.
MISS EKSTERNow we have caught you there, haven't we?
MRS. STROOMANThat is good tea, you can tell right away.
VALKWell, let us stick with the flowers.
Love is a flower; if its gentle rain is lacking,
So that the lovely one would wither... (pauses).
Love is a flower; if its gentle rain is lacking,
So that the lovely one would wither... (pauses).
MISS EKSTERWhat then?
(with a gallant bow)
VALKThen come aunts with a watering can.—
But that simile, although it has been
Used, endlessly repeated by poets,
Is still not very clear to most;
For there are flowers of so many kinds.
Tell me, what little flower would love be?
Name what most resembles it.
But that simile, although it has been
Used, endlessly repeated by poets,
Is still not very clear to most;
For there are flowers of so many kinds.
Tell me, what little flower would love be?
Name what most resembles it.
MISS EKSTERIt is a rose; everyone knows that,...
It gives life a rosy glow.
It gives life a rosy glow.
A YOUNG LADYIt is an anemone, growing under snow,
For when it emerges, spring begins.
For when it emerges, spring begins.
AN AUNTIt is a dandelion that thrives best
When trampled by man or horse,
Yes, puts out new shoots when trodden down,
That is how Pietersen so beautifully described it.
When trampled by man or horse,
Yes, puts out new shoots when trodden down,
That is how Pietersen so beautifully described it.
LINDIt is the snowdrop; which in your young soul
Ushers in the Pentecost of life's youth.
Ushers in the Pentecost of life's youth.
MRS. HALMNo, it is the ivy, which even in December
Is as green as in the heart of June.
Is as green as in the heart of June.
GOUDSTADNo, it is Icelandic moss, which cures young ladies
Suffering from weak lungs.
Suffering from weak lungs.
A GENTLEMANIt is a wild chestnut,... to be valued
As firewood, but the fruit is inedible.
As firewood, but the fruit is inedible.
ZWAANHILDENo, a camellia, which at soirées
Adorns the headdress of the ladies there.
Adorns the headdress of the ladies there.
MRS. STROOMANNo, it resembles a flower that was so lovely;...
Wait... was it not gray... no violet;...
What is it called now...? Let me see... it looked much like that one...;
I am so forgetful, it is so strange.
Wait... was it not gray... no violet;...
What is it called now...? Let me see... it looked much like that one...;
I am so forgetful, it is so strange.
Second Act쪽 46 / 346
STUIVERNo, all those flower images are flawed,
It reminds me more of a flowerpot;
At first there is barely room for one,
But later it can hold quite a few sprouts.
It reminds me more of a flowerpot;
At first there is barely room for one,
But later it can hold quite a few sprouts.
(in the midst of his brood)
STROOMANNo, love is like a pear tree;
In early spring white with blossom snow;
Later the blossom sets into fruit
And becomes many large green berries;
Fed by the old trunk with life sap,
They become, God willing, ripe pears.
In early spring white with blossom snow;
Later the blossom sets into fruit
And becomes many large green berries;
Fed by the old trunk with life sap,
They become, God willing, ripe pears.
VALKYes, so many heads, so many minds, they say!
But you all wander on wrong paths.
No image is fitting; now listen to mine;...
You can twist and turn it as you like, (stands up in orator's pose).
In the distant East grows a precious herb;
The "Son of Heaven" plants it in his gardens...
But you all wander on wrong paths.
No image is fitting; now listen to mine;...
You can twist and turn it as you like, (stands up in orator's pose).
In the distant East grows a precious herb;
The "Son of Heaven" plants it in his gardens...
THE LADIESThat is tea!
VALKYes, exactly.
MRS. STROOMANHis voice sounds just like Strooman's, when...
STROOMANNow do not disturb him.
VALKIt originates from the land of fables, from the valleys
Far away, beyond barren sand deserts;...
Fill up my cup, Lind! Thank you. I shall now drink
To tea and love, and toast to them.
(the guests draw closer together).
It originally comes from fairyland;
Oh, that's where love belongs too!
Only the Son of the Sun knew, they say,
How to cultivate the plant, tending it with care.
And with love it is the same;
A drop of sun-blood must be in us,
For love to take root within us
And grow, bloom, bear leaves and blossoms.
Far away, beyond barren sand deserts;...
Fill up my cup, Lind! Thank you. I shall now drink
To tea and love, and toast to them.
(the guests draw closer together).
It originally comes from fairyland;
Oh, that's where love belongs too!
Only the Son of the Sun knew, they say,
How to cultivate the plant, tending it with care.
And with love it is the same;
A drop of sun-blood must be in us,
For love to take root within us
And grow, bloom, bear leaves and blossoms.
MISS EKSTERBut China is an old, a very old country,
So tea must have been known for a long time...
So tea must have been known for a long time...
STROOMANIt existed before Tyre and Jerusalem.
VALKIt was already known when old Methuselah
As a little boy sat looking at pictures...
As a little boy sat looking at pictures...
(triumphantly)
MISS EKSTERAnd the essence of love is precisely youth!
Your image does not apply there, you feel it yourself.
Your image does not apply there, you feel it yourself.
Second Act쪽 47 / 346
VALKNot at all, love is actually amazingly old;
That is a doctrine we all subscribe to.
In Cape Town and Rio and Kamchatka,
From Naples to the good town of Brevig,
Many will claim that love is eternal;
Now, that may be somewhat exaggerated,...
But it is old... that cannot be denied.
That is a doctrine we all subscribe to.
In Cape Town and Rio and Kamchatka,
From Naples to the good town of Brevig,
Many will claim that love is eternal;
Now, that may be somewhat exaggerated,...
But it is old... that cannot be denied.
MISS EKSTERBut love and love is always the same,
And tea exists in varieties, good and bad.
And tea exists in varieties, good and bad.
MRS. STROOMANYes, tea comes in many qualities.
ANNAThe green spring shoots first of all...
ZWAANHILDEThey grow only for sun-daughters.
A YOUNG LADYThey say they are intoxicating like ether...
ANOTHERFragrant like lotus and sweet like almonds.
GOUDSTADThey do not come to market for trading.
(who has meanwhile come down from the veranda)
VALKAh, dear ladies, within each one carries
A secret little heavenly kingdom.
There thousands of such shoots sprout,
Enclosed by modesty, like by the Chinese wall.
But all the dolls of your fantasies,
Who sit in the shadows of the kiosks
And pine away dreaming... veils around their loins,
And golden tulip flowers in their hands...
For them you pluck the first green buds;
What autumn later found was all the same to you.
Look, that's why we get dust and stems,...
A after-gathering, standing like flax to silk,...
A harvest scraped with difficulty from the bush...
A secret little heavenly kingdom.
There thousands of such shoots sprout,
Enclosed by modesty, like by the Chinese wall.
But all the dolls of your fantasies,
Who sit in the shadows of the kiosks
And pine away dreaming... veils around their loins,
And golden tulip flowers in their hands...
For them you pluck the first green buds;
What autumn later found was all the same to you.
Look, that's why we get dust and stems,...
A after-gathering, standing like flax to silk,...
A harvest scraped with difficulty from the bush...
GOUDSTADThat is the black tea.
(nodding)
VALKThat fills the market.
A GENTLEMANThen Holberg also speaks of a thé de boeuf...
(curtly)
MISS EKSTEROh, that is certainly something from earlier times.
Second Act쪽 48 / 346
VALKLove of beef also exists, yes;
It makes us foolish... only in novels.
Of her slipper kingdom one sometimes finds traces
Veiled under conjugal curtains.
In short, there is a resemblance, where you least
Expect it. So says the old proverb
That when tea comes to us across the sea,
It suffers, and loses some of its fragrance,
The fine aroma that is its own.
Through the desert it had to go and over mountains,...
Must pay toll to Cossack and Russian;...
They stamp it, then it may go on,
And passes with us then for genuine goods.
But does it not go so with love too
Through life's wilderness? What would be the consequence,
What the world's judgment, if you or I,
Boldly would import our love free!
"Oh, the moral aroma is lost!
"The scent of legitimacy is rubbed off!"
It makes us foolish... only in novels.
Of her slipper kingdom one sometimes finds traces
Veiled under conjugal curtains.
In short, there is a resemblance, where you least
Expect it. So says the old proverb
That when tea comes to us across the sea,
It suffers, and loses some of its fragrance,
The fine aroma that is its own.
Through the desert it had to go and over mountains,...
Must pay toll to Cossack and Russian;...
They stamp it, then it may go on,
And passes with us then for genuine goods.
But does it not go so with love too
Through life's wilderness? What would be the consequence,
What the world's judgment, if you or I,
Boldly would import our love free!
"Oh, the moral aroma is lost!
"The scent of legitimacy is rubbed off!"
(stands up)
STROOMANYes, thank God, in moral countries
Such goods are still contraband.
Such goods are still contraband.
VALKYes, if they are to pass freely here,
They must go through form's cold Siberia,
Where fresh sea air cannot harm them;...
They must show the stamp, black on white,
From organist and bell-ringer and sexton,
Family, friends, acquaintances, yes, who not,
And many other good people besides... except
The free pass that God himself has given them...
And then the last point of resemblance;
See how the hand of civilization weighs so heavily
On the Sun Land, over there, in the far East;
Its wall is crumbling, its power broken,
The last true Mandarin is hanged.
Profane hands now pluck the harvest.
Soon the Sun Land will be but a legend,
A fairy tale no one believes anymore;
The whole world becomes one gray mist!...
We carried the wonderland to the grave.
But if that is so,... where then does love remain?
Ah, then it too has disappeared! (raises his teacup).
Well, then let perish what cannot exist:...
With this tea I drink to dead Amor!
They must go through form's cold Siberia,
Where fresh sea air cannot harm them;...
They must show the stamp, black on white,
From organist and bell-ringer and sexton,
Family, friends, acquaintances, yes, who not,
And many other good people besides... except
The free pass that God himself has given them...
And then the last point of resemblance;
See how the hand of civilization weighs so heavily
On the Sun Land, over there, in the far East;
Its wall is crumbling, its power broken,
The last true Mandarin is hanged.
Profane hands now pluck the harvest.
Soon the Sun Land will be but a legend,
A fairy tale no one believes anymore;
The whole world becomes one gray mist!...
We carried the wonderland to the grave.
But if that is so,... where then does love remain?
Ah, then it too has disappeared! (raises his teacup).
Well, then let perish what cannot exist:...
With this tea I drink to dead Amor!
(drinks; great consternation and movement in the company).
MISS EKSTERThat was a very strange toast indeed!
THE LADIESAs if love were really dead!
Second Act쪽 49 / 346
STROOMANAnd here it sits healthy and young and blooming,
In all kinds of forms around us.
Here sits the widow in her black dress...
In all kinds of forms around us.
Here sits the widow in her black dress...
MISS EKSTERTwo faithful spouses...
STUIVERWhose union
Can still raise many a sturdy pledge of love.
Can still raise many a sturdy pledge of love.
GOUDSTADThen comes love's light cavalry,
Engaged couples of various sorts.
Engaged couples of various sorts.
STROOMANAt the front the veterans, faithfully united
For many years.
For many years.
(breaking off)
MISS EKSTERAnd then the little ones...
The youngest class... the couple of today...
The youngest class... the couple of today...
STROOMANHere you see summer, winter, autumn, and spring;
You just have to grasp that truth here,
To hear and see it...
You just have to grasp that truth here,
To hear and see it...
VALKYes, and then?
MISS EKSTERAnd yet you would show her the door!
VALKYou have completely misunderstood me.
When did I ever deny its existence?
But you must consider in all this
That smoke is not always proof of fire.
I know very well, people get married,
Set up households and all that;
You will certainly never hear me deny
That one gets a ring, another a rejection,
That pink notes are quietly written
And sealed with doves... quarreling together;
That lovers walk through the streets
And get chocolate on visits,
That custom invented a form,
A code of forms for lovers;...
But good Lord, we also have majors,
An arsenal with a lot of material;
There you find drums, spurs, and rapiers,...
But what does all that prove?
Only that there are soldiers and weapons.
But bearers of arms are not yet heroes.
Yes, even if there were an army of tents,...
Would that prove heroism?
When did I ever deny its existence?
But you must consider in all this
That smoke is not always proof of fire.
I know very well, people get married,
Set up households and all that;
You will certainly never hear me deny
That one gets a ring, another a rejection,
That pink notes are quietly written
And sealed with doves... quarreling together;
That lovers walk through the streets
And get chocolate on visits,
That custom invented a form,
A code of forms for lovers;...
But good Lord, we also have majors,
An arsenal with a lot of material;
There you find drums, spurs, and rapiers,...
But what does all that prove?
Only that there are soldiers and weapons.
But bearers of arms are not yet heroes.
Yes, even if there were an army of tents,...
Would that prove heroism?
STROOMANWell, let us be fair; honestly,
It is not always true, as claimed,
That young love is strongest, and so...
Yes, as if that were the only one.
One cannot always rely on that.
No, only in marriage, the intimate life,
Does love rest on a rock, firm and sure,
That can never give way, never slip away from us.
It is not always true, as claimed,
That young love is strongest, and so...
Yes, as if that were the only one.
One cannot always rely on that.
No, only in marriage, the intimate life,
Does love rest on a rock, firm and sure,
That can never give way, never slip away from us.
Second Act쪽 50 / 346
MISS EKSTERNo, I cannot share that view with you.
I think a union of free people,
That lasts for years, even if it can be broken daily,
Best corresponds to the truth of love.
I think a union of free people,
That lasts for years, even if it can be broken daily,
Best corresponds to the truth of love.
(with passion)
ANNAOh no,... a new union, still fresh and young,
Is richer in essence, stronger still.
Is richer in essence, stronger still.
(pensively)
LINDWho knows if the idea does not lie there,
Of the anemone that grows under the snow.
Of the anemone that grows under the snow.
(suddenly bursting out)
VALKFallen Adam! There came the homesickness
That sought Paradise behind the dividing wall.
That sought Paradise behind the dividing wall.
LINDOh, what nonsense!
(offendedly to Valk, while standing up)
MRS. HALMThat is not very friendly,
To stir up strife where we made peace;
Don't worry about your friend and his happiness...
To stir up strife where we made peace;
Don't worry about your friend and his happiness...
SOME LADIESNo, that's for sure!
OTHERSThat we know very well.
MRS. HALMShe hasn't learned to cook at school yet,
But I will teach her that this fall.
But I will teach her that this fall.
MISS EKSTERAnd she will embroider her own wedding dress.
(pats Anna on the head)
AN AUNTAnd she will certainly become quite sensible too.
(laughs loudly)
VALKOh, that sense, gibberish, that deadening thing,
Madman's buffoonery from a friend's mouth!
Was it sense he wanted to find in her?
Was it a professor of the cookbook?
He came here as spring's joyful messenger,
And picked a wild rose from the garden.
You set to cultivate it; now he returned...
What did he find? A rosehip bush!
Madman's buffoonery from a friend's mouth!
Was it sense he wanted to find in her?
Was it a professor of the cookbook?
He came here as spring's joyful messenger,
And picked a wild rose from the garden.
You set to cultivate it; now he returned...
What did he find? A rosehip bush!
MISS EKSTERIndeed?
VALKVery useful in use,... certainly, yes!
But a rosehip bush was not his spring bride!
But a rosehip bush was not his spring bride!
MRS. HALMYes, if he were looking for a ball princess,
Then he would not be in the right place here.
Then he would not be in the right place here.
Second Act쪽 51 / 346
VALKOh yes, I know, there is coquetry
With domesticity, that's part of it too;
That is an offshoot of the great lie,
That climbs high like the wild hop vine.
I take off my hat most respectfully, madam,
To every "ball princess"; she is beauty,...
And in the ballroom the ideal spins golden threads,...
Seldom in nurseries.
With domesticity, that's part of it too;
That is an offshoot of the great lie,
That climbs high like the wild hop vine.
I take off my hat most respectfully, madam,
To every "ball princess"; she is beauty,...
And in the ballroom the ideal spins golden threads,...
Seldom in nurseries.
(with suppressed anger)
MRS. HALMYour outburst can easily be explained,
An engaged man is lost to his friend;
That's the whole core of the matter.
I have experience, believe me, on that point.
An engaged man is lost to his friend;
That's the whole core of the matter.
I have experience, believe me, on that point.
VALKNaturally;... seven married nieces...
MRS. HALMAnd well married!
(emphatically)
VALKIf that is true, yes!
GOUDSTADWhat now!
MISS EKSTERBut Valk!
LINDIs it your aim to pick a quarrel?
(bursting out)
VALKYes, war, strife, and discord!
STUIVERYou seem in the trade, do you want to teach us?
VALKLet me be... I will raise my banner!
And I want war, and strife with all my might
Against that lie, so deeply rooted,
That you all cultivate and tenderly nourish,
So that it shoots up high and seems like truth.
And I want war, and strife with all my might
Against that lie, so deeply rooted,
That you all cultivate and tenderly nourish,
So that it shoots up high and seems like truth.
STUIVERI protest... it's all unproven,
I want to file an objection...
I want to file an objection...
MISS EKSTERBe quiet!
Second Act쪽 52 / 346
VALKThat you call love's fresh spring,
That whispers of the widow's loss,...
Of love that in bright sunny days
Never thought of "complaint" nor "longing"!
That you call love's proud stream,
Lazily creeping through spouses' veins!
Of love that trampled all routine underfoot,
That stood bravely on the outer ramparts,
And laughed at the world's wise fools!
That you call love's beauty flame,
That keeps an engagement for many years!
Oh, come! Is that the same that kindled
The poetic fire in the sober civil servant?
That you call love's young happiness,
That is afraid to venture across the sea,
That demands sacrifices, and love's fairest jewel
Itself to sacrifice... miserably scorns!
O you false prophets of mediocrity,
For once call things by their real name;
Call what the widow feels a sad longing,
Marriage habit, for that is what they are!
That whispers of the widow's loss,...
Of love that in bright sunny days
Never thought of "complaint" nor "longing"!
That you call love's proud stream,
Lazily creeping through spouses' veins!
Of love that trampled all routine underfoot,
That stood bravely on the outer ramparts,
And laughed at the world's wise fools!
That you call love's beauty flame,
That keeps an engagement for many years!
Oh, come! Is that the same that kindled
The poetic fire in the sober civil servant?
That you call love's young happiness,
That is afraid to venture across the sea,
That demands sacrifices, and love's fairest jewel
Itself to sacrifice... miserably scorns!
O you false prophets of mediocrity,
For once call things by their real name;
Call what the widow feels a sad longing,
Marriage habit, for that is what they are!
STROOMANNo, young man, listen, that goes too far,
Mockery sounds from every word! (comes close to Valk's eyes).
Now I risk my old skin in strife
For the old faith against the new doctrine!
Mockery sounds from every word! (comes close to Valk's eyes).
Now I risk my old skin in strife
For the old faith against the new doctrine!
VALKI go to the duel as to a feast.
STROOMANGood! You will see me defy the bullets!... (closer).
A married couple—like a priest—is consecrated...
A married couple—like a priest—is consecrated...
(on the other side of Valk)
STUIVERAnd an engaged couple...
VALKHalf, like the sexton.
STROOMANDo you see these children here, who surround me?
They can already sing victory in advance!
How would it be possible.., how could it be done...
No, the word of truth is mighty, irrefutable;...
He must be deaf who does not understand this.
Look,... these are all love's children...! (stops confused).
That is to say... no, of course not...!
They can already sing victory in advance!
How would it be possible.., how could it be done...
No, the word of truth is mighty, irrefutable;...
He must be deaf who does not understand this.
Look,... these are all love's children...! (stops confused).
That is to say... no, of course not...!
(fans herself with her handkerchief)
MISS EKSTERI must say I don't understand anything anymore.
Second Act쪽 53 / 346
VALKYou have just given a fine proof yourself;
So true, so good, and so truly national.
You yourself distinguish between the pledges
Of marriage and of love... as is proper!
The difference exists as between raw and cooked,
As between wild flowers and cultivated ones.
With us love soon becomes a science,
Long ago it ceased to be a passion here.
With us love is like a separate guild,
With fixed laws and its own flag;
It is a class of lovers and married people...
They do their service and can manage it;
Everything hangs together like seaweed in a niche.
A singing society is all that is missing.
So true, so good, and so truly national.
You yourself distinguish between the pledges
Of marriage and of love... as is proper!
The difference exists as between raw and cooked,
As between wild flowers and cultivated ones.
With us love soon becomes a science,
Long ago it ceased to be a passion here.
With us love is like a separate guild,
With fixed laws and its own flag;
It is a class of lovers and married people...
They do their service and can manage it;
Everything hangs together like seaweed in a niche.
A singing society is all that is missing.
GOUDSTADAnd a newspaper!
VALKFine! You shall have that too!
That was a good idea; there are already papers
For children, ladies, believers, and marksmen.
I hope no one will ask about the price.
There you will see, parading,
How John and Peter and Nicholas get married;
There every pink note will be inserted,
That William wrote to his tender Laura.
There will appear, among other misfortunes,...
Like murder, and fire from crinoline skirts,...
Who in the course of the week has been "engaged";
There one offers in the list of advertisements
Used rings at civil prices;
There one announces twins and triplets;
If someone gets married, the whole crowd
Is drummed up to come and watch;...
If someone is rejected, it is printed
In the paper, among other news items;
Something like the following: "Again
Has the little love-devil demanded a victim!"
Yes, you will see, it will go well; for if it comes near
The time when I must recruit new subscribers,
Then I know a bait that will attract them,
Then I will sacrifice a bachelor in big-paper style.
Yes, you will see how I bravely fight for the honor of the guild;
Like a tiger,... like an editor I seize my prey..."
That was a good idea; there are already papers
For children, ladies, believers, and marksmen.
I hope no one will ask about the price.
There you will see, parading,
How John and Peter and Nicholas get married;
There every pink note will be inserted,
That William wrote to his tender Laura.
There will appear, among other misfortunes,...
Like murder, and fire from crinoline skirts,...
Who in the course of the week has been "engaged";
There one offers in the list of advertisements
Used rings at civil prices;
There one announces twins and triplets;
If someone gets married, the whole crowd
Is drummed up to come and watch;...
If someone is rejected, it is printed
In the paper, among other news items;
Something like the following: "Again
Has the little love-devil demanded a victim!"
Yes, you will see, it will go well; for if it comes near
The time when I must recruit new subscribers,
Then I know a bait that will attract them,
Then I will sacrifice a bachelor in big-paper style.
Yes, you will see how I bravely fight for the honor of the guild;
Like a tiger,... like an editor I seize my prey..."
GOUDSTADAnd what will it be called?
VALK"Cupid's Norwegian Marksman's Journal"!
(comes closer)
STUIVERAll this is not serious... or is it?
You are not risking your good name like that!
You are not risking your good name like that!
Second Act쪽 54 / 346
VALKPerfectly serious. People always claim
That no one can live on love;
I will prove that it is a lie,
For I will live on it like a prince;
Especially if Miss Ekster allows me
To publish as a "feuilleton" the "novel"
Of our pastor, Mr. Strooman.
That no one can live on love;
I will prove that it is a lie,
For I will live on it like a prince;
Especially if Miss Ekster allows me
To publish as a "feuilleton" the "novel"
Of our pastor, Mr. Strooman.
(frightened)
STROOMANGod help me! What kind of plan is that?
What, my novel? Was I ever romantic?
What, my novel? Was I ever romantic?
MISS EKSTERI never said that!
STUIVERClearly a misunderstanding!
STROOMANWould I have sinned against morality
And old custom! That is a great lie!
And old custom! That is a great lie!
VALKAll right. (pats Stuiver on the shoulder).
Here stands a friend who will not waver.
I will open the paper with his love poems.
Here stands a friend who will not waver.
I will open the paper with his love poems.
(with a frightened look at the pastor)
STUIVERAre you mad! Let me say a word!...
Do you dare to say that I write poems...!
Do you dare to say that I write poems...!
MISS EKSTERNo!...
VALKYet it is being circulated from the office.
(in great anger)
STUIVERFrom our office nothing is ever circulated!
VALKYou too forsake me then; I still have
A faithful brother who will not desert.
"A song of love" I expect from friend Lind,
That love, too tender for sea and wind....
Who gives up emigrants for his tenderness,
Thus his love shows itself in all its glory!
A faithful brother who will not desert.
"A song of love" I expect from friend Lind,
That love, too tender for sea and wind....
Who gives up emigrants for his tenderness,
Thus his love shows itself in all its glory!
MRS. HALMSir, now my patience is at an end.
We cannot live under one roof any longer...
I hope you will leave my house today...
We cannot live under one roof any longer...
I hope you will leave my house today...
(with a bow while Mrs. Halm and the guests go inside)
VALKI expected you would say this to me.
STROOMANAnd between us it is war now for good;
You have deeply offended me and my wife...
Yes, even my children, Trientje, Mientje, all...!
Crow away, sir,... shout out your ideas...
You have deeply offended me and my wife...
Yes, even my children, Trientje, Mientje, all...!
Crow away, sir,... shout out your ideas...
(goes inside with wife and children).
VALKAnd go your way as an apostle,
You, with your love, which you have denied
Before the cock crowed for the third time!
You, with your love, which you have denied
Before the cock crowed for the third time!
(feels faint)
Second Act쪽 55 / 346
MISS EKSTERO Stuiver, help me! Quick, I beg you, come!
Loosen my corset... I feel so faint!
STUIVER (to Valk, while leaving with Miss Ekster on his arm).
I renounce your friendship!
Loosen my corset... I feel so faint!
STUIVER (to Valk, while leaving with Miss Ekster on his arm).
I renounce your friendship!
LINDI do too.
(solemnly)
VALKYou too, Lind?
LINDFarewell!
VALKI trusted in you...
LINDI cannot help it... my girl wishes it.
(He goes inside; Swanhild has remained by the veranda steps).
VALKThere, now I have space around me...
Now I have cleared up!
Now I have cleared up!
SWANHILDValk, listen!
(points politely to the house)
VALKThat way, miss; they went that way,
Mother, with all the friends, all the aunts.
Mother, with all the friends, all the aunts.
(comes closer)
SWANHILDLet them go; my path is not theirs;
Their herd will not increase with me.
Their herd will not increase with me.
VALKYou stay then?
SWANHILDYes. Do you wage war against lies,
Then I stand beside you as your faithful squire.
Then I stand beside you as your faithful squire.
VALKYou, Swanhild, you...
SWANHILD... who was afraid yesterday, yes!
But were you yourself, Valk, the one you are now?
You offered me the willow's fate as happiness...
But were you yourself, Valk, the one you are now?
You offered me the willow's fate as happiness...
VALKAnd the willow whistle made me deeply ashamed!
No, it is true, then it was only child's play;
But you awakened me to serious endeavor.
In the restless life stands the great temple,
Where the pure voice of truth will sound.
Not like the old Aesir, from on high
Looking down on the wild turmoil of battle;...
But bearing the mark of beauty in one's own breast,
Like Saint Olaf bearing the cross on his armor,...
With wide vision surveying the battlefield,
Even if he himself is in the net of strife...
To know a sunbeam behind the mists,
That must a man undertake as his life's task!
No, it is true, then it was only child's play;
But you awakened me to serious endeavor.
In the restless life stands the great temple,
Where the pure voice of truth will sound.
Not like the old Aesir, from on high
Looking down on the wild turmoil of battle;...
But bearing the mark of beauty in one's own breast,
Like Saint Olaf bearing the cross on his armor,...
With wide vision surveying the battlefield,
Even if he himself is in the net of strife...
To know a sunbeam behind the mists,
That must a man undertake as his life's task!
SWANHILDAnd that you will also do when you stand
Free and alone.
Free and alone.
Second Act쪽 56 / 346
VALKWas I then in the turmoil?
Yet that is the requirement. Oh no, that is past,
That life, alone dreaming, within myself.
Over is my indoor poetry;
I will live my song, among heath and pines,
I will fight my battle in the vibrating present;...
I or the lie... one of us must yield!
Yet that is the requirement. Oh no, that is past,
That life, alone dreaming, within myself.
Over is my indoor poetry;
I will live my song, among heath and pines,
I will fight my battle in the vibrating present;...
I or the lie... one of us must yield!
SWANHILDThen go forth with my blessing to the fight!
I misjudged you; your heart is warm and brave;
Forgive me,... and let us part without bitterness...
I misjudged you; your heart is warm and brave;
Forgive me,... and let us part without bitterness...
VALKNo, in my future boat there is room for two!
We will not part. Swanhild, have you courage?
Then we will fight together, side by side!
We will not part. Swanhild, have you courage?
Then we will fight together, side by side!
SWANHILDWe together?
VALKI stand now forsaken by all,
Not a single friend have I, fight with everyone,
With sharp spears hatred attacks me;...
Tell me, have you courage? With me it is stand or fall...
My future path goes straight through custom and law,
Where a thousand fetters wind around the foot;...
There I, like all others, set my table,
And slip the ring on the hand of my beloved!
Not a single friend have I, fight with everyone,
With sharp spears hatred attacks me;...
Tell me, have you courage? With me it is stand or fall...
My future path goes straight through custom and law,
Where a thousand fetters wind around the foot;...
There I, like all others, set my table,
And slip the ring on the hand of my beloved!
(pulls a ring from his finger and holds it up).
(in breathless suspense)
SWANHILDDo you mean that?
VALKYes. Thus we show the world
That love's power is still eternal,
And undefiled and in all its splendor
Bears itself through life's flat mediocrity.
Yesterday I pointed to the fire of ideas,
That burst wildly, high on the mountain peaks;...
Then you were afraid,... you trembled because you are a woman;
Now I point to the true goal of woman!
And Swanhild's heart accomplishes what it promises;
Behold here the abyss,... Swanhild, dare the leap!
That love's power is still eternal,
And undefiled and in all its splendor
Bears itself through life's flat mediocrity.
Yesterday I pointed to the fire of ideas,
That burst wildly, high on the mountain peaks;...
Then you were afraid,... you trembled because you are a woman;
Now I point to the true goal of woman!
And Swanhild's heart accomplishes what it promises;
Behold here the abyss,... Swanhild, dare the leap!
(almost inaudibly)
SWANHILDAnd if we fall...!
(jubilantly)
VALKNo, I see in your eyes
A ray of light that points to victory!
A ray of light that points to victory!
SWANHILDTake me wholly then, dearest, as I am!
Now spring is coming, and my soul will bloom!
Now spring is coming, and my soul will bloom!
(she falls into his arms bravely while the curtain falls).
END OF THE SECOND ACT
Third Act쪽 57 / 346
Third Act
Evening with bright moonshine. Coloured lanterns among the trees. In the background, tables laid with wine bottles, glasses, cakes, etc. From the house, where all windows are lit, muted piano playing and singing are heard during the following scene. Zwaanhilde stands by the veranda. Valk enters from the right with some books and a writing portfolio under his arm. Behind him comes the porter with a trunk and a travelling bag.
VALKIs that all now?
THE PORTERYes, now I almost think
That there is nothing left but a small bag,
And a summer jacket.
That there is nothing left but a small bag,
And a summer jacket.
VALKGood; I'll take that with me
When I leave, on my arm. Come here now;
Here is the folder.
When I leave, on my arm. Come here now;
Here is the folder.
THE PORTERIt's sealed, I see.
VALKYes, precisely, it is sealed.
THE PORTERGood.
VALKYou must
Burn it later, you hear.
Burn it later, you hear.
THE PORTERBurn?
(smiling)
VALKYes...
With all the drafts on poetic gold.
The books... well, you can keep them yourself.
With all the drafts on poetic gold.
The books... well, you can keep them yourself.
THE PORTEROh but sir... you are too kind!
Now, if sir is giving away his books,
Then surely he is done with studying?
Now, if sir is giving away his books,
Then surely he is done with studying?
VALKWhat one learns from books, I have learned...
And much more besides.
And much more besides.
THE PORTERMore then? That's bold.
VALKCome quickly; the porters are waiting outside...
Go help them now load everything up. (Porter exits left).
Go help them now load everything up. (Porter exits left).
Third Act쪽 58 / 346
VALK(goes to Zwaanhilde who comes to meet him).
One hour still, Zwaanhild, we have for ourselves,
Here in the summer night, by the light of the stars.
See how they glitter among the leafy vault,
Like golden seeds of the world tree.
Now I have loosened the last slave bond,
Now the scourge has struck me for the last time.
Like Jacob's people I stand ready for the journey,
Before the Passover lamb, with pilgrim's staff in my hand.
You dull race, that beyond the desert
Perceives no Canaan, the promised land,
You time-slave without rest, build your mummies
Their royal tombs in their pyramids;...
I seek freedom... through the wilderness,...
Even at low tide, the sea will carry me further;
But the enemy's bastion, built on lies,
Will sink there into its deepest depths!
(short pause; he looks at her and takes her hand).
You are so quiet, my Zwaanhild!
One hour still, Zwaanhild, we have for ourselves,
Here in the summer night, by the light of the stars.
See how they glitter among the leafy vault,
Like golden seeds of the world tree.
Now I have loosened the last slave bond,
Now the scourge has struck me for the last time.
Like Jacob's people I stand ready for the journey,
Before the Passover lamb, with pilgrim's staff in my hand.
You dull race, that beyond the desert
Perceives no Canaan, the promised land,
You time-slave without rest, build your mummies
Their royal tombs in their pyramids;...
I seek freedom... through the wilderness,...
Even at low tide, the sea will carry me further;
But the enemy's bastion, built on lies,
Will sink there into its deepest depths!
(short pause; he looks at her and takes her hand).
You are so quiet, my Zwaanhild!
ZWAANHILDEAnd so happy!
Oh, let me dream, quietly just dream.
Speak you for me; thoughts blossom up
And become song... as before the moon
The white water lilies open.
Oh, let me dream, quietly just dream.
Speak you for me; thoughts blossom up
And become song... as before the moon
The white water lilies open.
VALKNo, say it once more with truth's pure
Never wavering voice: "I am yours!"
Oh, say it, Zwaanhild, please!...
Never wavering voice: "I am yours!"
Oh, say it, Zwaanhild, please!...
(throws herself around his neck)
ZWAANHILDEYes, I am yours!
VALKMine alone! given to me by God himself!
ZWAANHILDEI was forsaken in my mother's house,
And I was lonely in my own soul;
An uninvited guest at feast and joy,
I was worth nothing there... yes sometimes even less.
But then you came! For the very first time
I found my thought in another's word;
What vaguely I dreamed, you knew how to give form!
You youthful, strong, among all those old ones!
Half repelled me sometimes your sharp mind,
Half your sunny being attracted me,
As the sea attracts the green shore,
And cliffs again drive back the water.
Now I saw to the bottom of your soul,
Now you have me undivided and whole;
You, beloved leafy tree, blooming at the breakers.
My heart has only flood, but never more ebb!
And I was lonely in my own soul;
An uninvited guest at feast and joy,
I was worth nothing there... yes sometimes even less.
But then you came! For the very first time
I found my thought in another's word;
What vaguely I dreamed, you knew how to give form!
You youthful, strong, among all those old ones!
Half repelled me sometimes your sharp mind,
Half your sunny being attracted me,
As the sea attracts the green shore,
And cliffs again drive back the water.
Now I saw to the bottom of your soul,
Now you have me undivided and whole;
You, beloved leafy tree, blooming at the breakers.
My heart has only flood, but never more ebb!
Third Act쪽 59 / 346
VALKAnd thank God, that He my love itself
Baptized in sorrow and suffering... that was consecration.
I myself knew not what drove me, ere dearly bought
In you I saw the treasure I was about to lose!
Yes, thank Him, who in my book of life
With sorrow's stamp ennobled my passion;
Who gave us a free pass on our journey,
And commanded us, as chosen pair,
Through the dark forest to chase the shining goal!
Baptized in sorrow and suffering... that was consecration.
I myself knew not what drove me, ere dearly bought
In you I saw the treasure I was about to lose!
Yes, thank Him, who in my book of life
With sorrow's stamp ennobled my passion;
Who gave us a free pass on our journey,
And commanded us, as chosen pair,
Through the dark forest to chase the shining goal!
(points to the house)
ZWAANHILDEInside there is now feast in every room,
Lights shine for the young couple;
There sounds the friends' song, with cheerful laughter.
Whoever passes by must surely think that
There is happiness... in that festive bustle. (sympathetically).
You, world's darling... poor sister!
Lights shine for the young couple;
There sounds the friends' song, with cheerful laughter.
Whoever passes by must surely think that
There is happiness... in that festive bustle. (sympathetically).
You, world's darling... poor sister!
VALKDo you call her poor?
ZWAANHILDEHas she not then shared
Her soul-gold with him and a hundred others,
Her capital spread in so many hands,
That she can demand it whole from no one?
Not one is now more all in debt to her
For no one must she live completely anymore.
Oh, I am ten times richer than she;
I have of all people only one.
Empty was my heart, when you with victory banners,
With festive joy cheerfully entered;
Now you reign there as lord of my thoughts;
Like spring scents you fill my whole soul.
Yes, I may thank God, now and every day,
That I lived alone until I found you,...
That I was as dead... when the bells tolled
That called me from darkness to light.
Her soul-gold with him and a hundred others,
Her capital spread in so many hands,
That she can demand it whole from no one?
Not one is now more all in debt to her
For no one must she live completely anymore.
Oh, I am ten times richer than she;
I have of all people only one.
Empty was my heart, when you with victory banners,
With festive joy cheerfully entered;
Now you reign there as lord of my thoughts;
Like spring scents you fill my whole soul.
Yes, I may thank God, now and every day,
That I lived alone until I found you,...
That I was as dead... when the bells tolled
That called me from darkness to light.
VALKYes, we, forsaken here in darkness lingering,
We are the rich,... we who stand outside...
Possessors of the treasure are we, who look out
Travelling, the land in, in the silent night.
Let lights shine and let tones sound,
Let them dance and enjoy inside;...
Look upward, Zwaanhild, into the blue night,
There shine a thousand little lights too...
We are the rich,... we who stand outside...
Possessors of the treasure are we, who look out
Travelling, the land in, in the silent night.
Let lights shine and let tones sound,
Let them dance and enjoy inside;...
Look upward, Zwaanhild, into the blue night,
There shine a thousand little lights too...
ZWAANHILDEHush, listen, beloved... in the balmy night
A rustling goes softly through the linden leaves...
A rustling goes softly through the linden leaves...
VALKIt is for us that all those lights twinkle...
ZWAANHILDEIt is for us that it whispers in the lindens!
Third Act쪽 60 / 346
VALKLike God's prodigal son I feel myself;
I left him for the world's busy bustle.
Then he beckoned me home with gentle hand;
And now I come he lights the lamp,
Prepares a feast for the found son
And gives his finest work to me as reward.
From now on, I swear, I will remain faithful to him,...
Serve him, fight bravely for his light.
United our life becomes a hymn of praise,
To love's highest song, which conquers all!
I left him for the world's busy bustle.
Then he beckoned me home with gentle hand;
And now I come he lights the lamp,
Prepares a feast for the found son
And gives his finest work to me as reward.
From now on, I swear, I will remain faithful to him,...
Serve him, fight bravely for his light.
United our life becomes a hymn of praise,
To love's highest song, which conquers all!
ZWAANHILDEAnd see how light it is for two, to win,
Where he a man...
Where he a man...
VALKAnd she a true woman is;
Who together can surely not perish!
Who together can surely not perish!
ZWAANHILDEWell then, to battle with want and worries;
(shows Valk the ring she wears on her finger).
Now I will quickly tell them everything!
(shows Valk the ring she wears on her finger).
Now I will quickly tell them everything!
(quickly)
VALKNo, Zwaanhild, not yet; wait until tomorrow!
Tonight we pluck only red roses
Of sweet happiness... day-work would be sacrilege.
(The door of the garden room is opened).
There comes your mother! Hide yourself! As my bride
No one's eye may look upon you tonight!
(They go through the trees to the garden house. Mrs. Halm and
Goudstad come out onto the veranda).
Tonight we pluck only red roses
Of sweet happiness... day-work would be sacrilege.
(The door of the garden room is opened).
There comes your mother! Hide yourself! As my bride
No one's eye may look upon you tonight!
(They go through the trees to the garden house. Mrs. Halm and
Goudstad come out onto the veranda).
MRS. HALMHe's really leaving!
GOUDSTADIt looks that way.
(comes over)
STUIVERHe's leaving anyway, ma'am!
MRS. HALMOh heavens, yes,
I know it well!
I know it well!
STUIVERThat's a crazy business;
He keeps his word; I know him well enough for that.
He'll put us all in his newspaper,
My girl's name printed a hundred times,
And right next to it thank-you's, twin pairs.
Yes, you know, if it weren't for our honor
I'd almost propose a truce...
He keeps his word; I know him well enough for that.
He'll put us all in his newspaper,
My girl's name printed a hundred times,
And right next to it thank-you's, twin pairs.
Yes, you know, if it weren't for our honor
I'd almost propose a truce...
MRS. HALMAnd would you think that he...?
Third Act쪽 61 / 346
STUIVERI think so.
I found indications, yes even a trace,
Indicating that, when he took such a high tone
Just now, he was not quite sober,
There is even one proof, though not legal,
That strongly testifies against the man in question.
I have heard and know that after dinner
He in the room, where he lives with Lind,
Carried on greatly, restless, wild.
Broke things...
I found indications, yes even a trace,
Indicating that, when he took such a high tone
Just now, he was not quite sober,
There is even one proof, though not legal,
That strongly testifies against the man in question.
I have heard and know that after dinner
He in the room, where he lives with Lind,
Carried on greatly, restless, wild.
Broke things...
GOUDSTAD(sees a glimpse of Valk and Zwaanhilde parting, while Valk
goes to the background; Zwaanhilde remains hidden by the
garden house).
Hush, we are on the right track!
One moment, ma'am! Valk is not leaving,
Or if he does, it will be as a friend.
goes to the background; Zwaanhilde remains hidden by the
garden house).
Hush, we are on the right track!
One moment, ma'am! Valk is not leaving,
Or if he does, it will be as a friend.
STUIVEROh? So you also think...?
MRS. HALMOh, where are you going?
GOUDSTADMadam, I will be back shortly;
I'll fix things up for everyone again,
If I can just speak to him...
I'll fix things up for everyone again,
If I can just speak to him...
MRS. HALMYes, fine!
(They go into the garden together; during the following they are seen
walking back and forth in the background, in earnest conversation).
(They go into the garden together; during the following they are seen
walking back and forth in the background, in earnest conversation).
STUIVER(comes from the veranda and discovers Valk, who is looking out over
the water).
What a man of hate such a poet is;
But I, a desk man, am a man of state...
And politics... I work for myself... (sees the pastor coming out of
the garden room).
Ah, so!
the water).
What a man of hate such a poet is;
But I, a desk man, am a man of state...
And politics... I work for myself... (sees the pastor coming out of
the garden room).
Ah, so!
STROOMANHe's leaving anyway! (comes to Stuiver).
My dear,... oh be so kind
And go, just for a moment, inside,
And keep my wife...
My dear,... oh be so kind
And go, just for a moment, inside,
And keep my wife...
STUIVERWho should I keep, you say?
STROOMANI mean, entertain her. Because my wife and I
And the little ones are always together
And never once... (Mrs. and the children appear in the door).
Yes... there they are all again!
And the little ones are always together
And never once... (Mrs. and the children appear in the door).
Yes... there they are all again!
MRS. STROOMANWhere are you, Strooman?
(softly to Stuiver)
STROOMANPlease think up something quickly now,
To amuse her... something funny, a tale!
To amuse her... something funny, a tale!
(goes onto the veranda)
Third Act쪽 62 / 346
STUIVERDid you see the report from our department?
That is a masterpiece of fine style... (pulls a book from
his pocket).
I'll give you a sample of that... (politely invites her to
go into the room and goes himself. Valk comes forward into
the garden; he and Strooman face each other and look at each
other silently for a while).
That is a masterpiece of fine style... (pulls a book from
his pocket).
I'll give you a sample of that... (politely invites her to
go into the room and goes himself. Valk comes forward into
the garden; he and Strooman face each other and look at each
other silently for a while).
STROOMANWell?
VALKWell?
STROOMANMr. Valk!
VALKPastor!
STROOMANAre you a bit more
Amenable now than when we parted?
Amenable now than when we parted?
VALKNo,
I go with steady step my own way...
I go with steady step my own way...
STROOMANEven if you trample your neighbor's welfare?
VALKI plant truth's herb in its place instead. (smiling).
You might still be thinking about the newspaper
For love affairs?
You might still be thinking about the newspaper
For love affairs?
STROOMANNow, was that then a jest?
VALKYes, be comforted, that work goes up in smoke,
With deeds, not letters, I break the ice.
With deeds, not letters, I break the ice.
STROOMANAnd even if you spare me now, I know someone else
From whom I won't be so easily free now;
He, Stuiver, will use his power...
And that is your fault, and that is bad.
You stirred up those old fanaticisms,
And that he will not be silent, I dare swear,
If against the demands of the roaring choir
I bring but a single word into the middle.
The world of officials is a great power
In our press, just now, I've been told.
The paltriest little notice can strike me down,
If it is printed in the big newspaper,
Which goes about with Samson's force and vengeance,
Trampling with feet, striking wildly around...
And that just when the quarter is up again!...
From whom I won't be so easily free now;
He, Stuiver, will use his power...
And that is your fault, and that is bad.
You stirred up those old fanaticisms,
And that he will not be silent, I dare swear,
If against the demands of the roaring choir
I bring but a single word into the middle.
The world of officials is a great power
In our press, just now, I've been told.
The paltriest little notice can strike me down,
If it is printed in the big newspaper,
Which goes about with Samson's force and vengeance,
Trampling with feet, striking wildly around...
And that just when the quarter is up again!...
(coming forward)
VALKBut your business never brought you into disrepute...?
(anxiously)
STROOMANNo matter. The big paper has many columns;
Mark my words: I'll fall on the altar of vengeance...
Mark my words: I'll fall on the altar of vengeance...
(facetiously)
Third Act쪽 63 / 346
VALKOf punishment, you mean,... and well-deserved...
There goes a Nemesis through life,
Which surely strikes, though often late,...
Which no man is given to escape.
If anyone has sinned against the idea,
Then comes the press, its ever watchful guard,
And makes the guilty one atone for his crime.
There goes a Nemesis through life,
Which surely strikes, though often late,...
Which no man is given to escape.
If anyone has sinned against the idea,
Then comes the press, its ever watchful guard,
And makes the guilty one atone for his crime.
STROOMANBut dear Lord, when did I sign a contract
With the "idea" you make such a fuss about!
I am a family man and a husband,...
Consider that I have twelve children:
My daily work keeps me bound day after day,
I have a parish and a large farm,
With flocks, cattle, and spiritual lambs,...
Look, all that must be well managed,
With shearing, threshing, and manuring the land;
Then I am called here, then to the stable;...
Where do I find time to live for ideas?
With the "idea" you make such a fuss about!
I am a family man and a husband,...
Consider that I have twelve children:
My daily work keeps me bound day after day,
I have a parish and a large farm,
With flocks, cattle, and spiritual lambs,...
Look, all that must be well managed,
With shearing, threshing, and manuring the land;
Then I am called here, then to the stable;...
Where do I find time to live for ideas?
VALKYes, go back home, the sooner the better
Hiding in the warm house before winter.
In young Norway it is beginning to dawn;
The bold army counts a thousand fighters,
And the morning breeze swells the fluttering banner.
Hiding in the warm house before winter.
In young Norway it is beginning to dawn;
The bold army counts a thousand fighters,
And the morning breeze swells the fluttering banner.
STROOMANAnd if I, young man, were to go home
With all my kin, yes with everything that
Until yesterday was my little kingdom,...
Has not much changed for me today?
Do you think I am as rich as when I came here...?
With all my kin, yes with everything that
Until yesterday was my little kingdom,...
Has not much changed for me today?
Do you think I am as rich as when I came here...?
(as Valk is about to answer).
STROOMANNo, first hear what I have to say. (comes closer to him).
There was a time when I was young, like you,
And no less fearless and brave,
Then came the struggle for bread... time passed;
Such a thing does not steel the spirit, but the hands.
I went northward; found my home in the mountains...
Before me lay the whole world in my parish.
My home... sir! Do you know what a home is?
There was a time when I was young, like you,
And no less fearless and brave,
Then came the struggle for bread... time passed;
Such a thing does not steel the spirit, but the hands.
I went northward; found my home in the mountains...
Before me lay the whole world in my parish.
My home... sir! Do you know what a home is?
(curtly)
VALKI have never known one.
Third Act쪽 64 / 346
STROOMANI believe that.
A home is where there is plenty of room for five,
Though an enemy would think it too small for two.
A home is where your life of thought
Can play freely, like a child on father's lap.
Where your voice does not knock in vain at hearts,
But receives answer with familiar sound.
A home is where hair can gray peacefully
And no one notices that you grow old,
Where tender memory surrounds you blue,
Like hilltops far away behind the forest.
A home is where there is plenty of room for five,
Though an enemy would think it too small for two.
A home is where your life of thought
Can play freely, like a child on father's lap.
Where your voice does not knock in vain at hearts,
But receives answer with familiar sound.
A home is where hair can gray peacefully
And no one notices that you grow old,
Where tender memory surrounds you blue,
Like hilltops far away behind the forest.
(with forced mockery)
VALKYou wax eloquent...
STROOMANAt something that makes you laugh!
So unequally did the dear Lord create us.
What you were richly given is lacking in me,
But I won where you have lost.
From the clouds, a truth sometimes seems
But a fiction on trodden ground;
You want the heights, I no higher than the roof,...
One became an eagle...
So unequally did the dear Lord create us.
What you were richly given is lacking in me,
But I won where you have lost.
From the clouds, a truth sometimes seems
But a fiction on trodden ground;
You want the heights, I no higher than the roof,...
One became an eagle...
VALKThe other became a chicken.
Third Act쪽 65 / 346
STROOMANYes, laugh if you will, for all I care it's true.
I am a broody hen;... well; under my wings
I have a brood of chicks, which you do not!
And for my brood I have heart and courage,
And I defend myself if one comes too close.
Oh, I understand very well, you find me stupid,
Yes, perhaps you pass a harsher judgment
And consider me keen on worldly goods;...
Let there be no more strife between us about that!
(seizes Valk's arm and continues in a subdued voice but with ever
increasing force).
Yes, I have become greedy, stupid, and dull:
But I became miserly for those whom God gave me,
And I became stupid in the hard struggle with cares,
And I grew dull in the loneliness of the mountains.
Yet every time a boat of ideals
Went down in the endless breakers,
Another rose visible on the horizon,
Which brought me new life's reward to the shore.
For every dream that perished in toil,
For every flight feather that broke in ascent,
I received as God's gift a living miracle,
Which I received from Him with praise and thanks.
I fought for them, for them I scraped,
For them I even expounded the Holy Scripture;...
It was my flower garden, that little troop of children...
Now you have trampled on it with your mockery!
Aesthetic-literarily it has been proven
By you, that my happiness is foolish delusion,
That what was holy earnest to me is ridiculous...
Now I demand, give me back my peace,
But let it be intact and without cracks...
I am a broody hen;... well; under my wings
I have a brood of chicks, which you do not!
And for my brood I have heart and courage,
And I defend myself if one comes too close.
Oh, I understand very well, you find me stupid,
Yes, perhaps you pass a harsher judgment
And consider me keen on worldly goods;...
Let there be no more strife between us about that!
(seizes Valk's arm and continues in a subdued voice but with ever
increasing force).
Yes, I have become greedy, stupid, and dull:
But I became miserly for those whom God gave me,
And I became stupid in the hard struggle with cares,
And I grew dull in the loneliness of the mountains.
Yet every time a boat of ideals
Went down in the endless breakers,
Another rose visible on the horizon,
Which brought me new life's reward to the shore.
For every dream that perished in toil,
For every flight feather that broke in ascent,
I received as God's gift a living miracle,
Which I received from Him with praise and thanks.
I fought for them, for them I scraped,
For them I even expounded the Holy Scripture;...
It was my flower garden, that little troop of children...
Now you have trampled on it with your mockery!
Aesthetic-literarily it has been proven
By you, that my happiness is foolish delusion,
That what was holy earnest to me is ridiculous...
Now I demand, give me back my peace,
But let it be intact and without cracks...
VALKThat I should stand surety for your happiness, you demand?
STROOMANYes, you threw a heavy stone on my path,
Doubt, you alone can remove it.
Take down the wall that separates me from my own,
Lift the ban that holds me captive.
Doubt, you alone can remove it.
Take down the wall that separates me from my own,
Lift the ban that holds me captive.
VALKDo you think I possess a lie-glue,
Can mend the cracked vessel of your bliss?
Can mend the cracked vessel of your bliss?
STROOMANI think that the faith, overthrown by you
With words, can also be restored by the word;...
And that you can forge the loose link;...
Think again... speak the truth then,
And give me peace... that I can hoist the flag again...
With words, can also be restored by the word;...
And that you can forge the loose link;...
Think again... speak the truth then,
And give me peace... that I can hoist the flag again...
(proudly)
Third Act쪽 66 / 346
VALKI never stamp what is brass as gold.
(looks at him fixedly)
STROOMANConsider then how just now a word resounded,
From someone, searching on truth's track: (with raised finger).
There goes a Nemesis through life;
Which no man is given to escape! (he goes to the house).
STUIVER (comes out with his glasses on and with the open book in
his hand).
Oh pastor, come quickly, the children are crying
For you...
From someone, searching on truth's track: (with raised finger).
There goes a Nemesis through life;
Which no man is given to escape! (he goes to the house).
STUIVER (comes out with his glasses on and with the open book in
his hand).
Oh pastor, come quickly, the children are crying
For you...
(in the doorway)
THE CHILDRENPapa!
STUIVERMadam is also waiting!
(Strooman goes into the house).
STUIVERThat lady is not legally minded.
(puts book and glasses in his pocket and approaches Valk).
STUIVERValk!
VALKYes!
STUIVERI hope that you have reconsidered
VALKAnd why?
STUIVERWell, that's easy to understand;
Surely you see that it cannot be allowed
To make use of confidential
Tales;... one may not tell them.
Surely you see that it cannot be allowed
To make use of confidential
Tales;... one may not tell them.
VALKNo, I have heard that can become dangerous.
STUIVERYes, by my soul!
VALKBut then for great gentlemen.
(eagerly)
STUIVERFor all kinds of office-men it is dangerous.
You can imagine how that must diminish
All my prospects, if my chief ever knew
That a little Pegasus sometimes neighs
During working hours in such an office.
You know well that in all matters
Of the office, they prefer not to have poets at work,
But worst would be if it accidentally came out
That I had transgressed the highest command,
And communicated things of importance.
You can imagine how that must diminish
All my prospects, if my chief ever knew
That a little Pegasus sometimes neighs
During working hours in such an office.
You know well that in all matters
Of the office, they prefer not to have poets at work,
But worst would be if it accidentally came out
That I had transgressed the highest command,
And communicated things of importance.
VALKSo such an indiscretion is punishable?
(mysteriously)
STUIVERIt can sometimes force a public servant
To immediately apply for his resignation.
That's a regulation for us officials,
That we everywhere, even at home, keep the secret.
To immediately apply for his resignation.
That's a regulation for us officials,
That we everywhere, even at home, keep the secret.
Third Act쪽 67 / 346
VALKBut that is tyrannical of a government
To thus muzzle the "clerk" who threshes."
To thus muzzle the "clerk" who threshes."
(shrugs his shoulders)
STUIVERIt's legal; complaining about that is not fitting.
And besides, now that salary revision
May soon come up for discussion,
It is not wise to immerse oneself
In official matters of such delicate nature.
And therefore, you see, be so kind as to keep silent;...
Because if I ever lost...
And besides, now that salary revision
May soon come up for discussion,
It is not wise to immerse oneself
In official matters of such delicate nature.
And therefore, you see, be so kind as to keep silent;...
Because if I ever lost...
VALKThe portfolio?
STUIVERIt is officially stamped as "copybook".
The protocol is really the tiepin,
That closes the shirtfront of the office;
Sniffing behind it gives nothing but trouble.
The protocol is really the tiepin,
That closes the shirtfront of the office;
Sniffing behind it gives nothing but trouble.
VALKAnd yet it was you yourself, who asked me
To give a hint that you wrote verses.
To give a hint that you wrote verses.
STUIVERYes, could I know that he would sink so low,
That pastor, who now has prosperity,
And money enough for a life without care?
But if he already sank into decay,
What then is to become of us clerks?
Of me,... I who have never been promoted,
Have a girl and will soon marry,
Naturally soon must provide for a family,
Et cetera! (more vehemently). Oh, was I wealthy,
I would gird the armor around my limbs,
Strike the table so that the world resounded.
And was I alone, a bachelor like you,
Then I would, believe me, through the prose snow
Also break a path for the high idea!
That pastor, who now has prosperity,
And money enough for a life without care?
But if he already sank into decay,
What then is to become of us clerks?
Of me,... I who have never been promoted,
Have a girl and will soon marry,
Naturally soon must provide for a family,
Et cetera! (more vehemently). Oh, was I wealthy,
I would gird the armor around my limbs,
Strike the table so that the world resounded.
And was I alone, a bachelor like you,
Then I would, believe me, through the prose snow
Also break a path for the high idea!
VALKBut save yourself then!
STUIVERWhat?
VALKYes, it is still time!
Despise the world's foolish owl-judgment;
Freedom turns even caterpillars into butterflies!
Despise the world's foolish owl-judgment;
Freedom turns even caterpillars into butterflies!
(a step back)
STUIVERDo you mean that I should break my engagement...?
VALKYes;...
The pearl is gone; what use the empty shell?
The pearl is gone; what use the empty shell?
Third Act쪽 68 / 346
STUIVERSuch a proposal you should not make to me again;
I am no young student, but an official!
I now do not count what Christian the Fifth
In his time decreed about marriage promises,...
Because those provisions are not mentioned in
The "Penal Codes" of the year forty-two;
In so far the matter would not be criminal,
It would not be an infringement of the law...
I am no young student, but an official!
I now do not count what Christian the Fifth
In his time decreed about marriage promises,...
Because those provisions are not mentioned in
The "Penal Codes" of the year forty-two;
In so far the matter would not be criminal,
It would not be an infringement of the law...
VALKNow look at that!
(with firmness)
STUIVERYes indeed, but nevertheless,...
There can be no question of such an exception.
She makes no high demands on life,
I neither, and I have long noticed
That I am made for the office and a home.
Let others travel with the wild swans,
The quiet, little life can also be beautiful!
What says also somewhere privy councillor Goethe
Of the heavenly Milky Way, shining and white?
That no man can skim cream from it,
And even less make butter of it...
There can be no question of such an exception.
She makes no high demands on life,
I neither, and I have long noticed
That I am made for the office and a home.
Let others travel with the wild swans,
The quiet, little life can also be beautiful!
What says also somewhere privy councillor Goethe
Of the heavenly Milky Way, shining and white?
That no man can skim cream from it,
And even less make butter of it...
VALKNow, if then butter-making is your happiness,
Let the daily routine be consecrated by the spirit;...
A man must be a citizen of his time,
But also ennoble his civic sphere.
Yes certainly, in the small there is also much beauty;
But it is the art to see and understand it.
Not everyone who wishes to handle clay
Is therefore the potter-artist.
Let the daily routine be consecrated by the spirit;...
A man must be a citizen of his time,
But also ennoble his civic sphere.
Yes certainly, in the small there is also much beauty;
But it is the art to see and understand it.
Not everyone who wishes to handle clay
Is therefore the potter-artist.
STUIVERLet us in peace each go his path:
To block your way is not in our plan.
We go the high road, you soar in heights,
Yes, we too once soared in that;
But the day demands work and not song,...
One unlearns that, gradually in life.
Youthful life, you see, is a process
And the most foolish of all procedures;...
Make a settlement, and do not resist,
For you will lose your case before all judges.
To block your way is not in our plan.
We go the high road, you soar in heights,
Yes, we too once soared in that;
But the day demands work and not song,...
One unlearns that, gradually in life.
Youthful life, you see, is a process
And the most foolish of all procedures;...
Make a settlement, and do not resist,
For you will lose your case before all judges.
(boldly and hopefully while casting a glance at the garden house)
VALKNo, even if I were condemned by all judges,...
Yet I know, mercy would replace justice for me!...
I know, two can live the life.
In free faith, happy in the highest striving;
But you loudly proclaim the sad doctrine:
The ideal, that is quite secondary!
Yet I know, mercy would replace justice for me!...
I know, two can live the life.
In free faith, happy in the highest striving;
But you loudly proclaim the sad doctrine:
The ideal, that is quite secondary!
Third Act쪽 69 / 346
STUIVERNo say: "primary",... for it has done its duty
Just like the flower..., as soon as the fruit sets.
(Inside at the piano Miss Ekster plays and sings: "Ach, du lieber
Augustin". Stuiver stops and listens in silent emotion).
She calls me with the same old song,
That spoke to me, when I first saw her.
Just like the flower..., as soon as the fruit sets.
(Inside at the piano Miss Ekster plays and sings: "Ach, du lieber
Augustin". Stuiver stops and listens in silent emotion).
She calls me with the same old song,
That spoke to me, when I first saw her.
(places his hand on Valk's arm and looks him in the eyes).
STUIVERWhenever she revives this song again,
From her playing sounds, full of yearning, tender trembling,
With new strength her first yes to me.
And when at last our love fades out
And dies, to rise again as tender friendship,
The old song will connect then and now.
And if my back then bends from constant writing,
And my daily task becomes only struggle with cares,
Yet I will return home cheerful,
Where what is past revives in music.
If I find a quiet hour there for us both,
Then I am satisfied with everything else!
(He goes into the house. Valk goes to the garden house. Zwaanhilde
emerges; she is pale and moved. They look at each other silently for
a while and then fall passionately into each other's arms).
From her playing sounds, full of yearning, tender trembling,
With new strength her first yes to me.
And when at last our love fades out
And dies, to rise again as tender friendship,
The old song will connect then and now.
And if my back then bends from constant writing,
And my daily task becomes only struggle with cares,
Yet I will return home cheerful,
Where what is past revives in music.
If I find a quiet hour there for us both,
Then I am satisfied with everything else!
(He goes into the house. Valk goes to the garden house. Zwaanhilde
emerges; she is pale and moved. They look at each other silently for
a while and then fall passionately into each other's arms).
VALKOh, Zwaanhild, let us stay together, high!
You fresh, free flower on churchyard soil,...
That they call love's spring life!
A corpse-odor wafts around bridegroom and bride;
It smells of corpses, where two go together
In the street bustle, a smile on the lips,
Lie's clam lime-grave in their heart,
And the impotence of death in all their striving.
That they call life! Great gods!
Is such a fate then worth all that misery?
Is it worth raising troops of children?
To feed them with honesty and duty?
And make them hope for a short summer?
So that the slaughterbench may be well supplied!
You fresh, free flower on churchyard soil,...
That they call love's spring life!
A corpse-odor wafts around bridegroom and bride;
It smells of corpses, where two go together
In the street bustle, a smile on the lips,
Lie's clam lime-grave in their heart,
And the impotence of death in all their striving.
That they call life! Great gods!
Is such a fate then worth all that misery?
Is it worth raising troops of children?
To feed them with honesty and duty?
And make them hope for a short summer?
So that the slaughterbench may be well supplied!
ZWAANHILDEValk, let us go away!
Third Act쪽 70 / 346
VALKGo away? Where to?
Is the world not the same everywhere?
And do you not find hanging on every wall,
In truth's glass-and-frame, the same lie?
No, let us stay, enjoying the fine play,
Tragicomedy, harlequinade,...
A people that believes... what all men lie!
See Strooman and his wife, and Lind and Stuiver,
Performing true love's masquerade,
Speaking faithfully and in the heart the lie,...
Yet, at bottom, they are truly good people!
They lie for themselves and for each other;
But no one may touch that lie itself;...
And each finds, though sometimes his boat veers,
Himself rich as Croesus, blessed as a God;
They themselves steered from Paradise downstream,
And bang! they stuck fast on hell-sand;
But no one among them notices where they sit,
And each thinks he dwells in Paradise,
And each smiles touchingly oh and ah;
And then comes Beelzebub with goat's foot,
Horned and roaring, mocking, jeering, reviling,...
Then they nudge each other softly:
That's Our Dear Lord; quickly take off your hat!
Is the world not the same everywhere?
And do you not find hanging on every wall,
In truth's glass-and-frame, the same lie?
No, let us stay, enjoying the fine play,
Tragicomedy, harlequinade,...
A people that believes... what all men lie!
See Strooman and his wife, and Lind and Stuiver,
Performing true love's masquerade,
Speaking faithfully and in the heart the lie,...
Yet, at bottom, they are truly good people!
They lie for themselves and for each other;
But no one may touch that lie itself;...
And each finds, though sometimes his boat veers,
Himself rich as Croesus, blessed as a God;
They themselves steered from Paradise downstream,
And bang! they stuck fast on hell-sand;
But no one among them notices where they sit,
And each thinks he dwells in Paradise,
And each smiles touchingly oh and ah;
And then comes Beelzebub with goat's foot,
Horned and roaring, mocking, jeering, reviling,...
Then they nudge each other softly:
That's Our Dear Lord; quickly take off your hat!
(after a moment of thoughtful silence)
ZWAANHILDEHow wonderfully has a dear hand
Shown me the way to my spring bliss,
The life that I dreamed before me
I will from today call my daily task.
Oh, good God! how I groped in the dark,...
Then You brought light,... then You let me find him!
Shown me the way to my spring bliss,
The life that I dreamed before me
I will from today call my daily task.
Oh, good God! how I groped in the dark,...
Then You brought light,... then You let me find him!
(looks at Valk with quiet tender admiration)
ZWAANHILDEWhat then is your strength, you strong oak,
Who stands firm in the storm, that fells everything,
And stands alone, yet wishes to shelter me?...
Who stands firm in the storm, that fells everything,
And stands alone, yet wishes to shelter me?...
VALKThe power of truth, Zwaanhild;... that makes bold.
(looks shyly at the house)
ZWAANHILDEThey came as petitioners, both,
Each spoke in the name of one half of the world.
One asked if young love could grow
When the soul was burdened under wealth?
The other asked: and how can love live
When nothing but poverty awaits it?
It's terrible... to preach such a doctrine
As a word of truth, and yet just go on living!
Each spoke in the name of one half of the world.
One asked if young love could grow
When the soul was burdened under wealth?
The other asked: and how can love live
When nothing but poverty awaits it?
It's terrible... to preach such a doctrine
As a word of truth, and yet just go on living!
VALKAnd if that applied to us?
Third Act쪽 71 / 346
ZWAANHILDEApplied to us?... What then?
What can anything external do about that?
I have told you already: if you wish to fight,
Then I will stand with you or fall with you.
Oh, nothing so light as the biblical command
To leave everything, to follow him,
The beloved, and with him go to God.
What can anything external do about that?
I have told you already: if you wish to fight,
Then I will stand with you or fall with you.
Oh, nothing so light as the biblical command
To leave everything, to follow him,
The beloved, and with him go to God.
(embraces her)
VALKLet the storms rage, wild and mighty!
We stand in the thunderstorm; no one can fell us!
(Mrs. Halm and Goudstad come from the right in the background. Valk and
Zwaanhilde remain standing in the garden house).
We stand in the thunderstorm; no one can fell us!
(Mrs. Halm and Goudstad come from the right in the background. Valk and
Zwaanhilde remain standing in the garden house).
(muffled)
GOUDSTADLook there!
(surprised)
MRS. HALMTogether!
GOUDSTADDo you still doubt?
MRS. HALMThat is...!
GOUDSTADOh, I have noticed
That he was quietly up to something.
That he was quietly up to something.
(to herself)
MRS. HALMThat Zwaanhild was sly, who would have thought? (vivaciously to Goudstad).
But no, I don't believe it...
But no, I don't believe it...
GOUDSTADI will prove it.
MRS. HALMNow directly here...?
GOUDSTADImmediately and without doubt.
(extends her hand)
MRS. HALMGod be with you!
(seriously)
GOUDSTADThank you; that may be necessary. (comes forward).
(looks back as she departs)
MRS. HALMHowever it may turn out, the child will be happy. (goes into the house).
(approaches Valk)
GOUDSTADYou do not have much time?
VALKAnother quarter hour,
Then I leave.
Then I leave.
GOUDSTADOh, that is long enough.
(about to withdraw)
ZWAANHILDEFarewell!
GOUDSTADNo, stay!
ZWAANHILDEI?
GOUDSTADUntil you have answered;
For between us everything must be clear;...
We three must speak frankly together.
For between us everything must be clear;...
We three must speak frankly together.
(surprised)
VALKWe three?
Third Act쪽 72 / 346
GOUDSTADYes,... let us play open cards.
(suppressing a smile)
VALKI am at your service.
GOUDSTADGood. It is about
Half a year now that I have known you;
We quarreled...
Half a year now that I have known you;
We quarreled...
VALKYes.
GOUDSTADAnd we were mostly in disagreement;
We often gave each other a full blast;
You stood as captain of a lofty cause,
I was just an ordinary toiler,
And yet it was as if a bond united us
In a thousand long-forgotten old things
From my own youthful thoughts and memories,
Which were awakened by your words.
Yes, yes. You look at me; my greying hair
Was once wavy, heavy, and brown in former days,
My forehead, no longer smooth from daily toil,
Did not always bear wrinkles.
But enough of that now! I am a businessman...
We often gave each other a full blast;
You stood as captain of a lofty cause,
I was just an ordinary toiler,
And yet it was as if a bond united us
In a thousand long-forgotten old things
From my own youthful thoughts and memories,
Which were awakened by your words.
Yes, yes. You look at me; my greying hair
Was once wavy, heavy, and brown in former days,
My forehead, no longer smooth from daily toil,
Did not always bear wrinkles.
But enough of that now! I am a businessman...
(with light mockery)
VALKYou are the healthy, practical common sense,
GOUDSTADAnd you are the joyful singer of hope!
(steps between them).
Look, therefore, Valk and Swanhild, I stand here.
We must speak, for the hour is near,
(steps between them).
Look, therefore, Valk and Swanhild, I stand here.
We must speak, for the hour is near,
(tense)
VALKSpeak then!
(smiling)
GOUDSTADI told you yesterday I was brooding
Over a poem...
Over a poem...
VALKReal and practical.
(nods slowly)
GOUDSTADYes!
VALKAnd if I asked you where you find your material...?
(glances at Swanhild briefly and turns again to Valk).
GOUDSTADYes... on the same material we made our choice.
SWANHILDNow I am leaving.
GOUDSTADNo, you must hear everything.
No other woman have I ever asked such a thing;
You, Swanhild, I have come to know thoroughly;
Your beautiful soul is too lofty for prudery.
I saw you as a child, unfold like a flower,
And everything I value in a woman, you possessed;...
But long I regarded you only as a daughter;...
Now I ask... if you will become my bride?
No other woman have I ever asked such a thing;
You, Swanhild, I have come to know thoroughly;
Your beautiful soul is too lofty for prudery.
I saw you as a child, unfold like a flower,
And everything I value in a woman, you possessed;...
But long I regarded you only as a daughter;...
Now I ask... if you will become my bride?
(Swanhild recoils timidly).
(seizes him by the arm)
Third Act쪽 73 / 346
VALKSay no more now!
GOUDSTADStay calm; I await her answer.
If you also ask her,... then she has free choice.
If you also ask her,... then she has free choice.
VALKI...?
(looks at him intently)
GOUDSTADYes. It now concerns preserving the happiness of three lives... not only mine.
Don't play comedy, it will get you nowhere;
For though I am but an ordinary worker,
I still have a kind of clairvoyance.
Yes, Valk, you love her. I watched without envy
That young love grow into a flower;
But it is precisely that overconfident strong love
That could break Swanhild's happiness.
Don't play comedy, it will get you nowhere;
For though I am but an ordinary worker,
I still have a kind of clairvoyance.
Yes, Valk, you love her. I watched without envy
That young love grow into a flower;
But it is precisely that overconfident strong love
That could break Swanhild's happiness.
(flares up)
VALKHow dare you say that!
(calmly)
GOUDSTADI have the right to.
If you were to get her now...
If you were to get her now...
(defiantly)
VALKWhat then?
(slowly and emphatically)
GOUDSTADSuppose
That on this ground she now built everything,
And risked everything on this one card,...
And life's storm swept away this ground,
And the little flower wilted in the winter darkness?
That on this ground she now built everything,
And risked everything on this one card,...
And life's storm swept away this ground,
And the little flower wilted in the winter darkness?
(loses self-control and exclaims)
VALKImpossible!...
(looks at him meaningfully)
GOUDSTADYes; so I too once thought,
When I was young, like you. In earlier days
I loved someone;... we were separated.
I saw her again yesterday;... nothing remains.
When I was young, like you. In earlier days
I loved someone;... we were separated.
I saw her again yesterday;... nothing remains.
VALKHere, yesterday?
(smiles gravely)
GOUDSTADHere. You saw the wife of Strooman...
VALKWhat? Was it she who...
GOUDSTADWho made me burn.
For her I mourned for many years,
And all that time she stood in my memory
As she was, the beautiful young girl,
When I met her for the first time.
Now you two also burn in blind ardor,
Now you too stake your lives,...
Look, therefore I call out to you: be careful!
Wait a moment and think it over; the game is dangerous!
For her I mourned for many years,
And all that time she stood in my memory
As she was, the beautiful young girl,
When I met her for the first time.
Now you two also burn in blind ardor,
Now you too stake your lives,...
Look, therefore I call out to you: be careful!
Wait a moment and think it over; the game is dangerous!
VALKNo, I told the whole tea party just now
My firm belief, which cannot waver.
My firm belief, which cannot waver.
(supplementing)
Third Act쪽 74 / 346
GOUDSTADThat free, true love can defy
Habit, age, and need and cares.
Well, so be it; it may be true; but look
At the matter now from the other side.
What love is, no one can explain;
What that joyful belief precisely consists of,
That two are made for blissful oneness...
Look, no one in the world can answer that.
But marriage is by nature something practical,
And so is engagement, my friend;
And it can actually be quite well proven
That someone is suited for this or that one.
But love makes its choice precisely in the dark,
It chooses not a housewife, but a girl;
And if now that girl is not suited
To be a wife for you...?
Habit, age, and need and cares.
Well, so be it; it may be true; but look
At the matter now from the other side.
What love is, no one can explain;
What that joyful belief precisely consists of,
That two are made for blissful oneness...
Look, no one in the world can answer that.
But marriage is by nature something practical,
And so is engagement, my friend;
And it can actually be quite well proven
That someone is suited for this or that one.
But love makes its choice precisely in the dark,
It chooses not a housewife, but a girl;
And if now that girl is not suited
To be a wife for you...?
(tense)
VALKWhat then?
(shrugs)
GOUDSTADThen it is lost.
A good engagement does not depend on love
Alone; many other things come into it,
Family members, whom one also loves,
And whom one also wishes to see satisfied.
And then marriage? Yes, it is like a sea
Of demands and expectations, which, alas,
Have little more to do with love.
Here householdness and quiet virtues are demanded,
Here knowledge of cooking and more is demanded,
Modesty, a proper sense of duty,...
And much else, which in the lady's presence
I deem not suitable for further discussion.
A good engagement does not depend on love
Alone; many other things come into it,
Family members, whom one also loves,
And whom one also wishes to see satisfied.
And then marriage? Yes, it is like a sea
Of demands and expectations, which, alas,
Have little more to do with love.
Here householdness and quiet virtues are demanded,
Here knowledge of cooking and more is demanded,
Modesty, a proper sense of duty,...
And much else, which in the lady's presence
I deem not suitable for further discussion.
VALKAnd therefore?...
GOUDSTADIf I may give you advice,
Get some experience; look around in life,
Where every young couple has their mouth full
As if they had received millions.
Then they hastily get married;
A nest built... now happiness cannot be contained;
So it goes on for a while as in a daze;
But then the due date comes;... heaven yes!
Then the whole house turns out to be a grand bankruptcy!
Bankrupt the rosy cheeks of the wife,
Bankrupt the blossoms of her maiden dreams,
Bankrupt the joyful audacity of him,
Bankrupt all the glow of earlier days;
Bankrupt, bankrupt the whole beautiful little nest;
Yet these two entered life
As a love-trading firm of the first class!
Get some experience; look around in life,
Where every young couple has their mouth full
As if they had received millions.
Then they hastily get married;
A nest built... now happiness cannot be contained;
So it goes on for a while as in a daze;
But then the due date comes;... heaven yes!
Then the whole house turns out to be a grand bankruptcy!
Bankrupt the rosy cheeks of the wife,
Bankrupt the blossoms of her maiden dreams,
Bankrupt the joyful audacity of him,
Bankrupt all the glow of earlier days;
Bankrupt, bankrupt the whole beautiful little nest;
Yet these two entered life
As a love-trading firm of the first class!
(passionately)
VALKThat is a lie!
(imperturbably)
Third Act쪽 75 / 346
GOUDSTADOnly recently
It was nevertheless truth. It was your own word,
When you stood here, and defeated the whole tea party.
Then it also sounded: that is a lie!
From everyone there; now, I do not take it ill;
We all find it less pleasant
To hear of death when we are ill.
Look at Strooman, he, who composed, wrote poetry,
In his love-struck time, with spirit and taste;...
Who can be surprised that the man sank so
When they entered marriage with such haste?
She was created for him as a lover,...
But unsuited she was to be his wife.
And then the clerk, who wrote good verses?
Scarcely was he, by grace, engaged,
Or it was over with all the rhyming;
And since then the man's Muse lies flat
Lulled to sleep by legal paperwork.
Thus you see clearly... (looks at Swanhild).
Are you cold?
It was nevertheless truth. It was your own word,
When you stood here, and defeated the whole tea party.
Then it also sounded: that is a lie!
From everyone there; now, I do not take it ill;
We all find it less pleasant
To hear of death when we are ill.
Look at Strooman, he, who composed, wrote poetry,
In his love-struck time, with spirit and taste;...
Who can be surprised that the man sank so
When they entered marriage with such haste?
She was created for him as a lover,...
But unsuited she was to be his wife.
And then the clerk, who wrote good verses?
Scarcely was he, by grace, engaged,
Or it was over with all the rhyming;
And since then the man's Muse lies flat
Lulled to sleep by legal paperwork.
Thus you see clearly... (looks at Swanhild).
Are you cold?
(softly)
SWANHILDOh no.
(forces himself to a mocking tone)
VALKAnd if it always ends with a "minus"
Never with a "plus",... why then do you want to stake
The capital you manage, in such
A doubtful sea-lottery?
It almost seems as if you hold that you
Are especially created for bankruptcy?
Never with a "plus",... why then do you want to stake
The capital you manage, in such
A doubtful sea-lottery?
It almost seems as if you hold that you
Are especially created for bankruptcy?
(looks at him, smiling and shakes his head).
GOUDSTADMy audacious Valk,... restrain your mockery,...
In two ways one can build the little nest;
It can rest on credit of beautiful illusions,
With promissory notes on endless future bliss,
And on an eternity of youth and life,
And on impossibility of gout and snuff...
It can also rest on two rosy cheeks,
On bright eyes and on beautiful long hair,
On the firm belief that everything will remain so
And the wig-hour will never strike for us.
And it can also rest on enthusiasm and dreams,
On flower opulence in barren wilderness,
On hearts that keep beating all through life
As when they both said the first yes.
What does one call such business dealing?... You know it;...
That is called humbug... humbug, dear friends!
In two ways one can build the little nest;
It can rest on credit of beautiful illusions,
With promissory notes on endless future bliss,
And on an eternity of youth and life,
And on impossibility of gout and snuff...
It can also rest on two rosy cheeks,
On bright eyes and on beautiful long hair,
On the firm belief that everything will remain so
And the wig-hour will never strike for us.
And it can also rest on enthusiasm and dreams,
On flower opulence in barren wilderness,
On hearts that keep beating all through life
As when they both said the first yes.
What does one call such business dealing?... You know it;...
That is called humbug... humbug, dear friends!
VALKI see, you are dangerous... a tempter,...
You man of gold... perhaps even a millionaire;
While what I possess in this world,
Will soon be carried away by two porters.
You man of gold... perhaps even a millionaire;
While what I possess in this world,
Will soon be carried away by two porters.
Third Act쪽 76 / 346
(sharply)
GOUDSTADWhat do you mean by that?
VALKIt is obvious;
For a solid foundation, I can think,
Means money,... the magic means money,
Which adorns the head of many a widow of age
With a halo of golden glory.
For a solid foundation, I can think,
Means money,... the magic means money,
Which adorns the head of many a widow of age
With a halo of golden glory.
GOUDSTADOh no, that foundation is still something better.
It is a quiet, warm flow of the heart
Of esteem, friendship, which honors a heart
As much as passion's jubilant intoxication.
It is a feeling of gladly performed duties,
Of tender care, and of a peaceful home,
Of self-denial for each other's good,
Of watching that no single stone shall hurt
The chosen one's foot wherever she goes.
It is a gentle hand that heals the wounds,
It is man's strength, which quietly willingly bears
The balance, not disturbed by time,
It is the arm, a faithful support, that lifts gently...
That is what I can offer you, Swanhild,
For your happiness-building; answer me now.
(Swanhild makes a great effort to speak. Goudstad raises his hand
in a warding gesture).
Think well, so that you may not regret it!
Choose between us now, freely and consciously.
It is a quiet, warm flow of the heart
Of esteem, friendship, which honors a heart
As much as passion's jubilant intoxication.
It is a feeling of gladly performed duties,
Of tender care, and of a peaceful home,
Of self-denial for each other's good,
Of watching that no single stone shall hurt
The chosen one's foot wherever she goes.
It is a gentle hand that heals the wounds,
It is man's strength, which quietly willingly bears
The balance, not disturbed by time,
It is the arm, a faithful support, that lifts gently...
That is what I can offer you, Swanhild,
For your happiness-building; answer me now.
(Swanhild makes a great effort to speak. Goudstad raises his hand
in a warding gesture).
Think well, so that you may not regret it!
Choose between us now, freely and consciously.
VALKAnd how do you know that...
Third Act쪽 77 / 346
GOUDSTADThat you love her?
That I have read deep in your eyes.
Come, tell her now too, that she may decide! (presses his hand).
Now I am going inside. Let the game be over now.
And dare you promise me on your word
To be for her also such a friend for life,
As I could be,... (turning to Swanhild).
Now well, then you draw
A thick line through what I offered.
Then I shall still conquer, in all quietness;
If only you find happiness; that is what I wanted. (to Valk).
And, by the way,... you spoke just now of money;
Believe me, that is more than tinsel.
I stand alone, have no one in the world;
All that is mine shall be yours;
I adopt you as my son and her as my daughter.
You know, near the border I have an estate;
There I shall go. You set up elsewhere,
And when the year is up, we shall see each other again...
Now you know me; take counsel with yourself,
Do not forget that the journey goes downstream,
And that it is no game... no enjoyment, reveling;...
And now, in heaven's name,... now you must choose!
(He goes into the house. Pause. Valk and Swanhild look at each other
timidly).
That I have read deep in your eyes.
Come, tell her now too, that she may decide! (presses his hand).
Now I am going inside. Let the game be over now.
And dare you promise me on your word
To be for her also such a friend for life,
As I could be,... (turning to Swanhild).
Now well, then you draw
A thick line through what I offered.
Then I shall still conquer, in all quietness;
If only you find happiness; that is what I wanted. (to Valk).
And, by the way,... you spoke just now of money;
Believe me, that is more than tinsel.
I stand alone, have no one in the world;
All that is mine shall be yours;
I adopt you as my son and her as my daughter.
You know, near the border I have an estate;
There I shall go. You set up elsewhere,
And when the year is up, we shall see each other again...
Now you know me; take counsel with yourself,
Do not forget that the journey goes downstream,
And that it is no game... no enjoyment, reveling;...
And now, in heaven's name,... now you must choose!
(He goes into the house. Pause. Valk and Swanhild look at each other
timidly).
VALKYou are so pale.
SWANHILDAnd you so quiet.
VALKAh yes.
SWANHILDHe made it hard.
(to himself)
VALKHe took away my strength.
SWANHILDHow hard he struck!
VALKHe knew how to hit home.
SWANHILDIt was as if everything around us was sinking, (closer to him).
How rich we were, rich in each other,
When the whole world had deserted us,
When we rose in our thoughts, like the waves
Of the surf on the shore, in the quiet night.
Then there was courage and strength in our souls,
And we saw ourselves united forever;...
He came with worldly goods, took away our faith,
And sowed doubt,... then everything had to fall!
How rich we were, rich in each other,
When the whole world had deserted us,
When we rose in our thoughts, like the waves
Of the surf on the shore, in the quiet night.
Then there was courage and strength in our souls,
And we saw ourselves united forever;...
He came with worldly goods, took away our faith,
And sowed doubt,... then everything had to fall!
(wildly energetic)
VALKTear it all out of your soul! What he has said
Is all true for others, not for us!
Is all true for others, not for us!
(shakes head quietly)
Third Act쪽 78 / 346
SWANHILDThe grain once beaten down by hail,
Can never again wave in the summer wind.
Can never again wave in the summer wind.
(anxiously passionate)
VALKYes, we can, Swanhild...!
SWANHILDLet also that hope go;
When you sow lies, you reap tears.
For others, you said? And do you not think
That everyone once thought like you and I,
That he was the hero who defied the lightning,
That no storm could strike him down,
And that no mists far away on the horizon,
Would ever become a thundercloud.
When you sow lies, you reap tears.
For others, you said? And do you not think
That everyone once thought like you and I,
That he was the hero who defied the lightning,
That no storm could strike him down,
And that no mists far away on the horizon,
Would ever become a thundercloud.
VALKThe others demanded much from life;
I want only your love, only that.
Those others shout each louder than the next...
I shall support you quietly on strong arms.
I want only your love, only that.
Those others shout each louder than the next...
I shall support you quietly on strong arms.
SWANHILDBut if that love itself should fail,
That love, on which everything must rest,...
Do you then possess what nevertheless ensures happiness?
That love, on which everything must rest,...
Do you then possess what nevertheless ensures happiness?
VALKNo, with my love everything also falls away.
SWANHILDAnd dare you promise me before God solemnly,
That it will never hang like a wilted flower,
But will smell as today, and continue to bloom
Your whole life?
That it will never hang like a wilted flower,
But will smell as today, and continue to bloom
Your whole life?
(after a moment)
VALKThat would be a very long time.
(painfully)
SWANHILDOh "long", "very long";... oh sad poor word!
What does "long" mean when it comes to love?
That is its sentence, honeydew on the grain.
"Infinite is love in its duration"...
That song is nonsense then, instead of that
It should be: "Once I loved you"!
What does "long" mean when it comes to love?
That is its sentence, honeydew on the grain.
"Infinite is love in its duration"...
That song is nonsense then, instead of that
It should be: "Once I loved you"!
(as if lifted by a powerful inspiration).
SWANHILDNo; thus our day shall not go down,
Not languishing behind evening clouds;...
No, our sun shall in its full brilliance
Be extinguished at noon, like a miracle!
Not languishing behind evening clouds;...
No, our sun shall in its full brilliance
Be extinguished at noon, like a miracle!
(frightened)
VALKWhat do you want, Swanhild?
Third Act쪽 79 / 346
SWANHILDWe are children of spring;
And after that spring let there never come an autumn,
That never the singer fall silent in your soul,
Not yearningly long, for where he was born.
After that, let not the shroud of winter
Ever cover our dead dreams, cold;...
And our beautiful, life-joyful love
Shall not languish, not gradually weaken,
Shall die as it lived, young and strong!
And after that spring let there never come an autumn,
That never the singer fall silent in your soul,
Not yearningly long, for where he was born.
After that, let not the shroud of winter
Ever cover our dead dreams, cold;...
And our beautiful, life-joyful love
Shall not languish, not gradually weaken,
Shall die as it lived, young and strong!
(in deep sorrow)
VALKAnd far from you... what is my life then?
SWANHILDWhat would it be without love beside me?
VALKA home!
SWANHILDWhere happiness fought its death struggle. (forcefully).
To be your wife, that was not given to me,
That I see now, that I feel and know now!
Love as a game I would gladly risk in joy,
Through life's seriousness I dare not carry your soul.
To be your wife, that was not given to me,
That I see now, that I feel and know now!
Love as a game I would gladly risk in joy,
Through life's seriousness I dare not carry your soul.
(closer and with rising fervor).
SWANHILDNow we have rejoiced in spring intoxication;
Now no drowsiness, no lying down slack!
Now let your spirit surge in song
Through cosmic space with young gods fly!
And if our future boat should capsize,...
One plank remains above water,... I know a way;
The bold swimmer beckons light shores!
Then let happiness sink into the cold grave;
Yet our love shall, God be praised,
Still unharmed reach that distant shore!
Now no drowsiness, no lying down slack!
Now let your spirit surge in song
Through cosmic space with young gods fly!
And if our future boat should capsize,...
One plank remains above water,... I know a way;
The bold swimmer beckons light shores!
Then let happiness sink into the cold grave;
Yet our love shall, God be praised,
Still unharmed reach that distant shore!
VALKOh, I understand you! But to separate thus!
Just now when the beautiful world lies open to us,...
Here, under blue sky, spring-mild,
The same day our covenant was baptized!
Just now when the beautiful world lies open to us,...
Here, under blue sky, spring-mild,
The same day our covenant was baptized!
SWANHILDPrecisely for that reason it must be. For after this hour
It can only go downhill, not again uphill!
And woe, if once the day of judgment comes
And we stand before our highest judge,
And if, righteous God, he demands of us
The treasure he lent us for life...
Would not then the answer exclude his mercy:
"That we lost on the way to the grave!"
It can only go downhill, not again uphill!
And woe, if once the day of judgment comes
And we stand before our highest judge,
And if, righteous God, he demands of us
The treasure he lent us for life...
Would not then the answer exclude his mercy:
"That we lost on the way to the grave!"
(with a firm resolve)
VALKThrow away your ring then!
(ardently)
SWANHILDShall I?
Third Act쪽 80 / 346
VALKYes! I understand you!
Only on this path can I follow you!
As the grave leads to eternal life,
Love too is first consecrated to life
When it is freed from wild passion's desire,
Liberated, when the soul's memory hovers around us!
Throw away the ring, Swanhild!
Only on this path can I follow you!
As the grave leads to eternal life,
Love too is first consecrated to life
When it is freed from wild passion's desire,
Liberated, when the soul's memory hovers around us!
Throw away the ring, Swanhild!
(exultantly)
SWANHILDI have done my duty!
I have filled your soul with song and light!
Take flight! Now you have lifted yourself up strongly,...
And Swanhild has sung her swan song!
(she pulls the ring from her finger and presses a kiss on it).
Plunge down, my dream, into the deep, salty sea,
Until the world's end,... here I make my offering!
(goes to the background, throws the ring into the fjord and returns to
Valk with a radiant face).
Now I have lost you for this life,...
But for eternity I have won you!
I have filled your soul with song and light!
Take flight! Now you have lifted yourself up strongly,...
And Swanhild has sung her swan song!
(she pulls the ring from her finger and presses a kiss on it).
Plunge down, my dream, into the deep, salty sea,
Until the world's end,... here I make my offering!
(goes to the background, throws the ring into the fjord and returns to
Valk with a radiant face).
Now I have lost you for this life,...
But for eternity I have won you!
(with force)
VALKAnd now to work, both of us, each for himself!
On earth we must part ways.
Each go his way, each strive without complaint.
The fever of the times also seized us; without struggle
We desired the reward of victory,
The Sabbath rest, but without working days,
Though the demand is: strive and endure.
On earth we must part ways.
Each go his way, each strive without complaint.
The fever of the times also seized us; without struggle
We desired the reward of victory,
The Sabbath rest, but without working days,
Though the demand is: strive and endure.
SWANHILDBut not mourning!
VALKNo,... with the courage of truth.
No will-o'-the-wisp threatens us from the bog of punishment;
The remembrance, which is our inheritance for life,
Shall radiate light, from dark curtain of clouds,
Stand like the rainbow in seven colors,
As a sign of the covenant between us and God.
And in its glow you take up your duties...
No will-o'-the-wisp threatens us from the bog of punishment;
The remembrance, which is our inheritance for life,
Shall radiate light, from dark curtain of clouds,
Stand like the rainbow in seven colors,
As a sign of the covenant between us and God.
And in its glow you take up your duties...
SWANHILDYou go uphill to follow your poetic calling!
VALKAs a poet, yes, for that is every man,
In schoolroom, or parliament, or church,
Everyone, in high or low station,
Who in his work keeps the ideal in sight.
Yes, uphill I go; the winged steed is ready;
I know, for life my task is consecrated!
And now, farewell!
In schoolroom, or parliament, or church,
Everyone, in high or low station,
Who in his work keeps the ideal in sight.
Yes, uphill I go; the winged steed is ready;
I know, for life my task is consecrated!
And now, farewell!
SWANHILDFarewell!
(embraces her)
VALKOne kiss!
SWANHILDThe last! (tears herself free).
Now I can lose you for this life!
Now I can lose you for this life!
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VALKThough all the world's lights were extinguished,...
The light thought lives; for that is God,
The light thought lives; for that is God,
(goes to the background)
SWANHILDFarewell! (goes further).
(waves his hat)
VALKFarewell!... Yet I cry exultantly glad,
God's beautiful love live on earth, hurrah!
(The door is opened. Valk goes to the right; the younger guests
come out with cheerful laughter).
God's beautiful love live on earth, hurrah!
(The door is opened. Valk goes to the right; the younger guests
come out with cheerful laughter).
THE YOUNG GIRLSNow we shall dance!
ONE OF THEMLife is a dance!
ANOTHERA flower dance in spring and starlight!
A FEW OTHERSYes, dance, dance!
ALLWe never stand still!
(Stiver comes arm in arm with Strooman. Mrs. Strooman and the children
following them).
(Stiver comes arm in arm with Strooman. Mrs. Strooman and the children
following them).
STIVERYes, you and I are friends forever.
STROOMANAnd I and you, we fight as one man.
STIVERAs two united powers fight together...
STROOMANThe result is for both...
(quickly)
STIVERUse!
STROOMANAnd profit.
(Mrs. Halm, Lind, Anna, Goudstad, and Miss Ekster and the remaining guests
come out. All eyes seek Valk and Swanhild. General astonishment as they see them each separately).
(Mrs. Halm, Lind, Anna, Goudstad, and Miss Ekster and the remaining guests
come out. All eyes seek Valk and Swanhild. General astonishment as they see them each separately).
(between the aunts, claps her hands together)
MISS EKSTERWhat? Tell me if I dream, or am I awake?
(who has noticed nothing)
LINDI may greet my new brother-in-law.
(He, with several other guests, goes towards Valk, but involuntarily takes
a step back as he looks at him and exclaims).
What has happened to you? You have like Janus
Two faces!
(He, with several other guests, goes towards Valk, but involuntarily takes
a step back as he looks at him and exclaims).
What has happened to you? You have like Janus
Two faces!
(with a smile)
VALKI cry, like Montanus:
The earth is flat, sirs;... my eye deceived me;
Flat as a pancake;... is it better like that? (goes quickly to the right).
The earth is flat, sirs;... my eye deceived me;
Flat as a pancake;... is it better like that? (goes quickly to the right).
MISS EKSTERThank goodness!
THE AUNTSThank goodness?
Third Act쪽 82 / 346
MRS. HALMCome, no more talk of it! (goes to Swanhild).
(to her husband)
MRS. STROOMANOh come, thank goodness!
STROOMANBut is that possible?
MISS EKSTERThank goodness! Thank goodness! (they stand in groups deeper in the
garden).
garden).
(as if petrified)
STIVERWhat? He made a marriage proposal?
STROOMANYes, imagine! He laughed at us, ha, ha,... (they look at each other
speechlessly).
speechlessly).
(to Lind)
ANNAIt serves him right. Phew, it was too bad!
(embraces her)
LINDHurrah, now you are completely mine! (they go deeper into the garden).
(looks back at Swanhild)
GOUDSTADSomething is broken in this young soul;
But what still lives I shall try to heal.
But what still lives I shall try to heal.
(regains speech and embraces Stiver)
STROOMANNow you can happily rejoice again
That you are engaged to your dear Ekster!
That you are engaged to your dear Ekster!
STIVERAnd you can year after year see a young Strooman
With joy increase your lineage!
With joy increase your lineage!
(rubs his hands contentedly and looks out for Valk)
STROOMANIt pleases me, I heartily grant it to him.
That serves such a prophet of doom right! (they walk on talking,
while Mrs. Halm comes to Swanhild).
That serves such a prophet of doom right! (they walk on talking,
while Mrs. Halm comes to Swanhild).
(muffled and urgent)
MRS. HALMAnd truly nothing binds you?
SWANHILDNo, mother, nothing.
MRS. HALMThen you know your duty as a daughter, surely?
SWANHILDI agree to everything.
MRS. HALMI thank you, child. (With a gesture towards Goudstad).
Do not refuse him... he is rich... and if you have no objection...
Do not refuse him... he is rich... and if you have no objection...
SWANHILDYes, I do desire something in this covenant;
I want to leave here...
I want to leave here...
MRS. HALMThat is just what he wants.
SWANHILDAnd time...
MRS. HALMHow long? Think that happiness calls you now.
Third Act쪽 83 / 346
(with a quiet laugh)
SWANHILDOh, not very long; until the leaves fall.
(She goes to the veranda; Mrs. Halm seeks out Goudstad).
(among the guests)
STROOMANSomething, dear friends, we learned today;
Though doubt may seriously assail us,
The good right of truth overcomes the serpent,
And love triumphs.
Though doubt may seriously assail us,
The good right of truth overcomes the serpent,
And love triumphs.
THE GUESTSIt triumphs, yes!
(all couples embrace and kiss each other. To the left, laughter and
singing are heard).
(all couples embrace and kiss each other. To the left, laughter and
singing are heard).
MISS EKSTERWhat is that now?
ANNAStudents!
LINDThe quartet,
That is going to the mountains... and I have completely
Forgotten to cancel...
That is going to the mountains... and I have completely
Forgotten to cancel...
(The students come from the left and stop at the entrance).
(to Lind)
A STUDENTHere we are!
MRS. HALMWhom are you looking for? Lind perhaps?
MISS EKSTERYes, that is strange;
He is engaged...
He is engaged...
AN AUNTSo you understand,
That he now has nothing to do in the mountains.
That he now has nothing to do in the mountains.
THE STUDENTEngaged!
ALL STUDENTSCongratulations!
LINDThank you,
(to the comrades)
THE STUDENTNow our whole plan is ruined.
What shall we do now? Our tenor is missing.
VALK (who comes from the right in a summer jacket with student cap,
knapsack and stick).
That part I will sing in the young Norwegian choir!
What shall we do now? Our tenor is missing.
VALK (who comes from the right in a summer jacket with student cap,
knapsack and stick).
That part I will sing in the young Norwegian choir!
THE STUDENTSYou, Valk! Hurrah!
VALKUphill into God's nature,
Like the bee flies out from its winter hive!
I carry a string instrument in my breast,
A zither with a double row of notes;
The one high, vibrates with life's joy,
The other sounds beneath, deep and sad.
Like the bee flies out from its winter hive!
I carry a string instrument in my breast,
A zither with a double row of notes;
The one high, vibrates with life's joy,
The other sounds beneath, deep and sad.
(to a couple of the students).
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VALKYou have a sketchbook?... You music paper?
Good; then swarm like bees in the green foliage...
One day we shall return, rich in pollen,
To our hive, to our queen!
(Turning to the company, while the students depart and the choir from
the first act is heard softly from outside).
Forgive me everything, great and small sins;
I too wipe out everything; (softly) but remember!
Good; then swarm like bees in the green foliage...
One day we shall return, rich in pollen,
To our hive, to our queen!
(Turning to the company, while the students depart and the choir from
the first act is heard softly from outside).
Forgive me everything, great and small sins;
I too wipe out everything; (softly) but remember!
(in excessive joy)
STROOMANLook, now my happiness pot is whole again!
My wife has hope again... happy expectations...
My wife has hope again... happy expectations...
(pulls him aside whispering).
STROOMANJust now the dear soul told me...
(partly whispering. Audible only:)
STROOMANIf all goes well... in November... the thirteenth!
STIVER (with Miss Ekster on his arm turns to Valk, smiles triumphantly,
and says, pointing to the minister):
I get the hundred thalers—and am going to marry...
STIVER (with Miss Ekster on his arm turns to Valk, smiles triumphantly,
and says, pointing to the minister):
I get the hundred thalers—and am going to marry...
(with a mocking bow)
MISS EKSTERAt Christmas I will step into the marriage boat.
(similarly, while she puts her arm in Lind's)
ANNAMy Lind stays here, and lets belief be belief...
(hides his embarrassment)
LINDI seek a position as teacher at a girls' school.
MRS. HALMI shall teach Anna housekeeping.
(seriously)
GOUDSTADI shall begin a discreet poem...
About someone who fulfills a sacred duty.
About someone who fulfills a sacred duty.
(with a smile over everyone)
VALKAnd I rise up to unknown future!
Farewell! (muffled to Swanhild).
God bless you, my spring love;...
Wherever I go, my work will be with you!
Farewell! (muffled to Swanhild).
God bless you, my spring love;...
Wherever I go, my work will be with you!
(waves with his cap and follows the students).
(looks after him for a moment and then says quietly but firmly)
Third Act쪽 85 / 346
SWANHILDNow my young free life is over;
Now the leaves fall... now I belong to the world.
(At that moment dance music is played on the piano and champagne corks
pop in the background. The gentlemen with their ladies on arm wander
about; Goudstad approaches Swanhild and bows to her; she startles for
a moment but controls herself and offers him her hand. Mrs. Halm and
the nearest relatives, who have followed this scene in suspense, come
closer and surround the couple with words and signs of great joy, which
are nevertheless drowned out by the music and the merriment of the
dancers further in the garden.
But from afar and through the dance music from the heights sounding,
rings out strongly and firmly:)
Now the leaves fall... now I belong to the world.
(At that moment dance music is played on the piano and champagne corks
pop in the background. The gentlemen with their ladies on arm wander
about; Goudstad approaches Swanhild and bows to her; she startles for
a moment but controls herself and offers him her hand. Mrs. Halm and
the nearest relatives, who have followed this scene in suspense, come
closer and surround the couple with words and signs of great joy, which
are nevertheless drowned out by the music and the merriment of the
dancers further in the garden.
But from afar and through the dance music from the heights sounding,
rings out strongly and firmly:)
THE STUDENTS' CHOIRMy boat may soon run aground perhaps,
But it is still so wonderful to sail!
But it is still so wonderful to sail!
MOST ON STAGEHurrah!
(Dancing and cheering; the curtain falls).
THE STUDENTS' CHOIRMy boat may soon run aground perhaps,
But it is still so wonderful to sail!
But it is still so wonderful to sail!
MOST ON STAGEHurrah!
(Dancing and cheering; the curtain falls).
Act One쪽 86 / 346
Act One
DRAMATIC POEM IN FIVE ACTS
CHARACTERS
Brand. His Mother. Ejnar, a painter. Agnes. The Bailiff. The Doctor. The Dean. The Sexton. The Schoolmaster. Gerd. A Peasant. His Half-Grown Son. Another Peasant. His Wife. Another Woman. A Clerk. Clergymen and Officials. Crowd, Men, Women, and Children. The Tempter in the Wilderness. Choir of Invisible Beings. A Voice.
The action takes place in our time, partly in and partly near a fjord village on the west coast of Norway.
High up on the snowfields of the mountain range. Thick, heavy fog. Rainy weather and half-darkness.
BRAND (dressed in black, with a staff and knapsack, clambers westward. A peasant and his half-grown son, who accompany him, come after him).
(shouts to Brand)
THE PEASANTHey, stranger, don't walk so fast!
Where are you?
Where are you?
BRANDHere!
THE PEASANTYou'll soon lose your way!
It's so foggy today that one can hardly see farther than one's stick.
It's so foggy today that one can hardly see farther than one's stick.
THE SONHalt! There are crevices here!
THE PEASANTThere are chasms here!
BRANDAnd every trace of a path is gone!
(shouts)
THE PEASANTStay put! God help us... It's an ice crust as brittle as a glass pane! Hey, don't stamp!
(listening)
BRANDI hear the roar of a waterfall.
THE PEASANTA stream has forced its way through here; there's a bottomless abyss... It will cost us our lives, all three!
BRANDI must cross it, as I said.
THE PEASANTNo man can do that.
Turn back... the ground is hollow and brittle... Stay! Your life is at stake!
Turn back... the ground is hollow and brittle... Stay! Your life is at stake!
BRANDI must; on orders from my Lord.
THE PEASANTWhat is that Lord called?
BRANDHis name is God.
THE PEASANTAnd what are you?
BRANDA servant of God.
Act One쪽 87 / 346
THE PEASANTThat may be true; but this much I know, that if you were dean or even bishop, you would lie dead in the depths before daybreak if you dared to venture further on this undermined crust.
(comes cautiously closer, persuading)
THE PEASANTListen, even if a man is learned and clever, he cannot do what cannot be done. Turn back; don't be so stubborn and rigid! A man has only one life; and when that's gone, what has he then? There's no house for a mile around... This fog is getting so thick you could cut it with a knife.
BRANDIf the fog is thick, then no will-o'-the-wisp lures us from the right path.
THE PEASANTBut there are ice lakes all around, dangerous for a human foot.
BRANDWe will cross them.
THE PEASANTCross them? On foot? You'd bitterly regret that.
BRANDOne did it nonetheless... if only the faith is real, one can cross dry-shod.
THE PEASANTYes, in the old days... but whoever tries it now will surely lose his life.
BRANDFarewell! (makes to go).
THE PEASANTYou're risking your life, I tell you!
BRANDIf the Lord God desires my death... then welcome flood, lake, and chasm!
(softly)
THE PEASANTHe is a true madman!
(half weeping)
THE SONPlease, father, come! Let us go! More rain and wind are coming!
(stops and comes closer again)
BRANDSay, listen, man; you said just now that your daughter lived by the fjord. She sent word that she would soon die... but if she didn't see you again, she would never rest in peace?
THE PEASANTYes, that's true, God help me!
BRANDAnd is today the last day?
THE PEASANTYes.
BRANDCan it not wait longer?
THE PEASANTNo.
BRANDThen come.
Act One쪽 88 / 346
THE PEASANTIt's impossible. Turn back!
(looks at him intently)
BRANDTell me, would you give a hundred dollars if she could die in peace?
THE PEASANTOh yes!
BRANDTwo hundred?
THE PEASANTI would gladly give house and home if it could help her.
BRANDBut also your life if it had to be?
THE PEASANTMy life? Oh, my dear fellow!
BRANDWell?
(scratches behind his ear)
THE PEASANTNo, that's asking a bit much... In Jesus' name, please consider, I have a wife and more children at home.
BRANDHe whom you mentioned had a mother.
THE PEASANTYes, that was so long ago... That was a time of many wonders, such as no longer happen now.
BRANDGo away. Your life leads to death. You do not know God, God does not know you.
THE PEASANTYou are hard!
(pulls him away)
THE SONCome, let's go!
THE PEASANTYes, all right; but he must come with us!
BRANDMust I?
THE PEASANTYes, indeed, for if you stay here in this God-awful weather, and it becomes known, as it always does, that we accompanied you here, then I'll be summoned to court; and if you sink into the ice here, I'll be locked up...
BRANDThen you suffer for the Lord's cause.
THE PEASANTThat concerns me as little as anyone else; I have enough of my own. Come along!
BRANDFarewell! (a dull rumble is heard in the distance).
(screaming)
THE SONThat's the avalanche!
(to the peasant who has grabbed him by the collar)
BRANDLet go!
THE PEASANTNo!
BRANDLet me go!
THE SONCome on!
(wrestles with Brand)
Act One쪽 89 / 346
THE PEASANTThe devil take me... no!
(wrenches himself free and throws him down in the snow)
BRANDYes; he will do that later too! (goes away).
(gets up, rubbing his arm)
THE PEASANTOw, ow; that fellow is devilishly strong. He calls that God-pleasing work! (shouts as he stands up). Hey there!
THE SONHe went over the height.
THE PEASANTYes, yes, I think I can still see him. (shouts again). Say, listen... do you happen to know where we lost the path?
(in the fog)
BRANDNo cross shows you the right path... you are already on the broad road.
THE PEASANTGod grant that were true, then I'd get home safe tonight.
(He goes back eastward with his son).
Act One쪽 90 / 346
THE PEASANTBRAND (becomes visible a bit higher up and listens in the direction where the peasant disappeared).
They stumble away... You weak slave, if a source of will welled up in your soul, if it were only strength that failed, I would shorten the way for you; dead tired, with wounded feet, I would have carried you lightly and gladly... But help is wasted on a man who also does not want what he cannot do. (comes further forward).
Life; oh, it's terrible how much good people love it! How every wretch clings to life, as if the fate of the world or the salvation of all souls rested on his scrawny shoulders. They want to sacrifice, oh, certainly! But their life, no, that must be spared! (smiles as at a memory).
As a boy, there were two things that made me double up with laughter, and also earned me a beating from the old schoolmarm, that grump. I thought of an owl that shunned the dark, and a fish with a fear of water. I laughed loudly, wanted to banish the image, but it clung to my mind... How did that convulsive laughter arise in me? Through a darkly felt chasm that separates things as they are from what things ought to be? Between that: that we must bear, and our burden proves too heavy...
And almost everyone here, sick or healthy, is like an owl or a fish. One, created for dark work, is also destined to live in night... and it is precisely that which he fears. He flutters anxiously along the shore, he shuns his own starry cell and calls for light and sunshine!
They stumble away... You weak slave, if a source of will welled up in your soul, if it were only strength that failed, I would shorten the way for you; dead tired, with wounded feet, I would have carried you lightly and gladly... But help is wasted on a man who also does not want what he cannot do. (comes further forward).
Life; oh, it's terrible how much good people love it! How every wretch clings to life, as if the fate of the world or the salvation of all souls rested on his scrawny shoulders. They want to sacrifice, oh, certainly! But their life, no, that must be spared! (smiles as at a memory).
As a boy, there were two things that made me double up with laughter, and also earned me a beating from the old schoolmarm, that grump. I thought of an owl that shunned the dark, and a fish with a fear of water. I laughed loudly, wanted to banish the image, but it clung to my mind... How did that convulsive laughter arise in me? Through a darkly felt chasm that separates things as they are from what things ought to be? Between that: that we must bear, and our burden proves too heavy...
And almost everyone here, sick or healthy, is like an owl or a fish. One, created for dark work, is also destined to live in night... and it is precisely that which he fears. He flutters anxiously along the shore, he shuns his own starry cell and calls for light and sunshine!
(stops a moment, starts, and listens)
Act One쪽 91 / 346
THE PEASANTWhat was that? It sounded like singing, yes, it is singing mixed with laughter. Listen... now a hurrah, and a second... a third... fourth... fifth time!
The sun breaks through. The mist grows lighter. I can see the wide plains again. Over there stands the merry group in the morning light, on a high flower meadow; to the west the broad shadow falls. Now they take leave with a handshake. Now they part. The others turn eastward; westward go two: there they wave a last farewell with hats, veils, scarves, hands.
(The sun breaks through the mist more and more. He stands for a while looking at those coming up from below).
It's as if light radiates around those two, as if the mist tears open, the heath softly enfolds their feet and the sun smiles at them! Surely brother and sister, hand in hand, they hop over heather bushes. Look, the girl barely touches the ground, and he is as supple as a twig. There she runs away! She is gone again now, quickly he meant to catch her... Their running becomes a merry game... And listen, their laughter sounds like singing!
(Ejnar and Agnes, in light traveling clothes, both warm, with rosy cheeks, come playing over the height forward. The mist has lifted. A clear summer morning shines over the mountains).
The sun breaks through. The mist grows lighter. I can see the wide plains again. Over there stands the merry group in the morning light, on a high flower meadow; to the west the broad shadow falls. Now they take leave with a handshake. Now they part. The others turn eastward; westward go two: there they wave a last farewell with hats, veils, scarves, hands.
(The sun breaks through the mist more and more. He stands for a while looking at those coming up from below).
It's as if light radiates around those two, as if the mist tears open, the heath softly enfolds their feet and the sun smiles at them! Surely brother and sister, hand in hand, they hop over heather bushes. Look, the girl barely touches the ground, and he is as supple as a twig. There she runs away! She is gone again now, quickly he meant to catch her... Their running becomes a merry game... And listen, their laughter sounds like singing!
(Ejnar and Agnes, in light traveling clothes, both warm, with rosy cheeks, come playing over the height forward. The mist has lifted. A clear summer morning shines over the mountains).
EJNARAgnes, my wonderfully beautiful butterfly, I want to catch you playfully! I spin a net of small meshes, and the meshes are my songs.
(dances backwards in front of him and continually escapes him)
AGNESIf I am a little butterfly, small and delicate, then I want to hang on the heath flowers, and if you are a boy who likes to play, chase me... but you may not catch me!
EJNARAgnes, my wonderfully beautiful butterfly, the mesh net is already spun; your fluttering flight won't help you anymore, soon the net will have conquered you.
AGNESIf I am a young and fine little butterfly, then I also want to play and hover; but if you catch me in the spun net, then I must tremble for my little wings!
Act One쪽 92 / 346
EJNARNo, carefully I will place you on my hand, will keep you deep in my heart, there you can play your whole life long, as happy as ever in your childhood!
(Without seeing it, they have come to a steep abyss and now stand right at the edge).
(Without seeing it, they have come to a steep abyss and now stand right at the edge).
BRANDHalt! Halt! There is an abyss!
EJNARHuh? Who calls there?
(points upward)
AGNESLook!
BRANDSave yourselves in time! You are at the edge of an abyss; it's only loose snow that lies on it!
(throws his arms around Agnes and laughs)
EJNARThat's no danger for her and me!
AGNESLife lies before us like a game!
EJNARWe are granted a sunshine that will only fade in a hundred years.
BRANDIs the game over only then? Oh, come now!
(waves her scarf)
AGNESThen we will play in the heavens blue!
EJNARFirst a hundred years in a frenzy of joy, with festive lights every night... a hundred-year love game...
BRANDAnd then...?
EJNARThen homeward to heaven again!
BRANDOh, do you come from there just now?
EJNAROf course; from where else?
AGNESYes, that is to say, most recently we came up from the valley over there.
BRANDI thought I saw you standing just now down at the water's edge.
Act One쪽 93 / 346
EJNARYes, just there we parted just now from our friends and companions, sealing precious memories with handshakes, embraces, kisses. Come join us here! I will tell you how good God has been to me... then you will understand my happiness...! Come, don't stand there like a stone statue! Come on, come alive!... So I may bear it. I am a painter, you see, and it was already a beautiful gift to give my thoughts the power to depict life colorfully, as he makes butterflies from larvae. But the most beautiful thing was that God gave me Agnes as my bride! I just returned from the sunny South, where I traveled with my paint box...
(with fervor)
AGNESHappy as a king, fresh, full of courage... and knows a thousand new songs!
EJNARJust as I was passing through the valley here, she was also here visiting a friend. She needed fresh air and sun and dew and pine scent. I was driven by a urge upward to the mountains. It sang in me: Up! seek beauty in heath and pines, forest and stream, in the play of clouds, and the blue vault!... Then I painted my masterpiece! A rosy blush on her cheek, a pair of eyes radiating happiness, a smile that pierced the heart...
AGNESBut you saw only half of what you made... you reveled blindly in pleasure, and one fine day stood ready for the journey again, with staff and knapsack...
EJNARThen I thought suddenly: Well, that's good! I haven't even formally asked her! Hurrah! I asked her, got her answer, and with that the matter was sound! Our old doctor was so happy he hardly knew what to do. For three days we celebrated, with song and dance in our honor; authorities, clergy, and everyone young came as guests. We left the place last night. But the celebration was not over yet... With flags and pennants, green garlands, into the forest and up the mountains, and the whole troop came with us.
AGNESThat trip outside was a dance. Then two by two... then in a row.
EJNARWe drank wine as sweet as must...
Act One쪽 94 / 346
AGNESAnd our singing rang through the night...
EJNARAnd even the mist, so thick and dense, sweetly gave way to our procession!
BRANDAnd where now...?
EJNARStraight ahead, to town.
AGNESTo my parents' home.
EJNARBut first over the last peaks; then down, westward; on Aegir's steam horse, steaming, snorting, we go home for the wedding feast... and then southward, the two of us, like swans on their first flight...!
BRANDAnd there...?
EJNARA joyful married life, beautiful as a dream, as a delicate fairy tale; for, you know, on that Sunday morning, even without a priest, our young lives were consecrated in the open field to a jubilant feast, free from care.
BRANDBy whom?
EJNARBy all the good friends. They banished every storm cloud that might threaten the green cottage, with drinking and clinking. And every word that warned of storm or strife was kissed away; thus we were consecrated with greenery and flowers as children of joy.
BRANDFarewell then! (makes to go).
(stops and looks at him more closely)
EJNARNo, wait a moment! I think there's something familiar about your face...
(coolly)
BRANDNo, I am a stranger to you.
EJNARAnd yet it's as if I can recall your face from school or home...
BRANDFrom school, yes, we were friends when I was a boy; now I am a man.
EJNARIt can't be that you are...? (suddenly shouts). Brand! Yes, it's really you! I recognize you!
BRANDI recognized you at once.
EJNARWhat a meeting! Welcome here! Look at me! Yes, still the same old self, still enough for yourself, as when you shyly avoided the wild and rowdy games of your comrades.
Act One쪽 95 / 346
BRANDI was also a stranger in the group. Yet I think I liked you, but all those others from the south are of a different metal than I, who first saw light on a steep headland, shaded by a bare rock.
EJNARYour village is somewhere around here, isn't it?
BRANDMy path goes through it just now.
EJNARJust through it? So? Further on?
BRANDYes, further away... past my home.
EJNARWhat are you, then?
BRANDI am a curate. Like the hare in the pine forest, I am at home here and there.
EJNARAnd where is the journey going now?
(quickly and harshly)
BRANDDon't ask me that!
EJNARWhy?
(in a different tone)
BRANDOh well! The ship waiting for you both down there will also carry me far from here.
EJNARMy Aegir's steam horse? Well, come on! Say, Agnes, he's traveling with us!
BRANDYes, but a funeral feast is my goal.
AGNESA funeral feast?
EJNARWho is being buried?
BRANDThe God you worship so highly.
(recoils)
AGNESCome, Ejnar!
EJNARBrand!
BRANDThat tyrant, that slave-god of the slave herd, is being put into the grave, and preferably in broad daylight. It is more than time, for one who has been ailing for more than a thousand years.
EJNARBrand, you are ill!
Act One쪽 96 / 346
BRANDHealthy and fresh as that spruce over there, as the blooming forest; but it is the present generation that is sick, in need of healing. You want only jest and play and laughter, a bit of believing but not seeing... want to lay all pleasure and woe on him who came, you are told, and took the punishing judgment upon himself. He wore a crown of thorns for you, and therefore you can now dance freely... Yes, dance... but where are you dancing to? That, my friend, remains to be seen!
EJNARI understand! It's the new song, much loved in village and town. You must be of the new doctrine that calls life dust and nonsense, that makes people afraid of hell and drives them into sackcloth and ashes.
BRANDNo, I am no apostle of repentance. I do not speak in the name of the church; I hardly know if I am a Christian; but I do know that I am a man, and certainly that I see the disease that is draining the marrow from the whole land.
(smiles)
EJNARI have never heard that our good country is suddenly famous for an excess of joie de vivre!
Act One쪽 97 / 346
BRANDNo, they do not rejoice too much... If only that were so, it would be fine; let a man be a slave to pleasure... but then let him be it permanently. Do not be today and yesterday one thing and something else next year. Be what you are, fully, wholly, not half, not piecemeal divided. A pure image is a bacchant, a drunkard his mocking counterpart... Silenus is a magnificent figure, a drinker his caricature. Just go around here in this land with open ear and open eye, and you will see how everyone is a little bit of everything. On Sunday a little serious, a little pious... according to old custom, a little keen on carousing... that was our fathers' way as well... a little warm when there is feasting and songs ring out for the small but rock-faithful rock people, who never bowed under the yoke... a little light with promises... a little cunning when sober he must keep the given word, which he gave at a drinking bout. But everything in a minimum. His faults, virtues do not go far; he is a fraction in great and small; but the worst is... from every fraction each part cancels the rest.
EJNARWell, your complaints about the people I'll say yes and amen to; but I don't see what that has to do with him whom you want to bury... the God I still worship.
BRANDYou are a painter, are you not? Show me the God you speak of. I hear you have painted him, to the deep emotion of many. He is surely old, or am I wrong?
EJNARWell...?
BRANDOf course. And also gray? And thin-haired, as old men are, with a beard like silver thread or ice... benevolent, but still stern enough to send a child to bed. Whether you also gave him slippers I leave for now; but I would also put glasses on him and a skullcap on his head.
(angrily)
EJNARWhat is that supposed to mean?
Act One쪽 98 / 346
BRANDThat is no mockery; for that is exactly what he looks like, the household god of our land, our people. Just as the Roman Catholics make their Savior into a suckling, here the Godhead is made into a pitiful old man, almost childish from old age. Just as the Pope on Peter's chair soon only holds the keys, here the world kingdom of our Lord is locked up in cold churches. One separates faith and doctrine from life, and no one strives for true being; one tries to elevate themselves spiritually, but not to live fully and freely. For such contortions one needs a God who can see through his fingers... a God who grows gray like humans, an image with a skullcap and mane... But that God is not mine! Mine is storm, theirs is wind... unbending, where theirs is deaf... all-living, where theirs is blunt. And he is young, like Hercules... No old, gray Grandpapa! His voice resounded like thunder when, in the burning bush, as fire he stood before Moses on Horeb's top, like a giant before the dwarf folk. The sun stood still at his command in the valley of Gibeon. Many wonders he did, and would still do, if only the generation were not as lax as you!
(with an uncertain laugh)
EJNARSo it must be different now?
BRANDIt will be, I tell you, as surely as I know that I came into the world as a doctor for its sickness and need.
(shakes his head)
EJNARDo not extinguish the flame, even if it smolders before the light clearly shows you the way; do not wipe the old words from the language before you have made new ones!
Act One쪽 99 / 346
BRANDIt is not about something new for me. I want only the right of the eternal. It is not dogmas and churches that I want to uphold with my work; for both had a beginning, and therefore it could also be that an end would come to both... Everything that once was must one day pass away; be it by worms or by moths, and according to normal course make room for a new form. But there is something that remains... that is the never-created spirit, once lost in Paradise, redeemed by him who, undaunted, in holy faith, built the bridge from flesh to the primal source of spirit. Now that too is slackened, decayed... thanks to people's view of God... Yet from these stumps of souls, these fragments of spirit, these heads, these hands, a whole must again arise, so that God may recognize his man, his finest work, the patriarch Adam, young and strong!
(breaking off)
EJNARFarewell. It is best that we take leave now.
BRANDYou go westward, then I north. Two roads lead to the goal, and both are equally narrow. Farewell!
EJNARFarewell.
(turns around while Ejnar descends)
BRANDSeparate light from vapor. Remember that life is an art.
(defensively)
EJNARYou turn everything upside down; I'll stick to my old God!
BRANDPaint him with crutches then. I'm putting him in his grave! (goes over the height).
(Ejnar stands gazing silently after Brand)
EJNARAGNES (stands for a moment as if dazed; then she starts suddenly, looks around anxiously and asks:)
Is the sun gone?
Is the sun gone?
EJNARIt's just a cloud that hid it; now it shines again.
AGNESThe wind is cold.
EJNARIt was just a gust that swept over a high peak. Here we descend.
(pointing south)
AGNESThat mountain over there stood so black and high just now, not like this.
Act One쪽 100 / 346
EJNARYou didn't see it then because of play and song, before he scared you. But let it go its own way; we'll take up the old game again.
AGNESNo, not now; I am so tired.
EJNARYes, actually I am too... and going downhill is not as easy as up there on the flat field. But wait, once we are in the valley we will dance twice as hard... yes, ten times wilder than ever before he crossed our path here. Look, Agnes, look over there, that blue where the sun shines so brilliantly. Then it is wrinkled, then smooth again, in silver sheen or amber glow; that is the great fresh sea you see in the distance! And do you also see the dark smoke rising in curls into the air? And can you see that black dot that is now turning around the cape? That is the boat... yours and mine! Now they are just sailing into the fjord! Tonight they will sail away again to sea, with you and me on board!... Now it is shrouded in mist again... Say, Agnes, did you see how beautifully sea and sky colored themselves?
(looks as if staring straight ahead and says:)
AGNESYes. But tell me whether...?
EJNARWhat?
(without looking at him and muted as in a church)
AGNESIt was as if he grew while speaking!
(She descends the mountain path. Ejnar follows her).
AGNESA path along a projecting mountain wall with a wild abyss further to the right. Above and behind the mountain one sees high peaks and snow.
BRAND (comes up the path, begins to descend and stops halfway on a projecting rock and looks into the depths).
Yes, I recognize the place again! Every boathouse, every hut, slopes and birch plantations, and the old brown church, alder groves along the water... I can remember everything. But everything seems grayer to me, smaller too, than when I was a child; and the snow cap on the mountain over there hangs even lower over the village, has taken another strip from the cramped sky, leans and threatens, makes darkness, presses... steals still more away from the sun.
BRAND (comes up the path, begins to descend and stops halfway on a projecting rock and looks into the depths).
Yes, I recognize the place again! Every boathouse, every hut, slopes and birch plantations, and the old brown church, alder groves along the water... I can remember everything. But everything seems grayer to me, smaller too, than when I was a child; and the snow cap on the mountain over there hangs even lower over the village, has taken another strip from the cramped sky, leans and threatens, makes darkness, presses... steals still more away from the sun.
Act One쪽 101 / 346
(sits down and looks far ahead)
AGNESAnd the fjord. Was it also so ugly and narrow back then? The weather is squally. For the wind, a ship runs with full sails. Southward, behind boat and jetty, I see in the gray shadow on the shore, a reddish-brown house!... It is the widow's farm! Old farm! Once my home. All the past presses in on me. There on the seashore among stones lived a lonely child's soul...
Weighs on me like a burden of oppression, that I too am still related to the spirit that seeks the earth, not the innermost being. What glorious things I have willed now float as in a mist. Courage and strength are taken from me, my soul is powerless, my grip weak; here so close to the old house again I see myself as a stranger... so awakens tamed, chained, Samson in Delilah's lap.
Weighs on me like a burden of oppression, that I too am still related to the spirit that seeks the earth, not the innermost being. What glorious things I have willed now float as in a mist. Courage and strength are taken from me, my soul is powerless, my grip weak; here so close to the old house again I see myself as a stranger... so awakens tamed, chained, Samson in Delilah's lap.
(looks again into the depths)
AGNESWhat is that bustle over there? From every house and farm women, men, children stream... Behind slopes and rocks the long rows slide, appear again suddenly... All moving toward the old church.
(stands up)
AGNESOh, I know you so well by heart, lax souls, sluggish of spirit! All your Lord's Prayer does not contain so much willpower, no, not so much spiritual drive, that from it rises to heaven soundingly like a voice, something more than the fourth petition! Which is after all the slogan of the people, which has now become the battle cry. Deeply engraved in all hearts, torn from context, it is now like a wreck of your whole faith, battered by the storm!... Away from this stuffy mess! A sickly smell of corpses reigns all around... Here a flag can never wave freely, fresh and cheerfully!
(makes to leave, a stone is thrown from above and rolls down the path to right in front of his foot).
(makes to leave, a stone is thrown from above and rolls down the path to right in front of his foot).
(shouts upward)
BRANDHey there! Who's throwing stones?
(Gerd, a fifteen-year-old girl, is walking on the mountain ridge, her apron full of stones).
(Gerd, a fifteen-year-old girl, is walking on the mountain ridge, her apron full of stones).
GERDI hit him! Ha! (throws again).
BRANDChild, stop that game!
Act One쪽 102 / 346
GERDThere he sits, truly unharmed,
Swaying on a dry branch! (throws again and shouts).
There he comes again, wretched creature!
Help! Hoo! He's spreading his claws!
Swaying on a dry branch! (throws again and shouts).
There he comes again, wretched creature!
Help! Hoo! He's spreading his claws!
BRANDIn heaven's name...!
GERDQuiet! Who are you?
Stand still! Stand still! Now he flies away.
Stand still! Stand still! Now he flies away.
BRANDWho flies?
GERDDidn't you see that hawk?
BRANDHere? No.
GERDThat wild bird?
That one, with his crest slicked down,
And eyes rimmed in red and yellow!
That one, with his crest slicked down,
And eyes rimmed in red and yellow!
BRANDWhere are you going?
GERDI'm going to church.
BRANDThen we can go together.
GERDTogether? No, my way is there. (points up).
(points down)
BRANDBut the church is down there?
(laughs at him contemptuously and points down)
GERDThat one?
BRANDYes, certainly. Come.
GERDIt's stuffy there!
BRANDStuffy? Why?
GERDIt's so small.
BRANDWhere have you seen a bigger one?
GERDA bigger one? Oh, I know it well.
Farewell! (goes up the height).
Farewell! (goes up the height).
BRANDAre you going to church up there?
That leads to a high, wild summit.
That leads to a high, wild summit.
GERDCome with me, then you'll see
A church built of ice and snow!
A church built of ice and snow!
BRANDOf ice and snow! Now I know!
As a boy I heard of it.
There among steep peaks
An ice cave must be found.
The ice church, I think it was called.
All sorts were told about it;
The floor is a frozen lake,
The roof is of avalanche snow
Stretched wide, from wall to wall,
As a vault over it.
As a boy I heard of it.
There among steep peaks
An ice cave must be found.
The ice church, I think it was called.
All sorts were told about it;
The floor is a frozen lake,
The roof is of avalanche snow
Stretched wide, from wall to wall,
As a vault over it.
GERDYes, it looks like ice and rock...
Fine by me... it's still a church.
Fine by me... it's still a church.
BRANDDon't go there; one gust of wind
And the crust breaks; the vault collapses;
A shout, a shot is enough...
And the crust breaks; the vault collapses;
A shout, a shot is enough...
(without listening to him)
Act One쪽 103 / 346
GERDCome on, a herd of reindeer
Has slid down there, only gets free
In spring, with the great thaw.
Has slid down there, only gets free
In spring, with the great thaw.
BRANDDon't go there, danger threatens!
(points down)
GERDDon't go there; it's stuffy!
BRANDGod be with you!
GERDBetter come along!
Avalanche and waterfall sing there,
The wind preaches loudly over the ice field,
It makes you hot and then cold again.
And the hawk never comes in;
He lands on the Black Peak,...
There he sits, that gallows bird,
Like the weathercock on the church spire.
Avalanche and waterfall sing there,
The wind preaches loudly over the ice field,
It makes you hot and then cold again.
And the hawk never comes in;
He lands on the Black Peak,...
There he sits, that gallows bird,
Like the weathercock on the church spire.
BRANDWild is your path, and wild your soul,...
Like the sound of a cracked lute.
What is bad remains bad, in short,...
Evil can sometimes turn to good.
Like the sound of a cracked lute.
What is bad remains bad, in short,...
Evil can sometimes turn to good.
GERDThere I hear his wing-beat again!
Now I'm going away and quickly home!
In that church I am safe...
Farewell! There he comes, furious again!
Go away! I'm throwing stones, you hear!
If you strike at me, I'll strike back! (flees up the mountain).
Now I'm going away and quickly home!
In that church I am safe...
Farewell! There he comes, furious again!
Go away! I'm throwing stones, you hear!
If you strike at me, I'll strike back! (flees up the mountain).
BRANDThat was also a child of the church.
In the valley,... or above, who does best?
Who rushes forward with wild speed,
Who wanders farthest from home and hearth,...
Levity crowned with green,
Dancing playfully along the abyss,
Or sluggishness, slow and plodding,
Because that's how it must be,...
Or wild and far-reaching error,
That it mistakes evil for good?...
Well then, to battle, to bitter battle,
That triad be doomed to death!
I see my calling, shining, proud,
Like sunlight falling through a chink!
I know my task; that triad must
Be destroyed, and the world's woe atoned.
When it is laid in the grave,
The world's plague will cease from this generation!
On, soul! Seize the bright sword! With might
To battle for the heavenly offspring!
In the valley,... or above, who does best?
Who rushes forward with wild speed,
Who wanders farthest from home and hearth,...
Levity crowned with green,
Dancing playfully along the abyss,
Or sluggishness, slow and plodding,
Because that's how it must be,...
Or wild and far-reaching error,
That it mistakes evil for good?...
Well then, to battle, to bitter battle,
That triad be doomed to death!
I see my calling, shining, proud,
Like sunlight falling through a chink!
I know my task; that triad must
Be destroyed, and the world's woe atoned.
When it is laid in the grave,
The world's plague will cease from this generation!
On, soul! Seize the bright sword! With might
To battle for the heavenly offspring!
(he descends to the village).
END OF THE FIRST ACT
Second Act쪽 104 / 346
Second Act
Down at the fjord, enclosed by steep mountain walls. On a small
height close to the fjord lies the old dilapidated church. A storm
is approaching.
People, men, women and children, partly on the shore,
partly gathered in groups on the heights. The Bailiff sits on
a stone in their midst. A clerk assists him in distributing
corn and provisions. Ejnar and Agnes stand a little further away,
surrounded by a crowd of people. Several boats lie on the sand
left dry by the ebb tide. Brand comes down from the church hill without
being noticed by the crowd.
(forces his way through the crowd)
A MANMake way!
A WOMANI was first!
(pushes her aside)
THE MANGet away!
(pushes forward to the Bailiff).
THE MANLook here; give me something quick in my bag!
THE BAILIFFPatience.
THE MANImpossible; I must go home;
There are four or five gasping there!
There are four or five gasping there!
(jokingly)
THE BAILIFFDon't you even know the exact number?
THE MANOne was dying when I left.
THE BAILIFFBut wait. Are you on the list? (leafs through his papers).
No;... yes, after all. That's your luck. (to the clerk).
Give number thirty his share...
Yes, good people, be patient!
Nils Snemyr?
No;... yes, after all. That's your luck. (to the clerk).
Give number thirty his share...
Yes, good people, be patient!
Nils Snemyr?
A MANYes!
THE BAILIFFYou get today
Only three-quarters of what you usually get.
There are fewer now.
Only three-quarters of what you usually get.
There are fewer now.
THE MANOh yes,...
Just yesterday my wife Ragnhild died.
Just yesterday my wife Ragnhild died.
(makes a note)
THE BAILIFFOne less. That's always something. (to the man who is leaving).
But don't go right away again
Get into a second marriage!
But don't go right away again
Get into a second marriage!
(chuckles)
THE CLERKHe, he!
(sharply)
THE BAILIFFWhat are you laughing at?
THE CLERKI laugh because
His Honor is so funny today.
His Honor is so funny today.
Second Act쪽 105 / 346
THE BAILIFFFunny it's not otherwise here;
But jesting sometimes drives away a tear.
But jesting sometimes drives away a tear.
(comes forward from the crowd with Agnes)
EJNARI have emptied all my pockets.
My purse, my wallet, everything empty!
I come aboard like a beggar,
Take my watch as a pledge.
My purse, my wallet, everything empty!
I come aboard like a beggar,
Take my watch as a pledge.
THE BAILIFFYes, you came at the right hour.
What I could collect is not much;
That doesn't go far, you can imagine,
Where an empty hand, a half-full mouth,
Still must give up their bit
To those who have nothing to eat.
What I could collect is not much;
That doesn't go far, you can imagine,
Where an empty hand, a half-full mouth,
Still must give up their bit
To those who have nothing to eat.
(catches sight of Brand and points to him).
THE BAILIFFSomeone else! Welcome! Have you heard
Of famine and flood,
Then open your purse and knapsack.
We gladly accept everything.
The supply is almost exhausted;...
Five little fish don't make a meal
In this poverty-stricken wilderness.
Of famine and flood,
Then open your purse and knapsack.
We gladly accept everything.
The supply is almost exhausted;...
Five little fish don't make a meal
In this poverty-stricken wilderness.
BRANDTen thousand baskets distributed
In the name of an idol, do not help.
In the name of an idol, do not help.
THE BAILIFFI did not ask you for words.
For an empty stomach, words are stone.
For an empty stomach, words are stone.
EJNARYou do not know what the people here suffered
So long in bitter famine.
A year of disasters, Brand, and woe,
There lie dead...
So long in bitter famine.
A year of disasters, Brand, and woe,
There lie dead...
BRANDI see it well;
From all those sunken eyes
Speaks the punishing judgment from above.
From all those sunken eyes
Speaks the punishing judgment from above.
THE BAILIFFAnd yet you remain as hard as stone!
(steps among the crowd and says emphatically)
BRANDWhen life here was calm and meager,
And dragged slowly with daily hardship,
I pitied the struggle for bread.
He who must crawl on his knees
Feels the beast awaken in his soul.
When the days pass dull and quiet
Like a funeral procession, slow, step by step,
One easily thinks: oh, we
Are erased from the Lord's book.
But He showed Himself good to you,
He drove fear of death into your blood,...
And scourges you with terror and fright;
What He gave you, He takes back...
And dragged slowly with daily hardship,
I pitied the struggle for bread.
He who must crawl on his knees
Feels the beast awaken in his soul.
When the days pass dull and quiet
Like a funeral procession, slow, step by step,
One easily thinks: oh, we
Are erased from the Lord's book.
But He showed Himself good to you,
He drove fear of death into your blood,...
And scourges you with terror and fright;
What He gave you, He takes back...
(interrupt him threateningly)
SEVERAL VOICESHe mocks our fear and distress!
THE BAILIFFDoes he mock us, who gave you bread?
Second Act쪽 106 / 346
(shakes his head)
BRANDOh, could I with all my heart's blood
Quench you like a fountain of life,
I would let it flow like a stream,
Until every vein was dry and empty.
But it would be a sin to help here!
God wants to lift you from the mire;...
A true people,... though scattered and weak...
Draws marrow and strength even from misfortune;
The spirit becomes clear, rises up,
The veiled eye grows sharp of sight,
The weak will becomes strong and bold,
Sees victory in the offing;
But if need begets no noble mind,
Then the people are not worth their salvation!
Quench you like a fountain of life,
I would let it flow like a stream,
Until every vein was dry and empty.
But it would be a sin to help here!
God wants to lift you from the mire;...
A true people,... though scattered and weak...
Draws marrow and strength even from misfortune;
The spirit becomes clear, rises up,
The veiled eye grows sharp of sight,
The weak will becomes strong and bold,
Sees victory in the offing;
But if need begets no noble mind,
Then the people are not worth their salvation!
A WOMANA storm is coming over the sea,
It's as if his word has lured it!
It's as if his word has lured it!
ANOTHERHe provokes the Lord! I tell you!
BRANDNo, your God works no more miracles!
THE WOMENLook at the weather! Look!
VOICES IN THE CROWDDrive him away
With stones! Kill him, the brute!
(The crowd presses threateningly around Brand. The Bailiff steps between
them. A woman, wild, with torn clothes, comes hastily down from the height).
With stones! Kill him, the brute!
(The crowd presses threateningly around Brand. The Bailiff steps between
them. A woman, wild, with torn clothes, comes hastily down from the height).
(calls out to the crowd)
THE WOMANIn Jesus' name, who will help me!
THE BAILIFFWhat is it? Tell me what's wrong...
THE WOMANI want no money or bread now!
The worst fate has befallen me!
The worst fate has befallen me!
THE BAILIFFWhat then? Speak up! Then? Speak!
THE WOMANI cannot!
Where can I find a priest?... Help and comfort!
Where can I find a priest?... Help and comfort!
THE BAILIFFThere is none here...
THE WOMANLost, God!
Oh, that I had never been born!
Oh, that I had never been born!
(comes closer)
BRANDA clergyman may possibly be here.
(seizes his arm)
THE WOMANLet him come then, do not delay!
BRANDTell me what's wrong, then he will come.
THE WOMANOver there across the water...
BRANDWell?
Second Act쪽 107 / 346
THE WOMANMy husband...
Three children starving... nothing in the house,...
Say no, say no,... he is not damned!
Three children starving... nothing in the house,...
Say no, say no,... he is not damned!
BRANDSpeak first.
THE WOMANMy breast was empty... dried up;
No one helped us, no God helped us.
The youngest struggling with death...
He could bear it no longer... struck it dead...!
No one helped us, no God helped us.
The youngest struggling with death...
He could bear it no longer... struck it dead...!
BRANDStruck it dead...!
(appalled)
THE PEOPLEHis child!
THE WOMANBut then, at once
He looked with horror on his deed!
Remorse rose like a flood;
And he laid hands on himself...
Come, save his soul, despite storm and current!
He cannot live, fears death,
With the little corpse in his arms he lies there
And screams and calls on the Devil!
He looked with horror on his deed!
Remorse rose like a flood;
And he laid hands on himself...
Come, save his soul, despite storm and current!
He cannot live, fears death,
With the little corpse in his arms he lies there
And screams and calls on the Devil!
(quietly)
BRANDYes, that is terrible.
(pale)
EJNARHow can it be!
THE BAILIFFThe man does not belong to my district.
(shortly to the crowd)
BRANDUntie a boat and put me across!
A MANNow, in this weather! No one would risk it!
THE BAILIFFA path goes around the fjord...
THE WOMANNo, no,...
That is no longer passable;
I came along it, but the water swept
The plank away right behind me!
That is no longer passable;
I came along it, but the water swept
The plank away right behind me!
BRANDUntie the boat.
A MANIt's impossible;
The tide sweeps over rock and shore!
The tide sweeps over rock and shore!
(points to the opposite shore)
A SECOND MANThere comes a piece of mountain down!
The whole fjord full of dust and smoke.
The whole fjord full of dust and smoke.
A THIRDIt's a storm, thunder and gale,
The Provost himself would absolve you of duty!
The Provost himself would absolve you of duty!
BRANDA sinner's soul, near death,
Waits not for weather, or wind, or tide! (goes down to the boat
and hoists the sail).
Will you risk the boat?
Waits not for weather, or wind, or tide! (goes down to the boat
and hoists the sail).
Will you risk the boat?
THE OWNERVery well...
BRANDGood. Who will risk his life too?
A MANI'm not coming.
ANOTHERNor I.
Second Act쪽 108 / 346
SEVERALYou're heading straight into death!
BRANDOh, your God helps no one forward;
But mine is aboard with me!
But mine is aboard with me!
(wringing her hands)
THE WOMANHe dies in sin!
(calls from the boat)
BRANDOne single man,
To bail the water, handle the sail,
Is enough. Come, give more
Than you already did, give your very self!
To bail the water, handle the sail,
Is enough. Come, give more
Than you already did, give your very self!
(stepping back)
SEVERALDon't demand such a thing!
(threateningly)
A SINGLE VOICEGet out of the boat!
That is tempting the Lord too far!
That is tempting the Lord too far!
SEVERAL VOICESIt's getting worse!
OTHERSThe line breaks!
BRAND (clings on with the boat hook and calls to the strange woman).
Good; you come then; but come quickly!
BRAND (clings on with the boat hook and calls to the strange woman).
Good; you come then; but come quickly!
(stepping back)
THE WOMANI! When no one else...!
BRANDLeave them!
THE WOMANI cannot!
BRANDCannot?
THE WOMANMy children at home...
(laughs)
BRANDSand is the ground you build on!
AGNES (turns quickly to Ejnar with flushed cheeks, lays her hand on
his arm and says:)
O Ejnar, do you hear?
AGNES (turns quickly to Ejnar with flushed cheeks, lays her hand on
his arm and says:)
O Ejnar, do you hear?
EJNARHe is strong!
AGNESThank God! Then you know your duty too! (calls to Brand).
Look! Here is someone! He is worthy
To go with you for the holy work!
Look! Here is someone! He is worthy
To go with you for the holy work!
BRANDCome then!
(pale)
EJNARI!
AGNESGo! I give you up!
I was blind before, now I see clearly!
I was blind before, now I see clearly!
EJNARBefore I met you, I would gladly have
Dedicated myself to death with him...
Dedicated myself to death with him...
(trembling)
AGNESBut now...?
EJNARLife is too precious;...
I cannot now!
I cannot now!
(stepping back)
AGNESWhat are you saying? Cannot?
EJNARI must not!
(with a cry)
Second Act쪽 109 / 346
AGNESThrough that word, O God!
Between us has arisen with stormy force
A wild ocean! (to Brand).
I will come with you!
Between us has arisen with stormy force
A wild ocean! (to Brand).
I will come with you!
BRANDGood; come along then!
(upset as she jumps into the boat)
THE WOMENHelp, Jesus!
(grasps after her in despair)
EJNARAgnes!
(comes running)
THE WHOLE CROWDHalt! Come back!
BRANDWhere is your house?
(points)
THE WOMANThere, at the very end,...
Yonder, high up, behind that black cliff!
Yonder, high up, behind that black cliff!
(The boat pushes off from land).
(calls after her)
EJNARThink of your mother, everyone at home!
Oh, save yourself!
Oh, save yourself!
AGNESGod is aboard!
(The boat sails out. The people gather on the heights and watch it
with great suspense).
(The boat sails out. The people gather on the heights and watch it
with great suspense).
A MANHe's already rounding the point!
A SECONDNo!
THE FIRSTYes!
He's already got it behind him!
He's already got it behind him!
THE SECONDA squall! Ha, that catches them!
THE BAILIFFLook! He's taking off his hat!
A WOMANLike raven-black wings
His wet hair flies in the wind!
His wet hair flies in the wind!
THE FIRST MANAnd everything boils and steams!
EJNARWhat was
That cry that cut through the storm?
That cry that cut through the storm?
A WOMANIt came from the mountains.
(points to the height)
A SECONDThere stands Gerd,
She laughs and cheers from above!
She laughs and cheers from above!
FIRST WOMANNow she blows on a goat's horn!
And throws stones downwards!
And throws stones downwards!
SECOND WOMANThere she throws the horn away again
And trumpets through her hollow hand!
And trumpets through her hollow hand!
A MANYes, blow and shout, wild witch,
That man will withstand your arts!
That man will withstand your arts!
A SECONDWith him at the helm, I dare henceforth
Go along in worse weather.
Go along in worse weather.
(to Ejnar)
THE FIRSTWhat is he?
EJNARA clergyman.
Second Act쪽 110 / 346
THE SECONDWhatever
He may be,... he is a man!
In him there is courage and strength and pride.
He may be,... he is a man!
In him there is courage and strength and pride.
THE FIRSTThat would be a teacher for us!
(They disperse over the heights).
(gathers his books and papers)
THE BAILIFFIt's in any case unseemly
To meddle in that affair,
And without necessity to intervene,
To risk one's life,...
I do my duty too, to be sure,...
But always within my district.
To meddle in that affair,
And without necessity to intervene,
To risk one's life,...
I do my duty too, to be sure,...
But always within my district.
(exit).
THE BAILIFFOutside the hut on the high headland. It is clear day. The water lies
still and bright.
Agnes sits down on the shore. Shortly after, Brand comes out of the door.
still and bright.
Agnes sits down on the shore. Shortly after, Brand comes out of the door.
Second Act쪽 111 / 346
BRANDHe is dead. Released from all
Fear and dread of the Judgment,
He now lies with calm features
Quiet and serene,
How can a thin illusion
Turn night into such a day
Of his hellish crime he saw
Only the outer side,...
That which can be expressed,...
That which hands can grasp,...
Which presses its brand on his name,...
His offense against the dead child.
But the two, who full of fear
Staring with wide eyes,
Like cowering birds,
Crouched in the chimney corner,...
Only saw how he acted
Without understanding what,...
They, whose soul was made a stain
Branded there, never to be erased,
Which does not wear away with time,
Even if they one day become graybeards,...
They whose life stream must flow
From that terrible memory,...
Who in the shadow of his misdeed
Must grow, become human,...
Never the gruesome vision
Can burn out of their brains...
Those two he could not think of,...
Not of them, to whom he left his inheritance,
The fateful one,...
And from them perhaps will issue
Many still to sin and guilt...
Why? Unfathomable word:
They are children of his blood!
What is erased in silence?
What made even with gentle hand?
Where does accountability begin
For the parents' spiritual inheritance?
What a judgment day, what a judge,
When once the day of Judgment comes!
Who shall judge, who bear witness,
Where everyone is guilty;
Who dares show there the old
Worn-out document?
Will the answer then be accepted:
All guilt lies with my father?...
Dizzyingly dark riddles,
No one can solve you!
But the mass, without thinking,
Dances on the brink of the abyss.
All souls should tremble,...
But not one in a thousand sees
What a mountain of guilt accumulates
From the little word: life.
(Several men from the people appear from behind the house
and approach Brand).
Fear and dread of the Judgment,
He now lies with calm features
Quiet and serene,
How can a thin illusion
Turn night into such a day
Of his hellish crime he saw
Only the outer side,...
That which can be expressed,...
That which hands can grasp,...
Which presses its brand on his name,...
His offense against the dead child.
But the two, who full of fear
Staring with wide eyes,
Like cowering birds,
Crouched in the chimney corner,...
Only saw how he acted
Without understanding what,...
They, whose soul was made a stain
Branded there, never to be erased,
Which does not wear away with time,
Even if they one day become graybeards,...
They whose life stream must flow
From that terrible memory,...
Who in the shadow of his misdeed
Must grow, become human,...
Never the gruesome vision
Can burn out of their brains...
Those two he could not think of,...
Not of them, to whom he left his inheritance,
The fateful one,...
And from them perhaps will issue
Many still to sin and guilt...
Why? Unfathomable word:
They are children of his blood!
What is erased in silence?
What made even with gentle hand?
Where does accountability begin
For the parents' spiritual inheritance?
What a judgment day, what a judge,
When once the day of Judgment comes!
Who shall judge, who bear witness,
Where everyone is guilty;
Who dares show there the old
Worn-out document?
Will the answer then be accepted:
All guilt lies with my father?...
Dizzyingly dark riddles,
No one can solve you!
But the mass, without thinking,
Dances on the brink of the abyss.
All souls should tremble,...
But not one in a thousand sees
What a mountain of guilt accumulates
From the little word: life.
(Several men from the people appear from behind the house
and approach Brand).
A MANSo we meet here again.
BRANDHe needs no more help.
THE MANHe himself is now freed, saved;
But inside there are still three...
But inside there are still three...
BRANDAnd then?
THE MANOf the little that we ourselves
Were given, here is something for them...
Were given, here is something for them...
Second Act쪽 112 / 346
BRANDIf you gave everything,... but not your life,
Then know, you have given nothing.
Then know, you have given nothing.
THE MANIf he who is now dead
Had suffered want today,
Called for help from his boat,
I would have risked my life for him.
Had suffered want today,
Called for help from his boat,
I would have risked my life for him.
BRANDBut spiritual need is not worth that?
THE MANWe toil hard, remember that.
BRANDThen turn your whole soul away
From sunshine and starlight;
Do not look, as now, with your left eye
Upward, while you turn the right
Toward the mire, where with bent back
You press the yoke on your own shoulders.
From sunshine and starlight;
Do not look, as now, with your left eye
Upward, while you turn the right
Toward the mire, where with bent back
You press the yoke on your own shoulders.
THE MANI thought you would advise us
To free ourselves from the yoke.
To free ourselves from the yoke.
BRANDYes, if only it were possible!
THE MANIt is in your power.
BRANDI would...?
THE MANSo many have already spoken
And shown us the way before;...
They pointed, but you walked that way.
And shown us the way before;...
They pointed, but you walked that way.
BRANDYou mean that...?
THE MANA thousand words not
As much effect as one deed.
We come here in the name of the village;...
What we lack is precisely a man.
As much effect as one deed.
We come here in the name of the village;...
What we lack is precisely a man.
(restlessly)
BRANDWhat do you want then...?
THE MANCome here to us
As our minister.
As our minister.
BRANDI?
THE MANSurely
you know that we are without one?
you know that we are without one?
BRANDOh yes, it's true...
THE MANIn former times
The village here was large, now it is small.
Misery came with crop failure,
Through diseases both people and livestock died,
And poverty struck everyone down;
Need sang every soul to sleep.
Then food became scarce and expensive here...
And we lost our minister!
The village here was large, now it is small.
Misery came with crop failure,
Through diseases both people and livestock died,
And poverty struck everyone down;
Need sang every soul to sleep.
Then food became scarce and expensive here...
And we lost our minister!
BRANDAsk what you will, only not this!
A heavy duty rests upon me.
For me, life's pressure moves,
For me, the world's open ears.
What should I do here? Here among rocks
Imprisoned, the voice has no power.
A heavy duty rests upon me.
For me, life's pressure moves,
For me, the world's open ears.
What should I do here? Here among rocks
Imprisoned, the voice has no power.
THE MANWhere the word is echoed by the rocks,
Its sound lasts longer.
Its sound lasts longer.
Second Act쪽 113 / 346
BRANDWho locks himself in a dark grave
When the wide land beckons and calls?
Who goes to plow sand and stone
When fertile land lies at hand?
Who wants to harvest fruit from pits
When young trees stand full of fruit?
Who toils away in daily drudgery
When the light of a Seer glows within him?
When the wide land beckons and calls?
Who goes to plow sand and stone
When fertile land lies at hand?
Who wants to harvest fruit from pits
When young trees stand full of fruit?
Who toils away in daily drudgery
When the light of a Seer glows within him?
(shakes his head)
THE MANI understood your deed,... not your word.
BRANDAsk me nothing more! Aboard, aboard! (makes to go).
(blocks his way)
THE MANIs the work you strive for,
The calling that awaits you yonder,
So precious then?
The calling that awaits you yonder,
So precious then?
BRANDMy very life
Is that work to me!
Is that work to me!
THE MANThen stay with us! (with emphasis).
If you gave everything,... but not your life,
Then know, you have given nothing.
If you gave everything,... but not your life,
Then know, you have given nothing.
BRANDThere is something one cannot give;
That is one's innermost self.
One may not bind the stream, lead it,
Nor stem the spirit's calling drive,...
It will go on, toward the great sea.
That is one's innermost self.
One may not bind the stream, lead it,
Nor stem the spirit's calling drive,...
It will go on, toward the great sea.
THE MANEven if it dies in a swamp,...
As dew it still reaches the sea.
As dew it still reaches the sea.
(looks at him sharply)
BRANDWho taught you to speak like that?
THE MANYou yourself did, in the storm's roar,
When the wild sea swept over the land,
You, defying storm and sea, entrusted your life
To a thin plank,
For a poor sinner's soul in need.
Then many a soul trembled,
Now cold, now warm, like sun and wind;
Then it was like awakening bells...
Perhaps by morning all is gone;
Then we lower the festive flag
That you have hoisted for us.
When the wild sea swept over the land,
You, defying storm and sea, entrusted your life
To a thin plank,
For a poor sinner's soul in need.
Then many a soul trembled,
Now cold, now warm, like sun and wind;
Then it was like awakening bells...
Perhaps by morning all is gone;
Then we lower the festive flag
That you have hoisted for us.
BRANDWhere strength is lacking, nothing can arise. (harshly).
He who cannot be what he must,...
Let him then be in earnest what he can;
Let him be wholly a man of this earth.
He who cannot be what he must,...
Let him then be in earnest what he can;
Let him be wholly a man of this earth.
(looks at him a moment and says:)
THE MANWoe to you, who going out, extinguishes the light;
Woe to us, to whom the light briefly rose!
Woe to us, to whom the light briefly rose!
(He goes away; the others follow him silently).
(looks after them for a long time)
Second Act쪽 114 / 346
BRANDSilently, with bent necks,
The quiet troop goes home.
Heavy heads, sluggish feet,
Dragging themselves wearily and sadly;
Each as if burdened with grief,
Walks as if threatened with a rod,
Walks like all mankind's father,
Once driven from Paradise,...
Walks, like him, with guilty forehead,
Stares, like him, into darkness,...
Bears, like him, acquired knowledge...
Of his blindness the loss;
People I wanted, overbold,
Create new and whole and pure;...
That... an image of guilt-consciousness,
Not of God... have I brought forth...
Away to wider horizons,
For a hero there is no room here!
(he is about to go, but stops as he sees Agnes sitting on the shore).
See her sitting there listening,
As if she heard harp tones.
Listening she sat in the boat too,
When it cut through the surf,...
Listening she clung fast,
Listening she shook the spraying
Sea foam from her pure forehead,
It is as if she does not listen with her ears
But with her eyes. (approaches her).
Are they, girl, perhaps the bends
Of the fjord, that your eyes follow...?
The quiet troop goes home.
Heavy heads, sluggish feet,
Dragging themselves wearily and sadly;
Each as if burdened with grief,
Walks as if threatened with a rod,
Walks like all mankind's father,
Once driven from Paradise,...
Walks, like him, with guilty forehead,
Stares, like him, into darkness,...
Bears, like him, acquired knowledge...
Of his blindness the loss;
People I wanted, overbold,
Create new and whole and pure;...
That... an image of guilt-consciousness,
Not of God... have I brought forth...
Away to wider horizons,
For a hero there is no room here!
(he is about to go, but stops as he sees Agnes sitting on the shore).
See her sitting there listening,
As if she heard harp tones.
Listening she sat in the boat too,
When it cut through the surf,...
Listening she clung fast,
Listening she shook the spraying
Sea foam from her pure forehead,
It is as if she does not listen with her ears
But with her eyes. (approaches her).
Are they, girl, perhaps the bends
Of the fjord, that your eyes follow...?
(without looking around)
AGNESNeither the shore here, nor the water;
Both are hidden from my eye.
But a greater world I see,
Clear white arching against the blue.
Seas I see, broad streams,
Sunshine shimmering through mist;
See around cloud-wrapped peaks
Purple flames playing light;
See an endlessly barren plain,...
Tall palms bending, waving
Green crowns in the sharp gust,
Casting dark shadow from them.
Nowhere life... desolate and abandoned,
Like a world, new, in creation;
And I hear words sounding aloud,
I hear voices speaking to me:
It means your death or your deliverance;...
Carry out what I charge you:
To make this world live!
Both are hidden from my eye.
But a greater world I see,
Clear white arching against the blue.
Seas I see, broad streams,
Sunshine shimmering through mist;
See around cloud-wrapped peaks
Purple flames playing light;
See an endlessly barren plain,...
Tall palms bending, waving
Green crowns in the sharp gust,
Casting dark shadow from them.
Nowhere life... desolate and abandoned,
Like a world, new, in creation;
And I hear words sounding aloud,
I hear voices speaking to me:
It means your death or your deliverance;...
Carry out what I charge you:
To make this world live!
(carried away)
BRANDSay what more you see!
(places her hands on her breast)
Second Act쪽 115 / 346
AGNESWithin me
I feel forces fermenting and pressing,
I feel springs surging and swelling,
I see a new day dawning.
Like a wide world spreads
From my heart, in all directions,
And I hear voices commanding me
To make this world live.
All my thoughts that shall become,
Every deed I shall do lives there,
Whispers, breathes, gladly awakening,
As if the hour of birth were past;
And I feel, more than I see yonder,
Him above rising,
Loving with deep sorrow;
Light and soft like the morning blush,
And yet sorrowful unto death;
And I hear words sounding aloud:
You must create and yourself revive;
It means your death or your deliverance...
Carry out what I charge you!
I feel forces fermenting and pressing,
I feel springs surging and swelling,
I see a new day dawning.
Like a wide world spreads
From my heart, in all directions,
And I hear voices commanding me
To make this world live.
All my thoughts that shall become,
Every deed I shall do lives there,
Whispers, breathes, gladly awakening,
As if the hour of birth were past;
And I feel, more than I see yonder,
Him above rising,
Loving with deep sorrow;
Light and soft like the morning blush,
And yet sorrowful unto death;
And I hear words sounding aloud:
You must create and yourself revive;
It means your death or your deliverance...
Carry out what I charge you!
BRANDIn you, in you! Yes that is it!
That is where it points. That is the direction,
The heart itself,... that is the world,
Which, reborn, is ripe for God;
Where the vulture of the will must die,
New Adam sees the light.
Let the world then go its way,
Under toil or song;...
But if we come into collision...
If my work threatens it,...
Then, by God, then I strike!
Room on the whole wide earth
To be wholly oneself,...
That is what every man may demand,
And I ask no other right!
That is where it points. That is the direction,
The heart itself,... that is the world,
Which, reborn, is ripe for God;
Where the vulture of the will must die,
New Adam sees the light.
Let the world then go its way,
Under toil or song;...
But if we come into collision...
If my work threatens it,...
Then, by God, then I strike!
Room on the whole wide earth
To be wholly oneself,...
That is what every man may demand,
And I ask no other right!
(ponders a moment and then says:)
BRANDTo be wholly oneself!...
But one's inherited burden? (stands up and looks out).
Who is she who comes yonder
Stumbling over rough heights,
Bent and stiff, head bowed?
She stops briefly, panting,
Supports herself to keep from falling,
Grabs with her thin fingers
Hastily into her deep pockets,
As if she carried a treasure.
Around her meager, dry bones
Hangs loosely, like feathers, the dress;
Crooked like claws are her hands;
Looks like an eagle, nailed fast,
Hanging in a storehouse.
But one's inherited burden? (stands up and looks out).
Who is she who comes yonder
Stumbling over rough heights,
Bent and stiff, head bowed?
She stops briefly, panting,
Supports herself to keep from falling,
Grabs with her thin fingers
Hastily into her deep pockets,
As if she carried a treasure.
Around her meager, dry bones
Hangs loosely, like feathers, the dress;
Crooked like claws are her hands;
Looks like an eagle, nailed fast,
Hanging in a storehouse.
(suddenly alarmed).
Second Act쪽 116 / 346
BRANDWhat an icy chill of remembrance,
What an atmosphere of the sad past
Quivers chillingly around that woman there,...
Quivers even more chillingly within me...?
Great God! It is my mother!
BRAND'S MOTHER (comes up, stops on the hill, half visible, holds her
hands shielding her eyes and looks around).
He must be here. (comes closer). Ugh, that sunlight!
The devil take it... it makes me half blind.
Son, is that you?
What an atmosphere of the sad past
Quivers chillingly around that woman there,...
Quivers even more chillingly within me...?
Great God! It is my mother!
BRAND'S MOTHER (comes up, stops on the hill, half visible, holds her
hands shielding her eyes and looks around).
He must be here. (comes closer). Ugh, that sunlight!
The devil take it... it makes me half blind.
Son, is that you?
BRANDYes.
(squints)
THE MOTHEROoh, that sun,
It burns and stings the eyes;
You can't tell one person from another.
It burns and stings the eyes;
You can't tell one person from another.
BRANDWhen I was home I never saw the sun,
From autumn till the cuckoo called.
From autumn till the cuckoo called.
(laughs quietly)
THE MOTHERNo, it's good there. There it freezes nicely,
You almost become an ice block yourself;
That makes you strong, and whatever you dare
You do and think it's all right.
You almost become an ice block yourself;
That makes you strong, and whatever you dare
You do and think it's all right.
BRANDGreetings. Farewell. My time is short.
THE MOTHERYes, you've always been short.
As a boy you ran away from here...
As a boy you ran away from here...
BRANDYou thought it best that I left.
THE MOTHERYes, it was different then than now;
It was necessary that you become a priest.
It was necessary that you become a priest.
(scrutinizes him more closely).
THE MOTHERWell, he's grown tall and strong.
But I beg you, now listen to my word,...
Take care of your life!
But I beg you, now listen to my word,...
Take care of your life!
BRANDNothing else?
THE MOTHERYour life, yes? What more then?
BRANDI mean: have you come here
Only for this advice?
Only for this advice?
Second Act쪽 117 / 346
THE MOTHERIf you know more,
Follow it. But keep your life
For me; I gave it to you after all. (angrily).
It's widely known what you have done;
And it has made me deathly afraid.
At sea today! Recklessly to risk
What you should preserve for me.
You are the last of our family.
You are my son, my flesh and blood.
You are the keystone of the building
That I have erected piece by piece.
Stand firm, be strong; hold fast to life
Preserve it well! Do not forget yourself!
It is a duty for an inheritance to live,...
And you shall one day be mine...
Follow it. But keep your life
For me; I gave it to you after all. (angrily).
It's widely known what you have done;
And it has made me deathly afraid.
At sea today! Recklessly to risk
What you should preserve for me.
You are the last of our family.
You are my son, my flesh and blood.
You are the keystone of the building
That I have erected piece by piece.
Stand firm, be strong; hold fast to life
Preserve it well! Do not forget yourself!
It is a duty for an inheritance to live,...
And you shall one day be mine...
BRANDReally? Did you have to come here for that,
And lure me with full pockets?
And lure me with full pockets?
THE MOTHERSon, are you crazy! (recoils).
Stay where you are!
Don't come here! I'll hit with my stick! (calmer).
What did you mean by that?... Listen!
I'm getting old, and older every year;
That's after all the way to the grave;
Then you'll get all I possess;
It's counted and weighed out...
I have nothing with me!... Everything is at home
What I have. And it's not very much;
But whoever gets it is no beggar...
Stay where you are! Don't come here!...
I promise you I won't hide anything
In cracks, or bury
In places that no one knows,...
Or between stones, under floors,
In walls, hide anything...
You inherit, my son, alone,
The whole estate, without sharing.
Stay where you are!
Don't come here! I'll hit with my stick! (calmer).
What did you mean by that?... Listen!
I'm getting old, and older every year;
That's after all the way to the grave;
Then you'll get all I possess;
It's counted and weighed out...
I have nothing with me!... Everything is at home
What I have. And it's not very much;
But whoever gets it is no beggar...
Stay where you are! Don't come here!...
I promise you I won't hide anything
In cracks, or bury
In places that no one knows,...
Or between stones, under floors,
In walls, hide anything...
You inherit, my son, alone,
The whole estate, without sharing.
BRANDOn what condition?
THE MOTHEROn one,
Do not recklessly waste your life,
So that it may go well from son to son;
I demand no other reward.
And see to it that nothing is squandered;...
And nothing divided or liquidated;...
Increase your property or not;
But guard it, year after year!
Do not recklessly waste your life,
So that it may go well from son to son;
I demand no other reward.
And see to it that nothing is squandered;...
And nothing divided or liquidated;...
Increase your property or not;
But guard it, year after year!
(after a short pause)
BRANDOne thing I would like clarified;
From childhood I was at odds with you;...
You were no mother, I no son,
Until you were old and I a man.
From childhood I was at odds with you;...
You were no mother, I no son,
Until you were old and I a man.
THE MOTHERI ask of you no lovey-dovey.
Be what you want; it doesn't bother me,
Be hard, be rough, as cold as ice;...
It doesn't touch my cold clothes;
Just hold fast to your inheritance...
As long as it stays in our family!
Be what you want; it doesn't bother me,
Be hard, be rough, as cold as ice;...
It doesn't touch my cold clothes;
Just hold fast to your inheritance...
As long as it stays in our family!
(comes a step closer)
Second Act쪽 118 / 346
BRANDAnd if I, on the contrary, planned
To scatter it to all winds?
To scatter it to all winds?
(reels backward)
THE MOTHERThat which many a toiling year
Bent my back and grayed my hair!
Bent my back and grayed my hair!
(nods slowly)
BRANDScatter, yes.
THE MOTHERThen you scatter
My soul to all winds as well!
My soul to all winds as well!
BRANDAnd if I do it anyway?
If I one evening stand by your bed,
And candles burn around your deathbed,
When you, with the psalm book in your hands,
Sleep your death sleep the first night,...
If I then go rummaging, sniffing, searching,
And bring forth the whole treasure,...
If I then set fire to it...?
If I one evening stand by your bed,
And candles burn around your deathbed,
When you, with the psalm book in your hands,
Sleep your death sleep the first night,...
If I then go rummaging, sniffing, searching,
And bring forth the whole treasure,...
If I then set fire to it...?
(comes closer in suspense)
THE MOTHERHow did you get that thought, tell me?
BRANDHow? Shall I tell you?
THE MOTHERYes! Speak up!
BRANDBy what once happened to me as a child,
And I could never forget afterwards;
Which pressed into my soul and stayed there
Like the iron arrowhead in a wound.
It was autumn and evening. Father dead.
You ill. I crept inside quietly,
Where he lay, pale, by candlelight.
I stood and stared from a corner
At him, with the psalm book in his hand;
The strangest I found was the deep sleep,
And his wrists become so thin;
And I smelled the scent of the cold shroud;...
Then I heard footsteps on the porch,...
A woman came in, did not see me,...
Went straight to the deathbed.
And groping she began to search;...
First lifted the head of the dead man,
There came bundles from under it,...
She counted, whispering: more, still more!
Then she dug from the bed pillows
A bundle, tied with ropes.
She tore, pulled, with wild jerks,
Bit the rope apart with her teeth.
Then she dug again. She found more,...
Yet counted, whispering: more, still more!
She wept, lamented, cursed, prayed,
Always seeking a trace of more...!
And if she found something,... with a shout of joy
She darted like a falcon at her prey.
At last every hiding place was empty.
Like a damned soul she slunk away,
Her treasure hidden in her apron.
And groaning softly: that's all then!
And I could never forget afterwards;
Which pressed into my soul and stayed there
Like the iron arrowhead in a wound.
It was autumn and evening. Father dead.
You ill. I crept inside quietly,
Where he lay, pale, by candlelight.
I stood and stared from a corner
At him, with the psalm book in his hand;
The strangest I found was the deep sleep,
And his wrists become so thin;
And I smelled the scent of the cold shroud;...
Then I heard footsteps on the porch,...
A woman came in, did not see me,...
Went straight to the deathbed.
And groping she began to search;...
First lifted the head of the dead man,
There came bundles from under it,...
She counted, whispering: more, still more!
Then she dug from the bed pillows
A bundle, tied with ropes.
She tore, pulled, with wild jerks,
Bit the rope apart with her teeth.
Then she dug again. She found more,...
Yet counted, whispering: more, still more!
She wept, lamented, cursed, prayed,
Always seeking a trace of more...!
And if she found something,... with a shout of joy
She darted like a falcon at her prey.
At last every hiding place was empty.
Like a damned soul she slunk away,
Her treasure hidden in her apron.
And groaning softly: that's all then!
Second Act쪽 119 / 346
THE MOTHERGreat was my demand, meager my find,
And that I had more than dearly paid.
And that I had more than dearly paid.
BRANDYet it cost you even more dearly,
My child's heart stole it from you.
My child's heart stole it from you.
THE MOTHERWell, yes. That's how it's always been.
You buy your goods with soul and blood.
I paid a high price at once;
I staked my young life.
I gave something now withered...
Something fleeting, I think, like sunshine,...
Innocent too, but still so beautiful;...
I gave what I hardly now remember,...
I believe it was called love...
I remember it well. My struggle was hard;
And I remember well my father's advice:
Forget that young man; take the other,
What does it matter if the fellow is a bit old;
The man has a good set of brains,
He can double his possessions!...
I took him, but got ingratitude in return.
He never made it that far.
But I have toiled for years,
So that it is now almost there.
You buy your goods with soul and blood.
I paid a high price at once;
I staked my young life.
I gave something now withered...
Something fleeting, I think, like sunshine,...
Innocent too, but still so beautiful;...
I gave what I hardly now remember,...
I believe it was called love...
I remember it well. My struggle was hard;
And I remember well my father's advice:
Forget that young man; take the other,
What does it matter if the fellow is a bit old;
The man has a good set of brains,
He can double his possessions!...
I took him, but got ingratitude in return.
He never made it that far.
But I have toiled for years,
So that it is now almost there.
BRANDDo you also consider, so close to the grave,
That you sold your soul along with it?
That you sold your soul along with it?
THE MOTHERThat I considered that is evident from the fact
That I let you become a priest.
When the hour comes, care for my salvation,
In gratitude for what I leave behind.
Mine is the hard-earned wealth,
And you have power and the comforting word.
That I let you become a priest.
When the hour comes, care for my salvation,
In gratitude for what I leave behind.
Mine is the hard-earned wealth,
And you have power and the comforting word.
BRANDHowever wise, you have deceived yourself,
You still saw me as I was at home.
With that kind of parental love
Many treat their children.
They see in the child only a manager
Of all their leftover junk.
A pale ray of eternity
Passes through their minds now and then.
Then they grasp for it and think
That they have caught it;
That death and life are then united
If the inheritance is preserved in the family,
And eternity, as a sum, becomes their share
Of the imposed series of years.
You still saw me as I was at home.
With that kind of parental love
Many treat their children.
They see in the child only a manager
Of all their leftover junk.
A pale ray of eternity
Passes through their minds now and then.
Then they grasp for it and think
That they have caught it;
That death and life are then united
If the inheritance is preserved in the family,
And eternity, as a sum, becomes their share
Of the imposed series of years.
THE MOTHERDo not inquire what your mother thinks,
But accept your inheritance in time.
But accept your inheritance in time.
BRANDAnd the debt?
THE MOTHERDebt? What debt?
There is no debt.
There is no debt.
Second Act쪽 120 / 346
BRANDWell then; but if
There were debt,... would I have to take it over
And settle it all, and balance it.
A son must on his mother's grave
Satisfy all claims;
Even if the house were empty when I moved in,...
Still I inherited your debt book.
There were debt,... would I have to take it over
And settle it all, and balance it.
A son must on his mother's grave
Satisfy all claims;
Even if the house were empty when I moved in,...
Still I inherited your debt book.
THE MOTHERNo law demands that.
BRANDNot a
Written law with pen and ink;
But in every honest child's heart
Other laws are inscribed,...
And I will satisfy those laws.
Deluded woman, oh learn to see!
God's temple you have debased within you,
Your soul's lease you have squandered.
The earthly image that he gave you,
With mud and mildew you have smeared;
The spirit that once was winged,
You have clipped in the throng.
That is your guilt. Where will you go
When the Lord God demands his own?
Written law with pen and ink;
But in every honest child's heart
Other laws are inscribed,...
And I will satisfy those laws.
Deluded woman, oh learn to see!
God's temple you have debased within you,
Your soul's lease you have squandered.
The earthly image that he gave you,
With mud and mildew you have smeared;
The spirit that once was winged,
You have clipped in the throng.
That is your guilt. Where will you go
When the Lord God demands his own?
(timidly)
THE MOTHERWhere will I go? Where?
BRANDFear not;
Your son takes all your debt upon himself.
God's image, which you have trampled,
Shall in me, clear, refined, arise!
Go calmly rest among the dead,
My mother shall not sleep with guilt;...
I will cancel the debt.
Your son takes all your debt upon himself.
God's image, which you have trampled,
Shall in me, clear, refined, arise!
Go calmly rest among the dead,
My mother shall not sleep with guilt;...
I will cancel the debt.
THE MOTHERMy guilt and sins?
BRANDYour guilt alone. Mark my word.
Your soul's debt I will take upon myself;
But for your sins you must answer.
The sum of the human Being,
That perished in earthly drudgery,
Can by another's good will
Be fully repaid;
But that it perished is sin;
Only remorse helps there... or death!
Your soul's debt I will take upon myself;
But for your sins you must answer.
The sum of the human Being,
That perished in earthly drudgery,
Can by another's good will
Be fully repaid;
But that it perished is sin;
Only remorse helps there... or death!
(restlessly)
THE MOTHERI am best off at home
In the shadow of my glacier roof;
Here in this sultry sunshine
Poisonous thoughts sprout,
Whose scent makes one dizzy.
In the shadow of my glacier roof;
Here in this sultry sunshine
Poisonous thoughts sprout,
Whose scent makes one dizzy.
BRANDSeek the shadow; go home.
And when you feel your last hour come,
And you want me to bring you light,
Send for me, and I will come.
And when you feel your last hour come,
And you want me to bring you light,
Send for me, and I will come.
THE MOTHERYes, you, with your words of damnation!
BRANDNo, warm as a son, gentle as a priest,
I will ward off fright and fears from you.
And at your bedside, with song,
I will quench the fever glow in your blood!
I will ward off fright and fears from you.
And at your bedside, with song,
I will quench the fever glow in your blood!
Second Act쪽 121 / 346
THE MOTHERDo you promise me that on your word?
BRANDI will come in the hour of remorse.
(closer to her).
But also one condition I have.
From whatever still binds you to earth,
You must voluntarily renounce,
And go to your grave without anything.
(closer to her).
But also one condition I have.
From whatever still binds you to earth,
You must voluntarily renounce,
And go to your grave without anything.
(strikes wildly at him)
THE MOTHERCommand the glow of fire to separate,
The snow from frost, from water damp!
The snow from frost, from water damp!
BRANDThrow all your possessions into the fjord,
And pray that God may bless that deed.
And pray that God may bless that deed.
THE MOTHERDemand what you will; demand hunger, thirst,...
But not what weighs heaviest of all!
But not what weighs heaviest of all!
BRANDIf the heaviest sacrifice is not made,
Then even the lesser helps no one.
Then even the lesser helps no one.
THE MOTHERI will give silver in the offering box!
BRANDEverything?
THE MOTHERIs not much enough?
BRANDFor you no other penance than
To die like Job, poor and naked.
To die like Job, poor and naked.
(wringing her hands)
THE MOTHERMy time wasted, my soul damned,
My money and goods soon scattered!
Home then, and clasp to my heart
All that is still my own!
My goods, my cherished child, my goods,...
For you I tore my breast bloody;...
Home now, where with mother's lament
I will keep watch by the sick child.
Why was I born in the flesh
If through the flesh my soul is lost?...
Stay near me, son! I still don't know
What I will do when my hour comes.
If I must lose everything in my lifetime,...
Then I will wait until the last, (exit).
My money and goods soon scattered!
Home then, and clasp to my heart
All that is still my own!
My goods, my cherished child, my goods,...
For you I tore my breast bloody;...
Home now, where with mother's lament
I will keep watch by the sick child.
Why was I born in the flesh
If through the flesh my soul is lost?...
Stay near me, son! I still don't know
What I will do when my hour comes.
If I must lose everything in my lifetime,...
Then I will wait until the last, (exit).
(looks after her)
BRANDYes, your son will stay with you,
Wait for the hour of penance,
Will warm your old, cold
Hand, when it is stretched out.
Wait for the hour of penance,
Will warm your old, cold
Hand, when it is stretched out.
(goes to Agnes).
BRANDThe evening is not like the morning,
Then my whole soul was full of fighting spirit,
Far off I heard battle songs,
I wanted to wield the sword of wrath,
Kill lies, stifle evil,
Yes, crush the whole world!
Then my whole soul was full of fighting spirit,
Far off I heard battle songs,
I wanted to wield the sword of wrath,
Kill lies, stifle evil,
Yes, crush the whole world!
(has turned around and looks at him with bright eyes)
Second Act쪽 122 / 346
AGNESThe morning hour was pale for me
When I wanted lies and play;
Wanted to win, wanted to create,
What gain was to lose!
When I wanted lies and play;
Wanted to win, wanted to create,
What gain was to lose!
BRANDHigh dreams, beautiful dreams,
Flew by like wild swans,
Lifted me on broad wings.
Far off I saw my life's path,
As the constrainter of human guilt
In the bustling world's turmoil.
Saw processions' pious splendor,
Hymns, incense, silken banners,
Golden chalices, victory songs,
The jubilant cry of so many,
Shining around my life's task.
Everything lay so enticing, rich;...
But it was only a vision,
Only a shining distant view,
Half in sunshine and lightning's gleam...
And now I stand where evening descends
Long before the day is ended,...
Between high mountain and fjord,
Cut off from the world,
With a single strip of sky,...
But I stand on native soil.
The Sunday song is sung;
My warhorse is unsaddled;
Yet I see a higher goal,
Than a battle with the knight's sword,...
Toiling daily work, daily duty
Be ennobled to Sunday work.
Flew by like wild swans,
Lifted me on broad wings.
Far off I saw my life's path,
As the constrainter of human guilt
In the bustling world's turmoil.
Saw processions' pious splendor,
Hymns, incense, silken banners,
Golden chalices, victory songs,
The jubilant cry of so many,
Shining around my life's task.
Everything lay so enticing, rich;...
But it was only a vision,
Only a shining distant view,
Half in sunshine and lightning's gleam...
And now I stand where evening descends
Long before the day is ended,...
Between high mountain and fjord,
Cut off from the world,
With a single strip of sky,...
But I stand on native soil.
The Sunday song is sung;
My warhorse is unsaddled;
Yet I see a higher goal,
Than a battle with the knight's sword,...
Toiling daily work, daily duty
Be ennobled to Sunday work.
AGNESAnd that God who was to fall?
BRANDHe will fall just the same,...
But now secretly, quietly hidden,
Not publicly for all.
Clearly I now see that I erred,
When I expected salvation along that path.
No noisy, mighty action
Brings mankind to conversion.
Rich qualities to develop
Do not help its soul's ailments.
It is the will here that must do it!
Will kills or can liberate,
Will, wholly, in all things,
In the heavy as in the light...
(turns towards the village, over which the evening shadows
are already beginning to fall).
Come then, men, laboriously striding
Through the dark narrow valleys;...
Scarcely united in cooperation
Let us attempt the work of purification,
Strike down half-heartedness, smother lies,
Awaken young, strong will!
Lay hand to pick or sword,
Both are honorable, worthy of men;
The goal is one,... we must become
Tablets on which God can write.
But now secretly, quietly hidden,
Not publicly for all.
Clearly I now see that I erred,
When I expected salvation along that path.
No noisy, mighty action
Brings mankind to conversion.
Rich qualities to develop
Do not help its soul's ailments.
It is the will here that must do it!
Will kills or can liberate,
Will, wholly, in all things,
In the heavy as in the light...
(turns towards the village, over which the evening shadows
are already beginning to fall).
Come then, men, laboriously striding
Through the dark narrow valleys;...
Scarcely united in cooperation
Let us attempt the work of purification,
Strike down half-heartedness, smother lies,
Awaken young, strong will!
Lay hand to pick or sword,
Both are honorable, worthy of men;
The goal is one,... we must become
Tablets on which God can write.
(About to leave. Ejnar meets him).
EJNARWait, and give back what you took!
BRANDDo you mean her? There she sits.
(to Agnes)
Second Act쪽 123 / 346
EJNARChoose now between bright spaces
Or this somber place of sorrow!
Or this somber place of sorrow!
AGNESI have no more choice to make.
EJNARAgnes, Agnes, listen!
Think of what the old proverb says:
Light to lift, heavy to bear.
Think of what the old proverb says:
Light to lift, heavy to bear.
AGNESAll your lures cannot help;
I must bear to the end.
I must bear to the end.
EJNARThink of all who love you!
AGNESGreet my mother, everyone at home;
I will write as soon as I find words.
I will write as soon as I find words.
EJNAROut on the bright waters
Swift ships sail out;...
Like longings, dream thoughts,
High prows chase, flee,
Spray-sprinkled, to land,
Far away, in a fairy-tale land!
Swift ships sail out;...
Like longings, dream thoughts,
High prows chase, flee,
Spray-sprinkled, to land,
Far away, in a fairy-tale land!
AGNESSail to the West or to the East;...
Think of me as if I were buried.
Think of me as if I were buried.
EJNARAgnes, come with me as my sister!
(shakes her head)
AGNESBetween us are oceans.
EJNARThen to your mother... home!
(silently)
AGNESAway from teacher, brother, and friend...?
(comes a step closer)
BRANDYoung woman, think carefully.
Wedged between mountains,
Under a shadowy roof of rocks,
In the half-night darkness of the crevices,
My life will henceforth be
Like a somber winter's day.
Wedged between mountains,
Under a shadowy roof of rocks,
In the half-night darkness of the crevices,
My life will henceforth be
Like a somber winter's day.
AGNESDarkness no longer frightens me,
Stars break through the clouds.
Stars break through the clouds.
BRANDKnow that I am strict in my demands,
I demand everything or nothing.
If you stray from the path,
Your life is as if ruined.
Do not hope to force anything from me,
No leniency for sin;...
If life cannot suffice,
You must voluntarily sacrifice that too!
I demand everything or nothing.
If you stray from the path,
Your life is as if ruined.
Do not hope to force anything from me,
No leniency for sin;...
If life cannot suffice,
You must voluntarily sacrifice that too!
EJNAROh, flee that wild game!
Flee the man of that somber doctrine,
Live as you are able!
Flee the man of that somber doctrine,
Live as you are able!
BRANDChoose;... you now stand at the crossroads. (exit).
EJNARChoose now between storm or stillness!
To go or stay is the choice.
Choose now between peace and worries,
Choose now between night and morning,
Death or life be your choice!
To go or stay is the choice.
Choose now between peace and worries,
Choose now between night and morning,
Death or life be your choice!
(stands up and says slowly)
Second Act쪽 124 / 346
AGNESIn the night. And through death...
Yonder dawn's red glimmers.
Yonder dawn's red glimmers.
(She follows the path Brand took).
AGNES(Ejnar looks after her for a moment as if lost, then bows his head
and goes back down the path leading to the fjord).
and goes back down the path leading to the fjord).
END OF THE SECOND ACT
Third Act쪽 125 / 346
Third Act
Three years later. A small garden enclosed by a stone wall next to the parsonage at the foot of a high mountain ridge. The fjord lies narrow and enclosed in the background. The house door opens into the garden. Afternoon.
Brand stands on the steps before the house. Agnes sits on a lower step.
AGNESMy dear husband, your eye again
Roams so anxiously toward the fjord...
Roams so anxiously toward the fjord...
BRANDI'm waiting for a message.
AGNESYou are uneasy!
BRANDI'm always waiting for a message from Mother.
Three years now I have trusted
And waited for a message that never came.
And tomorrow, I was told,
Her hour may perhaps have struck.
Three years now I have trusted
And waited for a message that never came.
And tomorrow, I was told,
Her hour may perhaps have struck.
(softly and lovingly)
AGNESYou should not wait for any message.
(shaking his head)
BRANDIf she does not repent her sins,
Then I have no word of comfort either.
Then I have no word of comfort either.
AGNESShe is your mother.
BRANDAnd should I therefore
Encourage her idolatry?
Encourage her idolatry?
AGNESBrand, you are harsh!
BRANDTo you?
AGNESOh, no!
BRANDI foretold you a path full of hardship.
(smiles)
AGNESIt did not take; you did not keep your word.
BRANDYes, it is harsh and cold here;
Your cheeks grow thin and pale;
You are too delicate for this climate.
Nothing thrives around our house
But ice and snowfall, rock and rubble.
Your cheeks grow thin and pale;
You are too delicate for this climate.
Nothing thrives around our house
But ice and snowfall, rock and rubble.
AGNESAll the safer it lies here.
So far has the glacier now reached
That in spring, driven onward
To the valley, it strides over our roof,
And our house stands unharmed,
As in a vaulted water cave.
So far has the glacier now reached
That in spring, driven onward
To the valley, it strides over our roof,
And our house stands unharmed,
As in a vaulted water cave.
BRANDAnd the sunlight that never reaches here.
AGNESIt dances so warmly and gladly
And shimmering on the mountain ridge yonder.
And shimmering on the mountain ridge yonder.
BRANDThree weeks, yes... when it's summer,...
But even its foot never reaches here.
But even its foot never reaches here.
(looks steadily at him, stands up and says:)
Third Act쪽 126 / 346
AGNESThere is something that makes you afraid!
BRANDNo, you!
AGNESNo you!
BRANDYou have a fear,
A secret fear.
A secret fear.
AGNESAnd you too, Brand!
BRANDYou grow dizzy, as before a deep abyss!
Speak! What is it?
Speak! What is it?
AGNESI tremble sometimes... (pauses).
BRANDYou tremble! For whom then?
AGNESFor Alf.
BRANDFor Alf?
AGNESBrand, you too!
BRANDSometimes, yes!
But no, God would not do that to us!
God is good! My little lad
Will grow strong and sturdy through it.
Where is he now?
But no, God would not do that to us!
God is good! My little lad
Will grow strong and sturdy through it.
Where is he now?
AGNESHe is sleeping.
(looks inside)
BRANDOh, look,
He does not dream of misery and pain;
His little hand is chubby, thick and round.
He does not dream of misery and pain;
His little hand is chubby, thick and round.
AGNESBut pale.
BRANDYes, pale; but that will pass.
AGNESHow peacefully he lies sleeping now.
BRANDGod bless you! Sleep in health!
(closes the door).
With you and him, peace and light came,
Illuminating all my daily work.
What was difficult, every sad hour,
Became light and joyful with you both.
With you, I never lost courage,
And his child's play gave me strength.
As a martyr I took up my calling,
But see how everything has changed,
How now happiness shines on my path...
(closes the door).
With you and him, peace and light came,
Illuminating all my daily work.
What was difficult, every sad hour,
Became light and joyful with you both.
With you, I never lost courage,
And his child's play gave me strength.
As a martyr I took up my calling,
But see how everything has changed,
How now happiness shines on my path...
AGNESYes, Brand, you are worthy of happiness too,
You have struggled and endured,
Been patient, suffered, worn yourself out;
I know that you have often wept in silence...
You have struggled and endured,
Been patient, suffered, worn yourself out;
I know that you have often wept in silence...
BRANDIt is so... but everything seemed light to me;
With you, love entered here,
Like warm spring sunshine.
I had never learned to know it before,
Neither father nor mother gave it to me.
They rather extinguished the single spark
That now and then flared up from the ashes.
It was as if all the treasure of warmth
That I silently carried within me
Was saved up for a glorious radiance,
For him and for you, my dear wife!
With you, love entered here,
Like warm spring sunshine.
I had never learned to know it before,
Neither father nor mother gave it to me.
They rather extinguished the single spark
That now and then flared up from the ashes.
It was as if all the treasure of warmth
That I silently carried within me
Was saved up for a glorious radiance,
For him and for you, my dear wife!
Third Act쪽 127 / 346
AGNESNot for us two alone... for all
Who now belong to our household;
Whoever is sad, in need,
Whoever suffers or weeps, whether woman or child,
Everyone is refreshed, strengthened,
By what your rich soul offers them.
Who now belong to our household;
Whoever is sad, in need,
Whoever suffers or weeps, whether woman or child,
Everyone is refreshed, strengthened,
By what your rich soul offers them.
BRANDBut still through you and him. The spirit
Of goodness, of gentleness, you brought me.
No soul can give love to all
Who has not first loved one single one;
I had to yearn and endure so long
That my whole heart became like stone...
Of goodness, of gentleness, you brought me.
No soul can give love to all
Who has not first loved one single one;
I had to yearn and endure so long
That my whole heart became like stone...
AGNESAnd yet... your love is not yet gentle;
Your caress often becomes a blow.
Your caress often becomes a blow.
BRANDFor you too, Agnes?
AGNESNo, my dearest;
Light was what you gave me to bear;...
But many have already left you
Because of the 'all or nothing' that you demand!
Light was what you gave me to bear;...
But many have already left you
Because of the 'all or nothing' that you demand!
BRANDWhat is called love by them,
I do not want and do not know.
I know only God's love,
And that is neither soft nor gentle;
It is hard as the terror of death,
And when it caresses, it becomes a blow.
What answer did God give in the garden,
When His Son in deathly fear prayed:
Take away this cup, my God!
Did He take away that cup of sorrow then?
No, child, He drained it completely.
I do not want and do not know.
I know only God's love,
And that is neither soft nor gentle;
It is hard as the terror of death,
And when it caresses, it becomes a blow.
What answer did God give in the garden,
When His Son in deathly fear prayed:
Take away this cup, my God!
Did He take away that cup of sorrow then?
No, child, He drained it completely.
AGNESAh, measured with such a yardstick,
No single soul can stand.
No single soul can stand.
BRANDNo man knows whom damnation strikes.
Yet it is written in flaming script:
Be faithful to the final test,
No half-measure wins the crown of life!
It is not enough to feel the sweat of fear,
You must undergo the fire itself.
That you cannot is forgiven you,
But never that you will not.
Yet it is written in flaming script:
Be faithful to the final test,
No half-measure wins the crown of life!
It is not enough to feel the sweat of fear,
You must undergo the fire itself.
That you cannot is forgiven you,
But never that you will not.
AGNESYes, surely, yes, so it must be.
Oh, lift me up, that I may rise with you;
Oh, lead me to your lofty spheres;
Strong is my desire, but weak my courage.
Often fear grips me, I feel dizzy,
And weary and earthbound my foot drags.
Oh, lift me up, that I may rise with you;
Oh, lead me to your lofty spheres;
Strong is my desire, but weak my courage.
Often fear grips me, I feel dizzy,
And weary and earthbound my foot drags.
BRANDLook, Agnes, for everyone applies
The demand: no cowardly, weak half-measure!
Everything you do is condemned
If it is half-hearted or for show.
This teaching must become your law:
Not with words, but with life.
The demand: no cowardly, weak half-measure!
Everything you do is condemned
If it is half-hearted or for show.
This teaching must become your law:
Not with words, but with life.
(throws her arms around his neck)
Third Act쪽 128 / 346
AGNESWhere you go, I follow at your heel!
For two, no cliff is too steep.
(The doctor has come down the mountain and stops before the garden fence).
For two, no cliff is too steep.
(The doctor has come down the mountain and stops before the garden fence).
THE DOCTORSo, turtledoves, billing and cooing here
On these wild, gray rocks?
On these wild, gray rocks?
AGNESMy old doctor, are you here?
Oh, do come in!
Oh, do come in!
(runs down and opens the gate).
THE DOCTORNo, not that!
You know, I'm still angry!
Coming to live here, in such a place,
Where snow and ice and winter storm
Cut through body and soul...
You know, I'm still angry!
Coming to live here, in such a place,
Where snow and ice and winter storm
Cut through body and soul...
BRANDNot through the soul.
THE DOCTORNo? Oh, come now!
It's true, it almost looks as if
Your hasty bond rests on a firm, solid foundation;
Although, as the proverb says,
What is quickly built quickly decays.
It's true, it almost looks as if
Your hasty bond rests on a firm, solid foundation;
Although, as the proverb says,
What is quickly built quickly decays.
AGNESA kiss of sun, a sound of bells
Can sometimes wake a summer day.
Can sometimes wake a summer day.
THE DOCTORFarewell. I must go to a sick person.
BRANDMy mother?
THE DOCTORYes. Will you come along?
BRANDNot now.
THE DOCTORHave you been there yet?
BRANDNot yet.
THE DOCTORYou are hard indeed. Through wind and snow
I came trudging over the mountain,
Although I know that from her
No hungry fee will be left over.
I came trudging over the mountain,
Although I know that from her
No hungry fee will be left over.
BRANDGod bless your skill and diligence.
Make, if you can, her death easy.
Make, if you can, her death easy.
THE DOCTORGod's blessing on my will; I came
As soon as I was called in need.
As soon as I was called in need.
BRANDShe sent for you; but not for me;...
I wait, and wait in soul's anguish.
I wait, and wait in soul's anguish.
THE DOCTORWait no longer!
BRANDUntil she sends for me
I have nothing to do over there.
I have nothing to do over there.
(to Agnes)
THE DOCTORYou poor little woman, entrusted
To the power of such hard hands!
To the power of such hard hands!
BRANDI am not hard.
AGNESHe would give his blood
If it could bring forgiveness for her soul!
If it could bring forgiveness for her soul!
Third Act쪽 129 / 346
BRANDI took upon myself, as her son and heir,
All her debts voluntarily.
All her debts voluntarily.
THE DOCTORPay your own debt!
BRANDBefore God,
One can pay the debt of many.
One can pay the debt of many.
THE DOCTORBut not by one who is himself a beggar,
Up to his ears in debt.
Up to his ears in debt.
BRANDRich or beggar,... I will it wholly,...
And more than that is not needed!
And more than that is not needed!
(looks at him steadily)
THE DOCTORYes, of your will the quantum satis
Stands finely and clearly recorded,...
But, Brand, your account of charity
Is a blank page. (exits).
Stands finely and clearly recorded,...
But, Brand, your account of charity
Is a blank page. (exits).
(follows him with his eyes for a moment)
BRANDNo word was ever dragged down
Into lies as much as love;...
They lay it with Satan's cunning
As a veil over weak will;
Deceitfully they cover with it
Their frivolous and vain life's game;
If the path is narrow and slippery and steep,
In love it is shortened for you;
If one goes the broad path of sin,
Hope for love still remains,...
One sees his goal but avoids the struggle...
Through love it will still be achieved;
And if you err, knowing better,...
In love you find a refuge!
Into lies as much as love;...
They lay it with Satan's cunning
As a veil over weak will;
Deceitfully they cover with it
Their frivolous and vain life's game;
If the path is narrow and slippery and steep,
In love it is shortened for you;
If one goes the broad path of sin,
Hope for love still remains,...
One sees his goal but avoids the struggle...
Through love it will still be achieved;
And if you err, knowing better,...
In love you find a refuge!
AGNESYes, that is wrong, and yet I must
Often ask myself: is it so?
Often ask myself: is it so?
BRANDOne thing you forget; first the will
Satisfies the law's thirst for justice.
First you must will, not only
What is possible in great and small,
Not only where the deed
Involves much trouble and difficulty,...
No, one must will strongly and gladly,
Through all terror and fears.
That is not martyrdom, to die
In pain on the cross,
But the willing of that death on the cross,
To will all that anguish and need,
To will all that soul-pain,
That first brings you deliverance.
Satisfies the law's thirst for justice.
First you must will, not only
What is possible in great and small,
Not only where the deed
Involves much trouble and difficulty,...
No, one must will strongly and gladly,
Through all terror and fears.
That is not martyrdom, to die
In pain on the cross,
But the willing of that death on the cross,
To will all that anguish and need,
To will all that soul-pain,
That first brings you deliverance.
(cuddles close to him)
AGNESIf ever the heavy trial comes for us,...
Oh, speak then, you, my strong man!
Oh, speak then, you, my strong man!
Third Act쪽 130 / 346
BRANDAfter such a victory of the will
Comes then the glory of love,
Then it descends like a white dove
With an olive branch, messenger of life.
But here, among the slack, lax people,
The best love is hate! (startled).
Hate! Hate! To will a world-struggle
Lies in this single short word!
Comes then the glory of love,
Then it descends like a white dove
With an olive branch, messenger of life.
But here, among the slack, lax people,
The best love is hate! (startled).
Hate! Hate! To will a world-struggle
Lies in this single short word!
(goes hastily into the house).
(looks through the open door)
AGNESNow he kneels by his little lad
And rocks his head as if he wept;
He presses himself against the little bed
Like one who knows no way out...
Oh, what a treasure of love dwells
In that strong man's soul!
Alf he loves, that he may, for the child
Is not yet defiled by sin. (springing up in terror).
He springs up... wrings his hands... Oh!
What does he see? He is deathly pale!
And rocks his head as if he wept;
He presses himself against the little bed
Like one who knows no way out...
Oh, what a treasure of love dwells
In that strong man's soul!
Alf he loves, that he may, for the child
Is not yet defiled by sin. (springing up in terror).
He springs up... wrings his hands... Oh!
What does he see? He is deathly pale!
(outside on the steps)
BRANDHas no one come yet?
AGNESNo, not a soul.
(looks back into the house)
BRANDHis skin is burning hot and dry;
His temples throb, his pulses race...!
Don't be afraid, child!
His temples throb, his pulses race...!
Don't be afraid, child!
AGNESOh, those thoughts!
BRANDNo, fear nothing... (calls down the road).
I see someone!
I see someone!
(through the garden gate)
A MANYou must come now!
BRANDAt once, yes!
What is your message?
What is your message?
THE MANI don't know exactly;
She sat up in bed, leaned forward
And said: go now and fetch the priest;
Half my property is for the church.
She sat up in bed, leaned forward
And said: go now and fetch the priest;
Half my property is for the church.
(recoiling)
BRANDHalf only! No! Say no!
(shaking his head)
THE MANThen
I would not be delivering my message correctly.
I would not be delivering my message correctly.
BRANDHalf! Half! It must be all!
THE MANThat may be; but loud and clear
She said that word. I am not mistaken.
She said that word. I am not mistaken.
(seizes his arm)
BRANDDo you dare testify on Judgment Day
Before God that she said those words?
Before God that she said those words?
THE MANYes.
(firmly)
Third Act쪽 131 / 346
BRANDGo, and bring this answer back,...
No priest will come, no sacrament.
No priest will come, no sacrament.
(looks at him uncertainly)
THE MANYou must have misunderstood me,
It is from your mother that I come.
It is from your mother that I come.
BRANDI know no double standard
For strangers or for one's own people.
For strangers or for one's own people.
THE MANThat word is hard.
BRANDShe knows it well,
It was all or nothing.
It was all or nothing.
THE MANOh!
BRANDTell her that the smallest lump of gold
Is still just as much an idol.
Is still just as much an idol.
THE MANAs gently as I possibly can
I'll bring her this lashing answer.
One comfort remains for her then:
That God is not as hard as you! (exits).
I'll bring her this lashing answer.
One comfort remains for her then:
That God is not as hard as you! (exits).
BRANDYes, this comfort has often enough
Breathed its pestilence through the world.
With lamentation of woe and grief
One silences the judge then.
Naturally! That is how it should be!
They have known him for so long;...
They know so well that all the time
The old one lets himself be chipped away at.
(The man has met another on the road outside; they come back together).
Breathed its pestilence through the world.
With lamentation of woe and grief
One silences the judge then.
Naturally! That is how it should be!
They have known him for so long;...
They know so well that all the time
The old one lets himself be chipped away at.
(The man has met another on the road outside; they come back together).
BRANDNew message?
FIRST MANYes.
BRANDWhat now?
SECOND MANIt would be nine-tenths now.
BRANDNot all?
SECOND MANNo.
BRANDI said it before:
No priest and no sacrament.
No priest and no sacrament.
SECOND MANShe has suffered and atoned...
FIRST MANCome, she is your mother after all!
(clenches his hands together)
BRANDI may not measure with two measures...
One measure for one's own and strangers.
One measure for one's own and strangers.
SECOND MANThe sick woman suffers in anguish and need,
Come, send her a reconciling word.
Come, send her a reconciling word.
(to the first)
BRANDGo, tell the sick woman what I commanded:
For her I consecrate neither wine nor bread.
For her I consecrate neither wine nor bread.
(The men go away).
(cuddles against him)
Third Act쪽 132 / 346
AGNESSometimes I tremble for your life's fate:
You glow like the flaming sword of God.
You glow like the flaming sword of God.
(with tears in his voice)
BRANDDoes not the whole world also stand
Hostile against me,
And wound my soul to the blood
With all its stubborn, lax resistance?
Hostile against me,
And wound my soul to the blood
With all its stubborn, lax resistance?
AGNESHeavy are the demands you make.
BRANDSet, if you dare, gentler ones.
AGNESMeasure with that yardstick whom you will
And see if anyone can satisfy.
And see if anyone can satisfy.
BRANDNo, in that you are, alas, right.
So perverse, so stupid, so empty, so wicked,
Is all of mankind nowadays.
If someone disposes in his will
His money and goods, but anonymously,
One praises him straight to the skies.
Take away the name of many a hero,
Leave only what he achieved,
Do the same to emperors, princes,
And see what then remains.
Let a poet from his little cage secretly
Let his beauty-birds slip out,
So that no one thinks he gave them
A voice and golden feather-dress...
Grasp a green or a withered branch:
Sacrifice is found in no one.
Through everything the earth-slave thinking;...
Each clings in wild fear
To the weak tendril of his life.
If this fails him, where the abyss yawns...
He claws with his nails to hold on.
So perverse, so stupid, so empty, so wicked,
Is all of mankind nowadays.
If someone disposes in his will
His money and goods, but anonymously,
One praises him straight to the skies.
Take away the name of many a hero,
Leave only what he achieved,
Do the same to emperors, princes,
And see what then remains.
Let a poet from his little cage secretly
Let his beauty-birds slip out,
So that no one thinks he gave them
A voice and golden feather-dress...
Grasp a green or a withered branch:
Sacrifice is found in no one.
Through everything the earth-slave thinking;...
Each clings in wild fear
To the weak tendril of his life.
If this fails him, where the abyss yawns...
He claws with his nails to hold on.
AGNESAnd such a deeply fallen people
You still call to: all or nothing!
You still call to: all or nothing!
BRANDWho wants victory must fight for it;
Who fell deepest must rise highest...
Who fell deepest must rise highest...
(pauses for a moment; with changed voice).
BRANDAnd yet, when I to a soul
Make the demand to rise up,
It is as if I were on the waves
Drifting in stormy weather on a wreck.
Silently weeping, I have often secretly
Bitten my tongue, which had to chastise,...
And when I sometimes raised my arm to strike,
My soul yearns for an embrace!...
Go now and look at the little one;
Sing sweet dreams into his sleep;
A child's soul is clear and pure
Like the lake in summer sunshine;
A mother can glide over it
Like a bird, which in light flight,
Mirrors itself in its deepest depth.
Make the demand to rise up,
It is as if I were on the waves
Drifting in stormy weather on a wreck.
Silently weeping, I have often secretly
Bitten my tongue, which had to chastise,...
And when I sometimes raised my arm to strike,
My soul yearns for an embrace!...
Go now and look at the little one;
Sing sweet dreams into his sleep;
A child's soul is clear and pure
Like the lake in summer sunshine;
A mother can glide over it
Like a bird, which in light flight,
Mirrors itself in its deepest depth.
(pale)
Third Act쪽 133 / 346
AGNESWhat is it, Brand, that your thoughts,
Wherever they go, always return to him?
Wherever they go, always return to him?
BRANDOh, nothing. Watch over him carefully.
AGNESGive me an answer.
BRANDBoldly?
AGNESNo, gently.
(embraces her)
BRANDHe who is without guilt, he shall live.
(looks at him clearly, and says:)
AGNESOne thing,... God may not demand of us!
(goes into the house).
(looks silently ahead)
BRANDBut if He did? What God sometimes demands
Is taught by "Abraham's offering" of old.
Is taught by "Abraham's offering" of old.
(shakes off the thought).
BRANDNo, no! My sacrifice I have made,
I gave up my life's dream,
To thunder like a rumble
To wake the sleepers here on earth.
No! In that there was no more sacrifice:
It fell away when the dream was over,
I was awakened by Agnes—to work together with me
In secret.
I gave up my life's dream,
To thunder like a rumble
To wake the sleepers here on earth.
No! In that there was no more sacrifice:
It fell away when the dream was over,
I was awakened by Agnes—to work together with me
In secret.
(looks out over the road).
BRANDWhy does the sick woman delay there so long
Before she decides to repent,
Which would annul all guilt,
Delete all evil from her soul!
Wait!... No, it is only the Bailiff,
Benevolent, airy, round, healthy,
His hands in both his pockets,
Like hooks around a parenthesis.
Before she decides to repent,
Which would annul all guilt,
Delete all evil from her soul!
Wait!... No, it is only the Bailiff,
Benevolent, airy, round, healthy,
His hands in both his pockets,
Like hooks around a parenthesis.
(through the garden gate)
THE BAILIFFGood day! We do not see each other often,
And perhaps I come at an inconvenient time...
And perhaps I come at an inconvenient time...
(points to the house)
BRANDCome in.
THE BAILIFFThank you; it's fine here too;
And if my word finds entry,
Then I think it will certainly
Be good for both of us.
And if my word finds entry,
Then I think it will certainly
Be good for both of us.
BRANDLet me hear it then.
THE BAILIFFYour mother, as I hear,
Must be near death;...
That grieves me.
Must be near death;...
That grieves me.
BRANDI do not doubt it.
THE BAILIFFIt grieves me very much.
BRANDWell!
Third Act쪽 134 / 346
THE BAILIFFBut she is old; and, dear Lord,
We all go that way,
And since I happened to pass by here,
I thought: I could just step in
To speak a single word with you.
To be brief, I have heard
That you, since you came here,
Have lived in discord with her...
We all go that way,
And since I happened to pass by here,
I thought: I could just step in
To speak a single word with you.
To be brief, I have heard
That you, since you came here,
Have lived in discord with her...
BRANDDiscord?...
THE BAILIFFPeople say that she
Holds on tightly to her property.
That goes, you may think, a bit far.
Each one wants his own advantage.
She is in undivided possession
Of your entire paternal inheritance...
Holds on tightly to her property.
That goes, you may think, a bit far.
Each one wants his own advantage.
She is in undivided possession
Of your entire paternal inheritance...
BRANDIn undivided possession... it is true,
THE BAILIFFSo it may easily come to strife.
And since I can well imagine
That you see her end approaching
With great calmness of mind,
I hope that you will hear me
Without resentment, even if the time
Is not very suitable.
And since I can well imagine
That you see her end approaching
With great calmness of mind,
I hope that you will hear me
Without resentment, even if the time
Is not very suitable.
BRANDNow, or later.
It is the same to me.
It is the same to me.
THE BAILIFFWell, then to the point, without further ado.
As soon as your mother is dead,
And sleeps quietly beneath the ground,...
And it will not be long now... you will be rich...
As soon as your mother is dead,
And sleeps quietly beneath the ground,...
And it will not be long now... you will be rich...
BRANDRich, do you think?
THE BAILIFFThink? No, I know it for certain.
In every corner she has land,
As far as the armed eye can see.
I tell you, rich!
In every corner she has land,
As far as the armed eye can see.
I tell you, rich!
BRANDAlso after the division?
(smiles)
THE BAILIFFWhat division here? There is division
Where there are many heirs:
But here no one's share is threatened.
Where there are many heirs:
But here no one's share is threatened.
BRANDAnd if someone did come
And asked for his inheritance from her property,
And said: it is mine by right?
And asked for his inheritance from her property,
And said: it is mine by right?
THE BAILIFFThen the devil himself would have to be that one!
Yes, look at me now... no one
Has a single word to say in this;
Trust me; I am well informed.
So it is; you will become well-to-do,
A rich man even; in this remote corner
You truly need not stay;
The whole country is open to you.
Yes, look at me now... no one
Has a single word to say in this;
Trust me; I am well informed.
So it is; you will become well-to-do,
A rich man even; in this remote corner
You truly need not stay;
The whole country is open to you.
BRANDSo. Is the meaning of those words
In short not this: go elsewhere?
In short not this: go elsewhere?
Third Act쪽 135 / 346
THE BAILIFFSomething like that. That might be best
For everyone. If you attentively
Observe the people, for whom you
Are the interpreter of God's holy word,
You must see how you here fit
Like a wolf among a flock of geese.
Understand me correctly! You have the gifts
To do good on a large scale.
But for these mountain people,
As if rooted between their rocks,
You do, I think, more harm than good.
For everyone. If you attentively
Observe the people, for whom you
Are the interpreter of God's holy word,
You must see how you here fit
Like a wolf among a flock of geese.
Understand me correctly! You have the gifts
To do good on a large scale.
But for these mountain people,
As if rooted between their rocks,
You do, I think, more harm than good.
BRANDWhat roots are for a tree, is
For a man his birthplace;...
If he does not find his sphere of work there,
What he achieves is not much.
For a man his birthplace;...
If he does not find his sphere of work there,
What he achieves is not much.
THE BAILIFFIn the first place, it is important
To go along with the country's needs.
To go along with the country's needs.
BRANDBut that appears from the height
Not as it does in the cramped village.
Not as it does in the cramped village.
THE BAILIFFThat is language for enlightened people,
Not for the poor valley dwellers.
Not for the poor valley dwellers.
BRANDOh, you with that boundary difference
Of mountains and the low country!
You want the rights of the rich,
But shirk your duties;
And think, if you just cry out loudly:
We are only poor! then it is enough.
Of mountains and the low country!
You want the rights of the rich,
But shirk your duties;
And think, if you just cry out loudly:
We are only poor! then it is enough.
THE BAILIFFThere is a time for all things,
And each generation has its own duty.
Our village once contributed its mite
To the great treasury of history.
That was, of course, long ago;
But the mite was not so very small.
Now the village is insignificant,
Yet its fame lives on in legends;
Its days of former greatness fall
In King Bele's lifetime;...
One still hears mentioned many times
The brave brothers Wolf and Thor;
With many valiant men, who
To the coast of Britain journeyed
To plunder and overrun the land.
The South cried out, stiff with terror,
God, help us against their violence!
And those violent men were
Undoubtedly real, folks from here.
And how they then could take revenge
With murder and slaughter, burning and plundering!
Yes, there is one, of whom legend
Tells that he wanted to go on a crusade;...
But that he set out is not reported...
And each generation has its own duty.
Our village once contributed its mite
To the great treasury of history.
That was, of course, long ago;
But the mite was not so very small.
Now the village is insignificant,
Yet its fame lives on in legends;
Its days of former greatness fall
In King Bele's lifetime;...
One still hears mentioned many times
The brave brothers Wolf and Thor;
With many valiant men, who
To the coast of Britain journeyed
To plunder and overrun the land.
The South cried out, stiff with terror,
God, help us against their violence!
And those violent men were
Undoubtedly real, folks from here.
And how they then could take revenge
With murder and slaughter, burning and plundering!
Yes, there is one, of whom legend
Tells that he wanted to go on a crusade;...
But that he set out is not reported...
BRANDSurely from that hero
Descends a whole bunch of sons?
Descends a whole bunch of sons?
THE BAILIFFYes;
But how do you know...?
But how do you know...?
Third Act쪽 136 / 346
BRANDOh, because
That troop of heroes seems familiar to me,
Promise-heroes of the present,
Who also undertake such a crusade.
That troop of heroes seems familiar to me,
Promise-heroes of the present,
Who also undertake such a crusade.
THE BAILIFFYes, that generation is widespread.
But at King Bele's time we were!
First then rampaged in the foreign land;
Then we visited blood relative
And neighbor with axe blows.
The field trampled, the harvest destroyed,
Set fire to church and house,
Thus we wove ourselves a hero's wreath.
Of all the blood then shed
Much was later boasted.
But, after what I have now said
I believe, with modesty,
We may point to our power
In heroic times, long ago,
And say that our village once
Contributed its share with fire and sword,
To the struggle for development.
But at King Bele's time we were!
First then rampaged in the foreign land;
Then we visited blood relative
And neighbor with axe blows.
The field trampled, the harvest destroyed,
Set fire to church and house,
Thus we wove ourselves a hero's wreath.
Of all the blood then shed
Much was later boasted.
But, after what I have now said
I believe, with modesty,
We may point to our power
In heroic times, long ago,
And say that our village once
Contributed its share with fire and sword,
To the struggle for development.
BRANDYet it seems to me that you commit treason
To the word: nobility imposes obligations,...
As if with harrow, hoe and plow
You quietly bury Bele's heritage.
To the word: nobility imposes obligations,...
As if with harrow, hoe and plow
You quietly bury Bele's heritage.
THE BAILIFFNot at all. Just look
At a municipal dinner,
Where I, the sexton and the judge
Sit in places of honor.
Then you will see, when the punch bowl comes,
That Bele is not yet forgotten.
With clinking, toasts, singing,
In short toasts and long toasts,
He is remembered, kept alive.
I myself have often felt the urge
Within me to weave for him
A flowery garment from fancy,
And that has edified many.
I rather like a bit of poetry.
We all do that, by the way,
Here in our village;... but always with moderation...
Life must never be ruled by it,...
Only between eight and ten
O'clock in the evening, when tired from work,
And free again from the day's task,
One longs for some elevation.
What makes you different from us
Is that you want to plow and mow
At the same hour, and by force.
You want, as I understand,
That idea and life should be one,...
You want, with the laborious cultivation of the land,
To unite the struggle for God,
So intimately one, as coal, saltpeter,
And sulfur unite to form gunpowder.
At a municipal dinner,
Where I, the sexton and the judge
Sit in places of honor.
Then you will see, when the punch bowl comes,
That Bele is not yet forgotten.
With clinking, toasts, singing,
In short toasts and long toasts,
He is remembered, kept alive.
I myself have often felt the urge
Within me to weave for him
A flowery garment from fancy,
And that has edified many.
I rather like a bit of poetry.
We all do that, by the way,
Here in our village;... but always with moderation...
Life must never be ruled by it,...
Only between eight and ten
O'clock in the evening, when tired from work,
And free again from the day's task,
One longs for some elevation.
What makes you different from us
Is that you want to plow and mow
At the same hour, and by force.
You want, as I understand,
That idea and life should be one,...
You want, with the laborious cultivation of the land,
To unite the struggle for God,
So intimately one, as coal, saltpeter,
And sulfur unite to form gunpowder.
BRANDSomething like that.
THE BAILIFFBut that is impossible.
In wider circles that goes better;...
Go there with your high demands
And leave us to plow land and sea.
In wider circles that goes better;...
Go there with your high demands
And leave us to plow land and sea.
Third Act쪽 137 / 346
BRANDPlow first into the sea but submerge
Your boasting of the fathers' fame;
A dwarf does not become taller by it
Even if he descends from Goliath.
Your boasting of the fathers' fame;
A dwarf does not become taller by it
Even if he descends from Goliath.
THE BAILIFFThere is strength in memories.
BRANDYes... if they become one with life,
But you use their grave only
To hide your own laziness.
But you use their grave only
To hide your own laziness.
THE BAILIFFMy first remains my last word;...
You would do best to go away.
Your labor will not thrive here;
Your life's teaching is not understood.
Elevation, which may sometimes be necessary,
The little bit of comfort he needs,
Who day after day toils in labor,
I will faithfully provide them in future.
During my entire career
Here, I always did my duty;
The population has more than doubled,
Yes, it stands almost as three to one,...
While I have united more than one enterprise
With this fjord district.
Always in struggle with the harsh climate,
We have progressed as if by steam:...
Here runs a road, there lies a bridge..
You would do best to go away.
Your labor will not thrive here;
Your life's teaching is not understood.
Elevation, which may sometimes be necessary,
The little bit of comfort he needs,
Who day after day toils in labor,
I will faithfully provide them in future.
During my entire career
Here, I always did my duty;
The population has more than doubled,
Yes, it stands almost as three to one,...
While I have united more than one enterprise
With this fjord district.
Always in struggle with the harsh climate,
We have progressed as if by steam:...
Here runs a road, there lies a bridge..
BRANDBut between faith and life not...
THE BAILIFFThat connects fjord and glacier snow.
BRANDBut not the deed with the idea.
THE BAILIFFFirst take care of good communication,
So that people can reach each other,...
About that everyone agreed
Before you, as teacher, came here.
You have in our pale twilight
Made a Northern light flare brightly;
Who can now see in the false light
What is wrong and what is right,
What is punishment, and what penance or pain?
You have muddled everything together;
And the people, who were one, had to conquer,
Split into two hostile camps.
So that people can reach each other,...
About that everyone agreed
Before you, as teacher, came here.
You have in our pale twilight
Made a Northern light flare brightly;
Who can now see in the false light
What is wrong and what is right,
What is punishment, and what penance or pain?
You have muddled everything together;
And the people, who were one, had to conquer,
Split into two hostile camps.
BRANDYet I remain here, in spite of your wish.
One does not choose the place for his work.
He who has his goal before his eyes
Once saw in fiery letters
God's word: here is your place!
One does not choose the place for his work.
He who has his goal before his eyes
Once saw in fiery letters
God's word: here is your place!
Third Act쪽 138 / 346
THE BAILIFFStay then, but within your own bounds;
I like to see you cleanse people
Of sin and evil, as occurs here;
God knows it is often necessary!
But do not make every working day
A Sunday,... and do not show a flag
As if God himself were on board
On every yacht in our fjord.
I like to see you cleanse people
Of sin and evil, as occurs here;
God knows it is often necessary!
But do not make every working day
A Sunday,... and do not show a flag
As if God himself were on board
On every yacht in our fjord.
BRANDCould I make use of your advice,
I would have to betray my soul.
But it is precisely a matter of being oneself,
To fulfill one's own calling,
And that I will do to the end,
So that a light shines around my house!
This people, who have dozed off
Under your rule, I will wake again!
For long, by need and coercion,
His last primeval strength has been drained;
From your pettiness's hunger cure
Each emerges weak and limp;
His best blood has been tapped,
The marrow scraped from his courage;
Every soul shredded to tatters,
Which should have stood firm as bronze;
But still a cry of revolt can
Thunder in your ears: fight!
I would have to betray my soul.
But it is precisely a matter of being oneself,
To fulfill one's own calling,
And that I will do to the end,
So that a light shines around my house!
This people, who have dozed off
Under your rule, I will wake again!
For long, by need and coercion,
His last primeval strength has been drained;
From your pettiness's hunger cure
Each emerges weak and limp;
His best blood has been tapped,
The marrow scraped from his courage;
Every soul shredded to tatters,
Which should have stood firm as bronze;
But still a cry of revolt can
Thunder in your ears: fight!
THE BAILIFFFight?
BRANDFight!
THE BAILIFFIf you call them to arms
You will fall as the first victim!
You will fall as the first victim!
BRANDSomeday it will be clear as day
That defeat here was victory!
That defeat here was victory!
THE BAILIFFThink again, Brand, you stand at the crossroads:
Do not stake everything on one card.
Do not stake everything on one card.
BRANDYet I will do it!
THE BAILIFFIf the game is lost,
Then your life is also ruined.
You have all you could desire,
Is the inheritance of a rich mother,
You have a child to live for,
A dear wife;... happiness and joy
Is reached out to you with a generous hand!
Then your life is also ruined.
You have all you could desire,
Is the inheritance of a rich mother,
You have a child to live for,
A dear wife;... happiness and joy
Is reached out to you with a generous hand!
BRANDAnd if I now turn my back
On what you call happiness and joy?
If I must?
On what you call happiness and joy?
If I must?
THE BAILIFFIt is already lost
If you, in this remote corner here,
Want to begin your world-struggle.
Travel south to the rich shores,
Where a man can be wholly himself.
There you can let your light shine
And let the congregation bleed;
Our sacrifice is not blood, but sweat,
In bread-struggle between rock and ice.
If you, in this remote corner here,
Want to begin your world-struggle.
Travel south to the rich shores,
Where a man can be wholly himself.
There you can let your light shine
And let the congregation bleed;
Our sacrifice is not blood, but sweat,
In bread-struggle between rock and ice.
Third Act쪽 139 / 346
BRANDHere I stay anyway. Here is my home,
And from my home I wage war.
And from my home I wage war.
THE BAILIFFThink what is at stake if it fails;...
And most of all what you let go!
And most of all what you let go!
BRANDI lose myself, if I should yield.
THE BAILIFFBrand, a lone fighter fights in vain.
BRANDMy troop is strong; I have the best.
(smiles)
MAYOR: Quite possible, yes... but I the most. (Exit.)
(Looks after him.)
BRAND: There goes a typical man of the people, quite upright in thought, very well-meaning, in his way industrious, warm and fair... And yet a scourge to his land. No landslide, storm or flood, no famine, no frost or plague, causes half the misfortune that such a one does, year in, year out. Those disasters only harm life... But he...! How much cheerful willing, how many thoughts he extinguishes, how many a powerful song is stifled by such oppressive, petty actions! How many a smile on the lips, how many a ray of light in a soul, how much joy and sorrow of exaltation, he has hardened, quenched, killed!
(Suddenly alarmed.)
BRAND: Why doesn't the messenger come!.., is no one coming? Yes, the doctor! (Hurries to meet him.) My mother? Speak!
DOCTOR: Now she stands at last before her judge.
BRAND: Dead!... Penitent?
DOCTOR: I don't believe it; she clung to her own here on earth until the hour of parting struck.
(Looks silently and moved before him.)
BRAND: Is a straying soul lost here?
DOCTOR: Perhaps the judgment is merciful, not according to law, but by grace.
(Softly.)
BRAND: What did she say further?
DOCTOR: She murmured: God is not as hard as my son!
(Sinks down in grief on the bench.)
BRAND: Burdened with guilt, in the agony of death, each one clings to that lie!
(Hides his face in his hands.)
(Comes nearer, looks at him and shakes his head.)
DOCTOR: You want a long-past time to live again in everything. You still believe that the ancient covenant of God and men still exists... But each generation has its own way; ours no longer fears hell, damnation and old wives' tales... The chief commandment is: be humane!
(Looks up.)
Third Act쪽 140 / 346
BRAND: Humane! Yes, exactly, that weak word sounds throughout the whole world! With that each coward strikes you dead if he dares not, or cannot, or will not; with that every wretch wraps himself up when he dares not risk everything; protected by it, one now breaks every vow soon regretted... You dwarf-souls make at last of every man a humanist! Was God humane toward Christ? If your God had reigned then, Jesus would not have been nailed to the cross... And the whole work of atonement would then become a clever piece of diplomacy!
(Hides his head and sits down in silent sorrow.)
(Softly.)
DOCTOR: Rave on, rave on, O soul in revolt... The best would be if you could weep.
AGNES (has appeared on the stairs, pale and frightened, whispers to the doctor). Oh please! Come with me!
DOCTOR: You make me anxious, what is it, child?
AGNES: A cold fear of death struck me just now around the heart...!
DOCTOR: What is it?
(Draws him away.)
AGNES: Come!... the child, oh God!
(They go into the house; Brand does not notice.)
(Quietly to himself.)
BRAND: Dead, unreconciled. Dead, as she lived. Is that not a sign from God? He now demands from me the toll that she failed to pay... Now woe three times to me if I yield! (Stands up.) Now, from this moment, unshakable, to fight as a chosen warrior, that spirit may conquer the flesh. God gave my tongue the power of the word, kindled his wrath-glow in my soul... Now I stand in my full strength, now I dare, now I can break rocks!
(Followed by Agnes, comes quickly down the stairs and calls out.)
DOCTOR: Pack up your things and move out!
BRAND: Even if the earth quaked, I would remain here!
DOCTOR: Then your child is doomed to death.
(Aghast.)
BRAND: Alf! The child! My Alf! What do you mean? What specter threatens my child! (Wants to go into the house.)
DOCTOR: No, stay!... Here there is no light, here there is no sun, the air is sharp as the north wind... Here hangs a clammy and heavy mist... One more winter in this place and the tender life will wither. Leave, then your child is saved; but do it quickly, preferably tomorrow.
Third Act쪽 141 / 346
BRAND: Today, this evening, at once! Oh, he will become strong and healthy again... No glacier snow, no sharp wind, will torment his little chest here. Come, Agnes, take him up gently! Then we flee in all haste! Oh, Agnes, it is death that spins its pale veil around our child!
AGNES: I feared and trembled for danger... yet I thought it not so near.
(To the doctor.)
BRAND: Flight can save him? You swear that?
DOCTOR: A life that is well guarded by fatherly love runs no danger. Devote yourself to him, and fear not, soon he will become healthy and fresh again.
BRAND: Thanks! Thanks! (To Agnes.) Pack him up especially well above all; the evening wind blows along the fjord.
(Agnes goes into the house.)
DOCTOR (takes Brand silently in, who immovably looks through the door inside, then goes to him, lays his hand on his shoulder, and says:) Pitiless toward poor humanity, and for yourself so very tender-hearted! For others counts little or much... only the all, then, or nothing; but one's own courage is soon fled, as soon as fate has designated one's own treasure as a sacrificial lamb.
BRAND: What do you mean to say?
DOCTOR: Harsh words you have thundered at your mother, damned, if she did not give everything, if she did not descend naked into the grave. And the same word sounded many a time where much and deep was suffered! Now your own boat drives in storm on the waves of fate at sea, now from the overturned keel you quickly throw the burden of guilt overboard... Away, overboard, the heavy book with which you yourself struck the brethren; now the matter is, in a stiff breeze, to seek salvation for your own offspring. Quickly away from here, from storm and fjord... quickly away even from your mother's corpse... quickly away from soul-care and work... now the priest ceases his office!...
BRAND (grasps his head in despair to collect his thoughts). Am I blind now? Was I before?
DOCTOR: As a father you certainly do right. Do not think that I disapprove of what you do... To me, now broken, you are much greater than the strong hero... Farewell! I held the mirror before you; look into it once, and sigh: my God, that is what a witness of God looks like! (Exit.)
Third Act쪽 142 / 346
(Stares before him for a moment, then suddenly bursts out.)
BRAND: Where did I go wrong? Now, or before?!
(Agnes comes out of the door with a cloak around her shoulders and the child on her arm; Brand does not see her. She wants to speak but stands as if paralyzed with fright when she sees the expression on his face. At the same moment a man comes hastily through the garden gate. The sun is setting.)
THE MAN: Brand, listen, you have an enemy here!
(Presses his hands to his chest.)
BRAND: Yes, here!
THE MAN: Beware of the Mayor. Your work here was fruitful, until he poisoned it with gossip! Often he has spread that your house would soon stand empty... said that you would leave us, as soon as your rich mother died.
BRAND: And if it were so?
THE MAN: I know you, after all, and know why he tells that; you stand against him, have never bowed to his will... That is the reason for his grudge...
(Hesitatingly.)
BRAND: Perhaps he spoke the truth.
THE MAN: Then you have always lied to us?…
BRAND: I?
THE MAN: Yes. Have you not told us that God himself had chosen you to live here among us; that you would wage your struggle here, that no one may shirk his task, that he must stand, but never yield? That task is yours! Warm and bright, your fire glows in many a breast.
BRAND: No, the ear of the multitude is deaf; nearly every soul is dull and sluggish!
THE MAN: You know better... the heavenly light already breaks through in many a soul here.
BRAND: But in most it is still night.
THE MAN: You are like the light that shines at night. But let it be as it may; it does not depend on numbers here; because here I stand, a single man, and say: go away then if you can! My soul is full, though I know little of what stands in the books, you have lifted me out of nothing... see if you can let me go now! You cannot; I hold you fast; I would lose my soul if I let go my grip!... Farewell! I await the news comforted! Neither you nor your God can let me go! (Exit.)
(Timorously.)
AGNES: Your cheek is white, your mouth is pale, as if you had pain in your soul.
BRAND: Every ringing word I once spoke strikes back now like an echo.
(Comes a step nearer.)
AGNES: I am ready.
BRAND: Ready? For what?
(With force.)
Third Act쪽 143 / 346
AGNES: For what a mother may and will!
(Gerd runs past on the road and stops by the garden wall.)
(Claps her hands and shouts wildly and joyfully:)
GERD: Did you hear it already? Away flew the priest!... In the mountains, on the rocks, swarms of mountain goblins, black, wild, large and small... Hooh, what a throng beat them...! Tore my eyes almost out, half my soul fell as their prey... Oh, I can manage with half, I still have enough left of the wreck!
BRAND: Child, you are raving, don't you see that I am standing right in front of you?
GERD: You? Well yes, but not the priest! From the Black Peak my hawk flew straight down the slope, angry and wild, with harness and saddle, he cut the morning wind snorting; and a man sat on his back... That was he, that was the priest! Now the village church stands empty, the lock closed and the tree before it. It's over with the nasty little church, and now my church comes to honor, where my priest preaches and sings, strong and tall, in the white chasuble woven by the winter frost... Do you want to see him? Come along then, words my priest speaks, that ring throughout the whole world!
BRAND: Ill-fated child, do you want to lure me with bewildered idolatries?
(Comes into the garden through the gate.)
GERD: What is that, idolatries? An idol? Oh, I know it already; sometimes large and sometimes small; always gold and pretty and colorful. An idol! Listen, do you see HER there? Can you recognize under the clothes little hands, little legs? Don't you see how pretty and colorful all those wrappings enclose something? It looks like a child sleeping peacefully, she steps back anxiously... covers it! An idol? Man, THAT is an idol!
(To Brand.)
AGNES: Do you have tears and prayers? Fear has driven everything away from me!
BRAND: Agnes,... woe! I think I feel that a higher power sent her!
Third Act쪽 144 / 346
GERD: Listen now, all the bells are ringing up on the wild peak! Look what a crowd is moving there, to my church in the ice vault! Do you see all those goblins that the priest drove into the sea? Do you see all those dwarfs that lay buried until now? And the stone he had sealed. Neither sea nor grave can hold them any more, see them cold and chill swarming... Children, seeming dead, I see crying, rolling boulders away from themselves. Father! Mother! they cry! Men, women rush up. Look, the peasant walks in the midst of a whole procession of sons; and his wife lays the dead child to her breast to revive it... Never yet did she carry her head so high as when she held the child for baptism. Priest gone... then came life!
BRAND: Depart from me! I soon see worse specters...
GERD: Listen! He laughs, he who sits by the road there, he who ascends to the top, and he writes in his book every soul that went up... Ha, he has almost all of them; the little church stands empty there, the lock closed and the tree before it... On the hawk fled the priest!
(Jumps over the garden wall and disappears among the rocks.)
(A silence.)
(Comes nearer and says in a subdued voice:)
AGNES: Let us go; now it is time.
(Stares at her.)
BRAND: Where are we going? (Points first at the garden gate, then at the house door.) There?... or there?
(Steps back frightened.)
AGNES: Brand, your child!...
(Follows her.)
BRAND: What was I earlier? Tell me, servant of God or father?
(Steps farther back.)
AGNES: Even if God himself asked me that question... I will never decide!
(Follows her again.)
BRAND: Speak as a mother: may I go? You have the last word here!
AGNES: I am your wife; if you command, I will be obedient and bow.
(Wants to seize her arm.)
BRAND: Take that cup of choice from me!
(Steps back behind the tree.)
AGNES: Then I would not be a mother!
BRAND: A judgment lies in that word!
(With force.)
AGNES: Ask yourself: do I have a choice?
BRAND: Still stronger the judgment sounds!
AGNES: Do you feel yourself chosen by God?
BRAND: Yes! (Grasps her hand firmly.) And now you must also say the word of life or death!
AGNES: Go the way that God commands!
(Pause.)
BRAND: Let us go; now it is time.
(Tonelessly.)
AGNES: Which way then?
Third Act쪽 145 / 346
(Silence.)
(Points to the garden gate and asks.)
AGNES: That?
(Points to the house door.)
BRAND: No,... that!
(Raises the child high in her arms.)
AGNES: God! This sacrifice that you demand I lift proudly to heaven! Lead me now through the night of life! (Goes inside.)
BRAND (stares before him for a while, bursts into tears, clasps his hands above his head, lets himself fall on the steps and cries out:) Jesus! Jesus! Give me light!
END OF THE THIRD ACT
Fourth Act쪽 146 / 346
Fourth Act
Christmas Eve in the parsonage. The room is dark. Door at the
back. On one side a window, on the other a door.
Agnes, dressed in black, stands by the window and looks out into
the darkness.
AGNESStill not! Still not!...
Oh, how hard it is to wait,...
To silence the soul's longing
That calls for him, without answer!
Soft and thick the snow falls silently,
Has like a blanket of down
Wrapped the old church in white... (listens).
Wait! I hear the gravel crunch!
Firm steps; a man's step;
Oh, how hard it is to wait,...
To silence the soul's longing
That calls for him, without answer!
Soft and thick the snow falls silently,
Has like a blanket of down
Wrapped the old church in white... (listens).
Wait! I hear the gravel crunch!
Firm steps; a man's step;
(rushes to the door and opens it).
AGNESBrand, is that you? Oh, come quickly!
(Brand enters, covered in snow, in a traveling coat, which he removes
during the following).
(Brand enters, covered in snow, in a traveling coat, which he removes
during the following).
(throws her arms around him)
AGNESOh how long you've been away!
Don't go away again! Don't go away again!
When I'm alone I can't escape
The dark, gloomy specters!
What nights, what days
Those two have been for me!
Don't go away again! Don't go away again!
When I'm alone I can't escape
The dark, gloomy specters!
What nights, what days
Those two have been for me!
BRANDChild, now I'm back with you! (lights a single candle that
casts a faint glow in the room).
You're pale.
casts a faint glow in the room).
You're pale.
AGNESAnd weary and dull.
I've longed and watched...
And tied some greenery together,...
A little! What I grew myself,
And saved from the summer,
To decorate the Christmas tree.
The little bush was meant for him;
And he got it too... as a wreath! (bursts into tears).
Look, now the snow lies high on
Him... oh God...
I've longed and watched...
And tied some greenery together,...
A little! What I grew myself,
And saved from the summer,
To decorate the Christmas tree.
The little bush was meant for him;
And he got it too... as a wreath! (bursts into tears).
Look, now the snow lies high on
Him... oh God...
BRANDIn the churchyard yonder.
AGNESOh, that word!
BRANDDry your tears now.
AGNESYes, oh yes... but be patient;
My whole soul still bleeds
From a freshly struck wound,
All my willpower has vanished;...
Oh, it will get better;
Once these days are over
You'll never hear complaints again.
My whole soul still bleeds
From a freshly struck wound,
All my willpower has vanished;...
Oh, it will get better;
Once these days are over
You'll never hear complaints again.
BRANDIs this how you honor God's feast day?
AGNESNo, oh no... but be patient!
Think how it was last year,
And from this year already carried away...
To the... (shudders at the word).
Think how it was last year,
And from this year already carried away...
To the... (shudders at the word).
(firmly)
BRANDTo the churchyard yonder.
Fourth Act쪽 147 / 346
(with a cry)
AGNESDon't name it!
BRANDAt the top of my lungs
I must name it when you fear it!
I must name it, so it sounds
Like a wave against the wood!
I must name it when you fear it!
I must name it, so it sounds
Like a wave against the wood!
AGNESMore than you want to admit
You suffer under the cruel word;
On your brow I see the traces
Of the sweat it costs you.
You suffer under the cruel word;
On your brow I see the traces
Of the sweat it costs you.
BRANDThese drops on my forehead
Are only foam from the salt water.
Are only foam from the salt water.
AGNESIs the drop in your eye also
A snowflake falling from the height?
No, oh no, that one is too warm;
Your own breast is the source!
A snowflake falling from the height?
No, oh no, that one is too warm;
Your own breast is the source!
BRANDAgnes, wife, come let us both
Be strong, fight against the grief,
With united strength try
To overcome, slowly.
Oh, I was a man out there!
The water crashed over the cliffs,
The seagull dove fearfully,
Hail battered my boat,
Drove us on in the seething water,
Mast and rigging cracked whistling,
The jib tore to shreds, blew
Far into the foam off the channel,
Every nail screeched and creaked;...
Avalanches thundered repeatedly
From the heights, on both sides;
The eight men sat motionless,
Oars still, like corpses before me.
Oh, then I felt myself grow again,
I was the one who gave orders at the helm,
I felt that God himself consecrated me
To my work, the dearly bought.
Be strong, fight against the grief,
With united strength try
To overcome, slowly.
Oh, I was a man out there!
The water crashed over the cliffs,
The seagull dove fearfully,
Hail battered my boat,
Drove us on in the seething water,
Mast and rigging cracked whistling,
The jib tore to shreds, blew
Far into the foam off the channel,
Every nail screeched and creaked;...
Avalanches thundered repeatedly
From the heights, on both sides;
The eight men sat motionless,
Oars still, like corpses before me.
Oh, then I felt myself grow again,
I was the one who gave orders at the helm,
I felt that God himself consecrated me
To my work, the dearly bought.
AGNESIt's easy to stand firm in a storm,
Easy to fight in danger;
Oh, but think of me, sitting here
Quietly, with sorrow's sad crooning,
Who doesn't know how to pass the time
However much I'd like to;
Think of me, deprived of struggle,
Not spurred on by deeds;
Think of me, to whom only a simple,
Small task is given;
Think of me: I cannot forget,
Sit alone... may not remember!
Easy to fight in danger;
Oh, but think of me, sitting here
Quietly, with sorrow's sad crooning,
Who doesn't know how to pass the time
However much I'd like to;
Think of me, deprived of struggle,
Not spurred on by deeds;
Think of me, to whom only a simple,
Small task is given;
Think of me: I cannot forget,
Sit alone... may not remember!
Fourth Act쪽 148 / 346
BRANDA small task, you?
Never was it so great as now.
Listen, I'll tell you something
That happened to me in sorrow.
Often my eyes grow dim,
My thoughts still, my soul soft.
Then it's as if there were joy
In being able to weep, weep.
Agnes,... then I see God
So near, as never before,...
So near, that it seems to me
I could approach him directly.
And I long to throw myself
Upon his bosom, as his child;
To feel myself firmly clasped
By his strong fatherly arm.
Never was it so great as now.
Listen, I'll tell you something
That happened to me in sorrow.
Often my eyes grow dim,
My thoughts still, my soul soft.
Then it's as if there were joy
In being able to weep, weep.
Agnes,... then I see God
So near, as never before,...
So near, that it seems to me
I could approach him directly.
And I long to throw myself
Upon his bosom, as his child;
To feel myself firmly clasped
By his strong fatherly arm.
AGNESBrand,... oh, always see him like that,...
As the God so near you...
Less Lord, but more as Father!
As the God so near you...
Less Lord, but more as Father!
BRANDI may not, Agnes; not block
The way for his own work;
I must see him great and strong.
Giant-great... that is what the present demands,
Precisely because it is so small itself.
Oh, but you can see him like that,
As a father gentle and tender,
Lay your head in his arm,
Rest, rest, if you are tired,
And go from him relieved again,
With his radiance still in your eyes,...
Bring his glorious light to me
Where I suffer, struggle.
You see, Agnes, to share like that
Is the core of true marriage;
One must fight, defend himself,
The other heal all wounds;
Only then can it rightly
Be called that the two are one.
Since you gave up worldly life
To become my wife,
To live your own life freely,
This task rests upon you;
I must fight, or I may fall;
Up to battle, in the heat of the sun,
Stand guard in night and cold,...
You must hand me the full
Cup of love, offering refreshment,
Wrap me in gentle tenderness
Under the armor, like a fleece;...
Oh, your task is no small one!
The way for his own work;
I must see him great and strong.
Giant-great... that is what the present demands,
Precisely because it is so small itself.
Oh, but you can see him like that,
As a father gentle and tender,
Lay your head in his arm,
Rest, rest, if you are tired,
And go from him relieved again,
With his radiance still in your eyes,...
Bring his glorious light to me
Where I suffer, struggle.
You see, Agnes, to share like that
Is the core of true marriage;
One must fight, defend himself,
The other heal all wounds;
Only then can it rightly
Be called that the two are one.
Since you gave up worldly life
To become my wife,
To live your own life freely,
This task rests upon you;
I must fight, or I may fall;
Up to battle, in the heat of the sun,
Stand guard in night and cold,...
You must hand me the full
Cup of love, offering refreshment,
Wrap me in gentle tenderness
Under the armor, like a fleece;...
Oh, your task is no small one!
AGNESAll I try to accomplish
Is too heavy for my strength;
All my thoughts, all my senses
Converge on that one thing.
Everything is still like a dream.
Let me lament, let me weep.
Help me so to find again
Both myself and also my duty...
Brand, tonight when I was alone
He came into my room here;
Fresh and rosy was his cheek;
Light in his thin little dress
He came tripping there,
To my bed, where I rested;
Stretched out his little arms to me;
Called his mother with a laugh,...
But as if he begged for warmth!
Yes, I saw it! I shivered at it!
Is too heavy for my strength;
All my thoughts, all my senses
Converge on that one thing.
Everything is still like a dream.
Let me lament, let me weep.
Help me so to find again
Both myself and also my duty...
Brand, tonight when I was alone
He came into my room here;
Fresh and rosy was his cheek;
Light in his thin little dress
He came tripping there,
To my bed, where I rested;
Stretched out his little arms to me;
Called his mother with a laugh,...
But as if he begged for warmth!
Yes, I saw it! I shivered at it!
Fourth Act쪽 149 / 346
BRANDAgnes!
AGNESYes,... the child suffered cold!
Oh, that must be so out there,
Lying on those cold planks!
Oh, that must be so out there,
Lying on those cold planks!
BRANDThe corpse lies buried under snow;
The child himself ascended to heaven.
The child himself ascended to heaven.
(recoils)
AGNESOh, how you stir the wound
Mercilessly, relentlessly!
What you roughly call the corpse is still
Always my child to my heart.
Soul and body both fell,
And I cannot, as you do,
Separate those two from each other;
These two are one together;
Alf, sleeping under the snow blanket,
Is my Alf also from up there!
Mercilessly, relentlessly!
What you roughly call the corpse is still
Always my child to my heart.
Soul and body both fell,
And I cannot, as you do,
Separate those two from each other;
These two are one together;
Alf, sleeping under the snow blanket,
Is my Alf also from up there!
BRANDMany a wound must still bleed
Before your sorrow will heal.
Before your sorrow will heal.
AGNESYes, but have patience too;...
Lead me gently, but do not drive.
Stand by me and support me, Brand!
Say things gently, if possible!
You, who sometimes speak like God's thunder
In a high, solemn hour,
When a soul must itself bear
Stones for its life crown,...
Do you have no gentle tones
To quench the sharp grief?
With a single word that uplifts,
One that points to lighter days?
God, whom you taught me to know,
Is a king in his castle;
How would I dare approach him
With my small mother's sorrow?
Lead me gently, but do not drive.
Stand by me and support me, Brand!
Say things gently, if possible!
You, who sometimes speak like God's thunder
In a high, solemn hour,
When a soul must itself bear
Stones for its life crown,...
Do you have no gentle tones
To quench the sharp grief?
With a single word that uplifts,
One that points to lighter days?
God, whom you taught me to know,
Is a king in his castle;
How would I dare approach him
With my small mother's sorrow?
BRANDDo you think it easier to approach
The God you once knew?
The God you once knew?
AGNESNever, never will I go back!
And yet it is often as if I
Feel a longing to go there,
Where it is light, where the sun shines,
"Light to lift, heavy to hold,"
Was that not the old motto?
Your realms are too great for me,
Everything here is too great for me,
You, your work, your goal, your being,
All your willing, all your doing,
The overhanging, rocky mass,
And the all-enclosing water,
Winter darkness, strife and sadness,...
Only the little church is far too small.
And yet it is often as if I
Feel a longing to go there,
Where it is light, where the sun shines,
"Light to lift, heavy to hold,"
Was that not the old motto?
Your realms are too great for me,
Everything here is too great for me,
You, your work, your goal, your being,
All your willing, all your doing,
The overhanging, rocky mass,
And the all-enclosing water,
Winter darkness, strife and sadness,...
Only the little church is far too small.
(struck)
BRANDThe church? Again that thought!
Does it now float in the air here?
How too small?
Does it now float in the air here?
How too small?
(shakes head sadly)
Fourth Act쪽 150 / 346
AGNESHow can I seek
A reason, with reason.
Does not a mood come over one
Like a fragrant breath?
Where from? And where does it go?
It is enough that I perceive it.
And I know and feel it clearly...
Far too small is our church here.
A reason, with reason.
Does not a mood come over one
Like a fragrant breath?
Where from? And where does it go?
It is enough that I perceive it.
And I know and feel it clearly...
Far too small is our church here.
BRANDDo all dream of the same thing?
So many I have met
Were full of that thought;
Even with her, who walks around
Half mad, it was also written,
"It is stuffy there, for it is small"
It sounded; she too could find no reason
For what she felt.
Many women later said:
Far too small is our village church!
This complaint from women's mouths
Points to a need for space...
Agnes,... oh, I see it so clearly,
You are chosen by God
To be an angel on my path;...
Quietly and surely, in the dark
You know exactly the way,
Where I alone lose the track.
Never could will-o'-the-wisp lure you;
The first day you already showed
Where my true kingdom should lie,...
Held me back, who wanted to rise
High to the blue firmament;
Made me look within myself,
Deep, into the deepest of my being...
Agnes, again you have spoken
The word that struck like lightning,...
Led me, where I wandered,
Shed light on my work.
The Lord's church here is small;...
Good; then we will make it large!
Never have I seen so clearly yet
What my Creator gave me in you.
Therefore I beg, just like you:
Do not leave me, I pray you!
So many I have met
Were full of that thought;
Even with her, who walks around
Half mad, it was also written,
"It is stuffy there, for it is small"
It sounded; she too could find no reason
For what she felt.
Many women later said:
Far too small is our village church!
This complaint from women's mouths
Points to a need for space...
Agnes,... oh, I see it so clearly,
You are chosen by God
To be an angel on my path;...
Quietly and surely, in the dark
You know exactly the way,
Where I alone lose the track.
Never could will-o'-the-wisp lure you;
The first day you already showed
Where my true kingdom should lie,...
Held me back, who wanted to rise
High to the blue firmament;
Made me look within myself,
Deep, into the deepest of my being...
Agnes, again you have spoken
The word that struck like lightning,...
Led me, where I wandered,
Shed light on my work.
The Lord's church here is small;...
Good; then we will make it large!
Never have I seen so clearly yet
What my Creator gave me in you.
Therefore I beg, just like you:
Do not leave me, I pray you!
AGNESI will put away my sorrow,
I will dry my tears now,
I will lock all my memories
As in the dark grave;
And forgetfulness, like a sea,
Will flow over them;
I will erase every trace
Of my once-dreamed world,
Be a wife to you, and nothing more.
I will dry my tears now,
I will lock all my memories
As in the dark grave;
And forgetfulness, like a sea,
Will flow over them;
I will erase every trace
Of my once-dreamed world,
Be a wife to you, and nothing more.
BRANDUpward goes the road to the heights!
AGNESOh, but do not drive me with harshness!
BRANDThrough my mouth a Higher One commands.
AGNESOne, of whom you yourself once said,
That he accepts the good will,
Even where strength sometimes fails. (makes to go).
That he accepts the good will,
Even where strength sometimes fails. (makes to go).
BRANDWhere to, Agnes?
(smiles)
Fourth Act쪽 151 / 346
AGNESHousework I must
Not neglect, least of all today.
Last year, you remember well,
You said I was wasteful.
The lights were lit in every sconce;
Green was here, and toys hanging,
With more pretty things, on the Christmas tree;
Here sounded joyful song and laughter.
Brand, now too I will again light
All the candles for the feast day;
It will become as beautiful as it can,
For the solemn, silent feast,
If God peeps into the room,
He will see punished children,
Who humbly and submissively,
Obediently know and understand
That they, though their father may be angry,
May not neglect his feast....
Do you see any trace of tears now?
Not neglect, least of all today.
Last year, you remember well,
You said I was wasteful.
The lights were lit in every sconce;
Green was here, and toys hanging,
With more pretty things, on the Christmas tree;
Here sounded joyful song and laughter.
Brand, now too I will again light
All the candles for the feast day;
It will become as beautiful as it can,
For the solemn, silent feast,
If God peeps into the room,
He will see punished children,
Who humbly and submissively,
Obediently know and understand
That they, though their father may be angry,
May not neglect his feast....
Do you see any trace of tears now?
(presses her to his heart and then releases her)
BRANDChild, light the candles; that is your task!
(smiles sadly)
AGNESYou then build a church, a large one;...
Do it quickly... before spring! (Exit.)
Do it quickly... before spring! (Exit.)
(looks after her)
BRANDSo willing in her grief,
Amid the fire of pain;
Her strength sinks, her spirit flees,
Yet she wants to make the sacrifice.
Lord oh strengthen her, give her strength!
And relieve me of the task
Of making her, through bitter enforcement of the law,
As through hungry, wild vultures,
Suck the warm blood
From the tormented mother's heart.
I am strong, I have courage;
Lay on me the burden for both,...
Be for her alone merciful!
Amid the fire of pain;
Her strength sinks, her spirit flees,
Yet she wants to make the sacrifice.
Lord oh strengthen her, give her strength!
And relieve me of the task
Of making her, through bitter enforcement of the law,
As through hungry, wild vultures,
Suck the warm blood
From the tormented mother's heart.
I am strong, I have courage;
Lay on me the burden for both,...
Be for her alone merciful!
(There is a knock at the corridor door. The Bailiff enters.)
BAILIFFHere you see a beaten man.
BRANDA beaten man?
BAILIFFAs such I come.
You know well, when last summer
I wanted to drive you out of the land,
I did not predict the best
Of the new battle plan between us...
You know well, when last summer
I wanted to drive you out of the land,
I did not predict the best
Of the new battle plan between us...
BRANDWell?
BAILIFFBut despite all my right,
I no longer wish enmity.
I no longer wish enmity.
BRANDWhy?
BAILIFFBecause you have the majority.
BRANDDo I?
Fourth Act쪽 152 / 346
BAILIFFYou know that yourself;
You attract people from far and wide;
Here, at least in recent months,
A spirit has come over the village,
Which, God knows, is not mine.
And from that I draw the conclusion
That it emanates from you.
Here is my hand, let us make peace!
You attract people from far and wide;
Here, at least in recent months,
A spirit has come over the village,
Which, God knows, is not mine.
And from that I draw the conclusion
That it emanates from you.
Here is my hand, let us make peace!
BRANDA struggle like ours does not end
Until one of us is defeated.
Until one of us is defeated.
BAILIFFWhat more do you want than peace
And amicable settlement, tell me?
I don't kick against the pricks;
I am only an ordinary man;
When the point of the enemy's spear
Is aimed at his chest, one gives up;
Against that a mere stick does not help;
Then it's better to clear the field quickly,
And if one stands deserted as a fighter,
Then it's wisest to yield.
And amicable settlement, tell me?
I don't kick against the pricks;
I am only an ordinary man;
When the point of the enemy's spear
Is aimed at his chest, one gives up;
Against that a mere stick does not help;
Then it's better to clear the field quickly,
And if one stands deserted as a fighter,
Then it's wisest to yield.
BRANDTwo things are worth remembering here:
First, that you call me the stronger;
I have the majority...
First, that you call me the stronger;
I have the majority...
BAILIFFOh, definitely!
BRANDYes, possibly now; but if it ever
Comes to a great and serious sacrifice...
Who will have the power then?
Comes to a great and serious sacrifice...
Who will have the power then?
BAILIFFA serious sacrifice? Good Lord,
You will never experience that here!
In the worst case, it comes down to
Their dipping into their pockets.
The times are humane and want
No more sacrifice of other things.
And the most troublesome thing in this matter is
That I myself belong to the number that
Pushed the humane to the forefront,
And thereby weakened the spirit of sacrifice,
So that one can now well say
That I sacrificed myself,...
In any case, I tied the twigs
Into a rod with which they now want to beat me.
You will never experience that here!
In the worst case, it comes down to
Their dipping into their pockets.
The times are humane and want
No more sacrifice of other things.
And the most troublesome thing in this matter is
That I myself belong to the number that
Pushed the humane to the forefront,
And thereby weakened the spirit of sacrifice,
So that one can now well say
That I sacrificed myself,...
In any case, I tied the twigs
Into a rod with which they now want to beat me.
BRANDThat you may be right can happen.
But for the rest, I don't understand
That you give up already now.
Rod or no rod, that means nothing.
A man is made for his task;
His goal must be his Paradise!
And between that and him a sea may flow,...
If Satan's land lies near,
May he then cry: It's impossible...
The road to hell is much shorter?!
But for the rest, I don't understand
That you give up already now.
Rod or no rod, that means nothing.
A man is made for his task;
His goal must be his Paradise!
And between that and him a sea may flow,...
If Satan's land lies near,
May he then cry: It's impossible...
The road to hell is much shorter?!
Fourth Act쪽 153 / 346
BAILIFFTo that I must say yes and no;
A man must land somewhere,...
And if he sees his futile efforts,
He looks for other ways.
It's the way it is, one wants compensation
For small work or for great labor;
And if one doesn't win it through honest struggle,
Then one tries indirectly to get it anyway.
A man must land somewhere,...
And if he sees his futile efforts,
He looks for other ways.
It's the way it is, one wants compensation
For small work or for great labor;
And if one doesn't win it through honest struggle,
Then one tries indirectly to get it anyway.
BRANDBut black never becomes white!
BAILIFFBut, dear friend, what good does it do you
To call something as white as snow,
When everyone now calls black as snow?
To call something as white as snow,
When everyone now calls black as snow?
BRANDYou perhaps join in the cry?
BAILIFFOh no,...
I don't say black, but rather gray.
Humane is the watchword; the people no longer want
To be handled roughly.
Consider, we are in a free country;
Here everyone's opinion counts.
How then could one man against all
Pronounce on black or white?...
In short, because you have the majority
You are the man who stands on top.
I join, like the others,
Now with you, as best I can,
And hope no one takes it amiss
That I did not fight to the utmost.
The people judge now, I see clearly,
My work as insignificant, trivial;
They consider one thing now more necessary
Than year after year increasing the harvest!
No longer willingly bears his share
Everyone where it must be,...
And if the will is not involved,
Then a matter is lost by itself...
It is hard, you can imagine,
To give up the plan for roads and bridges,
The draining of marshes, ponds,
And much more, now.
But, good Lord, what can one say,
Who cannot win must yield,
Wait patiently, wisely keep silent,
And hope everything from time.
Now,... I lost the favor of the people
As I had won it;
So I must now along other paths
Try to get mine back.
I don't say black, but rather gray.
Humane is the watchword; the people no longer want
To be handled roughly.
Consider, we are in a free country;
Here everyone's opinion counts.
How then could one man against all
Pronounce on black or white?...
In short, because you have the majority
You are the man who stands on top.
I join, like the others,
Now with you, as best I can,
And hope no one takes it amiss
That I did not fight to the utmost.
The people judge now, I see clearly,
My work as insignificant, trivial;
They consider one thing now more necessary
Than year after year increasing the harvest!
No longer willingly bears his share
Everyone where it must be,...
And if the will is not involved,
Then a matter is lost by itself...
It is hard, you can imagine,
To give up the plan for roads and bridges,
The draining of marshes, ponds,
And much more, now.
But, good Lord, what can one say,
Who cannot win must yield,
Wait patiently, wisely keep silent,
And hope everything from time.
Now,... I lost the favor of the people
As I had won it;
So I must now along other paths
Try to get mine back.
BRANDBut was it then for the favor of the people
That you did all those works?
That you did all those works?
Fourth Act쪽 154 / 346
BAILIFFNo, truly not, that was not it;
I wanted for the common good
For the village the best, that alone.
But I do not deny that at play was
Also hope for future reciprocation,
For well-done work, in time.
That's how it is: a working man,
With gifts and common sense,
Wants to see fruits of his labor,
Not go through life supported
For the sake of a high ideal.
Even with the best will I cannot
Be negligent for my own good,
And sacrifice all my strength to others.
I sit at home with heavy burdens;
I have a wife, several daughters,
My care is for them the most;...
Principles quench no one's thirst,
Principles still no one's hunger,
When one, like me, has the house so full;
And should anyone express surprise
At that, I say this:
That he is no good as a family man.
I wanted for the common good
For the village the best, that alone.
But I do not deny that at play was
Also hope for future reciprocation,
For well-done work, in time.
That's how it is: a working man,
With gifts and common sense,
Wants to see fruits of his labor,
Not go through life supported
For the sake of a high ideal.
Even with the best will I cannot
Be negligent for my own good,
And sacrifice all my strength to others.
I sit at home with heavy burdens;
I have a wife, several daughters,
My care is for them the most;...
Principles quench no one's thirst,
Principles still no one's hunger,
When one, like me, has the house so full;
And should anyone express surprise
At that, I say this:
That he is no good as a family man.
BRANDAnd now your plan?...
BAILIFFTo build.
BRANDTo build, you say?
BAILIFFYes, indeed,...
For the good of the village and myself.
First I want to rebuild my reputation,
Which I had here before;...
Election time is at hand;
So I take refuge in something grand,
Make the plan known in advance,
Then I'll soon be top dog again,
And the choice will likely fall on me again.
Now I thought... one cannot
Row against the stream.
The people want, as it's now called, elevation;
That is something I cannot keep up with;
I help them along a bit;
But such a thing must go amicably,
And everyone is against me now.
Look, that is why after mature consideration
I have come to the plan, if possible,
To fight the curse of poverty.
For the good of the village and myself.
First I want to rebuild my reputation,
Which I had here before;...
Election time is at hand;
So I take refuge in something grand,
Make the plan known in advance,
Then I'll soon be top dog again,
And the choice will likely fall on me again.
Now I thought... one cannot
Row against the stream.
The people want, as it's now called, elevation;
That is something I cannot keep up with;
I help them along a bit;
But such a thing must go amicably,
And everyone is against me now.
Look, that is why after mature consideration
I have come to the plan, if possible,
To fight the curse of poverty.
BRANDYou want to eradicate it?
BAILIFFOh no;...
It is a necessary evil
Of society, and unavoidable;
But to be guided, limited
With skill, to certain forms,
If we only pay attention in time.
We know it, poverty is the manure
That best makes all evil thrive;
And that manure I want to limit.
It is a necessary evil
Of society, and unavoidable;
But to be guided, limited
With skill, to certain forms,
If we only pay attention in time.
We know it, poverty is the manure
That best makes all evil thrive;
And that manure I want to limit.
BRANDAnd how do you think?
Fourth Act쪽 155 / 346
BAILIFFCan you not guess?
Satisfying a deeply felt
Need of the whole surroundings,
I build for poverty a pest house;
Yes, a pest house, I say, with intention,
Since it must ward off infection.
To that building, my idea was,
A jail should be attached,
So that here cause and effect
Are locked up together,
But separated by a partition wall.
And if I'm already at it,
I also thought to build beside it
A wing... under the same roof...
With a hall for festivities, a gathering,
For serious or fun use,
With a rostrum and lots of space,...
A nice, political banquet hall.
Satisfying a deeply felt
Need of the whole surroundings,
I build for poverty a pest house;
Yes, a pest house, I say, with intention,
Since it must ward off infection.
To that building, my idea was,
A jail should be attached,
So that here cause and effect
Are locked up together,
But separated by a partition wall.
And if I'm already at it,
I also thought to build beside it
A wing... under the same roof...
With a hall for festivities, a gathering,
For serious or fun use,
With a rostrum and lots of space,...
A nice, political banquet hall.
BRANDThe last is especially urgently needed;
But I know something, there is even more lacking.
But I know something, there is even more lacking.
BAILIFFDid you think of an asylum for the insane?
Yes, certainly; that is also badly needed.
That was initially my thought,
But after some consultation with others
I came back from that idea;
For how to get the means
For such a huge building?
For believe me, such an institution would cost
An exorbitantly large sum,
If everyone who needs it
Must find accommodation there.
One must trust in time,
Not build only for oneself,...
With giant strides it went forward
Last year, this year not so;...
You see how all popular interests
Have grown tremendously;
With seven-league boots, as if bewitched,
Powers and talents develop,
In all possible fields.
It would therefore be an all too expensive joke
To provide for our descendants a place
For themselves, with children and wives.
And therefore I say: dear God,
That tooth, we just pull it out!
Yes, certainly; that is also badly needed.
That was initially my thought,
But after some consultation with others
I came back from that idea;
For how to get the means
For such a huge building?
For believe me, such an institution would cost
An exorbitantly large sum,
If everyone who needs it
Must find accommodation there.
One must trust in time,
Not build only for oneself,...
With giant strides it went forward
Last year, this year not so;...
You see how all popular interests
Have grown tremendously;
With seven-league boots, as if bewitched,
Powers and talents develop,
In all possible fields.
It would therefore be an all too expensive joke
To provide for our descendants a place
For themselves, with children and wives.
And therefore I say: dear God,
That tooth, we just pull it out!
BRANDAnd if someone becomes too crazy
You still have the great hall.
You still have the great hall.
(satisfied)
Fourth Act쪽 156 / 346
BAILIFFYes, it will be empty most of the time!
That idea, Brand, was really witty!
If the building plan does not fail,
Then we'll get the institution for free,
Gather under the same roof,
Protected by the same flag,
The genuine elements
That characterize our village;
There we have our paupers,
With all the scoundrel crew along,
Lunatics, who run loose and free
Without help or discipline,...
And then the fruit of our freedom,
Election struggle with clever speakers,
A council chamber where we deliberate,
What may serve for the good of the village,...
A banquet hall, where with full glasses
We happily commemorate our ancestors.
Thus if the matter doesn't fall through,
The son of the mountains gets everything
He can rightfully demand,
To live according to his own taste.
Alas, the region here is not rich;
But once that community house stands,
Then, I think, one can call it here
Rightly, a well-governed district.
That idea, Brand, was really witty!
If the building plan does not fail,
Then we'll get the institution for free,
Gather under the same roof,
Protected by the same flag,
The genuine elements
That characterize our village;
There we have our paupers,
With all the scoundrel crew along,
Lunatics, who run loose and free
Without help or discipline,...
And then the fruit of our freedom,
Election struggle with clever speakers,
A council chamber where we deliberate,
What may serve for the good of the village,...
A banquet hall, where with full glasses
We happily commemorate our ancestors.
Thus if the matter doesn't fall through,
The son of the mountains gets everything
He can rightfully demand,
To live according to his own taste.
Alas, the region here is not rich;
But once that community house stands,
Then, I think, one can call it here
Rightly, a well-governed district.
BRANDBut the money...?
BAILIFFYes, precisely, there's the rub,
In this matter as in most;
The willingness to contribute is weak,
And if you withhold your help
Then I can also strike my colors.
But if you support with your powerful word
My plan, then it will surely succeed,...
And once it comes to fruition
I will truly not forget you.
In this matter as in most;
The willingness to contribute is weak,
And if you withhold your help
Then I can also strike my colors.
But if you support with your powerful word
My plan, then it will surely succeed,...
And once it comes to fruition
I will truly not forget you.
BRANDSo your plan is to buy me off?
BAILIFFI would rather call it something else...
For both it would, I think,
The discord that like a chasm
Until now exists between us,
To our mutual benefit be able to bridge.
For both it would, I think,
The discord that like a chasm
Until now exists between us,
To our mutual benefit be able to bridge.
BRANDThen you have chosen your time poorly...
BAILIFFOh yes, I know, the great sorrow,
That has just wounded your fatherly heart;
Your calmness, however, made me venture;
And the need for firm support...
That has just wounded your fatherly heart;
Your calmness, however, made me venture;
And the need for firm support...
BRANDIn joy as in sorrow,
I am ready, where it may be necessary;
But for another reason you
Make this time a vain effort.
I am ready, where it may be necessary;
But for another reason you
Make this time a vain effort.
BAILIFFThat reason is...?
BRANDI myself want to build.
BAILIFFWhat! Build? Are you taking my plan?
Fourth Act쪽 157 / 346
BRANDNot entirely. (points outside).
Look, do you see over there...?
Look, do you see over there...?
BAILIFFThere?
BRAND...Yes.
BAILIFFThat large wooden house?
That is your cow barn, isn't it?
That is your cow barn, isn't it?
BRANDNo, not that;... the little wooden house.
BAILIFFWhat! The church!
(nods)
BRANDThat I want to rebuild.
BAILIFFThat will certainly not happen!
No one will touch the church;...
It is to put a spoke in my wheel;
My plan is ready and urgent;
But yours throws me out of the saddle;
And both at once, that won't work,...
So give in...!
No one will touch the church;...
It is to put a spoke in my wheel;
My plan is ready and urgent;
But yours throws me out of the saddle;
And both at once, that won't work,...
So give in...!
BRANDThat I have never done.
BAILIFFNow you must do it! Build my jail
With the pest house and the great banquet hall,
In short, the institution... so to speak,...
Who then asks about the dilapidated church?
And why must it be rebuilt now?
It was formerly large enough.
With the pest house and the great banquet hall,
In short, the institution... so to speak,...
Who then asks about the dilapidated church?
And why must it be rebuilt now?
It was formerly large enough.
BRANDPerhaps; but now it is too small.
BAILIFFBut I have never seen it full!
BRANDEven a single soul can find
No space for elevation within.
No space for elevation within.
(shakes head in wonder)
BAILIFFWith which that single soul proves
How necessary my madhouse is here.
(in a different tone).
Leave the church standing, let me advise you;
One can to a certain degree
Call it an old venerable heirloom.
It is an heirloom, inalienable,...
And it will not be destroyed for a whim!
Even if my building plan falls through,
I will, like a Phoenix from its ashes,
Rise again in the favor of the people here!
I will rise as the bold knight,
For the monument here on our shore!
Here was formerly a place of sacrifice,...
That was in King Bele's days;
And the church rose from that later
From pious heroes' plunder and spoils.
Venerable in its simple splendor,
Most holy in its ancient garb,
It stood proudly into our days...
How necessary my madhouse is here.
(in a different tone).
Leave the church standing, let me advise you;
One can to a certain degree
Call it an old venerable heirloom.
It is an heirloom, inalienable,...
And it will not be destroyed for a whim!
Even if my building plan falls through,
I will, like a Phoenix from its ashes,
Rise again in the favor of the people here!
I will rise as the bold knight,
For the monument here on our shore!
Here was formerly a place of sacrifice,...
That was in King Bele's days;
And the church rose from that later
From pious heroes' plunder and spoils.
Venerable in its simple splendor,
Most holy in its ancient garb,
It stood proudly into our days...
BRANDBut what formerly testified of power
Now rests long in the silent grave;...
Now not much of that remains.
Now rests long in the silent grave;...
Now not much of that remains.
Fourth Act쪽 158 / 346
BAILIFFThat's just it! It is so old,
That it actually no longer exists;
But when my grandfather still lived
There was still a hole in the wall!
That it actually no longer exists;
But when my grandfather still lived
There was still a hole in the wall!
BRANDA hole?
BAILIFFAs wide as a barrel!
BRANDBut then the wall?
BAILIFFYes, that was gone.
Look, that is why I must say frankly,
Demolishing the church is impossible;...
That would be a shameful, a gruesome
Barbaric act without equal!
And the money,... where would that come from?
Do you think people here are so generous
For such an immature plan
To dip into their purses immediately,
As if with a bit of repair
One could still prop up the old one
So that it lasts our time?
But go and investigate yourself,...
I'll win my case in the end.
Look, that is why I must say frankly,
Demolishing the church is impossible;...
That would be a shameful, a gruesome
Barbaric act without equal!
And the money,... where would that come from?
Do you think people here are so generous
For such an immature plan
To dip into their purses immediately,
As if with a bit of repair
One could still prop up the old one
So that it lasts our time?
But go and investigate yourself,...
I'll win my case in the end.
BRANDI do not intend to press people
For money for the new house of God.
From my own means I want to build;...
My inheritance, all I possess,
I put at the disposal for that purpose.
Do you perhaps think now still so bold
That I will change my mind?
For money for the new house of God.
From my own means I want to build;...
My inheritance, all I possess,
I put at the disposal for that purpose.
Do you perhaps think now still so bold
That I will change my mind?
(with folded hands)
BAILIFFI stand as if fallen from the sky!
Such a thing hardly occurs in cities,...
And here in the village... where everyone
Kept such a tight grip on his purse
For what even was most urgently needed,...
Here you come with a torrent
That glitters and sparkles, sparkles, foams...
No, I must say, I am dumbfounded!
Such a thing hardly occurs in cities,...
And here in the village... where everyone
Kept such a tight grip on his purse
For what even was most urgently needed,...
Here you come with a torrent
That glitters and sparkles, sparkles, foams...
No, I must say, I am dumbfounded!
BRANDLong ago I mentally gave up
The money...
The money...
BAILIFFYes, I heard talk
Of things that pointed to something like that.
But I thought they were just rumors.
Who wants to make such a sacrifice
Where it brings him no visible gain?
But that is entirely your own affair;...
If you go ahead now, I will follow.
You are in the fire now, you can work,
And I will come at a walking pace too...
Brand, let us build that church together!
Of things that pointed to something like that.
But I thought they were just rumors.
Who wants to make such a sacrifice
Where it brings him no visible gain?
But that is entirely your own affair;...
If you go ahead now, I will follow.
You are in the fire now, you can work,
And I will come at a walking pace too...
Brand, let us build that church together!
BRANDWhat? You want to let your plan slip?
Fourth Act쪽 159 / 346
BAILIFFGood Lord knows I do!
I would be crazy if I didn't.
Who do you think has the people on his side,
When one wants to lead, feed them,
And the other milk, shear, pluck?
Yes, by thunder, I'll join!
I am already entirely filled with the plan,
Moved, stirred, touched;
It was a lucky coincidence that
Drove me to your house this evening;
For without mine perhaps
Yours would not have arisen,...
At least not come to light.
So it is after all my own work,
The building of that new church!
I would be crazy if I didn't.
Who do you think has the people on his side,
When one wants to lead, feed them,
And the other milk, shear, pluck?
Yes, by thunder, I'll join!
I am already entirely filled with the plan,
Moved, stirred, touched;
It was a lucky coincidence that
Drove me to your house this evening;
For without mine perhaps
Yours would not have arisen,...
At least not come to light.
So it is after all my own work,
The building of that new church!
BRANDBut remember, the stately old
Ruins cannot remain standing!
Ruins cannot remain standing!
(looks outside)
BAILIFFViewed so in the double light
Of moonlight and fresh snowfall,
It looks very dilapidated.
Of moonlight and fresh snowfall,
It looks very dilapidated.
BRANDWhat do you say?
BAILIFFBrand, it's really too old!
It is truly inexplicable to me
That I never saw it before this evening.
The rafters are already crooked;
Use will soon become most dangerous.
And where is style, architecture?
Neither in the roof nor in the wall.
What should one call such arches?
A professional would say: appalling!...
And the green mossy roof also cannot
Date from King Bele's days.
No, piety can also go too far!
And everyone must understand,
That such a rickety, rotten box
Is a monstrosity, nothing more!
It is truly inexplicable to me
That I never saw it before this evening.
The rafters are already crooked;
Use will soon become most dangerous.
And where is style, architecture?
Neither in the roof nor in the wall.
What should one call such arches?
A professional would say: appalling!...
And the green mossy roof also cannot
Date from King Bele's days.
No, piety can also go too far!
And everyone must understand,
That such a rickety, rotten box
Is a monstrosity, nothing more!
BRANDBut if the people should resist,
And declare themselves against demolition?...
And declare themselves against demolition?...
THE MAYORIf no one else, then I will.
I shall at once, the sooner the better,
Arrange and order everything,
So that the matter runs smoothly.
I'll work, write, and do my best.
Well, yes... you know me. Enough!
And if I cannot drive together helpers
For the demolition work from the stupid crowd,
Then I'll take it on with my own hands,
And break it down plank by plank myself.
Yes, if I had to have my wife and all my daughters
Help with the destruction work,
By God, I'd not leave a single pole standing!
I shall at once, the sooner the better,
Arrange and order everything,
So that the matter runs smoothly.
I'll work, write, and do my best.
Well, yes... you know me. Enough!
And if I cannot drive together helpers
For the demolition work from the stupid crowd,
Then I'll take it on with my own hands,
And break it down plank by plank myself.
Yes, if I had to have my wife and all my daughters
Help with the destruction work,
By God, I'd not leave a single pole standing!
BRANDThat tone certainly sounds quite different
From the one you used just now.
From the one you used just now.
Fourth Act쪽 160 / 346
THE MAYORTo counteract one-sidedness
That is what humanity teaches us;
And if the poet is not mistaken,
Then it is actually a very fine thing
That our spirit is winged,...
In other words... it can fly...
Farewell! (takes his hat)
Now I must go to the gang.
That is what humanity teaches us;
And if the poet is not mistaken,
Then it is actually a very fine thing
That our spirit is winged,...
In other words... it can fly...
Farewell! (takes his hat)
Now I must go to the gang.
BRANDTo what?
THE MAYORYes, imagine, just the two of us,
Close to the village, I've rounded up
A band of Gypsies, ugly lot;...
I had a sturdy rope to help me;
Now they are trapped over there
In a house by the shore; but I'll be hanged
If a couple haven't run away...
Close to the village, I've rounded up
A band of Gypsies, ugly lot;...
I had a sturdy rope to help me;
Now they are trapped over there
In a house by the shore; but I'll be hanged
If a couple haven't run away...
BRANDAnd Christmas has just been announced.
THE MAYORWhat is that devil's brood doing here anyway?
But it's true, in a certain sense
They belong to this district... (laughing)
Yes, and precisely to you! Listen, a fine riddle,
Solve it if you can:
There are people who exist
Through those from whom your life originated.
And yet they exist, again,
Because they are of another stock!
But it's true, in a certain sense
They belong to this district... (laughing)
Yes, and precisely to you! Listen, a fine riddle,
Solve it if you can:
There are people who exist
Through those from whom your life originated.
And yet they exist, again,
Because they are of another stock!
(shakes his head)
BRANDOh God, there are so many riddles!
One stares at them... cannot solve them.
One stares at them... cannot solve them.
THE MAYORBut this one is quite easy to solve.
You must have heard someone speak
In the village, here or there, a word,
About the poor young man who lived here...
And was as learned as four priests,—
And proposed to your mother...
You must have heard someone speak
In the village, here or there, a word,
About the poor young man who lived here...
And was as learned as four priests,—
And proposed to your mother...
BRANDGo on?
THE MAYORFor a very rich girl!
But she gave him the brush-off, naturally,
As he might have expected.
But do you know what he did then?
He nearly went mad with grief,
And finally married another,
A Gypsy woman;... and before his death
He left a child to the band,
Which now roams in sin and need.
Yes, one of those common witches
We kept in our district, by God....
A memento of his fine deed...
But she gave him the brush-off, naturally,
As he might have expected.
But do you know what he did then?
He nearly went mad with grief,
And finally married another,
A Gypsy woman;... and before his death
He left a child to the band,
Which now roams in sin and need.
Yes, one of those common witches
We kept in our district, by God....
A memento of his fine deed...
BRANDAnd that is...
THE MAYORWell, the wild Gerd.
(muffled)
BRANDAha!
(cheerfully)
Fourth Act쪽 161 / 346
THE MAYORWhat? The riddle is not bad!
For she exists by virtue of her,
Who once gave you life;
For love of your mother was
The drive that gave her life.
For she exists by virtue of her,
Who once gave you life;
For love of your mother was
The drive that gave her life.
BRANDIs there no means, that you know,
To help those lost souls?
To help those lost souls?
THE MAYORThey are best kept under lock and key.
There is no good to be done with them;
Who would save them would rob
The devil, who must go bankrupt
If he does not get his share on earth.
There is no good to be done with them;
Who would save them would rob
The devil, who must go bankrupt
If he does not get his share on earth.
BRANDYet it was your plan to build a refuge
For all the poor people?
For all the poor people?
THE MAYORThat plan, as soon as it was made...
Was immediately withdrawn.
Was immediately withdrawn.
BRANDBut if it still...; it was still beautiful...
(smiling)
THE MAYORThat tone certainly sounds quite different
From the one you used just now.
From the one you used just now.
(pats him on the back).
THE MAYORLet that be dead and forgotten;
A man must act firmly and surely.
Farewell! I must not linger longer;
I must go out and try to track down
Those few who escaped.
So goodbye. A merry Christmas
I wish you. And greet your wife! (exit).
A man must act firmly and surely.
Farewell! I must not linger longer;
I must go out and try to track down
Those few who escaped.
So goodbye. A merry Christmas
I wish you. And greet your wife! (exit).
(after a while of silent thought)
BRANDOh, penance, endless penance!...
So wild, so tangled together
Are all the threads of fate,...
So lie sin and the fruit of sin
Together, corrupting each other,
That he who sees it must acknowledge
That good and evil are inseparable.
So wild, so tangled together
Are all the threads of fate,...
So lie sin and the fruit of sin
Together, corrupting each other,
That he who sees it must acknowledge
That good and evil are inseparable.
(goes to the window and stares out for a long time)
BRANDMy child, you fell, poor innocent lamb,
As a sacrifice for my mother's deeds;
A lost soul came as a messenger
From Him who thrones above the clouds,
And cast the die of fate;...
And this poor soul came into being
Because my mother's soul once erred!
Thus God with the wages of sin
Keeps in balance His eternal right,
And hurls from the heights of heaven
Chastisement to the third generation.
As a sacrifice for my mother's deeds;
A lost soul came as a messenger
From Him who thrones above the clouds,
And cast the die of fate;...
And this poor soul came into being
Because my mother's soul once erred!
Thus God with the wages of sin
Keeps in balance His eternal right,
And hurls from the heights of heaven
Chastisement to the third generation.
(recoils in fright from the window)
Fourth Act쪽 162 / 346
BRANDYes, the Lord's law rests on the family!
His first aim is balance.
To make the scale rise
Sacrificial willingness has the power;
But the word may not be named now,
For mankind trembles already at hearing it!
His first aim is balance.
To make the scale rise
Sacrificial willingness has the power;
But the word may not be named now,
For mankind trembles already at hearing it!
(paces up and down the room for a while)
BRANDAnd to pray? To pray? Oh,... a word,
That smoothly enough rolls off the tongue,...
With which everyone is generous enough.
It means to beg for mercy
On dark, mysterious paths,
To plead for Christ's intercession,
And to stretch both hands high...
In doubt standing up to the knees!
Oh yes, if that were the end of the matter,
Then I would dare, like any other, to risk
Knocking at the Lord's gate,
Who is "fearful to praise"!
That smoothly enough rolls off the tongue,...
With which everyone is generous enough.
It means to beg for mercy
On dark, mysterious paths,
To plead for Christ's intercession,
And to stretch both hands high...
In doubt standing up to the knees!
Oh yes, if that were the end of the matter,
Then I would dare, like any other, to risk
Knocking at the Lord's gate,
Who is "fearful to praise"!
(stands still lost in thought)
BRANDAnd yet... in the saddest days of grief
In the most fearful hour of great pain,
When, slumbering for the last time,
The child could no longer be roused to a smile
By a mother's kiss;...
What was that...? Did I not pray then?
Where did that sweet rapture come from,
That stream of song, that melody,
That came from afar, and disappeared again...
And lifted me high, light and free?
Did I pray? Was I absorbed in prayer?
Did I speak with God here then?
Did He understand me? And did He look down
On the house of sorrow where I wept?...
What do I know! Now it is dark again
Around me, everything closed again,...
And nowhere, nowhere to find light...
Yes, Agnes,... she who sees blindfolded!...
In the most fearful hour of great pain,
When, slumbering for the last time,
The child could no longer be roused to a smile
By a mother's kiss;...
What was that...? Did I not pray then?
Where did that sweet rapture come from,
That stream of song, that melody,
That came from afar, and disappeared again...
And lifted me high, light and free?
Did I pray? Was I absorbed in prayer?
Did I speak with God here then?
Did He understand me? And did He look down
On the house of sorrow where I wept?...
What do I know! Now it is dark again
Around me, everything closed again,...
And nowhere, nowhere to find light...
Yes, Agnes,... she who sees blindfolded!...
(calls out anxiously)
BRANDLight, Agnes,... light, oh bring me light!
(Agnes opens the door and comes in with the lighted candles for the feast; a bright light streams through the room).
(Agnes opens the door and comes in with the lighted candles for the feast; a bright light streams through the room).
BRANDLight!
AGNESDo you see the Christmas light I bring?
(softly)
BRANDHa, the Christmas light!
(sets the candelabra on the table)
AGNESWas I away long, dearest?
BRANDNo, no!
AGNESBut oh, how cold it is here;
You must be freezing...
You must be freezing...
(forcefully)
Fourth Act쪽 163 / 346
BRANDNo!
(smiling)
AGNESYour pride
Wants neither warmth nor light.
Wants neither warmth nor light.
(stokes the stove).
(paces up and down)
BRANDHm, doesn't want to!
(silently to herself, while decorating the room)
AGNESHere I put the light,
How happily my Alf grasped for the shining candlelight
With his little fingers.
Then he was still healthy and strong,
And leaned forward from his chair
And asked if this was now a sun! (moves the light a little).
Now the light's beam falls
Outward... over that spot there.
Now he can see through the panes
The glow, from where he lies and sleeps;
Now he can peek unnoticed
Into the festive, radiant room...
But as if dulled by tears, the glass is;...
Wait, wait, soon it will laugh...
How happily my Alf grasped for the shining candlelight
With his little fingers.
Then he was still healthy and strong,
And leaned forward from his chair
And asked if this was now a sun! (moves the light a little).
Now the light's beam falls
Outward... over that spot there.
Now he can see through the panes
The glow, from where he lies and sleeps;
Now he can peek unnoticed
Into the festive, radiant room...
But as if dulled by tears, the glass is;...
Wait, wait, soon it will laugh...
(wipes the glass).
(has followed her with his eyes and says softly)
BRANDWhen will the storm ever calm
Of that sea of sorrow, so wildly stirred!
It must calm down.
Of that sea of sorrow, so wildly stirred!
It must calm down.
(to herself)
AGNESLook, how bright!
Now it is as if the dividing wall fell away,
As if the room became larger,
As if the hard, cold ground
Became a soft and cozy bed,
Where the child can sleep sweetly and softly.
Now it is as if the dividing wall fell away,
As if the room became larger,
As if the hard, cold ground
Became a soft and cozy bed,
Where the child can sleep sweetly and softly.
BRANDWhat are you doing, Agnes?
AGNESShh! Be quiet!
(closer)
BRANDWhy is that curtain gone?
AGNESIt was just a dream; now it is over.
BRANDThere is great danger in dreams.
Close it again!
Close it again!
(pleadingly)
AGNESBrand!
BRANDClose it! Close it!
AGNESOh, do not be hard, that is not good!
BRANDClose! Close!
(closes the shutters)
AGNESNow everything is closed.
God will surely not be offended
If in a moment of dream
I drank from the well of comfort...
God will surely not be offended
If in a moment of dream
I drank from the well of comfort...
Fourth Act쪽 164 / 346
BRANDOh no!
He is a gentle and accommodating judge,
And will overlook it
If into the service you dedicate to Him,
Some idolatry creeps in.
He is a gentle and accommodating judge,
And will overlook it
If into the service you dedicate to Him,
Some idolatry creeps in.
(bursts into tears)
AGNESOh, tell me, how far do your demands go!
I am tired, dead tired,... my strength gives way.
I am tired, dead tired,... my strength gives way.
BRANDI have said: thrown into the sea
Is the sacrifice that does not give everything.
Is the sacrifice that does not give everything.
AGNESBut I gave everything; I have nothing left now!
(shakes his head)
BRANDYou must still make many more sacrifices.
(smiles)
AGNESDemand then! Now I have the courage of poverty!
BRANDGive!
AGNESTake! Oh, Brand, you can find nothing!
BRANDYour grief and your memories,...
Your sinful, yearning longing...
Your sinful, yearning longing...
(in despair)
AGNESI also still have my tormented heart!
Tear it out! Tear it out!
Tear it out! Tear it out!
BRANDInto a gaping abyss
And aimless you would throw the sacrifice,
If you mourn for what you miss now!
And aimless you would throw the sacrifice,
If you mourn for what you miss now!
(shudders)
AGNESYour way to God is narrow and steep.
BRANDThe firm will knows only this one...
AGNESSo no mercy...?
(refusing)
BRANDOnly through sacrifices.
(stares ahead and says deeply moved)
AGNESNow opens like a wide abyss,
The word of Scripture that I never before
Fully understood.
The word of Scripture that I never before
Fully understood.
BRANDWhich word is that?
AGNESHe who sees Jehovah must die!
BRAND (throws his arms around her and presses her tightly against him).
Hide yourself, Agnes! Do not look at Him!
Close your eyes...
BRAND (throws his arms around her and presses her tightly against him).
Hide yourself, Agnes! Do not look at Him!
Close your eyes...
AGNESAre you serious?
(lets her go)
BRANDNo!
AGNESBrand, you are suffering.
BRANDI love you.
AGNESHard is your love.
BRANDToo hard?
Fourth Act쪽 165 / 346
AGNESAsk nothing; I follow you wherever you go.
BRANDDo you think that I once rashly
Withdrew your youth from play and dance...
That I had to strike you with half-heartedness
With the command of sacrificial willingness?
Woe to us, then it would be too dear, too heavy
The sacrifice we have brought here.
You are my wife, your whole life
To the Lord's service I may thus demand.
Withdrew your youth from play and dance...
That I had to strike you with half-heartedness
With the command of sacrificial willingness?
Woe to us, then it would be too dear, too heavy
The sacrifice we have brought here.
You are my wife, your whole life
To the Lord's service I may thus demand.
AGNESYes, well, but do not go away from me.
BRANDI need silence and rest,
The church building will soon begin...
The church building will soon begin...
AGNESMy little church fell into ruins.
BRANDIf you practiced idolatry there
Then the storm had to bring it down.
Then the storm had to bring it down.
(embraces her as if in fear).
BRANDGod bless you,... and through you also
Myself and what is mine!
Myself and what is mine!
(goes to the side door).
AGNESBrand, may I from the window a little
Loosen the shutters? Just a crack?
Just for a moment? Please, may I?
Loosen the shutters? Just a crack?
Just for a moment? Please, may I?
(in the doorway)
BRANDNo. (goes into his room).
AGNESTight shut! Tight shut,... everything tight shut!
Even forgetting he locks up!
Complaints, sighs, bolted shut,
Heaven, grave, barred, locked!
I want to go away; I cannot live
Here in loneliness and sorrow!
Away? Where to? Do not from above
Stern eyes look down on me?
Can I take with me on my flight
What is my heart's possession?
Can I escape, if I wanted to,
From my fear, my dull emptiness?
Even forgetting he locks up!
Complaints, sighs, bolted shut,
Heaven, grave, barred, locked!
I want to go away; I cannot live
Here in loneliness and sorrow!
Away? Where to? Do not from above
Stern eyes look down on me?
Can I take with me on my flight
What is my heart's possession?
Can I escape, if I wanted to,
From my fear, my dull emptiness?
(listens at the door of Brand's room)
AGNESHe reads aloud; to his ear
My voice from here does not penetrate.
No help anywhere! No counsel, no comfort!
God the Lord is much too busy now
With listening to the rich,
The child-rich, the blessed,
Their thanks and song and play and dance.
Christmas is a time of joy.
Me, a deserted mother, lamenting,
He does not see, pays no attention.
My voice from here does not penetrate.
No help anywhere! No counsel, no comfort!
God the Lord is much too busy now
With listening to the rich,
The child-rich, the blessed,
Their thanks and song and play and dance.
Christmas is a time of joy.
Me, a deserted mother, lamenting,
He does not see, pays no attention.
(goes cautiously to the window).
Fourth Act쪽 166 / 346
AGNESShall I slide open the shutters,
So that the full, clear light
Chases away the specter of fear and dread
From the night in which he slumbers?...
No, he is no longer there!...
Christmas is the feast of children;
Here he may come now;
Perhaps he stands outside,
Reaches with his little arms to tap
On the tightly closed panes...
Did I not hear crying now?
Alf, my child, I know no counsel!
It is closed here; that your father did;...
Alf, I may not open!
You are an obedient child,
Never did you or I cause him sorrow.
Oh, ascend quickly again to heaven,
There is light and there is joy:
There is play of children's throngs.
But let no one see you crying,...
Do not say that your father shut the house
When you came knocking at the door.
The little child cannot yet understand
What is grown-up duty.
Say that grieving, he, and sighing,
Has plucked leaves for a wreath;
Say that he has made it.
Can you see it? It is from him!
So that the full, clear light
Chases away the specter of fear and dread
From the night in which he slumbers?...
No, he is no longer there!...
Christmas is the feast of children;
Here he may come now;
Perhaps he stands outside,
Reaches with his little arms to tap
On the tightly closed panes...
Did I not hear crying now?
Alf, my child, I know no counsel!
It is closed here; that your father did;...
Alf, I may not open!
You are an obedient child,
Never did you or I cause him sorrow.
Oh, ascend quickly again to heaven,
There is light and there is joy:
There is play of children's throngs.
But let no one see you crying,...
Do not say that your father shut the house
When you came knocking at the door.
The little child cannot yet understand
What is grown-up duty.
Say that grieving, he, and sighing,
Has plucked leaves for a wreath;
Say that he has made it.
Can you see it? It is from him!
(listens, thinks, and shakes his head).
AGNESOh, I dream again! More than shutters
Stands as a dividing wall between us.
In the glow of the purifying fire
All division first falls away,...
The vault bursts and bolts crack
Prison door hinges grind,
The great lock springs open!
Much, oh much must still happen,
Before we can see each other again...
I will work in all silence,
To meet his demands;
I will harden myself, I will want to...
But tonight it is the feast.
Last year it was quite different!
Hush,... I will celebrate the feast nonetheless;
I will bring out all my treasures;...
How infinitely much they mean to me,
After the loss of my happiness,
Only a mother's sorrow can know.
(She kneels down by the chest of drawers, pulls open a drawer, and takes out several things. At that same moment Brand opens the door and wants to say something to her, but when he notices what she is about to do, he waits and stands still. Agnes does not see him).
Stands as a dividing wall between us.
In the glow of the purifying fire
All division first falls away,...
The vault bursts and bolts crack
Prison door hinges grind,
The great lock springs open!
Much, oh much must still happen,
Before we can see each other again...
I will work in all silence,
To meet his demands;
I will harden myself, I will want to...
But tonight it is the feast.
Last year it was quite different!
Hush,... I will celebrate the feast nonetheless;
I will bring out all my treasures;...
How infinitely much they mean to me,
After the loss of my happiness,
Only a mother's sorrow can know.
(She kneels down by the chest of drawers, pulls open a drawer, and takes out several things. At that same moment Brand opens the door and wants to say something to her, but when he notices what she is about to do, he waits and stands still. Agnes does not see him).
(softly)
BRANDAlways hovering around the churchyard,
Playing the same games around the grave.
Playing the same games around the grave.
Fourth Act쪽 167 / 346
AGNESThis is the veil... and the cloak
He wore when he was baptized...
In this I tied his little dress...
He wore when he was baptized...
In this I tied his little dress...
(holds it up, looks at it and laughs).
AGNESOh, how sweet it looked on him!
Splendid was my little lad
When we sat in church there...
Here the sash and here the little smock,
That he wore the first time
When he was allowed to go outside.
Oh, it was much too long then,
But it soon became too small for him...
I will just lay that here...
Mittens, little stockings,... what legs!...
And his new silk hat,
That he got when winter came...;
Beautiful and fresh, and still unused.
Oh, there lie still the little clothes
In which I wrapped him
For traveling, warm and light;
When I had to put them away again
I was weary unto death.
Splendid was my little lad
When we sat in church there...
Here the sash and here the little smock,
That he wore the first time
When he was allowed to go outside.
Oh, it was much too long then,
But it soon became too small for him...
I will just lay that here...
Mittens, little stockings,... what legs!...
And his new silk hat,
That he got when winter came...;
Beautiful and fresh, and still unused.
Oh, there lie still the little clothes
In which I wrapped him
For traveling, warm and light;
When I had to put them away again
I was weary unto death.
(wrings her hands in sorrow)
BRANDSpare me, God! I cannot shatter her last
Idol temple;
Send another, if it must be!
Idol temple;
Send another, if it must be!
AGNESHere are stains; have I wept?...
What a treasure! Covered with pearls,
A trail of tears from fearful sorrows,
Radiant with the pain of choice,
Holy!—that is the coronation robe
He wore on the day of sacrifice!
Oh, how rich I still am!
(There is a violent knock at the corridor door; Agnes turns around with a cry and at the same moment catches sight of Brand. The door is torn open, and a ragged woman, with a child in her arms, rushes in).
What a treasure! Covered with pearls,
A trail of tears from fearful sorrows,
Radiant with the pain of choice,
Holy!—that is the coronation robe
He wore on the day of sacrifice!
Oh, how rich I still am!
(There is a violent knock at the corridor door; Agnes turns around with a cry and at the same moment catches sight of Brand. The door is torn open, and a ragged woman, with a child in her arms, rushes in).
(sees the baby clothes and calls to Agnes:)
THE WOMANGive me something, you rich mother!
AGNESYou are ten times richer.
THE WOMANSo you are another of those
With a mouth full of fine words!
With a mouth full of fine words!
(comes closer)
BRANDTell me what you are looking for here.
THE WOMANNot you, for you are a priest!
Rather in the storm out there
Than to hear talk of penance;
Rather flee until I fall down,
Drown myself, or starve,
Than to listen to you, black robe,
Who want to drive me to hell!
Can I help it, for the devil,
That I became what I am?
Rather in the storm out there
Than to hear talk of penance;
Rather flee until I fall down,
Drown myself, or starve,
Than to listen to you, black robe,
Who want to drive me to hell!
Can I help it, for the devil,
That I became what I am?
(softly)
Fourth Act쪽 168 / 346
BRANDThis voice and that face...
They awaken fearful suspicions!
They awaken fearful suspicions!
AGNESRest, and warm yourself, if you are cold.
Give the child what it needs...
Give the child what it needs...
THE WOMANA Gypsy may not sit
Where it is light, where it is good.
For us are the outer roads,
Hollows, forests, heath and mountains;
House and home, they are for you,
I must go outside again at once,
They are after me like dogs!
The police, all of them,
If they catch me, I will be bound.
Where it is light, where it is good.
For us are the outer roads,
Hollows, forests, heath and mountains;
House and home, they are for you,
I must go outside again at once,
They are after me like dogs!
The police, all of them,
If they catch me, I will be bound.
BRANDHere you are safe.
THE WOMANHere?
Under a roof and between walls?
No indeed; then the winter night
Gives better air for both of us.
But something to cover the child!
For his brother ran away, the scoundrel,
Like a thief with all the rags
In which I had wrapped him.
Look, he is as good as naked now,
Blue and wet and half frozen
In the snowstorm from just now.
Under a roof and between walls?
No indeed; then the winter night
Gives better air for both of us.
But something to cover the child!
For his brother ran away, the scoundrel,
Like a thief with all the rags
In which I had wrapped him.
Look, he is as good as naked now,
Blue and wet and half frozen
In the snowstorm from just now.
BRANDWoman, leave your child with us,
So that it may be spared your fate.
Do it for his soul's salvation;
Then the brand mark will be removed...
So that it may be spared your fate.
Do it for his soul's salvation;
Then the brand mark will be removed...
THE WOMANYes, you are well informed!
No one performs such a miracle,...
May and must not even do it!
Fight with those who cast him out!
Do you know where he was born?
On the roadside, yes!
Amid play, noise and drink.
Was baptized with mud splashes,
The cross made with hot ash,
First refreshed from the drinking bottle...
And just when he was born
They stood around us raging;...
Why, do you think, tell me? God forbid!
Who the father of the boy was!
No one performs such a miracle,...
May and must not even do it!
Fight with those who cast him out!
Do you know where he was born?
On the roadside, yes!
Amid play, noise and drink.
Was baptized with mud splashes,
The cross made with hot ash,
First refreshed from the drinking bottle...
And just when he was born
They stood around us raging;...
Why, do you think, tell me? God forbid!
Who the father of the boy was!
BRANDAgnes?
AGNESYes.
BRANDYou know your duty.
(with fright)
AGNESBrand! To her! Oh no, never!
THE WOMANGive, oh give me what you have!
Old rags, silk goods!
Nothing is too bad, too fine for me,
If it can only warm him.
Let him thaw out first
If he dies today anyway!
Old rags, silk goods!
Nothing is too bad, too fine for me,
If it can only warm him.
Let him thaw out first
If he dies today anyway!
(to Agnes)
BRANDAgain God gives a sign!
THE WOMANThere is plenty for your own boy...
Do you have nothing for mine?
Be it clothes, or a shroud?
Do you have nothing for mine?
Be it clothes, or a shroud?
Fourth Act쪽 169 / 346
BRANDDo you not hear how in her words
Warning from above sounds?
Warning from above sounds?
THE WOMANGive, give!
AGNESIt is sacrilege!
A crime against my little dead one!
A crime against my little dead one!
BRANDAimlessly you offered him sacrifice,
If you remain standing on the threshold.
If you remain standing on the threshold.
(brokenly)
AGNESSo be it... your will be done
I trample my bleeding heart underfoot.
Woman, come here, take what you want....
I share my abundance with you...
I trample my bleeding heart underfoot.
Woman, come here, take what you want....
I share my abundance with you...
THE WOMANGive! give!
BRANDShare?... Agnes, share?
AGNESI would rather die than steal everything away!
I have yielded
Step by step! I cannot go further!
It is enough; more is not necessary!
I have yielded
Step by step! I cannot go further!
It is enough; more is not necessary!
BRANDWas everything then also too much
When for your child you bought it?
When for your child you bought it?
(gives)
AGNESWoman, come here; take this cloak,
In which I held my child at baptism.
Here the little dress,... sash and smock;
That is warm in winter weather.
Here the soft silk hat...
He will not suffer cold under that.
Take it, take everything now...
In which I held my child at baptism.
Here the little dress,... sash and smock;
That is warm in winter weather.
Here the soft silk hat...
He will not suffer cold under that.
Take it, take everything now...
THE WOMANGive, oh give!
BRANDHave you given everything now?
(giving again)
AGNESWoman, here is the coronation robe,
He wore on the day of sacrifice!
He wore on the day of sacrifice!
THE WOMANSo! now the drawers are empty;
And now I'll be off!
On the stairs I will dress him;...
Quick now away with all my rags! (exit).
AGNES (stands in intense inner struggle; finally she asks:)
Tell me, Brand, would it be fair
To demand even more now?
And now I'll be off!
On the stairs I will dress him;...
Quick now away with all my rags! (exit).
AGNES (stands in intense inner struggle; finally she asks:)
Tell me, Brand, would it be fair
To demand even more now?
BRANDTell me first, was it from the heart
That you made the heavy sacrifice?
That you made the heavy sacrifice?
AGNESNo.
BRANDThen it also has no value.
And there remains still more to demand (about to go).
And there remains still more to demand (about to go).
(silent until he is at the door, then she calls:)
AGNESBrand!
BRANDWhat is it?
Fourth Act쪽 170 / 346
AGNESI have lied;...
Look, I regret it, I am humbled.
No, you could not think otherwise
Than that I had now given everything.
Look, I regret it, I am humbled.
No, you could not think otherwise
Than that I had now given everything.
BRANDAnd?
(pulls a folded little cap from her bosom)
AGNESThis I have kept.
BRANDThat?
AGNESYes, wet with all my tears,
Moist with the deathly cold sweat,...
It has lain on my heart!
Moist with the deathly cold sweat,...
It has lain on my heart!
BRANDRemain then in your idol's power. (about to go).
AGNESWait!
BRANDWhat do you want?
AGNESOh, you know it! (hands him the little cap).
(comes closer and asks without taking it)
BRANDIs it from the heart?
AGNESYes!
BRANDGive it here then.
The poor woman is still sitting on the stairs. (exit).
The poor woman is still sitting on the stairs. (exit).
AGNESTorn loose... torn apart is everything...
The last that still bound me to the dust!
(stands motionless for a while; gradually the expression of her face turns into radiant joy. Brand returns; she rushes to meet him jubilantly, throws her arms around his neck and cries:)
I am freed, Brand! I am freed!
The last that still bound me to the dust!
(stands motionless for a while; gradually the expression of her face turns into radiant joy. Brand returns; she rushes to meet him jubilantly, throws her arms around his neck and cries:)
I am freed, Brand! I am freed!
BRANDAgnes!
AGNESThe darkness is over!
All the fears that lay
Like lead heavy on my chest,
Are hurled into the abyss!
My will has conquered!
All mists have scattered,
All clouds swept away;
Through the night on the other side
I see the morning glow shining!
Graveyard! Graveyard!
The word no longer brings tears,
No longer tears open the wound;...
The little one has ascended to heaven!
All the fears that lay
Like lead heavy on my chest,
Are hurled into the abyss!
My will has conquered!
All mists have scattered,
All clouds swept away;
Through the night on the other side
I see the morning glow shining!
Graveyard! Graveyard!
The word no longer brings tears,
No longer tears open the wound;...
The little one has ascended to heaven!
BRANDYes, now you have conquered!
Fourth Act쪽 171 / 346
AGNESConquered I have, yes...
Grave and fear of death, pain and sorrow!
Oh, look upward, look upward!
Do you see Alf standing before God's throne,
Laughing, happy, as in his life,
Stretching his little arms out to us?
And even if I had a thousand mouths,
And even if I might and could,
I would not open one
To ask for him back.
Oh, how great, how rich is God
In achieving His purpose.
The child fallen as a sacrifice lamb,
Has saved my soul to life;
I received it to give it back again,
To win the victory!...
Thanks that you led my hand;
Faithfully you have fought for me;
Oh, I saw how you suffered.
Now you stand in the valley of choice;
Soon will press on you the weight
Of the all or nothing!
Grave and fear of death, pain and sorrow!
Oh, look upward, look upward!
Do you see Alf standing before God's throne,
Laughing, happy, as in his life,
Stretching his little arms out to us?
And even if I had a thousand mouths,
And even if I might and could,
I would not open one
To ask for him back.
Oh, how great, how rich is God
In achieving His purpose.
The child fallen as a sacrifice lamb,
Has saved my soul to life;
I received it to give it back again,
To win the victory!...
Thanks that you led my hand;
Faithfully you have fought for me;
Oh, I saw how you suffered.
Now you stand in the valley of choice;
Soon will press on you the weight
Of the all or nothing!
BRANDAgnes, child, you speak in riddles;...
Now all struggle is over!
Now all struggle is over!
AGNESHave you forgotten the word of Scripture:
He who sees Jehovah must die!
He who sees Jehovah must die!
(recoils)
BRANDWoe is me! What a light you kindle!...
No! No! A thousand times no!
I have giant strong hands,
You shall not go from me!
Let everything else slip from me,
I can do without everything here,
But not you, oh no, never you!
No! No! A thousand times no!
I have giant strong hands,
You shall not go from me!
Let everything else slip from me,
I can do without everything here,
But not you, oh no, never you!
AGNESChoose; you now stand at the crossroads!
Extinguish the light that now glows in me,
Close off the source of those feelings,
Give me back my idol images...
Outside that woman still sits;...
Let me return again
To the days when I was blind,
Let me sink again into the mire,
Where I lived until now in sin;
Everything you can; it is up to you;
Against you I can do nothing;
Break my wings, imprison my soul,
Lay on me the lead of days,
Bind me, pull me down again,
Where you yourself lifted me up,...
Let me live as before,
When I writhed in the dark!
If you can and dare do this,
I am as before your wife;...
Choose; you now stand at the crossroads!
Extinguish the light that now glows in me,
Close off the source of those feelings,
Give me back my idol images...
Outside that woman still sits;...
Let me return again
To the days when I was blind,
Let me sink again into the mire,
Where I lived until now in sin;
Everything you can; it is up to you;
Against you I can do nothing;
Break my wings, imprison my soul,
Lay on me the lead of days,
Bind me, pull me down again,
Where you yourself lifted me up,...
Let me live as before,
When I writhed in the dark!
If you can and dare do this,
I am as before your wife;...
Choose; you now stand at the crossroads!
BRANDWoe is me! woe is me, if I wanted to!
Oh, but far from this place,
Far from sad memories
You will find light and life again!
Oh, but far from this place,
Far from sad memories
You will find light and life again!
Fourth Act쪽 172 / 346
AGNESDo you not think that here bind you
The sacrifice... and your calling also?
And do you forget all the souls,
That you must heal here?
Those whom God entrusted to you
To lead to salvation?
Choose! you stand now at the crossroads!
The sacrifice... and your calling also?
And do you forget all the souls,
That you must heal here?
Those whom God entrusted to you
To lead to salvation?
Choose! you stand now at the crossroads!
BRANDI have no choice here.
(throws her arms around his neck)
AGNESThanks for everything,... and also for that!
Faithfully you have supported the weak!
I feel tired now and broken,...
But you will faithfully watch over me.
Faithfully you have supported the weak!
I feel tired now and broken,...
But you will faithfully watch over me.
BRANDSleep! Your day's work is done.
AGNESYes, done, and the night light burns.
The victory took my strength;
Now I am weak and exhausted;
Oh, but I will praise God forever!
Good night, Brand!
The victory took my strength;
Now I am weak and exhausted;
Oh, but I will praise God forever!
Good night, Brand!
BRANDGood night!
AGNESThanks for everything. Now I will sleep (exit).
(presses his hands against his chest)
BRANDSoul, be faithful to the very end!
Highest victory is to lose all.
Through loss is first won;...
The eternal inheritance is the lost!
Highest victory is to lose all.
Through loss is first won;...
The eternal inheritance is the lost!
END OF THE FOURTH ACT
Fifth Act쪽 173 / 346
Fifth Act
A year and a half later. The new church is quite finished and decorated for the consecration. The river runs close by. It is misty, early in the morning.
The sexton is busy hanging garlands outside in front of the church; presently the schoolmaster comes.
THE SCHOOLMASTERLook here, up already?
THE SEXTONIt's necessary.
Give me a hand with these greens here.
It's to be a hedge for the procession.
Give me a hand with these greens here.
It's to be a hedge for the procession.
THE SCHOOLMASTEROver there at the parsonage I saw
Something hung in a round frame...
Something hung in a round frame...
THE SEXTONYes, yes!
THE SCHOOLMASTERWhat is that to be?
THE SEXTONA shield of honor, as they call it,
With his name on a gold ground.
With his name on a gold ground.
THE SCHOOLMASTERYes, it's a holiday for the district!
From all sides they are coming;
The fjord is almost white with sails.
From all sides they are coming;
The fjord is almost white with sails.
THE SEXTONYes, now the parish is awake;
In former days, before his time,
No one here knew of strife or struggle;
Then you slept yourself, then your neighbor slept;
I no longer know which is best.
In former days, before his time,
No one here knew of strife or struggle;
Then you slept yourself, then your neighbor slept;
I no longer know which is best.
THE SCHOOLMASTERLife, friend, life!
THE SEXTONBut we pass
By life, untouched;
How does that happen?
By life, untouched;
How does that happen?
THE SCHOOLMASTERThat happens because
We worked while others slept;...
And when they woke, we slept,...
For no one needed us then.
We worked while others slept;...
And when they woke, we slept,...
For no one needed us then.
THE SEXTONBut life, was that not best, you said?
THE SCHOOLMASTERThat is what the provost and the rector say;
And then I don't like to say otherwise,
But, only if the great mass
Thinks so too, that goes without saying.
For us another law applies
Than the one read here;
We two here are officials
Of the district, to faithfully support
Church discipline and all sciences,
And who do not meddle with passions,
In a word: stand outside the parties.
And then I don't like to say otherwise,
But, only if the great mass
Thinks so too, that goes without saying.
For us another law applies
Than the one read here;
We two here are officials
Of the district, to faithfully support
Church discipline and all sciences,
And who do not meddle with passions,
In a word: stand outside the parties.
THE SEXTONBut the rector does not stand outside.
Fifth Act쪽 174 / 346
THE SCHOOLMASTERThat is just what is to be regretted.
I am sure that his superiors
Are not satisfied with him,
And if they dared before the people,
They would have turned their backs on him long ago.
But he is sly; he smells a rat,
He knows enough what is going on.
He builds the church. And everyone stares
Blindly here, just as long as something is done.
What is done, no one cares;
That something is done,... that's the point,...
All of us here,... people and leaders
Can rightly be called men of action.
I am sure that his superiors
Are not satisfied with him,
And if they dared before the people,
They would have turned their backs on him long ago.
But he is sly; he smells a rat,
He knows enough what is going on.
He builds the church. And everyone stares
Blindly here, just as long as something is done.
What is done, no one cares;
That something is done,... that's the point,...
All of us here,... people and leaders
Can rightly be called men of action.
THE SEXTONYou were a delegate for a time,
And must therefore know people and country well;
But someone who traveled through here,
Shortly after the parish awoke,
Said, earlier they were sleepers here,
And now, awake, vow-makers.
And must therefore know people and country well;
But someone who traveled through here,
Shortly after the parish awoke,
Said, earlier they were sleepers here,
And now, awake, vow-makers.
THE SCHOOLMASTERYes, they are generous with vows...
Do all too much but make vows,...
The people have developed so quickly,
That almost everyone promises something.
Do all too much but make vows,...
The people have developed so quickly,
That almost everyone promises something.
THE SEXTONYou, who studied, tell me now once...
I have often pondered it...
What is meant by a public vow?
I have often pondered it...
What is meant by a public vow?
THE SCHOOLMASTERA public vow? That is not easy
To say, would lead us somewhat far;
But it is something around which all
Gather united... for the idea;
It is something that must happen,
Far in the future, of course.
To say, would lead us somewhat far;
But it is something around which all
Gather united... for the idea;
It is something that must happen,
Far in the future, of course.
THE SEXTONSo, thank you, I can understand that;
But there is still something I would like
To hear from you for a moment.
But there is still something I would like
To hear from you for a moment.
THE SCHOOLMASTERSpeak freely.
THE SEXTONAfter how many years
Does what is called the future come?
Does what is called the future come?
THE SCHOOLMASTERWell!
It never comes!
It never comes!
THE SEXTONNever comes?
THE SCHOOLMASTERNo!
And that is naturally in order.
For if it comes, it has become
The present,... is no longer future.
And that is naturally in order.
For if it comes, it has become
The present,... is no longer future.
THE SEXTONYes, that is so, I see that;
There is no quarreling about that.
But then how does one keep that promise?
There is no quarreling about that.
But then how does one keep that promise?
THE SCHOOLMASTERBut I have just said,
It relates to the future;
It is only fulfilled in the future.
It relates to the future;
It is only fulfilled in the future.
Fifth Act쪽 175 / 346
THE SEXTONYes, good; but when does that come then?
(to himself)
THE SCHOOLMASTERWhat a sexton! (loud) Dear friend,
Must I repeat what I said,
That no future can ever come,
For when it comes, it no longer exists.
Must I repeat what I said,
That no future can ever come,
For when it comes, it no longer exists.
THE SEXTONHm!
THE SCHOOLMASTERBehind every abstract concept
Lies something that seems like a turn,
But which is very simple,...
That is to say, for those
Who count beyond ten.
Promising is at last lying,
Let him who promises be ever so honest;
Hitherto it has been called difficult to keep;
One may well say quite impossible,
If one knows anything about logic...
Come, let us drop that.
Say, listen?...
Lies something that seems like a turn,
But which is very simple,...
That is to say, for those
Who count beyond ten.
Promising is at last lying,
Let him who promises be ever so honest;
Hitherto it has been called difficult to keep;
One may well say quite impossible,
If one knows anything about logic...
Come, let us drop that.
Say, listen?...
THE SEXTONHush!
THE SCHOOLMASTERWhat is it?
THE SEXTONHush!
THE SCHOOLMASTERIndeed, I hear someone playing
On the new organ.
On the new organ.
THE SEXTONThat is he.
THE SCHOOLMASTERWhat? Brand?
THE SEXTONYes.
THE SCHOOLMASTERWell, confound it!
He has been up early!
He has been up early!
THE SEXTONI almost think he hasn't touched his bed
This night.
This night.
THE SCHOOLMASTERWhat?
THE SEXTONYes, that will never end well,
He is consumed by secret grief
Since he became a widower.
He wants to hide it, that is true;
But now and then it comes to light:
It is as if his heart then overflows,...
Then he plays. Hear how every note
Sounds like weeping for wife and child.
He is consumed by secret grief
Since he became a widower.
He wants to hide it, that is true;
But now and then it comes to light:
It is as if his heart then overflows,...
Then he plays. Hear how every note
Sounds like weeping for wife and child.
THE SCHOOLMASTERIt sounds almost like a dialogue...
THE SEXTONOf one who comforts and one who suffers...
THE SCHOOLMASTERHm,... if I might, I would be moved!
THE SEXTONYes, if one were not an official...
THE SCHOOLMASTERAnd clamped and strapped
In all that befits one's station!
In all that befits one's station!
THE SEXTONYes, if one dared to chase to the devil
All that bookish talk!
All that bookish talk!
Fifth Act쪽 176 / 346
THE SCHOOLMASTERAnd then not be so sensible,
But dare to feel, good sexton!
But dare to feel, good sexton!
THE SEXTONFriend, no one sees us,... let us feel!
THE SCHOOLMASTERIt would be unseemly to descend
To the feelings of common people.
A man must, as our priest teaches,
Wish to be only one thing;
Even he who would wish it cannot be
A man and at the same time an official.
One must only... in all respects...
Be an imitator of the bailiff.
To the feelings of common people.
A man must, as our priest teaches,
Wish to be only one thing;
Even he who would wish it cannot be
A man and at the same time an official.
One must only... in all respects...
Be an imitator of the bailiff.
THE SEXTONWhy of him particularly?
THE SCHOOLMASTERNow, you know
Well when that great fire was,
How he then carried the archives out
And saved them?
Well when that great fire was,
How he then carried the archives out
And saved them?
THE SEXTONYes, that was a night!
THE SCHOOLMASTERA night of calamity! The bailiff toiled,
It was as if he lived fourteenfold...
But inside stood the devil, laughing,...
His wife, seeing him, began to lament:
Your soul's salvation, my dear husband!...
The evil one is after your life!
Then the bailiff cried in the glow:
My soul? Let it go to hell!
Help me but save the archives!
Look, he is bailiff through and through,
Body and soul, with heart and soul.
And therefore he will surely end up
Where he will get his due reward.
It was as if he lived fourteenfold...
But inside stood the devil, laughing,...
His wife, seeing him, began to lament:
Your soul's salvation, my dear husband!...
The evil one is after your life!
Then the bailiff cried in the glow:
My soul? Let it go to hell!
Help me but save the archives!
Look, he is bailiff through and through,
Body and soul, with heart and soul.
And therefore he will surely end up
Where he will get his due reward.
THE SEXTONAnd where is that?
THE SCHOOLMASTERNaturally in
The good bailiffs' Paradise.
The good bailiffs' Paradise.
THE SEXTONMy clever friend!
THE SCHOOLMASTERHow so?
THE SEXTONIt seems to me,
That behind everything you say
I mark the signs of great ferment;
For ferment there is here, that is certain;
That shows the cleavage everywhere
In respect for ancient usage.
That behind everything you say
I mark the signs of great ferment;
For ferment there is here, that is certain;
That shows the cleavage everywhere
In respect for ancient usage.
THE SCHOOLMASTERWhat moulders must go into the ground;
What rots is food for the new,...
The present is a consumptive,
And will get no fresh air
Until in the coffin along with the lot!
Yes, ferment there is, that is certain,
That is to be seen, even without a telescope.
The day the old church fell,
It was as if it took with it everything
In which our life until then
Was rooted, found its nourishment.
What rots is food for the new,...
The present is a consumptive,
And will get no fresh air
Until in the coffin along with the lot!
Yes, ferment there is, that is certain,
That is to be seen, even without a telescope.
The day the old church fell,
It was as if it took with it everything
In which our life until then
Was rooted, found its nourishment.
Fifth Act쪽 177 / 346
THE SEXTONThen the people became still and afraid.
They cried first: pull down! pull down!
But it did not last very long, that shouting,
And many a one felt oppressed,
Looked shyly aside and stood abashed,
When the old house of God of the village
Was now seriously to crumble into ruins,...
For many it seemed inviolable.
They cried first: pull down! pull down!
But it did not last very long, that shouting,
And many a one felt oppressed,
Looked shyly aside and stood abashed,
When the old house of God of the village
Was now seriously to crumble into ruins,...
For many it seemed inviolable.
THE SCHOOLMASTERThey thought that strong bonds
Bound them to the spirit of the old,
As long as the new church was not
Consecrated in all its form;
And therefore in fear and anxiety
They just watched how it would turn out,
Looking out for the great day,
On which, instead of the old flag,
The new colors would wave;...
But as the tower rose
The people grew more afraid, still and pale...
And now,... yes now the time is up.
Bound them to the spirit of the old,
As long as the new church was not
Consecrated in all its form;
And therefore in fear and anxiety
They just watched how it would turn out,
Looking out for the great day,
On which, instead of the old flag,
The new colors would wave;...
But as the tower rose
The people grew more afraid, still and pale...
And now,... yes now the time is up.
(points to the side)
THE SEXTONLook, what a crowd! Small and great
Have gathered.
Have gathered.
THE SCHOOLMASTERBy thousands.
How still it is!
How still it is!
THE SEXTONYet I hear a murmur,
Like the sea before a storm.
Like the sea before a storm.
THE SCHOOLMASTERThat is the heart of the people groaning;...
It is as if a realization passed through it,
The understanding of the weight of the times;
Is it not as if they had gone forth
To the Thing to choose a new god?
Where is Brand now? I feel anxious;...
I wish I could hide!
It is as if a realization passed through it,
The understanding of the weight of the times;
Is it not as if they had gone forth
To the Thing to choose a new god?
Where is Brand now? I feel anxious;...
I wish I could hide!
THE SEXTONI too, I too!
THE SCHOOLMASTERIn such an hour
One cannot fathom one's own heart:...
It goes deeper and deeper still;
One wills, resists, cannot help it!
One cannot fathom one's own heart:...
It goes deeper and deeper still;
One wills, resists, cannot help it!
THE SEXTONFriend!
THE SCHOOLMASTERBrother!
THE SEXTONHm!
THE SCHOOLMASTERSpeak!... why do you hesitate?
THE SEXTONI really believe we feel!
THE SCHOOLMASTERWhat? Not I, I say!
THE SEXTONWell, then I don't either!
And one testimony counts for no one!
And one testimony counts for no one!
THE SCHOOLMASTERWe are men, and not women.
The schoolchildren wait. I wish you good morning! (exit).
The schoolchildren wait. I wish you good morning! (exit).
Fifth Act쪽 178 / 346
THE SEXTONI seemed just now really foolish;
Now I am cooled down and wise again,
And remain closed as a pot.
To work;... here it is over now,
And idleness is the devil's pillow.
Now I am cooled down and wise again,
And remain closed as a pot.
To work;... here it is over now,
And idleness is the devil's pillow.
(exit to the other side).
THE SEXTON(The organ tones, which have sounded muffled during the foregoing, suddenly burst forth powerful and full, ending in a piercing discord. Soon after, Brand comes out of the church.)
BRANDNo, I cannot force the tone
To sound lovely and full.
Everything becomes one cry of woe;
Oppressive seem the walls, the arches,
The high vault, settling down
On my song, narrowly confining,
Like the wood, the hard, cold,
Scarcely enclosing my dead!
I have tried so many times,
The organ has lost its voice.
Loudly I sang my prayer;
It came back as sound, broken,
Of a bell, cracked, rusty,
Like a dull and hollow groan.
It was as if God himself stood there,
Throned high on the chancel above,
As if he angrily struck with his hand,
Rejecting my words!
A great house of God shall rise,
So I promised overboldly;
Break, fell, cheerfully
I risked pulling everything down...
Now the work is completed.
All now rejoice in chorus,
Cry: oh, how great! how great!...
Are they the ones who know better,...
Or is it I who cannot see it?
Is it great? Is this house
Truly that which I have willed?
Is the longing of my soul,
Which caused it to arise, satisfied?
Does it resemble that image of a temple,
Which hovered before my mind,
Vaulting over all sorrows?...
Oh, if Agnes had remained
It would have turned out differently;
The great in the small she could see,
Light would she bring into my night of doubt,
Earth and heaven she would embrace,
Like a leafy roof over trunks.
To sound lovely and full.
Everything becomes one cry of woe;
Oppressive seem the walls, the arches,
The high vault, settling down
On my song, narrowly confining,
Like the wood, the hard, cold,
Scarcely enclosing my dead!
I have tried so many times,
The organ has lost its voice.
Loudly I sang my prayer;
It came back as sound, broken,
Of a bell, cracked, rusty,
Like a dull and hollow groan.
It was as if God himself stood there,
Throned high on the chancel above,
As if he angrily struck with his hand,
Rejecting my words!
A great house of God shall rise,
So I promised overboldly;
Break, fell, cheerfully
I risked pulling everything down...
Now the work is completed.
All now rejoice in chorus,
Cry: oh, how great! how great!...
Are they the ones who know better,...
Or is it I who cannot see it?
Is it great? Is this house
Truly that which I have willed?
Is the longing of my soul,
Which caused it to arise, satisfied?
Does it resemble that image of a temple,
Which hovered before my mind,
Vaulting over all sorrows?...
Oh, if Agnes had remained
It would have turned out differently;
The great in the small she could see,
Light would she bring into my night of doubt,
Earth and heaven she would embrace,
Like a leafy roof over trunks.
(notices the preparations for the festival).
Fifth Act쪽 179 / 346
BRANDGreen garlands, bunting,
From the schools comes singing;
And my parsonage is full,
Everyone wants to greet me;...
Does my name not gleam there in gold?
God give light,... or else plunge me
Deep into a dark abyss!
Another hour; then it will begin;
All think only of me now,
My name is on every lip!
Their thoughts, oh I know them,
And their words I feel burning,
Oh, their song of praise goes chilling
Like an ice-stream through my heart.
Could I... oh could I like a wild beast
Hide my head in a den,
Wrap myself in oblivion!
From the schools comes singing;
And my parsonage is full,
Everyone wants to greet me;...
Does my name not gleam there in gold?
God give light,... or else plunge me
Deep into a dark abyss!
Another hour; then it will begin;
All think only of me now,
My name is on every lip!
Their thoughts, oh I know them,
And their words I feel burning,
Oh, their song of praise goes chilling
Like an ice-stream through my heart.
Could I... oh could I like a wild beast
Hide my head in a den,
Wrap myself in oblivion!
(enters in gala costume and greets, beaming with satisfaction)
THE BAILIFFHere then is the great day,
The Sabbath that concludes the week;
Now we furl the sails
And hoist high the Sunday flag,
Go with the stream, gently,
And see how everything is ready.
Bravo, Brand, great and noble man,
Whose name will soon resound through the land!
Bravo; I am quite moved,
And yet also immensely happy!
And you...!?
The Sabbath that concludes the week;
Now we furl the sails
And hoist high the Sunday flag,
Go with the stream, gently,
And see how everything is ready.
Bravo, Brand, great and noble man,
Whose name will soon resound through the land!
Bravo; I am quite moved,
And yet also immensely happy!
And you...!?
BRANDMy throat is choked!
THE BAILIFFOh come, that will soon pass.
You must soon preach finely and thunderingly;...
Give the people the full measure especially!
By all accounts there is an acoustics here,
Which all that I have spoken to have greatly
Admired...
You must soon preach finely and thunderingly;...
Give the people the full measure especially!
By all accounts there is an acoustics here,
Which all that I have spoken to have greatly
Admired...
BRANDIndeed?
THE BAILIFFYes, even the provost
Was quite surprised and full of praise.
And what a style, full of harmony!
How great, sublime, beautiful of form
And lines...
Was quite surprised and full of praise.
And what a style, full of harmony!
How great, sublime, beautiful of form
And lines...
BRANDHave you noticed that?
THE BAILIFFNoticed, what?
BRANDDoes the church seem large to you?
THE BAILIFFNot only seem,... no, it is,
From near as well as far.
From near as well as far.
BRANDIt is large then? Truly? You think so?...
THE BAILIFFYes, by thunder it is large,...
Too large for people here in the North.
In other lands, I know,
They apply a different standard;
But we, who live cramped here
On barren rocks, brackish fields,
On a strip between mountain and fjord,...
Here it is large, even astonishingly large!
Too large for people here in the North.
In other lands, I know,
They apply a different standard;
But we, who live cramped here
On barren rocks, brackish fields,
On a strip between mountain and fjord,...
Here it is large, even astonishingly large!
Fifth Act쪽 180 / 346
BRANDYes, yes; and so for the old lie
A new one has come in its place.
A new one has come in its place.
THE BAILIFFHow so?
BRANDWe gave the people for the old
Dilapidated, rickety monument
A high, a modern tower.
First the choir whined: oh, so venerable!
Now they roar: look, how great!...
Thus there is no second one to be found!
Dilapidated, rickety monument
A high, a modern tower.
First the choir whined: oh, so venerable!
Now they roar: look, how great!...
Thus there is no second one to be found!
THE BAILIFFMy dear friend, I must honestly say,
That he who now wishes it even larger
Is not free from pride.
That he who now wishes it even larger
Is not free from pride.
BRANDBut everyone must surely understand
That what stands there is a small church;
To conceal that would be lying.
That what stands there is a small church;
To conceal that would be lying.
THE BAILIFFNo, listen,... leave such whims!
What is the point? Why disparage
What one has built with effort oneself?
The people are so very satisfied,
They find everything splendid, rich,
Because no one has ever seen such a thing;...
Oh, let them remain in that delusion!
Why prod the wretches,
And by force go light a light
That no one wants?
It all comes down to their faith.
And it doesn't matter at all
If the church were a doghouse,
As long as the people can quietly believe
That it is large, immensely large.
What is the point? Why disparage
What one has built with effort oneself?
The people are so very satisfied,
They find everything splendid, rich,
Because no one has ever seen such a thing;...
Oh, let them remain in that delusion!
Why prod the wretches,
And by force go light a light
That no one wants?
It all comes down to their faith.
And it doesn't matter at all
If the church were a doghouse,
As long as the people can quietly believe
That it is large, immensely large.
BRANDAlways and everywhere the same!
THE BAILIFFToday besides, with the festival,
Those souls are here as our guests;
And it would be highly improper
If everything were not at its best now.
And most of all for yourself
It would be unwise to touch
On that so-called truth tumor.
Those souls are here as our guests;
And it would be highly improper
If everything were not at its best now.
And most of all for yourself
It would be unwise to touch
On that so-called truth tumor.
BRANDWhat do you mean?
THE BAILIFFI'll tell you.
First of all, the Council has decided
To present you with a silver cup;
If you now assail its greatness,
Then what is inscribed on it becomes meaningless.
And the verse that is written on it,
And the speech I intend to make,
Both would be equally absurd,
If the building were no longer great.
You see, then, it is a matter of accommodating yourself
And keeping your ears tightly shut.
First of all, the Council has decided
To present you with a silver cup;
If you now assail its greatness,
Then what is inscribed on it becomes meaningless.
And the verse that is written on it,
And the speech I intend to make,
Both would be equally absurd,
If the building were no longer great.
You see, then, it is a matter of accommodating yourself
And keeping your ears tightly shut.
BRANDI see what I have so often seen...
A festival of lies as a reward for lies.
A festival of lies as a reward for lies.
Fifth Act쪽 181 / 346
THE BAILIFFBut good heavens, dear friend...
What big words you say!
But let that be a matter of taste.
I have yet another argument...
If the first was silver, this is gold.
For know, you are now in favor,
Are now the darling child of fortune,
In short... you are to receive a decoration!
Today itself you will pin the knight's cross
In glory on your chest!
What big words you say!
But let that be a matter of taste.
I have yet another argument...
If the first was silver, this is gold.
For know, you are now in favor,
Are now the darling child of fortune,
In short... you are to receive a decoration!
Today itself you will pin the knight's cross
In glory on your chest!
BRANDI have a heavier cross to bear;
Take that from me, whoever can.
Take that from me, whoever can.
THE BAILIFFWhat's that? You do not seem very impressed
By the favor from higher authority?
You are absolutely a riddle to me!
But, I pray you, think just for a moment...
By the favor from higher authority?
You are absolutely a riddle to me!
But, I pray you, think just for a moment...
(stamping his foot)
BRANDAll this talk gives nothing;...
I go away just as wise as I came;
You have grasped nothing of the meaning
That lay behind all my words.
I did not mean the greatness that
Is measured by feet and inches;
But that which shines back, though hidden,
Makes us coldly shudder, hotly glow,
Which lures to dreams and lingering,
Which lifts like a starry night,
Which, which... leave me alone! I am tired;...
Prove, explain, talk to others...
I go away just as wise as I came;
You have grasped nothing of the meaning
That lay behind all my words.
I did not mean the greatness that
Is measured by feet and inches;
But that which shines back, though hidden,
Makes us coldly shudder, hotly glow,
Which lures to dreams and lingering,
Which lifts like a starry night,
Which, which... leave me alone! I am tired;...
Prove, explain, talk to others...
(goes up the hill toward the church).
THE BAILIFFWho can make head or tail of that,
And understand him? Greatness which
Lies in something that must shine back,
That cannot be measured by inches?
And starry night? Did he say that?...
Had he perhaps breakfasted too well?... (exit).
And understand him? Greatness which
Lies in something that must shine back,
That cannot be measured by inches?
And starry night? Did he say that?...
Had he perhaps breakfasted too well?... (exit).
(comes out of the church again)
BRANDSo lonely in the wild mountains
I have never been as I stand here now;
To whatever question, never an echo,
But stupid croaking and twaddle.
I have never been as I stand here now;
To whatever question, never an echo,
But stupid croaking and twaddle.
(looks in the direction where the bailiff went).
BRANDHim I would like to trample!
As often as I try to lift
His spirit from low scheming and lies,
He spits his filthy soul
Boldly into my face!...
Oh, Agnes, why did you go away?
This useless game makes me so tired.
Where no one wins and no one yields,
I stand as a fighter quite alone!
As often as I try to lift
His spirit from low scheming and lies,
He spits his filthy soul
Boldly into my face!...
Oh, Agnes, why did you go away?
This useless game makes me so tired.
Where no one wins and no one yields,
I stand as a fighter quite alone!
(enters)
Fifth Act쪽 182 / 346
THE PROVOSTOh my children! Oh my lambs...!
Oh no, pardon,... I meant to say:
My colleague! That comes from the festival... yes...
My sermon haunts me a bit;
I only studied it yesterday...
Now it is still so fresh in my mind.
But enough... My thanks to you,
You, who so boldly broke the ice,
Went through strife and gossip,
Pulled down what was already decayed,
And built the new great and worthy.
Oh no, pardon,... I meant to say:
My colleague! That comes from the festival... yes...
My sermon haunts me a bit;
I only studied it yesterday...
Now it is still so fresh in my mind.
But enough... My thanks to you,
You, who so boldly broke the ice,
Went through strife and gossip,
Pulled down what was already decayed,
And built the new great and worthy.
BRANDIt is not yet that far.
THE PROVOSTSo, my dear,
Is there more missing than the consecration?
Is there more missing than the consecration?
BRANDIn the newly built house belongs
A reborn, pure spirit.
A reborn, pure spirit.
THE PROVOSTOh, such a thing will come of itself.
Such a great and beautifully decorated vault,
Such a light space also brings about
That the people will keep somewhat purer.
And then that beautiful acoustics,
Which gives every word double force,
Must multiply the faith of the congregation
By a hundred per head.
These are truly results,
Such as even in large cities
Can not be shown better...
All that we owe to you;
Accept for that from a colleague
The heartfelt thanks, which will
Be followed at the dinner,
On this day... your day of honor!...
By many a warm, enthusiastic word
From our younger clergy...
But, dear Brand, how pale you look...
Such a great and beautifully decorated vault,
Such a light space also brings about
That the people will keep somewhat purer.
And then that beautiful acoustics,
Which gives every word double force,
Must multiply the faith of the congregation
By a hundred per head.
These are truly results,
Such as even in large cities
Can not be shown better...
All that we owe to you;
Accept for that from a colleague
The heartfelt thanks, which will
Be followed at the dinner,
On this day... your day of honor!...
By many a warm, enthusiastic word
From our younger clergy...
But, dear Brand, how pale you look...
BRANDStrength and courage have long left me.
Fifth Act쪽 183 / 346
THE PROVOSTNo wonder either;... with so many cares,
And all without help and support.
But now the worst is over,
And already a beautiful day rewards us.
But good cheer; it will go well!
So many thousands are here
Gathered from far-off places;
Now say yourself... Who can match you
In oratorical gifts?
Look, your entire body of colleagues
Now receives you with open arms,
And the hearts of the congregation
Are full of warm gratitude to you!
And the building that has turned out so well!
And that it is so beautifully decorated here!
And then the text for the day... how sublime!
And the unparalleled dinner!
I was just in the parsonage
When the calf was slaughtered for the feast.
In truth, Brand, a splendid animal!
I thought, that is quite a thing
To find such a tasty piece
In these difficult times,
Now that meat is so expensive nowadays.
But let us reserve that for later.
Something else drove me here.
And all without help and support.
But now the worst is over,
And already a beautiful day rewards us.
But good cheer; it will go well!
So many thousands are here
Gathered from far-off places;
Now say yourself... Who can match you
In oratorical gifts?
Look, your entire body of colleagues
Now receives you with open arms,
And the hearts of the congregation
Are full of warm gratitude to you!
And the building that has turned out so well!
And that it is so beautifully decorated here!
And then the text for the day... how sublime!
And the unparalleled dinner!
I was just in the parsonage
When the calf was slaughtered for the feast.
In truth, Brand, a splendid animal!
I thought, that is quite a thing
To find such a tasty piece
In these difficult times,
Now that meat is so expensive nowadays.
But let us reserve that for later.
Something else drove me here.
BRANDSpeak up; cut, stab, tear and carve!
THE PROVOSTMy climax, friend, is less painful.
But to be brief; there is not much time.
There is a single point, in which
From today you must change,
And that will surely not be difficult.
Yes, I suspect that you half
Can guess already what I am hinting at?
It concerns your conception of official duty.
Until now you have not sufficiently
Respected custom and usage;
And yet, both are the most important,
If not actually the highest.
Now, well, Lord, I do not wish to blame,
You are still young, a newcomer,
You have just come from a large city,
Cannot know the conditions here...
But now, my dear, it is necessary
To grasp the matter a little more correctly.
Until now you have cared most about
What each soul needs for itself;
A gross mistake... this between ourselves...
One must weigh the mass together;
Shear all with the same comb.
Rest assured, you will fare best that way!
But to be brief; there is not much time.
There is a single point, in which
From today you must change,
And that will surely not be difficult.
Yes, I suspect that you half
Can guess already what I am hinting at?
It concerns your conception of official duty.
Until now you have not sufficiently
Respected custom and usage;
And yet, both are the most important,
If not actually the highest.
Now, well, Lord, I do not wish to blame,
You are still young, a newcomer,
You have just come from a large city,
Cannot know the conditions here...
But now, my dear, it is necessary
To grasp the matter a little more correctly.
Until now you have cared most about
What each soul needs for itself;
A gross mistake... this between ourselves...
One must weigh the mass together;
Shear all with the same comb.
Rest assured, you will fare best that way!
BRANDExplain yourself further!
Fifth Act쪽 184 / 346
THE PROVOSTLook here,...
You built here for the good of all
A church. That is like the festive garb
Of peace and of right and law;
For in religion the State sees
The power that does most for civilization...
The bulwark of its firm confidence,
And the guideline of morality.
You see, the State is not very rich,
And it wants value for its money.
Good Christian, they say, good citizen
Do you think that he wastes his money
For mankind, and for God's sake?
And to make it difficult for himself?
No, the State is not that foolish;
And it would look bad for all
If, scrupulously and strictly,
It had no more than that in view.
But the State achieves its goal alone
Through its officials,
In this case thus through the minister...
You built here for the good of all
A church. That is like the festive garb
Of peace and of right and law;
For in religion the State sees
The power that does most for civilization...
The bulwark of its firm confidence,
And the guideline of morality.
You see, the State is not very rich,
And it wants value for its money.
Good Christian, they say, good citizen
Do you think that he wastes his money
For mankind, and for God's sake?
And to make it difficult for himself?
No, the State is not that foolish;
And it would look bad for all
If, scrupulously and strictly,
It had no more than that in view.
But the State achieves its goal alone
Through its officials,
In this case thus through the minister...
BRANDEvery word is wisdom! Speak!
THE PROVOSTThere remains now
Not much more to say. You have given
The State that church for its benefit,
And from that it follows that now your labor
Must serve to support Church and State.
In this spirit I see the festival,
Which we shall soon celebrate;
Thus shall the bells also ring,
Thus one reads the deed of gift.
And with the donation, thus, you promise,
Now also to do what I have asked of you...
Not much more to say. You have given
The State that church for its benefit,
And from that it follows that now your labor
Must serve to support Church and State.
In this spirit I see the festival,
Which we shall soon celebrate;
Thus shall the bells also ring,
Thus one reads the deed of gift.
And with the donation, thus, you promise,
Now also to do what I have asked of you...
BRANDBy God, that was not the intention!
THE PROVOSTYes, dear friend, but now it is too late...
BRANDToo late? We shall see about that!
Fifth Act쪽 185 / 346
THE PROVOSTI must laugh at you! Be wise!
What are you making such a fuss about?
What you promise, there is no harm in it!
Not a single soul suffers damage
If you also wish to serve the State;
You can kill two birds with one stone,
If you only go about it sensibly.
It is not your work to save John and Peter
From the fire of hell,
But to refresh all the congregation
At the fountain of grace.
If the whole parish is then saved,
Thus every one also has a share in it.
The State is, you probably do not know,
Exactly half republican;
It hates freedom like death,
But sees equality gladly enough;
Equality, however, is never found
Until what is uneven is smoothed away,...
And that is precisely what you do not do!
On the contrary, you have promoted
What is unequal and unusual.
Formerly that never came to light.
Everyone was a member of the Church.
Now each one has a personality;
And that does not benefit the State.
And therefore it is so difficult
To collect equalization contributions,
And other church goods,
Because the Church is no longer the hat
That must fit all heads.
What are you making such a fuss about?
What you promise, there is no harm in it!
Not a single soul suffers damage
If you also wish to serve the State;
You can kill two birds with one stone,
If you only go about it sensibly.
It is not your work to save John and Peter
From the fire of hell,
But to refresh all the congregation
At the fountain of grace.
If the whole parish is then saved,
Thus every one also has a share in it.
The State is, you probably do not know,
Exactly half republican;
It hates freedom like death,
But sees equality gladly enough;
Equality, however, is never found
Until what is uneven is smoothed away,...
And that is precisely what you do not do!
On the contrary, you have promoted
What is unequal and unusual.
Formerly that never came to light.
Everyone was a member of the Church.
Now each one has a personality;
And that does not benefit the State.
And therefore it is so difficult
To collect equalization contributions,
And other church goods,
Because the Church is no longer the hat
That must fit all heads.
BRANDWhat a prospect opens up!
THE PROVOSTDo not be discouraged; that does you no good;
Although indubitably here reigns
A mess, which is an abomination.
But where there is life, there is hope.
And through the donation your duty becomes more clear,
Namely, to work
For the welfare of Church and State now both.
In everything there must be regularity,
Lest the play of scattered forces,
Mad, like an untamed wild colt,
Destroy grove and hedge and boundary stone
Of tradition and custom.
In every order one law rules,
Even if it bears a different name.
It is called "school" for fine arts;
Among soldiers, if I remember rightly, it is "the step".
Yes, that is the word, my dear friend!
That is where it must head, so thinks the State.
It considers the "double-quick" much too fast;
"Mark time", not fast enough;
But everyone in the same step,
And everyone equally large steps,...
Look, that is the goal towards which we strive!
Although indubitably here reigns
A mess, which is an abomination.
But where there is life, there is hope.
And through the donation your duty becomes more clear,
Namely, to work
For the welfare of Church and State now both.
In everything there must be regularity,
Lest the play of scattered forces,
Mad, like an untamed wild colt,
Destroy grove and hedge and boundary stone
Of tradition and custom.
In every order one law rules,
Even if it bears a different name.
It is called "school" for fine arts;
Among soldiers, if I remember rightly, it is "the step".
Yes, that is the word, my dear friend!
That is where it must head, so thinks the State.
It considers the "double-quick" much too fast;
"Mark time", not fast enough;
But everyone in the same step,
And everyone equally large steps,...
Look, that is the goal towards which we strive!
BRANDThe gutter for the eagle;... far above
The clouds to soar, for the geese!
The clouds to soar, for the geese!
Fifth Act쪽 186 / 346
THE PROVOSTNow, we are animals, thank God, not;...
But if you want poetry and fables,
You will find them in the Bible.
It is full of them; swarms even
From Genesis to Revelation
With many instructive parables.
I point for example only to
The building of the Tower of Babel!
How far did poor humanity get there?
And why? Easily explained,
They did not stay in their ranks,
They each spoke their own language,
Did not together draw under the yoke...
They became personalities.
This is the one half of the kernels
Hidden in the fable's shell:
He who keeps himself separate from others,
Remains lonely and easily falls.
Whom God wants to strike down in life's struggle,
He makes him an individual.
And formerly the Romans said:
The gods robbed him of his reason.
But mad and lonely is the same,
And therefore he who stands alone
Must eventually expect the same fate
As him,... whom David sent to battle
In the hottest fight,... Uriah, met.
But if you want poetry and fables,
You will find them in the Bible.
It is full of them; swarms even
From Genesis to Revelation
With many instructive parables.
I point for example only to
The building of the Tower of Babel!
How far did poor humanity get there?
And why? Easily explained,
They did not stay in their ranks,
They each spoke their own language,
Did not together draw under the yoke...
They became personalities.
This is the one half of the kernels
Hidden in the fable's shell:
He who keeps himself separate from others,
Remains lonely and easily falls.
Whom God wants to strike down in life's struggle,
He makes him an individual.
And formerly the Romans said:
The gods robbed him of his reason.
But mad and lonely is the same,
And therefore he who stands alone
Must eventually expect the same fate
As him,... whom David sent to battle
In the hottest fight,... Uriah, met.
BRANDWell possible, yes; but what then?
I see no destruction in death.
And are you so sure
That if those who built had been one
In language, and one in mind,
They would have succeeded in raising the tower
Up to heaven?
I see no destruction in death.
And are you so sure
That if those who built had been one
In language, and one in mind,
They would have succeeded in raising the tower
Up to heaven?
THE PROVOSTUp to heaven? No, not at all;
No one reaches up to heaven.
That is the other half of the kernels
Hidden in the fable's shell:
That every building comes to ruin
That would strive towards the stars of heaven.
No one reaches up to heaven.
That is the other half of the kernels
Hidden in the fable's shell:
That every building comes to ruin
That would strive towards the stars of heaven.
BRANDJacob's ladder rose so high though,
And the soul's longing reaches heaven!
And the soul's longing reaches heaven!
Fifth Act쪽 187 / 346
THE PROVOSTDo you mean it so? Yes, good heavens!
About that there is nothing more to say.
Naturally heaven is the reward
For a well-spent and pious life.
But to mix faith and life
Harms both; the one is not the other;...
Six days are for working,
The seventh is for soul-care;
If the house of God stood open all week,
Who would then come on Sunday?
It weakens the purifying power of the word,
If you do not spare it with understanding;
For religion, like art,
Must not dissolve into vapor.
You may see your ideals
From the sacred refuge of the pulpit...
But lay them aside with the gown,
As soon as you enter life again.
As I said, there is a law in everything,
Which demands strict self-limitation,
And it is to bring this to light...
What was necessary... that I spoke to you.
About that there is nothing more to say.
Naturally heaven is the reward
For a well-spent and pious life.
But to mix faith and life
Harms both; the one is not the other;...
Six days are for working,
The seventh is for soul-care;
If the house of God stood open all week,
Who would then come on Sunday?
It weakens the purifying power of the word,
If you do not spare it with understanding;
For religion, like art,
Must not dissolve into vapor.
You may see your ideals
From the sacred refuge of the pulpit...
But lay them aside with the gown,
As soon as you enter life again.
As I said, there is a law in everything,
Which demands strict self-limitation,
And it is to bring this to light...
What was necessary... that I spoke to you.
BRANDOne thing I understand: for me
Do not fit the state concepts of my office.
Do not fit the state concepts of my office.
THE PROVOSTYes, friend, you can do much good,...
But not here... you must rise higher;...
In another sphere...
But not here... you must rise higher;...
In another sphere...
BRANDIs it necessary for that
That I first be dragged through the mud?
That I first be dragged through the mud?
THE PROVOSTHe who humbles himself shall be exalted.
To catch the hook, one must bend it.
To catch the hook, one must bend it.
BRANDYou must first kill whom you use!
THE PROVOSTGod help me! What do you think now,
That I would do such a thing...?
That I would do such a thing...?
BRANDYes! So it is!
First let someone slowly bleed to death!
Only when a skeleton does one fit
Into your bloodless pale existence!
First let someone slowly bleed to death!
Only when a skeleton does one fit
Into your bloodless pale existence!
THE PROVOSTI would not even let a cat bleed,
Much less you, understand me!
I only thought it could do no harm
If I briefly showed you the way,
Along which I have come forward.
Much less you, understand me!
I only thought it could do no harm
If I briefly showed you the way,
Along which I have come forward.
BRANDHave you also considered what you have asked?
That at the first crow of the cock
Of the Realm, I should deny all that
My ideal was, for which I lived!
That at the first crow of the cock
Of the Realm, I should deny all that
My ideal was, for which I lived!
Fifth Act쪽 188 / 346
THE PROVOSTDeny, my friend? Who demands that?
I only pointed out your duty;
I want you to set aside
What is not useful to your congregation.
Keep it all, if you wish,...
But keep it hermetically locked away.
Rave in your inner self if you must,
Not before the people, in public.
Believe me: it avenges itself in the long run,
If one remains stubborn and undisciplined.
I only pointed out your duty;
I want you to set aside
What is not useful to your congregation.
Keep it all, if you wish,...
But keep it hermetically locked away.
Rave in your inner self if you must,
Not before the people, in public.
Believe me: it avenges itself in the long run,
If one remains stubborn and undisciplined.
BRANDYes, fear of punishment, hope of reward,
Like the mark of Cain it stands on your forehead;
And cries out, how worldly-wise you
Have killed the Abel in your soul!
Like the mark of Cain it stands on your forehead;
And cries out, how worldly-wise you
Have killed the Abel in your soul!
(to himself)
THE PROVOSTHe actually says "you" and "thou";
That goes too far! (aloud) I do not want now
To prolong the strife, but I must
Ask you once more to consider,...
Supposing you want to get ahead...
In what country, in what time
You live; for no one wins the fight
If he does not go with the current.
Look at the artists, at the poets:
Do they despise the duties of the times?
Look at the soldiers, do they still carry
A sharp saber in the scabbard?
No! Because a law commands:
Adapt yourself to what your country needs.
Everyone must tame his own self,
Not stand out and not go ahead,
Hide quietly in the mass.
Humane is the watchword, says the bailiff.
If you only approached it humanely
You could still make a fine career.
But first the rough edges smoothed off,
And planed down what is bumpy;
Smooth you must be like the others,
And not walk on your own paths
What you do will also be lasting.
That goes too far! (aloud) I do not want now
To prolong the strife, but I must
Ask you once more to consider,...
Supposing you want to get ahead...
In what country, in what time
You live; for no one wins the fight
If he does not go with the current.
Look at the artists, at the poets:
Do they despise the duties of the times?
Look at the soldiers, do they still carry
A sharp saber in the scabbard?
No! Because a law commands:
Adapt yourself to what your country needs.
Everyone must tame his own self,
Not stand out and not go ahead,
Hide quietly in the mass.
Humane is the watchword, says the bailiff.
If you only approached it humanely
You could still make a fine career.
But first the rough edges smoothed off,
And planed down what is bumpy;
Smooth you must be like the others,
And not walk on your own paths
What you do will also be lasting.
BRANDAway, away from here!
Fifth Act쪽 189 / 346
THE PROVOSTYes, that is true;
A man like you, I understand it well,
Desires a better sphere of work;
But, if you are ever to be satisfied
In a wide or in a narrow sphere,
You must put on the livery of the times.
The corporal must with his stick
Beat the measure into the people.
For the ideal of one who goes ahead
With us now is a corporal.
Just as the corporal leads his people
To church, in file,
So must you lead the congregation
As a shepherd to Paradise,
It goes so easily; for faith
You have, as a teacher, the authority;
And since that is based on study
They accept it blindly as well.
And how you are to proclaim the doctrine
The law and ritual will show you.
So, brother... do not be discouraged,
There is still time to think;
Understand the situation, do not be anxious!...
I will try once more in the church
Whether I can speak with a louder voice;
I am not used to so much sound,...
It occurs here so seldom.
Goodbye; soon I shall preach about
The discord in the human soul,
And how God's image is erased,...
But now, I think, it will soon be time
To take a little refreshment (exit).
A man like you, I understand it well,
Desires a better sphere of work;
But, if you are ever to be satisfied
In a wide or in a narrow sphere,
You must put on the livery of the times.
The corporal must with his stick
Beat the measure into the people.
For the ideal of one who goes ahead
With us now is a corporal.
Just as the corporal leads his people
To church, in file,
So must you lead the congregation
As a shepherd to Paradise,
It goes so easily; for faith
You have, as a teacher, the authority;
And since that is based on study
They accept it blindly as well.
And how you are to proclaim the doctrine
The law and ritual will show you.
So, brother... do not be discouraged,
There is still time to think;
Understand the situation, do not be anxious!...
I will try once more in the church
Whether I can speak with a louder voice;
I am not used to so much sound,...
It occurs here so seldom.
Goodbye; soon I shall preach about
The discord in the human soul,
And how God's image is erased,...
But now, I think, it will soon be time
To take a little refreshment (exit).
(stands for a moment as if petrified in his thoughts)
BRANDI sacrificed everything for my work,
For God's work, I thought in blindness;
There sounded a one-day trumpet blast
And showed me which spirit I served.
No, no! They have not yet got me!
That church over there has drunk blood;
My light, my life I gave for it;
But still, my soul I will keep!
Terrible it is to stand alone,...
Wherever I look, to see death;
Terrible, to hunger so for bread,
When they give you nothing but stones.
How fearfully true he spoke,...
Yet what an abyss was revealed!
God's holy dove hides itself,
Never yet brought clarity over me!...
Oh, if only one were with me in faith,...
Who would give me calm and peace again!
(Ejnar, pale, emaciated, dressed in black, comes along the road and
stops when he sees Brand).
For God's work, I thought in blindness;
There sounded a one-day trumpet blast
And showed me which spirit I served.
No, no! They have not yet got me!
That church over there has drunk blood;
My light, my life I gave for it;
But still, my soul I will keep!
Terrible it is to stand alone,...
Wherever I look, to see death;
Terrible, to hunger so for bread,
When they give you nothing but stones.
How fearfully true he spoke,...
Yet what an abyss was revealed!
God's holy dove hides itself,
Never yet brought clarity over me!...
Oh, if only one were with me in faith,...
Who would give me calm and peace again!
(Ejnar, pale, emaciated, dressed in black, comes along the road and
stops when he sees Brand).
(exclaiming:)
BRANDYou, Ejnar!
EJNARYes, that is my name.
Fifth Act쪽 190 / 346
BRANDJust now when I so long for someone
Whose heart is not of wood or stone!
Oh, Ejnar, come here into my arms!
Whose heart is not of wood or stone!
Oh, Ejnar, come here into my arms!
EJNARThat is not necessary; I am already safe.
BRANDYou cherish a grudge after so many years,
For what once happened?
For what once happened?
EJNARNo;
You are to blame. I see in you
The blind instrument, that God's love
Sent to me, when I was lost.
You are to blame. I see in you
The blind instrument, that God's love
Sent to me, when I was lost.
(recoils)
BRANDWhat kind of talk is that?
EJNARThe language of rest,...
Which one learns, when he puts off
The garment of sin, and is reborn.
Which one learns, when he puts off
The garment of sin, and is reborn.
BRANDRemarkable! I had heard
That you at that time had taken
Quite different paths...
That you at that time had taken
Quite different paths...
EJNARI was seduced
By pride, proud of my own powers.
The gifts that the world cultivates,
The talent that one has often praised,
My art of song, they were only snares,
That drew me into Satan's nets.
But thank God; he loved me,
He did not let his weak lamb go;
He helped me, when it was necessary.
By pride, proud of my own powers.
The gifts that the world cultivates,
The talent that one has often praised,
My art of song, they were only snares,
That drew me into Satan's nets.
But thank God; he loved me,
He did not let his weak lamb go;
He helped me, when it was necessary.
BRANDIn what way?
EJNARI fell...
BRANDFell? Into what?
EJNARTo drink and gambling;
He made me take to dice...
He made me take to dice...
BRANDAnd you call that an act of the Lord?
EJNARIt was the first step to redemption.
After that I was sick for a time.
I lost my will to work, my talent,
And all my cheerfulness disappeared.
Then they sent me to the hospital;
I was sick a long time, in hot fevers...
I thought that in all the rooms
I saw thousands of very large flies,...
Came out again and made acquaintances
With sisters who stand in heaven's service,
Go around seeking lost souls;
And these, with a theologian,
Delivered me from the world's yoke,
Freed me from the net of sin
And made me a child of the Lord.
After that I was sick for a time.
I lost my will to work, my talent,
And all my cheerfulness disappeared.
Then they sent me to the hospital;
I was sick a long time, in hot fevers...
I thought that in all the rooms
I saw thousands of very large flies,...
Came out again and made acquaintances
With sisters who stand in heaven's service,
Go around seeking lost souls;
And these, with a theologian,
Delivered me from the world's yoke,
Freed me from the net of sin
And made me a child of the Lord.
BRANDI see.
EJNARYes. One path leads through the valley;
The other along a steep hillside.
The other along a steep hillside.
BRANDAnd later?
Fifth Act쪽 191 / 346
EJNARLater? Yes, that is true;
Then I became a temperance teacher.
But in that one runs great danger
Of falling into temptation again;
I therefore sought something else again,
I am now leaving as a missionary...
Then I became a temperance teacher.
But in that one runs great danger
Of falling into temptation again;
I therefore sought something else again,
I am now leaving as a missionary...
BRANDWhere to?
EJNARTo the land of the savage negroes.
But it is best that we part now!
My time is precious...
But it is best that we part now!
My time is precious...
BRANDWon't you stay?
It is a feast day here today.
It is a feast day here today.
EJNARThanks;
My place is with the black souls.
Farewell! (makes to go).
My place is with the black souls.
Farewell! (makes to go).
BRANDDoes no memory
Urge you to stay and to ask...?
Urge you to stay and to ask...?
EJNARAsk about what?
BRANDAbout one, who would regret
The abyss between now and then...
The abyss between now and then...
EJNARYes, I understand, you are thinking perhaps
Still of that young woman from then,
Who held me in her nets,
Before I was purified by faith.
Well, how is she doing?
Still of that young woman from then,
Who held me in her nets,
Before I was purified by faith.
Well, how is she doing?
BRANDShe became my wife a year later.
EJNARThat has no significance; to such a thing
I pay no attention at all.
What matters, tell me only.
I pay no attention at all.
What matters, tell me only.
BRANDOur life was richly blessed
With joy and sorrow; our little child died...
With joy and sorrow; our little child died...
EJNARHas no significance.
BRANDThat neither?
EJNARSuch things I do not ask;
I want to know how she died.
I want to know how she died.
BRANDWith joyful hope of the dawn,
With all the richness of her heart,
With firm will to the very end;...
With thanks for all that life gave
And took, so she went into her grave.
With all the richness of her heart,
With firm will to the very end;...
With thanks for all that life gave
And took, so she went into her grave.
EJNARAll that is mere wordiness;
Tell me how it stood with her faith?
Tell me how it stood with her faith?
BRANDUnshakable.
EJNARIn whom?
BRANDIn her God!
EJNARIn him alone? That is her judgment!
BRANDWhat are you saying?
EJNARDamned, alas.
(calmly)
BRANDGet away, you lout!
Fifth Act쪽 192 / 346
EJNARThe Lord of hell
Has you in his grip as well;...
Just as she, you will burn eternally.
Has you in his grip as well;...
Just as she, you will burn eternally.
BRANDWretch, do you dare to damn!
You who yourself lay in a pool of sins...
You who yourself lay in a pool of sins...
EJNARNo stain now clings to me;
I am cleansed by faith;
And everything that was unclean
Washed away my true holiness;
Cleansed is my Adamic garment
By the clapper-stroke of awakening;
And like a surplice I am white,
Bleached by the lye-bath of prayer.
I am cleansed by faith;
And everything that was unclean
Washed away my true holiness;
Cleansed is my Adamic garment
By the clapper-stroke of awakening;
And like a surplice I am white,
Bleached by the lye-bath of prayer.
BRANDShame on you!
EJNARLikewise. I smell sulphur stench,
And I see the devil standing around the corner.
I am a grain of heavenly wheat,...
You in the sieve of judgment... chaff. (exit).
BRAND (looks after him for a moment; suddenly his eyes shine and he bursts out:)
For that man I had to long!
Now all bonds are broken;
I will unfurl my own flag,
Even if no one goes with me!
And I see the devil standing around the corner.
I am a grain of heavenly wheat,...
You in the sieve of judgment... chaff. (exit).
BRAND (looks after him for a moment; suddenly his eyes shine and he bursts out:)
For that man I had to long!
Now all bonds are broken;
I will unfurl my own flag,
Even if no one goes with me!
(comes in haste)
THE BAILIFFDear Brand, hurry, hurry!
All the crowd for the procession
Is ready to set out...
All the crowd for the procession
Is ready to set out...
BRANDLet them come.
THE BAILIFFWithout you!
Think it over, hurry home!
The people will wait no longer;
All those good people throng
Like a mountain river in spring,
Pushing up to the parsonage,
Shouting that they want to see you.
Listen, there is their shouting again!
Hurry, for I fear they might
Not act humanely.
Think it over, hurry home!
The people will wait no longer;
All those good people throng
Like a mountain river in spring,
Pushing up to the parsonage,
Shouting that they want to see you.
Listen, there is their shouting again!
Hurry, for I fear they might
Not act humanely.
BRANDNever again will I bow my forehead
In their midst, go with you;
I stay here.
In their midst, go with you;
I stay here.
THE BAILIFFAre you insane?
BRANDYour path is too narrow for me.
THE BAILIFFIt will get narrower the longer
The more the people press;
Look, there you have it, indeed!
Provost and priests, officials
All pushed aside...;
Come, come, lay into them!
Let your influence be felt!
Too late! the ranks break;
The whole procession runs riot!
(The crowd streams in and breaks through the festive procession in wild disorder toward the church).
The more the people press;
Look, there you have it, indeed!
Provost and priests, officials
All pushed aside...;
Come, come, lay into them!
Let your influence be felt!
Too late! the ranks break;
The whole procession runs riot!
(The crowd streams in and breaks through the festive procession in wild disorder toward the church).
SOME VOICESBrand!
OTHERS (point to the steps of the church, where Brand stands, and cry:)
Look there!
OTHERS (point to the steps of the church, where Brand stands, and cry:)
Look there!
Fifth Act쪽 193 / 346
STILL OTHERSGive the signal now!
(in the crush)
THE PROVOSTBailiff, hold back the people!
THE BAILIFFToday I have nothing to say!
THE SCHOOLMASTERSpeak a single word to them,
That will bring them to calm!
Is it something evil or something good
That must happen here?
That will bring them to calm!
Is it something evil or something good
That must happen here?
BRANDOh, so there is still a current
Through their oppressive sluggish calm!
People, you stand at the crossroads,
You must will the new entirely,...
Remove rubble and filth of the old,...
Before the temple, high and great
Rises to a house of prayer!
Through their oppressive sluggish calm!
People, you stand at the crossroads,
You must will the new entirely,...
Remove rubble and filth of the old,...
Before the temple, high and great
Rises to a house of prayer!
THE OFFICIALSListen, he raves!
THE CLERGYHe is mad!
BRANDYes, that I was, when I thought
That you, in any case, served
Him who wills spirit and truth!
And I was, when I thought
That I brought him closer to you
By winking, bargaining, with the Lord;
Small was but the old church,
And I reasoned thus:
Twice as big,... that will work;
Five times bigger... that must do good!
And I did not see how it again came down to
The old everything or nothing.
Compromising, I went astray.
But today the Lord spoke.
The trumpet of Judgment has
Just sounded over the house,...
And I, listening, fearful, trembling,
Small as David stood before Nathan,
Was crushed, dumb with fright;...
Now all doubt is gone.
Shifting is a work of the Devil!
That you, in any case, served
Him who wills spirit and truth!
And I was, when I thought
That I brought him closer to you
By winking, bargaining, with the Lord;
Small was but the old church,
And I reasoned thus:
Twice as big,... that will work;
Five times bigger... that must do good!
And I did not see how it again came down to
The old everything or nothing.
Compromising, I went astray.
But today the Lord spoke.
The trumpet of Judgment has
Just sounded over the house,...
And I, listening, fearful, trembling,
Small as David stood before Nathan,
Was crushed, dumb with fright;...
Now all doubt is gone.
Shifting is a work of the Devil!
(in rising excitement)
THE CROWDAway with those who blinded us!
Kill those who stole our strength!
Kill those who stole our strength!
BRANDYou let the Evil One
Put a blindfold before your eyes,
You divided your strength small,
Broken and split you;
Thus you are weak and hollow now,
No one strong, powerful, and whole.
What seek you here in the church?
It is only the pomp that lures you,
Organ playing and bell ringing...
The pleasure of shivering delightfully
At a sermon full of fire and glow,
That whispers, that murmurs,
Waxes and overflows and thunders,
According to the rules of art!
Put a blindfold before your eyes,
You divided your strength small,
Broken and split you;
Thus you are weak and hollow now,
No one strong, powerful, and whole.
What seek you here in the church?
It is only the pomp that lures you,
Organ playing and bell ringing...
The pleasure of shivering delightfully
At a sermon full of fire and glow,
That whispers, that murmurs,
Waxes and overflows and thunders,
According to the rules of art!
(to himself)
THE PROVOSTWith that he aims at the bailiff!
Fifth Act쪽 194 / 346
(likewise)
THE BAILIFFThat is aimed at the provost!
BRANDIt is the shine of new candles,
The external that you want.
And then home again in dullness,
Back into routine and staleness,
Body and soul in workday clothes;
And deep in the chest hidden,
Well stored, the book of life,
Until another Sunday comes!
Oh, that was not what I dreamed,
When I made all those sacrifices!
High and great I wanted the church,
That it should vault over
Not only faith and doctrine,
But all that God in life
Has given right to live...
Sweat and dust of heavy daily work,
Evening rest and anxious nights,
Joy of life of young people,
Everything of joy and sorrow
A human soul can contain.
The roaring plunge of brooks and
Waterfalls into dark abyss,
Sounds shrieking from the storm,
Sounds rising from the sea,
Must with the organ playing
And with the song of human voices
As if conjured, melt together!
Away with the work done here!
It is great only in lies;
Ripe again to fall,
It is worthy of your small will.
You want to kill all growth
By separating your work from God...
Six of the days of the week
You pull God's banner inside.
And the seventh alone,
One sees it fluttering to heaven!
The external that you want.
And then home again in dullness,
Back into routine and staleness,
Body and soul in workday clothes;
And deep in the chest hidden,
Well stored, the book of life,
Until another Sunday comes!
Oh, that was not what I dreamed,
When I made all those sacrifices!
High and great I wanted the church,
That it should vault over
Not only faith and doctrine,
But all that God in life
Has given right to live...
Sweat and dust of heavy daily work,
Evening rest and anxious nights,
Joy of life of young people,
Everything of joy and sorrow
A human soul can contain.
The roaring plunge of brooks and
Waterfalls into dark abyss,
Sounds shrieking from the storm,
Sounds rising from the sea,
Must with the organ playing
And with the song of human voices
As if conjured, melt together!
Away with the work done here!
It is great only in lies;
Ripe again to fall,
It is worthy of your small will.
You want to kill all growth
By separating your work from God...
Six of the days of the week
You pull God's banner inside.
And the seventh alone,
One sees it fluttering to heaven!
VOICES FROM THE CROWDLead us! Let the flag wave!
With you we will conquer!
With you we will conquer!
THE PROVOSTDo not listen! He is no Christian,
He does not possess true faith.
He does not possess true faith.
Fifth Act쪽 195 / 346
BRANDHa! There you name just the point...
For us both the point of contention,
And for the broken unity!
Without soul no one can believe!
Point out to me here one single soul!
Point out someone who has not thrown away
The best that is in him.
Groping, grasping, hurrying forward,
While chasing after pleasures,...
Alluring whistling jugglery...
You become blunt for joy of life.
Scarcely burned out and broken
They come to dance before the ark!
Do cripples and deaf people
First empty the cup,...
Yes, then it is time for penance,
Time for hope and for prayer,
Only when you have lost your mark,
You become like the irrational animal,
Creep to heaven's gate,
Seeking God... as invalids!
Therefore his kingdom must fall.
Why should he at his feet
Tolerate those withered souls?
Has he himself not proclaimed...
Only those who are pure in spirit
As a child, and uncorrupted,
Shall inherit the kingdom of heaven!
Childlike spirit alone achieves that!
Do not compromise with yourselves.
Come then all, men, women,...
Come with fresh childlike cheeks,
Into the great church of life!
For us both the point of contention,
And for the broken unity!
Without soul no one can believe!
Point out to me here one single soul!
Point out someone who has not thrown away
The best that is in him.
Groping, grasping, hurrying forward,
While chasing after pleasures,...
Alluring whistling jugglery...
You become blunt for joy of life.
Scarcely burned out and broken
They come to dance before the ark!
Do cripples and deaf people
First empty the cup,...
Yes, then it is time for penance,
Time for hope and for prayer,
Only when you have lost your mark,
You become like the irrational animal,
Creep to heaven's gate,
Seeking God... as invalids!
Therefore his kingdom must fall.
Why should he at his feet
Tolerate those withered souls?
Has he himself not proclaimed...
Only those who are pure in spirit
As a child, and uncorrupted,
Shall inherit the kingdom of heaven!
Childlike spirit alone achieves that!
Do not compromise with yourselves.
Come then all, men, women,...
Come with fresh childlike cheeks,
Into the great church of life!
THE BAILIFFOpen then!
(cries anxiously)
THE CROWDNo! Not this one!
BRANDOur church has neither bounds nor limits,
The green earth is its floor,
Meadow or field, sea or fjord;
The blue of heaven is the vault
That spans its space.
There all your work shall take place,
That everyone may hear it;
Fear not, whatever you may accomplish,
To desecrate it thereby.
It will cover everything, even
As the bark the whole trunk:
There faith and life become one.
There daily work shall become
One whole with law and doctrine.
There your day's work shall be one
With longing for the higher,
The children's play around the Christmas tree,
And the festive dance before the ark!
(A storm goes through the crowd; some fall back; the most gather around Brand).
The green earth is its floor,
Meadow or field, sea or fjord;
The blue of heaven is the vault
That spans its space.
There all your work shall take place,
That everyone may hear it;
Fear not, whatever you may accomplish,
To desecrate it thereby.
It will cover everything, even
As the bark the whole trunk:
There faith and life become one.
There daily work shall become
One whole with law and doctrine.
There your day's work shall be one
With longing for the higher,
The children's play around the Christmas tree,
And the festive dance before the ark!
(A storm goes through the crowd; some fall back; the most gather around Brand).
A THOUSAND VOICESNow is light, where first was darkness;...
One is: living... and serving God!
One is: living... and serving God!
THE PROVOSTWoe to us! he lures them all to him!
Help, police, bailiff, sexton!
Help, police, bailiff, sexton!
(muffled)
Fifth Act쪽 196 / 346
THE BAILIFFDo not shout so! Who will now go
Fight with a mad bull?
Wait until he has raged himself out.
Fight with a mad bull?
Wait until he has raged himself out.
(to the crowd)
BRANDAway from here! God is not here!
Can he be here among such as you?
Free and glorious is his kingdom.
Can he be here among such as you?
Free and glorious is his kingdom.
(Locks the church door and takes the keys in his hand).
BRANDHere I am no longer a priest.
I revoke what I have given;...
No one shall receive from my hand
These keys for your feast!
I revoke what I have given;...
No one shall receive from my hand
These keys for your feast!
(throws the keys into the river).
BRANDIf you want to enter, you slave of dust,...
Crawl then through the cellar hole;
Bend your limp back, and stoop;
Let in the dark your pestilent
Sighs creep along the ground,
Powerless as your rotten lungs!
Crawl then through the cellar hole;
Bend your limp back, and stoop;
Let in the dark your pestilent
Sighs creep along the ground,
Powerless as your rotten lungs!
(softly and relieved)
THE BAILIFFHa, there goes the order of knighthood!
(likewise)
THE PROVOSTSo, he will not become a bishop!
BRANDCome, whoever is young,... come, whoever is fresh,
Let the breath of life wipe from you
The dust from the narrow valley.
Follow me on my triumphal march!
Once you must awaken,
Once you must, ennobled,
Break with what is called compromise;...
Out of the misery of your cowardice,
Out of all that is weak and low.
Strike your enemy in the face!
Fight with him to the death!
Let the breath of life wipe from you
The dust from the narrow valley.
Follow me on my triumphal march!
Once you must awaken,
Once you must, ennobled,
Break with what is called compromise;...
Out of the misery of your cowardice,
Out of all that is weak and low.
Strike your enemy in the face!
Fight with him to the death!
THE BAILIFFHalt! I read the act of sedition!
BRANDRead on! I now break with everything!
THE CROWDShow the way, we will follow!
BRANDOver the ice of steep glaciers!
Through the whole land, we will march,
Untying every soul bond
That holds the people captive,...
Then purified, high and free,
Removing all that is sluggish and dull,
Becoming men, becoming priests,
Stamping anew the old seal,
Vaulting God's kingdom as a temple!
(The crowd, among them the sexton and the schoolmaster, gather around him. Brand is lifted up and carried on their shoulders).
Through the whole land, we will march,
Untying every soul bond
That holds the people captive,...
Then purified, high and free,
Removing all that is sluggish and dull,
Becoming men, becoming priests,
Stamping anew the old seal,
Vaulting God's kingdom as a temple!
(The crowd, among them the sexton and the schoolmaster, gather around him. Brand is lifted up and carried on their shoulders).
Fifth Act쪽 197 / 346
MANY VOICESGreat are these days! great
Things shall be seen to happen!
(The mass of people streams through the valley up the height. A few remain behind).
Things shall be seen to happen!
(The mass of people streams through the valley up the height. A few remain behind).
(to those leaving)
THE PROVOSTOh, blinded ones! What do you want?
Do you not see that Satan's spirit speaks from
All that he proclaims?
Do you not see that Satan's spirit speaks from
All that he proclaims?
THE BAILIFFHey! Turn back, you are much better off
In the village here, calm and quiet.
People listen!... You will go to ruin!...
Hm, no answer even, those dogs!
In the village here, calm and quiet.
People listen!... You will go to ruin!...
Hm, no answer even, those dogs!
THE PROVOSTThink of your hearth and home!
VOICES FROM THE CROWDA greater home rises before us!
THE BAILIFFThink of your fields and acres,
Think of the untended cattle!
Think of the untended cattle!
VOICESFrom heaven manna descended
When his people once suffered hunger!
When his people once suffered hunger!
THE PROVOSTHear your women lamenting you!
(far away)
VOICESWho does not go with us must be alien to us!
THE PROVOSTChildren complain: father is gone!
THE WHOLE THRONGWith us or against us, is the watchword!
THE PROVOST (looks after them for a moment with folded hands and then says anxiously:)
Without flock, anxiously asking,
Now stands the old shepherd of souls,
Stripped to the shirt!
THE PROVOST (looks after them for a moment with folded hands and then says anxiously:)
Without flock, anxiously asking,
Now stands the old shepherd of souls,
Stripped to the shirt!
(makes a threatening gesture)
THE BAILIFFHe will fare accordingly!
We shall overcome!
We shall overcome!
THE PROVOSTOvercome?... They are gone!
THE BAILIFFYes, but we are still here...
And... I know my sheep well! (runs after them).
And... I know my sheep well! (runs after them).
THE PROVOSTWould he really...? yes, indeed,
He runs after the mob!
Ha, I feel my courage revive...
Then I will also go up the mountain!...
Perhaps I can catch a few!
Saddle my nag!...
Fetch me a horse, trusty and gentle!
He runs after the mob!
Ha, I feel my courage revive...
Then I will also go up the mountain!...
Perhaps I can catch a few!
Saddle my nag!...
Fetch me a horse, trusty and gentle!
(all exit).
Fifth Act쪽 198 / 346
(At the highest hut belonging to the village. In the background the landscape rises higher and turns into great barren mountain plains. It is raining. Brand, accompanied by the crowd, men, women, and children, comes up the mountain).
BRANDLook ahead; victory lies before us!
The village lies behind us, below.
From mountain to mountain the mist stretches
Its tent of fog over it.
Forget the musty existence down there,
Rise free, rise high, you people of God!
The village lies behind us, below.
From mountain to mountain the mist stretches
Its tent of fog over it.
Forget the musty existence down there,
Rise free, rise high, you people of God!
A MANMy old father cannot go further.
ANOTHERI have not eaten since yesterday...
SEVERALWe are hungry! We are thirsty!
BRANDFirst over this mountain; forward!
THE SCHOOLMASTER..
By which way?
THE SCHOOLMASTER..
By which way?
BRANDThat is the same,
As long as we reach the goal with it.
Come, follow...
As long as we reach the goal with it.
Come, follow...
A MANNo, here it is too steep,
We cannot make it before night!
We cannot make it before night!
THE SEXTONOver there the ice church must lie.
BRANDThe steepest way is also the shortest.
A WOMANMy child is sick!
ANOTHERMy foot is wounded.
A THIRDWhere shall I find a drop for my thirst?
THE SCHOOLMASTERSatisfy them;... their courage wavers.
MANY VOICESBrand, do a miracle! Do a miracle!
BRANDAn ugly mark slavery has left behind,...
You want your wages before the work.
Up, shake off that sluggishness,...
If not,... then turn back to the grave!
You want your wages before the work.
Up, shake off that sluggishness,...
If not,... then turn back to the grave!
THE SCHOOLMASTERYes, that is true: first go to battle,
We know it, our reward comes later!
We know it, our reward comes later!
BRANDThat you will get, as surely as there is a God
Who now looks down on you from heaven!
Who now looks down on you from heaven!
MANY VOICESHe prophesies! He prophesies!
MANY AT ONCESay, listen,... will it be a fierce fight?
OTHERSAnd will it last long? Will it be bloody?
A MANSay, is much courage expected?
(muffled)
Fifth Act쪽 199 / 346
THE SCHOOLMASTERThere is no danger to life, is there?
ANOTHER MANWhat do I get as my share of the reward?
A WOMANI will surely not lose my son?
THE SEXTONWill the victory come before Tuesday?
(looks around desperately in the mass)
BRANDYou ask me that?
THE SCHOOLMASTERYes exactly; we did not get
A proper answer to that down there.
A proper answer to that down there.
(indignantly)
BRANDThen you shall have it now!
(close together)
THE CROWDSpeak! Speak!
BRANDHow long the fight will last?
It will last until the end of your life,
Until you have made all sacrifices,
Are free from all your compromising,...
Until you have your will in your power,
Until all weak doubt gives way
To the command: all or nothing!
And the losses? All your gods,
The spirit of half-measures, golden chains
That still bind you slavishly to the earth,
All that promotes your limp weakness!
And what is the booty? To be pure in will,
A strong faith, unity of the soul,...
A readiness to sacrifice, that gives
Even with jubilation, until death,...
A crown of thorns on each forehead,...
See! that will be each one's war reward!
It will last until the end of your life,
Until you have made all sacrifices,
Are free from all your compromising,...
Until you have your will in your power,
Until all weak doubt gives way
To the command: all or nothing!
And the losses? All your gods,
The spirit of half-measures, golden chains
That still bind you slavishly to the earth,
All that promotes your limp weakness!
And what is the booty? To be pure in will,
A strong faith, unity of the soul,...
A readiness to sacrifice, that gives
Even with jubilation, until death,...
A crown of thorns on each forehead,...
See! that will be each one's war reward!
(with raging uproar)
THE CROWDBetrayal! Betrayal! We are deceived!
BRANDI have not departed from my word.
A FEWHe promised us honor and victory...
Now it becomes sacrifices!
Now it becomes sacrifices!
BRANDI promised victory,... and I swear
It will one day be achieved by you.
But whoever stands at the front of the ranks
Must be able to fall for his cause.
If he dares not, let him then put away
His weapon, before the fight begins.
In the enemy's power falls the flag
If a weakling defends it.
Who is paralyzed by fear of sacrifice,
Is already marked with the death mark!
It will one day be achieved by you.
But whoever stands at the front of the ranks
Must be able to fall for his cause.
If he dares not, let him then put away
His weapon, before the fight begins.
In the enemy's power falls the flag
If a weakling defends it.
Who is paralyzed by fear of sacrifice,
Is already marked with the death mark!
THE CROWDHe demands our own right to life
For a yet unborn people!
For a yet unborn people!
Fifth Act쪽 200 / 346
BRANDThrough sacrifice wastelands lead
The roads to our Canaan.
To victory through death,
I call upon you, as the Lord's knight!
The roads to our Canaan.
To victory through death,
I call upon you, as the Lord's knight!
THE SEXTONNow we are nicely shorn!
In the village we are under the ban...
In the village we are under the ban...
THE SCHOOLMASTERBack there... that is not possible!
THE SEXTONAnd forward, forward, no one wants to!
SOMEKill him!
THE SCHOOLMASTERWho then must
Lead us as our chief?
Lead us as our chief?
(point frightened to the road below)
THE WOMENThe Provost!
THE SCHOOLMASTERDo not let yourselves be frightened!
(comes on, followed by a few of those who remained behind)
THE PROVOSTOh my children! Oh my lambs!
Hear the voice of your old shepherd!
Hear the voice of your old shepherd!
(to the people)
THE SCHOOLMASTERWe have no home there anymore;
Let us cross the mountain!
Let us cross the mountain!
THE PROVOSTOh, how can you grieve me so,
Wound my heart so deeply!
Wound my heart so deeply!
BRANDYou wounded souls year after year!
THE PROVOSTDo not listen to him! He wants to lure you
With empty words.
With empty words.
SEVERALThat is true!
THE PROVOSTBut we are loving; we forgive,
Where we see sincere repentance.
Oh, come to yourselves,
And see with what hellish cunning
He lures all people to him!
Where we see sincere repentance.
Oh, come to yourselves,
And see with what hellish cunning
He lures all people to him!
MANYYes, that is so,... he lured us!
THE PROVOSTOh, think then, what can you do,
A little troop born in this corner?
Are you chosen for something great?
Does one prisoner become free through you?
You have your small daily task,
And what goes beyond that is sin.
What good can you do as voters?
Only protect your humble hut.
What should you do with falcon and eagle?
What should you do with wolf and bear?
You will only be prey to the superior force,...
Oh, my lambs,... oh, my children!
A little troop born in this corner?
Are you chosen for something great?
Does one prisoner become free through you?
You have your small daily task,
And what goes beyond that is sin.
What good can you do as voters?
Only protect your humble hut.
What should you do with falcon and eagle?
What should you do with wolf and bear?
You will only be prey to the superior force,...
Oh, my lambs,... oh, my children!
THE CROWDYes, woe to us... those are true words!
Fifth Act쪽 201 / 346
THE SEXTONYet we, leaving the village,
Closed the house door behind us for good;...
There is no home for us now.
Closed the house door behind us for good;...
There is no home for us now.
THE SCHOOLMASTERNo, he kindled light for our eyes,
He pointed out falseness, pretense, and lies;
No longer does the congregation sleep;
And what down there is called life
Is no life for those who awakened.
He pointed out falseness, pretense, and lies;
No longer does the congregation sleep;
And what down there is called life
Is no life for those who awakened.
THE PROVOSTOh, that will soon enough pass over,
And everything will return to the old track;
Just keep still for a while!
I guarantee that the congregation
Will soon live again in peace.
And everything will return to the old track;
Just keep still for a while!
I guarantee that the congregation
Will soon live again in peace.
BRANDChoose, people!
A FEWWe want to go home!
OTHERSToo late! Across the glaciers, come!
(comes running hastily)
THE BAILIFFWhat luck that I find you!
THE WOMENOh, dear bailiff, do not be angry!
THE BAILIFFNo, no; just come along!
A better time dawns for the village;
If you are only sensible now
You can all be rich before evening!
A better time dawns for the village;
If you are only sensible now
You can all be rich before evening!
SEVERALHow so?
THE BAILIFFA school of fish in the fjord...
Millions and millions of them!
Millions and millions of them!
THE CROWDWhat is he saying!
THE BAILIFFBe on your guard!
A hailstorm can easily drive them away.
They never came here before;...
Now, friends, here in the North
A better time also comes for us!
A hailstorm can easily drive them away.
They never came here before;...
Now, friends, here in the North
A better time also comes for us!
BRANDChoose between God's voice and his!
THE BAILIFFLet your common sense guide you!
THE PROVOSTOh, has a miracle happened here?
A sign from the Lord!
Ah, I have so often dreamed of it,
But took it for imagination;...
Now we clearly see the intention...
A sign from the Lord!
Ah, I have so often dreamed of it,
But took it for imagination;...
Now we clearly see the intention...
BRANDIf you renounce, you lose yourselves!
MANYA school of fish!
THE BAILIFFOf millions of fish!
THE PROVOSTBread for your women and your children!
Fifth Act쪽 202 / 346
THE BAILIFFYou see, now it is no time
To measure your strength in a vain fight
With a superior force,
That would even intimidate the provost.
Now you have another goal in sight
Than to languish stupidly for the high.
The dear Lord can manage alone,
And heaven still stands firm.
Do not meddle with other issues,
But hurry to catch the fish,
That is a useful, practical work,
That happens without blood or steel;
It brings you profit and welfare,
And demands no personal sacrifice!
To measure your strength in a vain fight
With a superior force,
That would even intimidate the provost.
Now you have another goal in sight
Than to languish stupidly for the high.
The dear Lord can manage alone,
And heaven still stands firm.
Do not meddle with other issues,
But hurry to catch the fish,
That is a useful, practical work,
That happens without blood or steel;
It brings you profit and welfare,
And demands no personal sacrifice!
BRANDJust the sacrifice is the Lord's demand,
Thus flames the word in heaven's vault!
Thus flames the word in heaven's vault!
THE PROVOSTOh, if you feel such a urge to sacrifice,
Then come comfortably to me,...
For instance, come next Sunday;...
I will truly...
Then come comfortably to me,...
For instance, come next Sunday;...
I will truly...
(breaking off)
THE BAILIFFYes, yes, yes!
(softly to the provost)
THE SEXTONCan I keep my office of sexton?
(likewise)
THE SCHOOLMASTERCan I still stay at the school?
(muffled)
THE PROVOSTIf you can talk the people around,
They will not be so strict with you...
They will not be so strict with you...
THE BAILIFFHome; home; no time wasted!
THE SEXTONTo sea, to sea, whoever wants to be wise!
A FEWBut Brand then?...
THE SEXTONLet that madman run!
THE SCHOOLMASTERYou see here the word of the Lord
As if printed in an open book.
As if printed in an open book.
THE BAILIFFLeave him alone; he deserves it;
He made fools of you all...
He made fools of you all...
SEVERALHe lied to us.
THE PROVOSTHis teaching is false!
And he didn't even pass cum laude!
And he didn't even pass cum laude!
SEVERALWhat did he do?
THE BAILIFFA mean character!
THE SEXTONYes, that's true; we see it clearly!
THE PROVOSTHe made his mother wait in vain
For the sacrament when she was dying!
For the sacrament when she was dying!
THE BAILIFFHe all but killed his own child!
Fifth Act쪽 203 / 346
THE SEXTONAnd his wife too!
THE WOMENWhat a scandal!
THE PROVOSTA bad father, husband, and son;...
There is no worse Christian!
There is no worse Christian!
MANY VOICESHe tore down our old church!
OTHERSHe closed the new one to us!
STILL OTHERSHe threw us on a plank in the sea!
THE BAILIFFHe stole my plan for the madhouse!
BRANDI see the mark on every forehead.
I know where you are all going now.
I know where you are all going now.
(roaring:)
THE WHOLE CROWDDon't listen to him, but drive him out!
And stone him, the hell-spirit!
(Brand is driven up the rocky plain with stone-throwing. Then the persecutors return).
And stone him, the hell-spirit!
(Brand is driven up the rocky plain with stone-throwing. Then the persecutors return).
THE PROVOSTOh, my children! Oh, my lambs!
Now you return to home and hearth;
May your repentance brighten your eyes,
Then you will see, all will be well.
We know it, after all, God is good;
He does not demand innocent blood;
And the Government likewise
Is mild, as almost nowhere else;
And your local authority here, our bailiff,
Will not make it hard for you either;
And I am loving and humane
Like modern Christianity;
Your superiors all wish
To live in peace and harmony with you!
Now you return to home and hearth;
May your repentance brighten your eyes,
Then you will see, all will be well.
We know it, after all, God is good;
He does not demand innocent blood;
And the Government likewise
Is mild, as almost nowhere else;
And your local authority here, our bailiff,
Will not make it hard for you either;
And I am loving and humane
Like modern Christianity;
Your superiors all wish
To live in peace and harmony with you!
THE BAILIFFBut if dissension still exists,
Then it must be resolved.
As soon as it is a little calmer
We will appoint a committee
To investigate to what extent
Religion meets the requirement.
It may consist of clergy,
Whom we, the provost and I, will appoint...
In addition, if desired,
The sexton and the village schoolmaster,
With other men from the people
In whom trust is willingly placed.
Then it must be resolved.
As soon as it is a little calmer
We will appoint a committee
To investigate to what extent
Religion meets the requirement.
It may consist of clergy,
Whom we, the provost and I, will appoint...
In addition, if desired,
The sexton and the village schoolmaster,
With other men from the people
In whom trust is willingly placed.
THE PROVOSTWe will lighten your burden,
Just as you lightened the old shepherd's
Great fear.
May that thought give everyone strength,
That God performed a miracle for you.
Farewell! Much blessing on your catch!
Just as you lightened the old shepherd's
Great fear.
May that thought give everyone strength,
That God performed a miracle for you.
Farewell! Much blessing on your catch!
THE SEXTONAh, those are true Christians!
THE SCHOOLMASTERThey do things calmly and dignifiedly.
THE WOMENThey are so neat and so kind!
Fifth Act쪽 204 / 346
OTHERSSo truly affable and simple!
THE SEXTONThey do not demand life-offerings.
THE SCHOOLMASTERAnd they can do more than just pray.
(The crowd descends the mountain).
(to the bailiff)
THE PROVOSTCome on, that will clear the situation.
Now everything here will change;
For, thank God, there exists something
Called the name "reaction."
Now everything here will change;
For, thank God, there exists something
Called the name "reaction."
THE BAILIFFIt was my work that the spectacle
Was smothered at birth.
Was smothered at birth.
THE PROVOSTBut most was done by the miracle.
THE BAILIFFWhat miracle?
THE PROVOSTOf the fish school.
(whistles)
THE BAILIFFThat was just a lie!
THE PROVOSTOh come? A lie?
THE BAILIFFI just said what
First came into my mind at the moment.
Is that blameworthy, when it was a matter
Of such great importance?
First came into my mind at the moment.
Is that blameworthy, when it was a matter
Of such great importance?
THE PROVOSTCertainly not!
Quite justifiable if need be.
Quite justifiable if need be.
THE BAILIFFAnd besides, if tomorrow
The people are calm and sensible,
What does it matter whether we conquered
By truth or by lies?
The people are calm and sensible,
What does it matter whether we conquered
By truth or by lies?
THE PROVOSTMy friend, I am no rigorist. (looks at the plain above).
But is that not Brand who is
Dragging himself along up there?
But is that not Brand who is
Dragging himself along up there?
THE BAILIFFCertainly, that is he!
A lonely fighter on his journey!
A lonely fighter on his journey!
THE PROVOSTNo, look, there is someone else with him...
Far behind him!
Far behind him!
THE BAILIFFWhat?... That is Gerd!
The fellow is worthy of the company.
The fellow is worthy of the company.
(cheerfully)
THE PROVOSTOnce his thirst for sacrifice is quenched,
This could serve as an epitaph:
"Here lies Brand, full of fighting spirit;
He won one soul... and that was mad!"
This could serve as an epitaph:
"Here lies Brand, full of fighting spirit;
He won one soul... and that was mad!"
(with forefinger against nose)
THE BAILIFFBut when I consider the matter,
The judgment of the people seems to me
Rather inhumane.
The judgment of the people seems to me
Rather inhumane.
(shrugs shoulders)
Fifth Act쪽 205 / 346
THE PROVOSTVox populi vox dei. Come! (exeunt).
(Above on the bare mountain plateau. The weather gets worse and worse; black clouds drive low and dense over the snowfields. Black peaks and ridges now and then appear and are again shrouded in mists).
(Above on the bare mountain plateau. The weather gets worse and worse; black clouds drive low and dense over the snowfields. Black peaks and ridges now and then appear and are again shrouded in mists).
(Brand, bloody and beaten, comes up the mountain).
(stops and looks back)
BRANDA thousand people set out with me
And not one reached the peaks.
Indeed, all hearts ring with
Longing for a greater, better time;
Indeed, there descends into all souls
The call to holy battle.
But the sacrifice frightens them;
Weak and fearful, the will hides...
One died for them all, after all...
Cowardice no longer counts as sin!
And not one reached the peaks.
Indeed, all hearts ring with
Longing for a greater, better time;
Indeed, there descends into all souls
The call to holy battle.
But the sacrifice frightens them;
Weak and fearful, the will hides...
One died for them all, after all...
Cowardice no longer counts as sin!
(sinks down on a stone and looks around timidly).
BRANDOh, how often I shuddered.
I went trembling with fear...
Amidst the howling of the dogs...
In the dark... I was a child!...
In the haunted room.
But I controlled my heartbeat,
Comforted myself with the thought:
Outside the full light shines,
The darkness does not come from night,...
There are shutters before the windows.
And I thought how soon the daylight,
Bright summer sunshine,
Would stream in full and glorious
Through door and window arches,
Into the haunted room.
Oh, how bitterly I was deceived,
Pitch-black night struck against me...
And outside sat men
Gloomy, silent, along fjord and field,
Holding fast to dead dreams,
Guarding them, like the king,
For years by Snefrid's corpse,
Workingly loosening a corner of the shroud,
Feeding on idle hope,
Each time thinking that the roses
Would bloom again on his cheeks.
And, like him, there was not one
Who gave the grave what it demanded.
Among them not one who knows:
Corpses are not dreamed back to life,
Corpses must go into the ground;
Their task is to give
Nourishment to a new harvest...
Dark night,... night, everywhere,
Over men, women, children!
Could I but with lightning flashes
Deliver them from straw-death's distress!
I went trembling with fear...
Amidst the howling of the dogs...
In the dark... I was a child!...
In the haunted room.
But I controlled my heartbeat,
Comforted myself with the thought:
Outside the full light shines,
The darkness does not come from night,...
There are shutters before the windows.
And I thought how soon the daylight,
Bright summer sunshine,
Would stream in full and glorious
Through door and window arches,
Into the haunted room.
Oh, how bitterly I was deceived,
Pitch-black night struck against me...
And outside sat men
Gloomy, silent, along fjord and field,
Holding fast to dead dreams,
Guarding them, like the king,
For years by Snefrid's corpse,
Workingly loosening a corner of the shroud,
Feeding on idle hope,
Each time thinking that the roses
Would bloom again on his cheeks.
And, like him, there was not one
Who gave the grave what it demanded.
Among them not one who knows:
Corpses are not dreamed back to life,
Corpses must go into the ground;
Their task is to give
Nourishment to a new harvest...
Dark night,... night, everywhere,
Over men, women, children!
Could I but with lightning flashes
Deliver them from straw-death's distress!
(jumps up).
Fifth Act쪽 206 / 346
BRANDNight visions I see chase
Like a hell-ride in the dark.
I see the time in armor
Admonishing, demanding life-sacrifices,
Demanding ringing steel, not staves,
Demanding swords from the scabbard;...
I see kinsmen girding for battle,
I see brothers crouching,
With their hats pulled down over their eyes.
And more I see passing by,...
All horrors and misery!
Women wailing, men screaming,
Ears closed to those who plead,...
I see them scratching on their forehead
The mark of poor shore-dwellers,
The least people created by God.
Pale and making themselves small, they stand,
Thinking thus to protect themselves...!
Flags, midday rainbow,
Where has all that gone now?
Where now the joyful tricolor,...
That which fluttering, clapping flew out
Amidst cheering popular jubilation,
Until a royal enthusiast
Clipped tongue and split in the flag?
With the tongue they then boasted;
The dragon may not show teeth,
What then is that split as a mouth?...
If only the people had not cheered,
Not clipped the king's scissors!
Such a flag with four corners of peace
Is just good for a distress signal,
When a boat is holed!
Worse times and visions
Shine through the future night!
Like a reeking black cloud
England's coal smoke spreads out.
Befouling all fresh green,
Choking every sprout in soot,
It creeps, heavy with poison,
Stealing the sunlight from the fields,
Sinking down, pregnant with ash,
Like a judgment of antiquity...
Men are becoming ugly now;...
Through the mines' crooked passages
Sounds the dripping of water.
The dwarf folk, busy with zeal,
Work, freeing the spirit of the ore,
Go bent in back and soul,
Glancing with greedy eyes
At the white golden lies,
Without cry of pain, without smile,
A brother falls, no one cares,
Own fall does not rouse the lion either;...
All hammer, file, coin;
No one thinks of the light anymore;
All mankind no longer knows
That, though powers may fail,
This does not release from duties!
Worse times and visions
Shine in the future night!
Cold understanding with loud barking
Threatens the sun of doctrine on earth.
A cry of distress rises from the North,
Help us! resounds along the fjords;
Cross and sulky hisses the dwarf,
That is still not work for me.
Let the strong glow for that,
Others rise for that;
That does not lie on our path...
We are small, not calculated
For a truth-struggle tournament;
Cannot for our salvation-loss
Sacrifice the people's welfare.
Not for us did he suffer,
Not for us did the points of the crown of thorns
Press into his temples...
Not for us did the lance point
Press into the side of the dead.
Not for us did the nails burn,
Driven through hands and feet...
We are small, almost unknown to him,
Are not fit to help!
Not for us was the cross carried!
Ahasuerus' belt-strap, bloody
Whipping, purple coloring back and
Shoulders of the sufferer... that is
Our share of the passion work!
(throws himself down in the snow, covering his face; after a while he looks up).
Have I dreamed? Am I awake now?
Everything gray, hidden in mist.
Were they sick dream-visions
That passed before my eyes?
Is the image, after which the soul
Was created, completely lost?
Overcome in our primal spirit?... (listening).
Like song it sounds in the storm wind!
Like a hell-ride in the dark.
I see the time in armor
Admonishing, demanding life-sacrifices,
Demanding ringing steel, not staves,
Demanding swords from the scabbard;...
I see kinsmen girding for battle,
I see brothers crouching,
With their hats pulled down over their eyes.
And more I see passing by,...
All horrors and misery!
Women wailing, men screaming,
Ears closed to those who plead,...
I see them scratching on their forehead
The mark of poor shore-dwellers,
The least people created by God.
Pale and making themselves small, they stand,
Thinking thus to protect themselves...!
Flags, midday rainbow,
Where has all that gone now?
Where now the joyful tricolor,...
That which fluttering, clapping flew out
Amidst cheering popular jubilation,
Until a royal enthusiast
Clipped tongue and split in the flag?
With the tongue they then boasted;
The dragon may not show teeth,
What then is that split as a mouth?...
If only the people had not cheered,
Not clipped the king's scissors!
Such a flag with four corners of peace
Is just good for a distress signal,
When a boat is holed!
Worse times and visions
Shine through the future night!
Like a reeking black cloud
England's coal smoke spreads out.
Befouling all fresh green,
Choking every sprout in soot,
It creeps, heavy with poison,
Stealing the sunlight from the fields,
Sinking down, pregnant with ash,
Like a judgment of antiquity...
Men are becoming ugly now;...
Through the mines' crooked passages
Sounds the dripping of water.
The dwarf folk, busy with zeal,
Work, freeing the spirit of the ore,
Go bent in back and soul,
Glancing with greedy eyes
At the white golden lies,
Without cry of pain, without smile,
A brother falls, no one cares,
Own fall does not rouse the lion either;...
All hammer, file, coin;
No one thinks of the light anymore;
All mankind no longer knows
That, though powers may fail,
This does not release from duties!
Worse times and visions
Shine in the future night!
Cold understanding with loud barking
Threatens the sun of doctrine on earth.
A cry of distress rises from the North,
Help us! resounds along the fjords;
Cross and sulky hisses the dwarf,
That is still not work for me.
Let the strong glow for that,
Others rise for that;
That does not lie on our path...
We are small, not calculated
For a truth-struggle tournament;
Cannot for our salvation-loss
Sacrifice the people's welfare.
Not for us did he suffer,
Not for us did the points of the crown of thorns
Press into his temples...
Not for us did the lance point
Press into the side of the dead.
Not for us did the nails burn,
Driven through hands and feet...
We are small, almost unknown to him,
Are not fit to help!
Not for us was the cross carried!
Ahasuerus' belt-strap, bloody
Whipping, purple coloring back and
Shoulders of the sufferer... that is
Our share of the passion work!
(throws himself down in the snow, covering his face; after a while he looks up).
Have I dreamed? Am I awake now?
Everything gray, hidden in mist.
Were they sick dream-visions
That passed before my eyes?
Is the image, after which the soul
Was created, completely lost?
Overcome in our primal spirit?... (listening).
Like song it sounds in the storm wind!
Fifth Act쪽 207 / 346
(whispers in the storm wind)
THE INVISIBLE CHOIRNever, never will you become like him,...
For you are born of dust:
Whether you do his work or yield,
You are still lost forever!
For you are born of dust:
Whether you do his work or yield,
You are still lost forever!
(repeats the words and says softly:)
BRANDWoe is me! I must almost believe it!
Did he not stand in the church choir,
Angrily rejecting my prayer?
Did he not take all I possessed,
Close off the path of light to me,
Let me struggle to the end
And make me fall!
Did he not stand in the church choir,
Angrily rejecting my prayer?
Did he not take all I possessed,
Close off the path of light to me,
Let me struggle to the end
And make me fall!
(sounds stronger above him)
THE CHOIRNever will you, worm, become like him,...
You are doomed to death;
You may follow him or deviate,
Your deed remains forever cursed!
You are doomed to death;
You may follow him or deviate,
Your deed remains forever cursed!
(to himself)
BRANDAgnes, Alf, the light days,
A life in happiness and peace,
I traded for struggle and misery,
Wounded my breast bloody,...
Yet have not slain the dragon!
A life in happiness and peace,
I traded for struggle and misery,
Wounded my breast bloody,...
Yet have not slain the dragon!
(softly and enticingly)
THE CHOIRDreamer, never will you become like him,
You have lost property and goods;
Sacrifices do not enrich him;...
For you are born as a human!
You have lost property and goods;
Sacrifices do not enrich him;...
For you are born as a human!
(bursts into soft weeping)
BRANDAlf and Agnes, come back to me:
Lonely I sit here on the peak,
Shivering in the wind, with ghosts
Wild and gloomy, all around me!...
(He looks up; a light-glowing spot opens and widens in the mist; a female figure stands before him in a light garment and a cloak around her shoulders. It is Agnes).
Lonely I sit here on the peak,
Shivering in the wind, with ghosts
Wild and gloomy, all around me!...
(He looks up; a light-glowing spot opens and widens in the mist; a female figure stands before him in a light garment and a cloak around her shoulders. It is Agnes).
(smiles and stretches out her arms to him)
THE FIGUREBrand, here I am back with you!
(jumps up confused)
BRANDAgnes! Agnes! Are you really!
THE FIGUREEverything was an evil dream!
Now all mists disappear!
Now all mists disappear!
BRANDAgnes! Agnes! (wants to go to her).
(screams)
Fifth Act쪽 208 / 346
THE FIGURENot here over!
Don't you see that deep chasm,
Through which the wild water flows? (softly).
No, you are not dreaming, no, you are not sleeping,
You see no more visions now.
You have been ill, my dearest,
Drank the bitter drink of madness,
Dreamed that we left you...
Don't you see that deep chasm,
Through which the wild water flows? (softly).
No, you are not dreaming, no, you are not sleeping,
You see no more visions now.
You have been ill, my dearest,
Drank the bitter drink of madness,
Dreamed that we left you...
BRANDOh, you live then! God be praised and...!
(quickly)
THE FIGUREHush, speak of that later!
Follow me, come, the time is short though.
Follow me, come, the time is short though.
BRANDOh, but Alf?
THE FIGUREIs not dead either.
BRANDHe lives?!
THE FIGUREYes, healthy and vigorous!
All that suffering you dreamed;
All your struggle... deceit and delusion.
Alf sits on grandmother's lap;
She is well and he is growing up.
The church still stands in the village too;
Build a larger one, if you want;...
And the people toil down there
As in the old, good days.
All that suffering you dreamed;
All your struggle... deceit and delusion.
Alf sits on grandmother's lap;
She is well and he is growing up.
The church still stands in the village too;
Build a larger one, if you want;...
And the people toil down there
As in the old, good days.
BRANDGood?
THE FIGUREYes... when peace reigned.
BRANDPeace!
THE FIGUREHurry, Brand, come with me!
BRANDAh, I am dreaming!
THE FIGURENo, not now.
But you need rest...
But you need rest...
BRANDI am strong.
THE FIGUREOh, not yet;
Dream-danger lies in wait.
Again you will glide like a shadow,
Away from the child and from my side,
Then your spirit will darken again,
If you do not use the remedy.
Dream-danger lies in wait.
Again you will glide like a shadow,
Away from the child and from my side,
Then your spirit will darken again,
If you do not use the remedy.
BRANDOh, give it here then!
THE FIGUREYou possess it,
You alone, and no one else.
You alone, and no one else.
BRANDName it then!
THE FIGUREThe old doctor
Who read so many books,...
Who is thoroughly clever,
Has found the germ of the disease.
All sad dream-visions
Come from three words.
Those three you must boldly delete,
Wipe them from your memory,
No longer regard them as law.
They are the cause of the visions,
Which overcame you like madness;...
Remove them, your soul will be pure
And freed from pain and sickness!
Who read so many books,...
Who is thoroughly clever,
Has found the germ of the disease.
All sad dream-visions
Come from three words.
Those three you must boldly delete,
Wipe them from your memory,
No longer regard them as law.
They are the cause of the visions,
Which overcame you like madness;...
Remove them, your soul will be pure
And freed from pain and sickness!
Fifth Act쪽 209 / 346
BRANDSay them!
THE FIGURE"All or Nothing."
(recoils)
BRANDThat?
Is that it?
Is that it?
THE FIGUREAs truly as I live, yes,
And as truly as you will one day die.
And as truly as you will one day die.
BRANDWoe to us both! The threatening sword hangs
Still as before over us!
Still as before over us!
THE FIGUREBrand, be good... I love you;
Clasp me in your strong arms...
Let us seek sun and summer...
Clasp me in your strong arms...
Let us seek sun and summer...
BRANDNo, my sickness will not return.
THE FIGUREYes, alas, it will come back.
(shaking his head)
BRANDNo, it is behind me now.
Now no more wild dreams,...
Now comes the rich, full life!
Now no more wild dreams,...
Now comes the rich, full life!
THE FIGURELife?
BRANDFollow me, Agnes!
THE FIGUREWait!
Brand, what do you want?
Brand, what do you want?
BRANDWhat I must:
Live what I have only dreamed,...
Do in truth what was merely delusion.
Live what I have only dreamed,...
Do in truth what was merely delusion.
THE FIGUREOh, impossible! Think where
That led you!
That led you!
BRANDYet once more!
THE FIGUREAll those terrible visions
Do you want to live through of your own free will?
Do you want to live through of your own free will?
BRANDFree and awake.
THE FIGURELose the child?
BRANDLose the child.
THE FIGUREBrand!
BRANDI must!
THE FIGUREMake my blood run cold again?
Beat me with offering scourges
Until I collapse?
Beat me with offering scourges
Until I collapse?
BRANDI had to do it.
THE FIGUREExtinguish all light into night,
Lock out the sunny daylight,
Never pluck from life's fruits,
Never gladden your soul with song?
Oh, I remember so much!
Lock out the sunny daylight,
Never pluck from life's fruits,
Never gladden your soul with song?
Oh, I remember so much!
BRANDI must! Do not waste your pleading.
THE FIGUREAnd do you forget your reward?
How your hope deceived you?
You remained alone... were struck!
How your hope deceived you?
You remained alone... were struck!
BRANDNot for myself have I suffered,
Not for my own victory did I fight.
Not for my own victory did I fight.
Fifth Act쪽 210 / 346
THE FIGUREFor a people that lives in darkness.
BRANDOne can give light to many.
THE FIGURETo condemned generations!
BRANDMuch can sometimes the will of one do.
THE FIGUREThink how one with a flaming sword
Drove man from Paradise!
And he closed the gate;...
No one gets past there!
Drove man from Paradise!
And he closed the gate;...
No one gets past there!
BRANDThe path of longing remained open!
THE FIGURE (disappears in a thunderclap; the mist fills the place where she stood, and a sharp, piercing cry resounds, as of someone fleeing:)
Die! What are you doing here on earth!
THE FIGURE (disappears in a thunderclap; the mist fills the place where she stood, and a sharp, piercing cry resounds, as of someone fleeing:)
Die! What are you doing here on earth!
(stands for a moment as if dazed)
BRANDGone... disappeared in the mist,...
Fled on great black wings
Like a vulture over the plain.
It was the asking for a finger
To get the whole hand!...
Yes, that was the spirit of half-heartedness!
Fled on great black wings
Like a vulture over the plain.
It was the asking for a finger
To get the whole hand!...
Yes, that was the spirit of half-heartedness!
(enters with a rifle)
GERDDid you see the hawk flee?
BRANDYes, now I have seen him.
GERDTell me quickly where he flew;
I want to follow him, I want to hit him!
I want to follow him, I want to hit him!
BRANDNo weapon can touch him;
Each time one thinks to hit him
In the heart, with murderous lead,...
But when one wants to kill him,
He sits mocking and brazen
Behind you, and flies away again.
Each time one thinks to hit him
In the heart, with murderous lead,...
But when one wants to kill him,
He sits mocking and brazen
Behind you, and flies away again.
GERDI stole this hunter's rifle,
Loaded it with lead and silver;
Believe me, I am not as crazy
As they say!
Loaded it with lead and silver;
Believe me, I am not as crazy
As they say!
BRANDThen hit your target! (about to go).
GERDYou limp... how did that happen?
What happened?
What happened?
BRANDThe people drove me away.
(closer)
GERDRed drops of blood cover
Your forehead too!
Your forehead too!
BRANDThe people threw stones.
GERDYour voice used to sound like singing...
Now grating, like crackling autumn leaves.
Now grating, like crackling autumn leaves.
BRANDAll... everything...
GERDWhat?
BRANDHas left me.
(looks at him with wide eyes)
Fifth Act쪽 211 / 346
GERDOh, now I know who you are!
I thought you were the priest;
... Bah, all that priestly rubbish!...
But you are the greatest of all!
I thought you were the priest;
... Bah, all that priestly rubbish!...
But you are the greatest of all!
BRANDI almost fell prey to that delusion.
GERDLet me see your hands!
BRANDWhy that?
GERDThe nail marks!
I see your blood dripping down your forehead.
Through the sharp teeth of thorns,
Deep and wild pressed into the flesh.
Yes, you have hung on the cross!
Father said, when I was small,
How that once happened,
Far from here and with another;...
But now I see that was a fairy tale;...
Yes, because you are the Saviour!
I see your blood dripping down your forehead.
Through the sharp teeth of thorns,
Deep and wild pressed into the flesh.
Yes, you have hung on the cross!
Father said, when I was small,
How that once happened,
Far from here and with another;...
But now I see that was a fairy tale;...
Yes, because you are the Saviour!
BRANDDepart from me!
GERDOh, must I then
Kneel praying at your feet?
Kneel praying at your feet?
BRANDAway!
GERDYou gave your blood
For the redemption of us all!
For the redemption of us all!
BRANDOh, I know no rescue plank
For my own poor soul!
For my own poor soul!
GERDHere is the rifle! Shoot down the brood!...
(shakes his head)
BRANDNo, I must fulfill my fate.
GERDDo not say that; you are the greatest!
In your hand is the nail mark;...
Chosen, the Saviour!
In your hand is the nail mark;...
Chosen, the Saviour!
BRANDThe least is even more so!
(looks upward; the clouds part)
GERDDo you know where you are standing?
(stares straight ahead)
BRANDI am standing
On the lowest rung of the ladder,
Soul and body heavily wounded.
On the lowest rung of the ladder,
Soul and body heavily wounded.
(more wildly)
GERDAnswer! Do you know where you are?
BRANDYes, now the veil of mist falls.
GERDYes, it falls: the Black Peak
Bores its point deep into the sky!
Bores its point deep into the sky!
BRANDBlack Peak? The ice church!
GERDYes!
Finally you have come here after all!
Finally you have come here after all!
Fifth Act쪽 212 / 346
BRANDA thousand miles away from here!...
Oh, how soulfully I yearn
For the sun, for light and gentleness,
For a pious, quiet peace,
For life's summer warmth! (bursts into tears).
Jesus, I called your name so often,
You never came to me;
You slipped close past me,
Like a half-forgotten word;
Let me now from the robe of salvation,
Wet with the wine of true repentance,
Grasp just a single corner!
Oh, how soulfully I yearn
For the sun, for light and gentleness,
For a pious, quiet peace,
For life's summer warmth! (bursts into tears).
Jesus, I called your name so often,
You never came to me;
You slipped close past me,
Like a half-forgotten word;
Let me now from the robe of salvation,
Wet with the wine of true repentance,
Grasp just a single corner!
(pale)
GERDWhat? You, Seer, weep, that warm
Tears stream down your cheeks,...
Warm, that drops from their shroud
Gently slide from the peaks,...
Warm, that the ice crust of my soul
Melts and dissolves into tears,...
Warm, that the snow-mist veil in tatters
Slips off the ice-church priest... (trembling).
Why did you not weep earlier!
Tears stream down your cheeks,...
Warm, that drops from their shroud
Gently slide from the peaks,...
Warm, that the ice crust of my soul
Melts and dissolves into tears,...
Warm, that the snow-mist veil in tatters
Slips off the ice-church priest... (trembling).
Why did you not weep earlier!
(with clear eye, radiant and as if rejuvenated)
BRANDIce-cold emanates from the law...
Without summer sun from above
I have, until now, only been
A bearer of God's strict laws;
Now, from this hour, my life shall
Warmly and richly seek the sunlight.
The ice crust melts. Now I can weep,
Can kneel,... can pray.
Without summer sun from above
I have, until now, only been
A bearer of God's strict laws;
Now, from this hour, my life shall
Warmly and richly seek the sunlight.
The ice crust melts. Now I can weep,
Can kneel,... can pray.
(Falls to his knees).
(looks askance upward and says softly and timidly)
GERDLook, there he sits again, the evil one!
Don't you see his shadow falling?
See how he along high peaks
Brushed with his broad wings.
Now is the hour of salvation near...
If only the silver will bite now!
(Puts the rifle against her cheek and shoots. A dull rumble, like rolling thunder, resounds from above along the slope).
Don't you see his shadow falling?
See how he along high peaks
Brushed with his broad wings.
Now is the hour of salvation near...
If only the silver will bite now!
(Puts the rifle against her cheek and shoots. A dull rumble, like rolling thunder, resounds from above along the slope).
(rises)
BRANDHa! What are you doing?
GERDWell hit!
Look, he staggers,... he is falling;
Hear, he screams, piercingly echoing!
Look, look, how all his feathers
Scatter along the mountain like flakes,
Look, how big and white he becomes!...
Hey, now he rolls this way!
Look, he staggers,... he is falling;
Hear, he screams, piercingly echoing!
Look, look, how all his feathers
Scatter along the mountain like flakes,
Look, how big and white he becomes!...
Hey, now he rolls this way!
(collapses)
BRANDYes, to atone for the race
All the offspring are condemned!
All the offspring are condemned!
Fifth Act쪽 213 / 346
GERDTen times wider became the vault
Of heaven, when he fell!
Watch him tumble! Watch him roll!...
Oh, now I am no longer afraid;
He is white now, like a dove...!
Of heaven, when he fell!
Watch him tumble! Watch him roll!...
Oh, now I am no longer afraid;
He is white now, like a dove...!
(screams in fear).
GERDWhoo! what a furious roaring!
(throws herself down in the snow).
(bending under the avalanche, calling upward:)
BRANDAnswer God, in the hour of death:
Has then not even a grain of worth
The quantum satis of the will...?
Has then not even a grain of worth
The quantum satis of the will...?
(The avalanche buries him and fills the whole valley).
(sounds through the rumbling thunder:)
A VOICEHe is Deus caritatis!
First Act쪽 214 / 346
First Act
DRAMATIC POEM IN FIVE ACTS
PERSONS
Aase, a peasant's widow. Peer Gynt, her son. Two old women, with corn-sacks. Aslak, a smith. Wedding guests. The Kitchen-master. The Fiddler, etc. A newly arrived peasant couple. Solvejg and little Helga, their daughters. The Farmer of Haegstad. Ingrid, his daughter. The Bridegroom and his parents. Three mountain dairymaids. A woman dressed in green. The Dovre-king. A Court Troll. Several other Trolls. Young trolls of both sexes. A few witches, Brownies, Dwarfs, Goblins, etc. An ugly brat. A Voice in the darkness. Bird-cries. Kari, a peasant woman. Mister Cotton, Monsieur Ballon, the Herr von Eberkopf and Trumpeterstraale, gentlemen travellers. A Thief and a Receiver. Anitra, the daughter of a Bedouin chief. Arabs, slave-girls, dancing girls, etc. The Memnon Statue (singing) and the Sphinx at Gizeh (dumb figure). Begriffenfeldt, Professor, Doctor of Philosophy, Director of the Lunatic Asylum at Cairo.
Huhu, a language reformer from the coast of Malabar. Hussein, an Oriental Minister. A Fellah with a royal mummy. Several lunatics with their keepers. A Norwegian ship-captain and his crew. A Strange Passenger. A Minister of the Church. A Funeral Procession. A Bailiff. A Button-moulder. A Lean Person.
The action, which takes place in the early 19th century and ends
about the year 1860, is partly played out in the Gudbransdal
and its mountains, partly on the coast of Morocco,
in the Sahara desert, in the madhouse at Cairo, at sea, etc.
A hillside with leafy trees near Aase's farm. A stream foams
downwards. On the other side an old mill. A warm summer day.
Peer Gynt, a powerfully built young man of twenty, comes down
the footpath. Aase, his mother, small and slight, follows
after him. She is angry and scolds.
AASEPeer, you're lying!
(without stopping)
PEER GYNTNo, I'm not!
AASEWell then, swear it's true!
PEER GYNTWhy swear?
AASEOh, you don't dare!
It's all lies again!
It's all lies again!
(stops)
PEER GYNTIt's the truth... word for word!
First Act쪽 215 / 346
(right in front of him)
AASEAren't you ashamed before me?
Staying away from home for weeks
Just in the busiest times,
To go hunting in the mountains...
Coming home with your coat torn,
Half-clothed and without game;...
And then you think you can
Impose your hunter's lies
On me!...
Well, where was it you saw the buck?
Staying away from home for weeks
Just in the busiest times,
To go hunting in the mountains...
Coming home with your coat torn,
Half-clothed and without game;...
And then you think you can
Impose your hunter's lies
On me!...
Well, where was it you saw the buck?
PEER GYNTOn the Gendin.
(laughs mockingly)
AASEJust so, indeed!
PEER GYNTSharp blew the wind from there;
Hidden behind brushwood
He was digging in the hard snow
For moss...
Hidden behind brushwood
He was digging in the hard snow
For moss...
(as before)
AASEYes, just so, indeed!
PEER GYNTI held my breath, listening sharply,
Heard the crunch of his hoof,
Saw the branches of one antler.
Then, cautiously, between stones,
I crept forward on my belly.
There hidden I peered up;...
Such a buck, so fine and fat,
You never saw in your life!
Heard the crunch of his hoof,
Saw the branches of one antler.
Then, cautiously, between stones,
I crept forward on my belly.
There hidden I peered up;...
Such a buck, so fine and fat,
You never saw in your life!
AASENo, I suppose not!
PEER GYNTOne crack!
And, bang! the buck fell to the ground.
But as soon as he went down
I was astride his back,
Grabbed him by his left ear,
Had just drawn my knife
To stab him in the neck;...
Hey! then he begins to scream,
Stands up again on his feet,
Throws back his antlers so
That I lose my knife and sheath;
He grips me like a vice round the loins,
Twines his horns round my legs
So I'm caught as in a clamp,...
And so he runs at a stretch
Straight over the Gendin ridge!
And, bang! the buck fell to the ground.
But as soon as he went down
I was astride his back,
Grabbed him by his left ear,
Had just drawn my knife
To stab him in the neck;...
Hey! then he begins to scream,
Stands up again on his feet,
Throws back his antlers so
That I lose my knife and sheath;
He grips me like a vice round the loins,
Twines his horns round my legs
So I'm caught as in a clamp,...
And so he runs at a stretch
Straight over the Gendin ridge!
(involuntarily)
AASEGood heavens...!
First Act쪽 216 / 346
PEER GYNTHave you ever
Seen the Gendin ridge?
It's half a mile long,
Narrow... no wider than a scythe,
Over glaciers, loose stones,
Sharp edges, grey and steep,
You can see on either side
Black water in the depths
Sleeping, more than thirteen hundred
Fathoms below, hemming in the mountain...
Along there he and I sped
Swift as an arrow through wind and weather.
I never rode such a beast!
In the midst of that wild ride
A crackling as of sun-sparks.
Eagles' backs swam brown
In the dizzy deep space,
Halfway between us and the water,...
Then drifted away again like foam.
Drift-ice broke along the edges,
But the sound could not be heard;
Whirlpool-fairies danced but
Singing, swirling round and round,
Before my eyes, and my ears!
Seen the Gendin ridge?
It's half a mile long,
Narrow... no wider than a scythe,
Over glaciers, loose stones,
Sharp edges, grey and steep,
You can see on either side
Black water in the depths
Sleeping, more than thirteen hundred
Fathoms below, hemming in the mountain...
Along there he and I sped
Swift as an arrow through wind and weather.
I never rode such a beast!
In the midst of that wild ride
A crackling as of sun-sparks.
Eagles' backs swam brown
In the dizzy deep space,
Halfway between us and the water,...
Then drifted away again like foam.
Drift-ice broke along the edges,
But the sound could not be heard;
Whirlpool-fairies danced but
Singing, swirling round and round,
Before my eyes, and my ears!
(giddy)
AASEO God, be with me!
PEER GYNTSuddenly,
At a terribly steep place,
A ptarmigan flies up
From the cleft where it sat,
Flutters cackling, frightened,
Up, right in front of the buck's feet.
He quickly half-wheels to the right,
Then with a giant leap
Plunges down into the depths!
At a terribly steep place,
A ptarmigan flies up
From the cleft where it sat,
Flutters cackling, frightened,
Up, right in front of the buck's feet.
He quickly half-wheels to the right,
Then with a giant leap
Plunges down into the depths!
(Aase staggers and grabs at a tree trunk. Peer Gynt continues).
PEER GYNTBehind us the black precipice,
Beneath us a bottomless deep!
First we went through a layer of mist,
Then through a whole swarm of gulls,
Which fled in all directions,
Screeching, scattering apart.
Onward again! Onward down!
But from the depths there gleams
Something white, like a reindeer's chest...
It was our own image, O mother,
That, rising from the mountain lake,
Rushed to the surface
In as wild a course
As that which drove us down.
Beneath us a bottomless deep!
First we went through a layer of mist,
Then through a whole swarm of gulls,
Which fled in all directions,
Screeching, scattering apart.
Onward again! Onward down!
But from the depths there gleams
Something white, like a reindeer's chest...
It was our own image, O mother,
That, rising from the mountain lake,
Rushed to the surface
In as wild a course
As that which drove us down.
(gasping for breath)
AASEPeer! God help me...! Tell me quickly!
PEER GYNTBuck from above, buck from below,
Met at the same moment,
So that the foam splashed us white.
Yes, there we lay floundering...
But after a while we reached
A spot where we landed,
The reindeer swam, I hanging onto it;...
I went home...
Met at the same moment,
So that the foam splashed us white.
Yes, there we lay floundering...
But after a while we reached
A spot where we landed,
The reindeer swam, I hanging onto it;...
I went home...
AASEAnd the buck?
PEER GYNTHe's probably still running around;...
First Act쪽 217 / 346
(snaps his fingers, spins on his heel and adds:)
PEER GYNTCatch him if you can.
AASEAnd you didn't break your neck?
Both legs unbroken?
Your backbone whole?
O, my God,... I praise and thank you
That you have protected my son...
Well, your trousers are in tatters;
But that's nothing to worry about
When you think what much worse
Could have happened on such a trip...!
(suddenly stops, looks at him open-mouthed and wide-eyed,
cannot find words for a long time, and finally bursts out:)
Oh you devilish liar!
Good God, what a liar you are!
I remember it now,
Heard it as a girl.
It happened to Gudbrand Glesne...
But not to you...
Both legs unbroken?
Your backbone whole?
O, my God,... I praise and thank you
That you have protected my son...
Well, your trousers are in tatters;
But that's nothing to worry about
When you think what much worse
Could have happened on such a trip...!
(suddenly stops, looks at him open-mouthed and wide-eyed,
cannot find words for a long time, and finally bursts out:)
Oh you devilish liar!
Good God, what a liar you are!
I remember it now,
Heard it as a girl.
It happened to Gudbrand Glesne...
But not to you...
PEER GYNTYes, to me too.
It can happen more than once.
It can happen more than once.
(angry)
AASEYes, a lie you can twist
Over and over, embellish, dress up,
Put in a brand-new suit
So that no one recognizes it.
And that's what you've done;
Made everything big and wild,
Embellished with eagles' backs...
And all those other trimmings —
A bit added here, a bit taken there —
You get someone so worked up
That a person no longer recognizes
What they've known for years!
Over and over, embellish, dress up,
Put in a brand-new suit
So that no one recognizes it.
And that's what you've done;
Made everything big and wild,
Embellished with eagles' backs...
And all those other trimmings —
A bit added here, a bit taken there —
You get someone so worked up
That a person no longer recognizes
What they've known for years!
PEER GYNTIf someone else said that
I'd give him a thrashing without mercy!
I'd give him a thrashing without mercy!
(crying)
AASEOh God, if only I were dead;
If only I were under the earth!
Neither tears nor prayers help,...
Peer, you are and remain lost!
If only I were under the earth!
Neither tears nor prayers help,...
Peer, you are and remain lost!
PEER GYNTDear little mother, oh please,...
Yes, you are absolutely right,...
Now just be good again...
Yes, you are absolutely right,...
Now just be good again...
AASEOh, be quiet!
Can I just suddenly be good,
With a beast like you for a son?
Isn't it hard enough for me, a poor widow
With no support, always shame for reward? (cries again)
What was left for us
Of Grandfather's rich days?
Where are all the bags of money
Of old Rasmus Gynt?
Father set the money rolling,...
Scattered it around like sand,
Bought land all over the country,
Rode in gilded carriages...
Where is all that was squandered
At the great winter feast,
When the guests threw bottles, glasses
Down onto the floor!
Can I just suddenly be good,
With a beast like you for a son?
Isn't it hard enough for me, a poor widow
With no support, always shame for reward? (cries again)
What was left for us
Of Grandfather's rich days?
Where are all the bags of money
Of old Rasmus Gynt?
Father set the money rolling,...
Scattered it around like sand,
Bought land all over the country,
Rode in gilded carriages...
Where is all that was squandered
At the great winter feast,
When the guests threw bottles, glasses
Down onto the floor!
First Act쪽 218 / 346
PEER GYNTLast year's snow, where is it?
AASEKeep your insolent mouth shut!
Look around! By the other window
There's not a whole pane of glass left.
Fence and gate are broken down,
The cattle stand in wind and weather,
Fields and acres lie fallow,
Every month I have to mortgage...
Look around! By the other window
There's not a whole pane of glass left.
Fence and gate are broken down,
The cattle stand in wind and weather,
Fields and acres lie fallow,
Every month I have to mortgage...
PEER GYNTStop that nagging!
Often when luck was lacking
It came back at a gallop!
Often when luck was lacking
It came back at a gallop!
AASEWhere it grew, salt has been sown now!
But you're a fellow, you,...
Always dashing and bold,
Well-spoken, as when the priest —
Who came from Copenhagen
And asked your baptismal name —
Swore that many a thoroughbred prince
Would like to bear such a name.
And in thanks your father then
Gave him a horse and sleigh as a present,
For his very kind word...
Yes; then there was fun enough!
The parson, the captain and all their hangers-on
Were here daily,
Eating, drinking with all their might.
But in need one knows one's friends;
Everything became empty and quiet
From the day that "Jon the money-bag"
Went off with his pack.
But you're a fellow, you,...
Always dashing and bold,
Well-spoken, as when the priest —
Who came from Copenhagen
And asked your baptismal name —
Swore that many a thoroughbred prince
Would like to bear such a name.
And in thanks your father then
Gave him a horse and sleigh as a present,
For his very kind word...
Yes; then there was fun enough!
The parson, the captain and all their hangers-on
Were here daily,
Eating, drinking with all their might.
But in need one knows one's friends;
Everything became empty and quiet
From the day that "Jon the money-bag"
Went off with his pack.
(dries her eyes with her apron).
AASEOh, you are big and strong now
You ought to be staff and support and help
For your poor old mother,...
You ought to manage the farm and house,
See that nothing goes to ruin;...
You ought to be staff and support and help
For your poor old mother,...
You ought to manage the farm and house,
See that nothing goes to ruin;...
(cries again).
AASEDear God, what I've had from you
All these years, you scoundrel!
At home by the hearth you lie,
Roll around in ashes and coals;
In the village you chase all the girls
Out of the dance hall when you come,...
You disgrace me everywhere,
Fight with the worst brawlers...
All these years, you scoundrel!
At home by the hearth you lie,
Roll around in ashes and coals;
In the village you chase all the girls
Out of the dance hall when you come,...
You disgrace me everywhere,
Fight with the worst brawlers...
(runs away)
PEER GYNTStop it.
(runs after him)
AASECan you deny
That you were number one
When there was that fight recently,
Over at Lunde... where you all
Went at each other like mad dogs?
Or wasn't it you who dislocated
Smith Aslak's arm that day...
Or was it only a finger?
That you were number one
When there was that fight recently,
Over at Lunde... where you all
Went at each other like mad dogs?
Or wasn't it you who dislocated
Smith Aslak's arm that day...
Or was it only a finger?
PEER GYNTWho brought you that story?
(angry)
AASEThe neighbour heard the wailing!
First Act쪽 219 / 346
(rubs his elbow)
PEER GYNTYes, but I was the one who screamed.
AASEYou?
PEER GYNTYes... I got the blows.
AASEWhat?
PEER GYNTHe can hit, you know!
AASEWho?
PEER GYNTWell, that Aslak, I mean.
AASEFie, fie! I could spit on you!
Such a braggart, such a rake,
A drunkard, an arch-liar,
Did you let a fellow like that beat you?
Such a braggart, such a rake,
A drunkard, an arch-liar,
Did you let a fellow like that beat you?
(cries again).
AASEI've suffered much shame;
But that this had to happen
Is the worst mockery.
Even if he is such a boss;...
Must you be the least?
But that this had to happen
Is the worst mockery.
Even if he is such a boss;...
Must you be the least?
PEER GYNTWhether I get beaten or I beat...
You always have to complain.
You always have to complain.
(laughs).
PEER GYNTCheer up, mother...
AASEWas that a lie
Again?
Again?
PEER GYNTYes, this time.
So dry your tears;...
So dry your tears;...
(clenches his left hand).
PEER GYNTLook,... with this pincer here
I held the whole smith bent;
I held the whole smith bent;
(clenches his right hand).
PEER GYNTAnd this little fist was my hammer...
AASEOh, you rascal, you'll drive your mother
Into the grave with your behaviour!
Into the grave with your behaviour!
PEER GYNTNo, no, you deserve better;
Twenty thousand times better;
Dear, angry mother mine,
Come, trust my word,
The whole village will honour you yet,
Just wait till I have done something great...
Truly great.
Twenty thousand times better;
Dear, angry mother mine,
Come, trust my word,
The whole village will honour you yet,
Just wait till I have done something great...
Truly great.
(mockingly)
AASEYou!
PEER GYNTWho knows what may happen!
AASEIf only you had sense enough
To mend all the tears in your trousers yourself!
To mend all the tears in your trousers yourself!
(angry)
PEER GYNTI shall be king, emperor!
AASEDear God, now he's lost
What little sense he had!
What little sense he had!
PEER GYNTYes, it will happen! Just be patient!
AASE"Be patient, then you'll be a prince,"
Is the saying, if I'm not mistaken!
Is the saying, if I'm not mistaken!
First Act쪽 220 / 346
PEER GYNTJust wait, mother!
AASEHold your tongue!
You're simply crazy...
Though, to be honest, I must say,
If you didn't every day
Do mad pranks and lie,
You would have come out well.
The Haegstad man liked you;
You could have had her
If you had managed properly...
You're simply crazy...
Though, to be honest, I must say,
If you didn't every day
Do mad pranks and lie,
You would have come out well.
The Haegstad man liked you;
You could have had her
If you had managed properly...
PEER GYNTYou think so?
AASEThe old man has no strength left
To resist his daughter;
He's a real stubborn fellow,
But Ingrid doesn't give in either;
And wherever she goes, he
Comes limping after her, grumbling.
To resist his daughter;
He's a real stubborn fellow,
But Ingrid doesn't give in either;
And wherever she goes, he
Comes limping after her, grumbling.
(begins to cry again).
AASEOh, my Peer, a rich girl,...
A farmer's daughter! Just think,
If you had been wiser
You would have been her bridegroom now,...
You, who now go about in rags!
A farmer's daughter! Just think,
If you had been wiser
You would have been her bridegroom now,...
You, who now go about in rags!
(quickly)
PEER GYNTCome, I'll go and get her promise!
AASEWhere?
PEER GYNTTo Haegstad!
AASEPoor boy;
That courtship is over!
That courtship is over!
PEER GYNTAnd why?
AASEIt's enough to cry!
Now it's too late... already lost...
Now it's too late... already lost...
PEER GYNTOh?
(sobbing)
AASEWhile you were off in the mountains
Riding through the air on your reindeer,
Mads Moën has got her!
Riding through the air on your reindeer,
Mads Moën has got her!
PEER GYNTWhat? That scarecrow of a woman! Him!...
AASEYes, she is taking him for a husband now.
PEER GYNTWait here till I harness a horse
To the cart... (makes to go).
To the cart... (makes to go).
AASEDon't make a fuss.
They are having the wedding tomorrow...
They are having the wedding tomorrow...
PEER GYNTPooh!... but I'll come this evening!
AASEShame on you; do you want them
To laugh and mock you too?
To laugh and mock you too?
PEER GYNTHush. Everything will go well.
(yodels and laughs at the same time).
PEER GYNTHeisa, I say! The cart stays here;
Fetching the horse would take too long...
Fetching the horse would take too long...
(lifts her up).
AASELet me go!
First Act쪽 221 / 346
PEER GYNTNo, in my arms
I'll carry you to the wedding house!
I'll carry you to the wedding house!
(wades through the stream).
AASEHelp! O Lord have mercy on me!
We're drowning...
We're drowning...
PEER GYNTNo, a much nobler death awaits me...
AASEYes, indeed;
You'll end on the gallows!
You'll end on the gallows!
(pulls his hair).
AASEOh, you monster!
PEER GYNTBe quiet now,
It's slippery here, the ground is greasy.
It's slippery here, the ground is greasy.
AASEDonkey!
PEER GYNTYes, you may well scold,
That won't put anyone off.
There; now we scramble up again...
That won't put anyone off.
There; now we scramble up again...
AASEHold me tight!
PEER GYNTHeisa, hop!
Now we play Peer-and-reindeer;...
Now we play Peer-and-reindeer;...
(gallops).
PEER GYNTI'm the reindeer, you are Peer!
AASEOh, I don't feel myself anymore!
PEER GYNTSee, now we've crossed the stream;...
(comes to land).
PEER GYNTNow, give your buck a kiss:
That's the driver's reward...
That's the driver's reward...
(boxes his ears)
AASEHere's for the driver!
PEER GYNTOuch!
That's a stingy reward!
That's a stingy reward!
AASELet me go!
PEER GYNTFirst to the farm.
Be my advocate. You are clever;
Speak to him, the old fool;
Tell him Mads Moën is worthless...
Be my advocate. You are clever;
Speak to him, the old fool;
Tell him Mads Moën is worthless...
AASELet me go!
PEER GYNTAnd tell him too
What a fellow Peer is.
What a fellow Peer is.
AASEYes, you can count on that!
I'll give him a piece of my mind,
I'll paint a pretty picture
Of your pranks and tricks...
I'll give him a piece of my mind,
I'll paint a pretty picture
Of your pranks and tricks...
PEER GYNTOh?
(splutters with rage)
AASEI won't stop
Till the farmer sets the dog on you
As if you were a beggar!
Till the farmer sets the dog on you
As if you were a beggar!
PEER GYNTHm; then I'll go alone.
AASEFine, but I'll come after you!
PEER GYNTDearest mother, you can't...
First Act쪽 222 / 346
AASEDon't you think so? I'm so furious
I could crush stones!
I could eat gravel, bah!
Let me go!
I could crush stones!
I could eat gravel, bah!
Let me go!
PEER GYNTIf you promise now...
AASENothing! I'm coming to the farmer,
He shall know what you are!
He shall know what you are!
PEER GYNTNo, then you must wait here.
AASEI won't! I'll come up there!
PEER GYNTThat's not happening.
AASEWhat's this now?
PEER GYNTI'll put you on the roof of the mill here
(puts her on it. Aase screams).
AASEGet me down!
PEER GYNTIf you'll listen...?
AASEDon't talk rubbish!
PEER GYNTMother, be reasonable...
(throws a sod of grass at him)
AASEGet me down, Peer, quick... at once!
PEER GYNTIf I dared I certainly would.
(closer).
PEER GYNTNow sit still and quiet.
Don't kick your legs,
Don't pull at the stones,...
Otherwise, remember, it could go wrong...
You might fall.
Don't kick your legs,
Don't pull at the stones,...
Otherwise, remember, it could go wrong...
You might fall.
AASEOh, you beast!
PEER GYNTDon't struggle!
AASEOh, I wish
The ground would swallow you up!
The ground would swallow you up!
PEER GYNTShame on you!
AASEOh, what!
PEER GYNTRather give me
Your blessing on my journey.
Will you? Say?
Your blessing on my journey.
Will you? Say?
AASEI'll thrash you,
Even if you are such a boss!
Even if you are such a boss!
PEER GYNTWell, goodbye then, mother dear!
Just sit still, I won't be long.
(goes off, but turns back, raises his finger warningly
and says):
Remember not to struggle!
Just sit still, I won't be long.
(goes off, but turns back, raises his finger warningly
and says):
Remember not to struggle!
(exit).
AASEPeer!... Oh God, now he's running off!
Buck-rider! Liar!
Will you come!... No, there he goes
Off away...!
Buck-rider! Liar!
Will you come!... No, there he goes
Off away...!
(shouting:)
AASEHelp! I'm getting dizzy!
(Two old women with sacks on their backs come down the path towards
the mill).
(Two old women with sacks on their backs come down the path towards
the mill).
First Act쪽 223 / 346
FIRST OLD WOMANHuh? Who's shouting there?
AASEMe! Here, me!
SECOND OLD WOMANAase! Well,... what are you doing up there...?
AASEThis doesn't mean much yet...
If it lasts much longer I'll go to heaven!
If it lasts much longer I'll go to heaven!
FIRST OLD WOMANBon voyage then!
AASEFetch a ladder;
I want to get down! That devilish boy...
I want to get down! That devilish boy...
SECOND OLD WOMANWho, your son?
AASEYes, what he's up to
You've just seen.
You've just seen.
FIRST OLD WOMANWe witnessed it.
AASEJust help me;
Because I must get to Haegstad quickly now...
Because I must get to Haegstad quickly now...
FIRST OLD WOMANIs he there?
SECOND OLD WOMANThen you can laugh;
Because the smith was also coming there.
Because the smith was also coming there.
(wrings her hands)
AASEDear God, my poor boy!
Who knows if they'll kill him!
Who knows if they'll kill him!
FIRST OLD WOMANYes, such things can easily happen;
Console yourself then that it was his fate!
Console yourself then that it was his fate!
SECOND OLD WOMANShe is mad with rage and fear.
(calls upward).
SECOND OLD WOMANEjvind, Anders! Come here!
A MAN'S VOICEWhat is it?
SECOND OLD WOMANLook, Mother Aase
Has put Peer Gynt on the roof there!...
A small height with bushes and heather. Behind it, separated by a
gate, runs the road.
Peer Gynt comes up a footpath, walks quickly to the gate, stops
and looks out where the view opens up.
Has put Peer Gynt on the roof there!...
A small height with bushes and heather. Behind it, separated by a
gate, runs the road.
Peer Gynt comes up a footpath, walks quickly to the gate, stops
and looks out where the view opens up.
PEER GYNTThere lies Haegstad. I'll be done quickly now.
(half climbs over the gate; then hesitates).
PEER GYNTWho knows if Ingrid is home alone?
(shields his eyes and looks out).
PEER GYNTNo. It's swarming with people carrying gifts.
Perhaps it's wisest if I turn back.
Perhaps it's wisest if I turn back.
(pulls his leg back again).
PEER GYNTThey always whisper behind my back,
And sneer so it burns right through my soul.
And sneer so it burns right through my soul.
First Act쪽 224 / 346
(takes a few steps back and absent-mindedly plucks leaves).
PEER GYNTIf only I had something strong to drink,
Or if I could play a trick on them unnoticed...
Or if nobody knew me... Above all something strong
Would be good, then the laughter wouldn't sting so much.
(Looks around suddenly as if frightened; then hides among
the bushes. Some people with food gifts pass by and then
descend towards the wedding house).
Or if I could play a trick on them unnoticed...
Or if nobody knew me... Above all something strong
Would be good, then the laughter wouldn't sting so much.
(Looks around suddenly as if frightened; then hides among
the bushes. Some people with food gifts pass by and then
descend towards the wedding house).
A MANHis father was a drunkard and his mother is not bright.
A WOMANWell, it's no wonder the boy is a fool.
(The people pass on. Shortly afterwards Peer Gynt comes out
and looks after them, red with shame).
(The people pass on. Shortly afterwards Peer Gynt comes out
and looks after them, red with shame).
(softly)
PEER GYNTWere they talking about me? (with a furious gesture).
Oh, let them talk!
They can't make me any smaller with that.
(Drops down into the heather, lies on his back for a long time with his
hands under his head, staring into the air).
What a strange cloud! It looks like a horse.
And a man is riding on it,... and saddle and reins...
Behind him rides a witch on a broomstick.
Oh, let them talk!
They can't make me any smaller with that.
(Drops down into the heather, lies on his back for a long time with his
hands under his head, staring into the air).
What a strange cloud! It looks like a horse.
And a man is riding on it,... and saddle and reins...
Behind him rides a witch on a broomstick.
(Laughs softly to himself).
PEER GYNTThat's mother. She is shouting and scolding: beast
Of a Peer!...
Of a Peer!...
(A moment later he closes his eyes).
First Act쪽 225 / 346
PEER GYNTYes, now she is frightened...
Peer Gynt rides at the front, and a whole troop follows him...
The gear is silver-mounted, the hooves are golden.
He himself wears gloves, sabre and scabbard,
A very long cloak lined with silk.
Brave are those who follow him trustingly.
Yet no one sits in the saddle like him,
Yet no one shines in the sunlight like him.
People over there at the gate by each other,
Take off their hats and stare upward;
Women curtsy too. All acknowledge
Emperor Peer Gynt and his thousands of men.
Beneath him glitter like pebbles
Silver coins, which he scattered on the road.
All in the village are now rich as counts.
Peer Gynt rides through the air across the sea!
England's prince stands on the shore waiting for him;
So do all the English maidens.
England's great and England's emperor,
Wherever Peer rides by, rise from their seats.
The emperor takes the crown from his head, saying....
SMITH ASLAK (to a few others as they pass on the other side of
the gate).
Look at that, Peer Gynt, that drunken swine!
Peer Gynt rides at the front, and a whole troop follows him...
The gear is silver-mounted, the hooves are golden.
He himself wears gloves, sabre and scabbard,
A very long cloak lined with silk.
Brave are those who follow him trustingly.
Yet no one sits in the saddle like him,
Yet no one shines in the sunlight like him.
People over there at the gate by each other,
Take off their hats and stare upward;
Women curtsy too. All acknowledge
Emperor Peer Gynt and his thousands of men.
Beneath him glitter like pebbles
Silver coins, which he scattered on the road.
All in the village are now rich as counts.
Peer Gynt rides through the air across the sea!
England's prince stands on the shore waiting for him;
So do all the English maidens.
England's great and England's emperor,
Wherever Peer rides by, rise from their seats.
The emperor takes the crown from his head, saying....
SMITH ASLAK (to a few others as they pass on the other side of
the gate).
Look at that, Peer Gynt, that drunken swine!
(half rises)
PEER GYNTWhat, Emperor!
(leaning over the gate, taunting:)
THE SMITHGet up, laddie!
PEER GYNTWhat the devil! The smith! Say? What do you want?
(to the others:)
THE SMITHHis hangover from Lunde is still in his head.
(jumps up)
PEER GYNTJust go on, eh!
THE SMITHI'm going, yes!
But say, where have you come from last?
Six weeks away... bewitched in the mountains?
But say, where have you come from last?
Six weeks away... bewitched in the mountains?
PEER GYNTYes, smith, I've done wonderful things!
(winks at the others)
THE SMITHLet's hear, Peer!
PEER GYNTThat's nobody's business.
(after a moment)
THE SMITHAre you going to Haegstad now?
PEER GYNTNo.
THE SMITHPeople said
That you used to like that girl over there.
That you used to like that girl over there.
PEER GYNTYou black raven...!
(draws back a little)
First Act쪽 226 / 346
THE SMITHDon't get angry, Peer;
If Ingrid has rejected you, there are more...;
Both bachelors and widowers are coming...
If Ingrid has rejected you, there are more...;
Both bachelors and widowers are coming...
PEER GYNTGo to hell!
THE SMITHCome, maybe one will still have you...
Good evening! I'll greet the bride from you.
Good evening! I'll greet the bride from you.
(exit, laughing and whispering).
THE SMITHPEER GYNT (looks after him for a while, makes a contemptuous gesture and
turns half away).
For all I care, that Haegstad girl can marry
Who she likes, It doesn't matter a jot to me!
turns half away).
For all I care, that Haegstad girl can marry
Who she likes, It doesn't matter a jot to me!
(looks down at his legs).
THE SMITHMy trousers are torn. Dirty and ragged,...
If only I had something new to wear.
If only I had something new to wear.
(stamps on the ground).
THE SMITHIf only I could with one stroke
Rip that contempt out of their hearts!
Rip that contempt out of their hearts!
(suddenly looks around).
THE SMITHWhat's that? Who's snickering over there?
Hm, it seemed to me just... No, there was no one...
I'll go home to mother.
(goes up the road, but stops again and listens towards the
feast house).
Now the dance begins!
(stares and listens; goes back step by step; his eyes
sparkle; he rubs his legs).
What a swarm of girls! Six... eight at the very least!
Oh, devil take me,... I'll join in!...
But mother, still sitting on the mill roof...
Hm, it seemed to me just... No, there was no one...
I'll go home to mother.
(goes up the road, but stops again and listens towards the
feast house).
Now the dance begins!
(stares and listens; goes back step by step; his eyes
sparkle; he rubs his legs).
What a swarm of girls! Six... eight at the very least!
Oh, devil take me,... I'll join in!...
But mother, still sitting on the mill roof...
(his eyes wander downward again; he jumps and laughs).
THE SMITHHeisa, the halling [1] romps across the meadow!
Yes, Guttorm plays away briskly!
It stamps and roars like a falling stream.
And that troop of lovely, fresh girls!...
Yes, devil take me, I'll join in!
Yes, Guttorm plays away briskly!
It stamps and roars like a falling stream.
And that troop of lovely, fresh girls!...
Yes, devil take me, I'll join in!
(clears the gate in one leap and runs down).
First Act쪽 227 / 346
THE SMITHThe forecourt at Haegstad. In the background the dwelling house. Many
guests. There is lively dancing on the grass. The fiddler sits
on a table. The kitchen-master stands in the doorway. Kitchen maids run
back and forth between the various buildings; older people sit
here and there talking together.
A WOMAN (goes to sit by a group that has settled on some beams).
Oh, the bride? Yes, she's crying a bit,
But who takes any notice of that?
guests. There is lively dancing on the grass. The fiddler sits
on a table. The kitchen-master stands in the doorway. Kitchen maids run
back and forth between the various buildings; older people sit
here and there talking together.
A WOMAN (goes to sit by a group that has settled on some beams).
Oh, the bride? Yes, she's crying a bit,
But who takes any notice of that?
(in another group)
THE KITCHEN-MASTERHere's something to drink, dear people.
A MANThanks to the giver; but you pour rather freely.
A LAD (to the fiddler, as he rushes past with a girl by the hand).
Heisa, Guttorm, play your hardest!
A LAD (to the fiddler, as he rushes past with a girl by the hand).
Heisa, Guttorm, play your hardest!
THE GIRLPlay so it rings out across the meadows!
(in a circle around a boy who is dancing)
GIRLSThat was a fine spring!
A GIRLHe's loose in the knees!
(dancing)
THE BOYHere it's far from the wall and high the ceiling!
THE BRIDEGROOM (comes whining to his father, who is standing talking
with a couple of others, and pulls his jacket).
She won't, father; she is so stubborn!
THE BRIDEGROOM (comes whining to his father, who is standing talking
with a couple of others, and pulls his jacket).
She won't, father; she is so stubborn!
THE FATHERShe won't what?
THE BRIDEGROOMShe has locked herself in.
THE FATHERWell, then find the key.
THE BRIDEGROOMI don't know where.
THE FATHERYou're a fool!
(turns back to the others. The bridegroom wanders away across
the forecourt).
(turns back to the others. The bridegroom wanders away across
the forecourt).
(from the rear of the house)
A BOYGirls! Now it'll really get going!
Peer Gynt has arrived!
Peer Gynt has arrived!
(who has just arrived)
THE SMITHWho brought him here?
THE KITCHEN-MASTERNo one.
(goes towards the house).
(to the girls)
THE SMITHIf he speaks to you, don't listen to him!
(to the others:)
First Act쪽 228 / 346
A GIRLNo; we'll act as if we don't know him.
PEER GYNT (arrives heated and excited, stops in the middle of the
crowd and claps his hands).
Which of you can dance the best?
PEER GYNT (arrives heated and excited, stops in the middle of the
crowd and claps his hands).
Which of you can dance the best?
(to one he approaches)
ONENot me.
( likewise )
ANOTHERNor me.
A THIRDWell, certainly not me.
(to a fourth:)
PEER GYNTThen you come, until a better one turns up.
(turns away)
THE GIRLI have no time.
(to a fifth:)
PEER GYNTYou then!
(as she runs off:)
THE GIRLI have to go home.
PEER GYNTThis evening? Are you completely mad?
(a moment later, half aloud:)
THE SMITHPeer, there she goes dancing with an old man.
(turns quickly to an older man)
PEER GYNTWhere are those who are still free?
THE MANFind them yourself. (goes off).
(Peer Gynt suddenly becomes still. He peers timidly from under his brows at the group. Everyone looks at him, but no one says anything. He goes to other groups. Wherever he goes, it becomes quiet; as he moves away, they smile and watch him.)
(Peer Gynt suddenly becomes still. He peers timidly from under his brows at the group. Everyone looks at him, but no one says anything. He goes to other groups. Wherever he goes, it becomes quiet; as he moves away, they smile and watch him.)
(softly)
PEER GYNTGlances, thoughts, and smiles like arrows,
Scratching and grating like sawdust under files!
(He slinks along the fence. Solvejg, with little Helga by the hand, enters the courtyard, accompanied by her parents.)
Scratching and grating like sawdust under files!
(He slinks along the fence. Solvejg, with little Helga by the hand, enters the courtyard, accompanied by her parents.)
(to another, close to Peer Gynt)
A MANThose are the new people.
THE OTHERThose folk there?
THE FIRSTThey come from the West.
THE OTHERExactly! Yes, indeed.
PEER GYNT (steps in the way of those coming, points at Solvejg, and asks the man:)
May I dance with your daughter, say?
PEER GYNT (steps in the way of those coming, points at Solvejg, and asks the man:)
May I dance with your daughter, say?
(softly:)
THE MANCertainly; but first
We must go greet the people inside.
We must go greet the people inside.
(they go inside).
First Act쪽 229 / 346
THE MANTHE STEWARD (to Peer Gynt, while offering him a drink:)
If you're here, you must take a swig from the jug!
If you're here, you must take a swig from the jug!
(looks steadily at those going inside)
PEER GYNTThanks; I want to dance. I'm not thirsty now.
(The steward goes away; Peer Gynt looks at the house and laughs).
PEER GYNTHow fair! No, I've never seen the like!
Looked down at her shoes and her white apron...!
And all the while she held her mother's apron-string,
And carried a hymn-book wrapped in a cloth...!
I must see that girl. (makes to go into the room).
Looked down at her shoes and her white apron...!
And all the while she held her mother's apron-string,
And carried a hymn-book wrapped in a cloth...!
I must see that girl. (makes to go into the room).
(comes out with several others)
A BOYWell, Peer, are you leaving
The dance already?
The dance already?
PEER GYNTNo.
THE BOYThen you're going the wrong way.
(takes him by the shoulder to turn him around).
PEER GYNTLet me pass!
THE BOYAre you afraid of the Smith, maybe?
PEER GYNTAfraid?
THE BOYYes, you remember how it went last time at Lunde?
(the group goes away laughing to the dancers).
(in the doorway)
SOLVEJGYou must be the boy who wanted to dance?
PEER GYNTYes, that's me; had you forgotten? (takes her by the hand).
Come then!
Come then!
SOLVEJGBut not too long, says Mother!
PEER GYNTSays Mother? Are you only from yesterday, then?
SOLVEJGYou're making fun of me...!
PEER GYNTYou are grown up, though;
How old are you?
How old are you?
SOLVEJGI was confirmed in the spring.
PEER GYNTTell me your name, then we'll talk more comfortably.
SOLVEJGMy name is Solvejg. And you, what are you called?
PEER GYNTPeer Gynt.
(draws back her hand)
SOLVEJGOh, heavens!
PEER GYNTWhat's that now?
SOLVEJGMy garter is loose; I must tie it tighter.
First Act쪽 230 / 346
(runs off).
(pulls his mother by her skirt)
THE BRIDEGROOMMother, she won't!
THE MOTHERWon't she? What?
THE BRIDEGROOMShe won't!
THE MOTHERWon't what?
THE BRIDEGROOMTurn the key.
(softly and angrily)
THE FATHERThey ought to tie you to the manger!
THE MOTHEROh, don't grumble. Simpleton! It'll come right.
(they go away).
(who comes with a whole crowd from the dancing-place)
A YOUNG FELLOWA swig of brandy, Peer?
PEER GYNTNo.
THE YOUNG FELLOWJust a drop?
(looks darkly at him)
PEER GYNTHave you got some, then?
THE YOUNG FELLOWThat might be.
(pulls out a pocket-flask and drinks).
THE YOUNG FELLOWWhat it picks a man up!... Well?
PEER GYNTLet me taste. (drinks)
A SECONDNow you must also drink with me.
PEER GYNTNo!
THE SAMEOh, come now, don't be so mean!
Come Peer, drink!
Come Peer, drink!
PEER GYNTGive me a drop then. (drinks again).
(half aloud:)
A GIRLCome, let's go.
PEER GYNTAfraid of me, lass?
A THIRD YOUNG FELLOWWho isn't afraid of you?
A FOURTHYou showed
Us your tricks at Lunde the other day.
Us your tricks at Lunde the other day.
PEER GYNTI can do more than that, once I get going!
(whispering:)
FIRST YOUNG FELLOWNow he's getting into his stride!
(form a ring around him)
SEVERALTell us, tell us!
What can you do?
What can you do?
PEER GYNTWell, tomorrow...!
OTHERSNo, tonight, Peer!
A GIRLCan you conjure, Peer?
PEER GYNTI can raise the devil!
First Act쪽 231 / 346
A MANMy grandmother could do that before I was born!
PEER GYNTLies! What I can do, no one else can.
I once drove him into a nut.
It was worm-eaten, you see!
I once drove him into a nut.
It was worm-eaten, you see!
(laughing)
SEVERALThat's easy to believe!
PEER GYNTHe cursed and howled and wanted to give me
Everything and more...
ONE FROM THE CROWD.
But he had to go in?
Everything and more...
ONE FROM THE CROWD.
But he had to go in?
PEER GYNTOf course. I stopped the hole with a peg.
Oh, what a buzzing and rumbling there was!
Oh, what a buzzing and rumbling there was!
A GIRLImagine!
PEER GYNTIt was just like the humming of a bumblebee.
THE GIRLIs he still in that nut, then?
PEER GYNTNo.
He's long since got out again.
It's his fault that Aslak has such a grudge against me.
He's long since got out again.
It's his fault that Aslak has such a grudge against me.
A YOUNG FELLOWHow so?
PEER GYNTI went to the smithy and asked
If he would crack the nut for me.
"Certainly!" He laid it on the anvil;
But Aslak handles things very roughly;…
And at once strikes it with his hammer...
If he would crack the nut for me.
"Certainly!" He laid it on the anvil;
But Aslak handles things very roughly;…
And at once strikes it with his hammer...
A VOICE FROM THE CROWDDid he kill him outright then?
PEER GYNTHe struck like a man.
But the other was cunning, and shot like a flame
Right through the roof and tore the wall.
But the other was cunning, and shot like a flame
Right through the roof and tore the wall.
SEVERALAnd Aslak...?
PEER GYNTStood there with burnt hands.
Ever since that day he can't stand me.
Ever since that day he can't stand me.
(general laughter).
SOMEThat's a good story!
OTHERSThat's his best!
PEER GYNTDo you think I'm making it up?
A MANOh no,
That's not necessary; I know most of it
From before...
That's not necessary; I know most of it
From before...
PEER GYNTLies! It happened to me!
THE MANJust like everything else.
(with a wave of his hand)
PEER GYNTWhat! I can ride
Right through the air on wild horses!
Oh, I can do all sorts of things, you know.
Right through the air on wild horses!
Oh, I can do all sorts of things, you know.
(again uproarious laughter).
First Act쪽 232 / 346
ONE FROM THE CROWDRide through the air, Peer!
MANYCome on, yes, Peer Gynt...
PEER GYNTYou needn't beg so much for it!
I'll ride like a storm-wind over you all!
The whole parish shall go on foot before me!
I'll ride like a storm-wind over you all!
The whole parish shall go on foot before me!
AN OLDER MANNow he's raving mad.
A SECONDYou brute!
A THIRDBoaster!
A FOURTHLiar!
(threatens them)
PEER GYNTJust wait, you'll see!
(half-drunk)
A MANYes, wait; we'll get you yet!
SEVERALThen we'll beat you black and blue! And give you a pair of black eyes!
(The crowd disperses, the older ones angry, the younger ones mocking and laughing).
(The crowd disperses, the older ones angry, the younger ones mocking and laughing).
(close to him)
THE BRIDEGROOMSay Peer, is it true, can you ride through the air?
(curtly)
PEER GYNTCertainly, Mads! You can be sure I'm good for something.
THE BRIDEGROOMDo you also have the cloak that makes you invisible?
PEER GYNTThe hat, you mean? Yes, I have that too.
(turns away from him. Solvejg crosses the dance-place with Helga by the hand).
(turns away from him. Solvejg crosses the dance-place with Helga by the hand).
(Peer Gynt goes towards them, with beaming eyes).
PEER GYNTSolvejg! Oh, it's good that you're coming, I say! (grasps her wrist).
Now I'll whirl you merrily around!
Now I'll whirl you merrily around!
SOLVEJGLet me go!
PEER GYNTWhy?
SOLVEJGYou are so wild.
PEER GYNTThe reindeer too is wild when summer draws near.
Come now, lass, and don't be so stubborn!
Come now, lass, and don't be so stubborn!
(pulls her arm back)
SOLVEJGI dare not.
PEER GYNTWhy not?
SOLVEJGYou have been drinking.
(goes off with Helga).
PEER GYNTOh, if only I could stick a knife
Right through their carcasses... all of them!
Right through their carcasses... all of them!
(nudges him with his elbow)
First Act쪽 233 / 346
THE BRIDEGROOMCan't you let me in to my bride?
(absent-mindedly)
PEER GYNTYour bride? Where is she?
THE BRIDEGROOMIn the storehouse.
PEER GYNTAh, so.
THE BRIDEGROOMOh, do, Peer Gynt, just try your best!
PEER GYNTNo, you must manage without my help.
(a thought strikes him; he says softly and vehemently:)
PEER GYNTIngrid in the storehouse! (approaches Solvejg).
Have you changed your mind, then?
Have you changed your mind, then?
(Solvejg tries to pass, he steps in her way).
PEER GYNTYou're ashamed because I look like a tramp.
(hastily)
SOLVEJGNo, I'm not, that's not true!
PEER GYNTYes you are, and I've had a drop too;
But that was from spite because you refused me.
Come now!
But that was from spite because you refused me.
Come now!
SOLVEJGI may not, even if I would!
PEER GYNTWho are you afraid of?
SOLVEJGMostly Father.
PEER GYNTFather? Oh, he's one of those quiet ones,
Who hang their heads? Or isn't he, now?
Who hang their heads? Or isn't he, now?
SOLVEJGWhat am I to say?
PEER GYNTAre you among the pious?
Your father, your mother, and you too?
Well, can't you speak?
Your father, your mother, and you too?
Well, can't you speak?
SOLVEJGLeave me alone.
PEER GYNTNo! (in a low but vehement and frightening tone:)
I'll come to you like an evil spirit!
I'll come to your bed when the clock strikes twelve at night.
If you hear blowing and hissing around you,
You needn't think it's only the cat.
That will be me! I'll tap your blood in a cup;
And your little sister I'll eat up completely;
Yes, you must know that I'm a werewolf by night.
I'll bite you in the loins, in the back...
I'll come to you like an evil spirit!
I'll come to your bed when the clock strikes twelve at night.
If you hear blowing and hissing around you,
You needn't think it's only the cat.
That will be me! I'll tap your blood in a cup;
And your little sister I'll eat up completely;
Yes, you must know that I'm a werewolf by night.
I'll bite you in the loins, in the back...
(suddenly changes and begs as if in terror:)
PEER GYNTDance with me, Solvejg!
(looks darkly at him)
SOLVEJGUgh, that was wicked!
(goes into the room).
(comes sauntering up again)
First Act쪽 234 / 346
THE BRIDEGROOMYou shall have a cow from me, if you help me!
PEER GYNTThat's good!
(They go behind the house. At the same moment a whole crowd comes from the dance-place; most of them are drunk. Confusion and noise. Solvejg and Helga come with their parents and a number of older guests to the door.)
(They go behind the house. At the same moment a whole crowd comes from the dance-place; most of them are drunk. Confusion and noise. Solvejg and Helga come with their parents and a number of older guests to the door.)
(to the Smith, who stands in front of the crowd:)
THE STEWARDCalm down!
(pulls off his jacket)
THE SMITHNo, now it must be settled,
Either Peer Gynt or I must clear the field.
Either Peer Gynt or I must clear the field.
SOMEYes, let them fight!
OTHERSNo, only raving.
THE SMITHWords won't do it; fists must decide.
SOLVEJG'S FATHEREasy, man!
HELGAMother, are they going to beat him?
A YOUNG FELLOWLet's rather make fun of his lies.
A SECONDChase him off the dance floor!
A THIRDSpit in his face!
(to the Smith:)
A FOURTHAre you going to stick to it, then?
(throws off his jacket)
THE SMITHThe beast shall be slaughtered, I tell you!
(to Solvejg:)
SOLVEJG'S MOTHERNow you see how they regard that fellow here.
(comes with a stick in her hand)
AASEIs Peer my son here? Because now he's going to get a thrashing;
I'll give him a beating he'll remember!
I'll give him a beating he'll remember!
(rolls up his sleeves)
THE SMITHFor such a rascal a stick is too gentle.
SOMEAslak will hit him.
OTHERSBeat him up!
(spits in his hands and nods to Aase)
THE SMITHI'll hang him!
AASEWhat! Hang Peer! Try it if you dare;...
Aase still has teeth and nails!
Where is he? (calls across the dance floor) Peer!
Aase still has teeth and nails!
Where is he? (calls across the dance floor) Peer!
(comes running hard)
THE BRIDEGROOMWell,
by the Almighty!
Come, father, mother,...!
by the Almighty!
Come, father, mother,...!
First Act쪽 235 / 346
THE FATHERWhat's the matter?
THE BRIDEGROOMPeer Gynt has...!
(screams)
AASEHave they killed him?
THE BRIDEGROOMNo, Peer Gynt...! Look there on the mountain..
THE CROWDWith the bride!
(drops the stick)
AASESuch a scoundrel!
(as if fallen from the sky)
THE SMITHUp the steepest sides
The fellow climbs like a goat!
The fellow climbs like a goat!
(weeping)
THE BRIDEGROOMHe's carrying her, mother, like a bear a pig!
(makes a threatening gesture at him)
AASEOh, if only you'd fall, so that you... (screams in terror:)
Do be careful!
Do be careful!
(comes bareheaded and pale with rage:)
THE FARMER OF HAEGSTADI'll wring his neck for this trick!
AASEGod, no! May I die if I allow that!
END OF THE FIRST ACT
Second Act쪽 236 / 346
Second Act
A narrow footpath high up in the mountains. Early morning. Peer Gynt walks hastily and angrily down the path. Ingrid, half-dressed, in bridal attire, tries to hold him back.
PEER GYNTGo away!
(crying)
INGRIDAfter all that has happened!
Where are you going?
Where are you going?
PEER GYNTWherever you like.
(wrings her hands)
INGRIDSuch a deceiver!
PEER GYNTScolding doesn't help.
Each goes his own way now.
Each goes his own way now.
INGRIDGuilt... our mutual guilt, that binds us!
PEER GYNTTo the devil with all that!
To the devil with all women...
Except one...!
To the devil with all women...
Except one...!
INGRIDWho is that?
PEER GYNTIt is not you.
INGRIDWho is it then?
PEER GYNTAway! Go back now
To your father!
To your father!
INGRIDPeer, my dearest!
PEER GYNTSilence!
INGRIDYou cannot possibly mean
What you are saying.
What you are saying.
PEER GYNTYes, or I mean it!
INGRIDLure first, and then reject!
PEER GYNTAnd with what would you bind me?
INGRIDHaegstad farm and much more besides.
PEER GYNTDo you have a hymnbook?
Do you have long golden hair?
Do you blush looking down at your apron?
Do you hold tight to your mother's skirts?
Tell me?
Do you have long golden hair?
Do you blush looking down at your apron?
Do you hold tight to your mother's skirts?
Tell me?
INGRIDNo; but...?
PEER GYNTWere you taken in
This spring?
This spring?
INGRIDOh, but Peer...?
PEER GYNTCan you look demurely?
Can you refuse when I ask something?
Can you refuse when I ask something?
INGRIDDear Lord, he is insane!
PEER GYNTDoes he who looks at you become pure?
Tell me!
Tell me!
INGRIDNo, but...
PEER GYNTWhat remains then! (tries to leave).
(blocks his way)
INGRIDDo you know it could mean your death
If you leave?
If you leave?
Second Act쪽 237 / 346
PEER GYNTVery possible!
INGRIDMoney, goods, and honor you will get
If you take me...
If you take me...
PEER GYNTThank you, no.
(bursts into tears)
INGRIDOh, you lured me...!
PEER GYNTAnd you were willing.
INGRIDI was desperate!
PEER GYNTI was mad.
(threateningly)
INGRIDFine; I will make you pay!
PEER GYNTThe dearest is still cheap.
INGRIDSo you stick to that?
PEER GYNTFirm as a rock, yes.
INGRIDFine; we shall see who wins then! (goes down the path).
(is silent for a while, then shouts loudly)
PEER GYNTTo the devil with all that!
To the devil with all women!
To the devil with all women!
(turns her head and shouts mockingly upward)
INGRIDExcept one!
PEER GYNTYes, one.
(They each go their separate ways).
PEER GYNTBy a mountain lake; the ground around is soft and marshy. A storm is coming.
Aase, desperate, shouts and looks around in all directions. Solveig has difficulty keeping up with her. Her parents and Helga come a ways behind them.
Aase, desperate, shouts and looks around in all directions. Solveig has difficulty keeping up with her. Her parents and Helga come a ways behind them.
(beats about her and tears her hair out)
AASEEverything works against me with evil force,
Water and mountains and stormy skies!
The heavens gather mists to make him stray!
The treacherous lake wants to take his life!
Boulders and avalanches want to strike him down;
And then the people! If they catch him...!
But they won't succeed! I cannot lose him yet
That the devil should have put that into his head!
Water and mountains and stormy skies!
The heavens gather mists to make him stray!
The treacherous lake wants to take his life!
Boulders and avalanches want to strike him down;
And then the people! If they catch him...!
But they won't succeed! I cannot lose him yet
That the devil should have put that into his head!
(turns to Solvejg)
Second Act쪽 238 / 346
AASEYes, who could ever have thought such a thing, right...?
He, who only knew how to brag and lie,
And was brave only with his mouth;
He, who never did anything worthwhile;...
He...! You could both cry and laugh...!
Oh, so much we have endured!
Yes! For my husband, you know, was a drinker,
Pulled all sorts of crazy stunts;
The money was wasted, poverty and want came.
Meanwhile we stayed at home together
And did our best to forget the misery;
For I could not fight against it well.
It is so hard to face one's fate;
And a person still wants to distract himself from sorrow,
And see how best to divert his thoughts.
One does it with brandy, another with tales;
Oh yes! So we took fairy tales then
Of princes and spirits and all sorts.
Also bride-stealing sometimes. But who would have thought
That such things would still haunt him? (becomes anxious again).
Huh, what a scream! That's a water spirit or dwarf...
Peer! Peer!... Up there on the mountain...!
(Runs quickly up a small hill and looks out over the water, the others come to her).
He, who only knew how to brag and lie,
And was brave only with his mouth;
He, who never did anything worthwhile;...
He...! You could both cry and laugh...!
Oh, so much we have endured!
Yes! For my husband, you know, was a drinker,
Pulled all sorts of crazy stunts;
The money was wasted, poverty and want came.
Meanwhile we stayed at home together
And did our best to forget the misery;
For I could not fight against it well.
It is so hard to face one's fate;
And a person still wants to distract himself from sorrow,
And see how best to divert his thoughts.
One does it with brandy, another with tales;
Oh yes! So we took fairy tales then
Of princes and spirits and all sorts.
Also bride-stealing sometimes. But who would have thought
That such things would still haunt him? (becomes anxious again).
Huh, what a scream! That's a water spirit or dwarf...
Peer! Peer!... Up there on the mountain...!
(Runs quickly up a small hill and looks out over the water, the others come to her).
AASEAbsolutely nothing to see!
(silently)
THE MANIt is worst for him.
AASEOh my Peer! My lost lamb!
(sighs softly)
THE MANYes, exactly. Lost.
AASENo, do not say that!
He is such a fellow. There's no one like him.
He is such a fellow. There's no one like him.
THE MANHow foolish you are, woman!
AASEOh yes, oh yes;
I am foolish; but my boy is good!
I am foolish; but my boy is good!
(still subdued and with gentle eyes)
THE MANHis soul is lost and his heart hardened.
(frightened)
AASENo! The Lord will not be so hard!
THE MANCan he perhaps still atone for his sin?
(eagerly)
AASENo, but he can ride through the air on a goat!
THE WOMANWoman, are you mad?
THE MANWhat are you saying?
AASENothing in the world that he cannot do.
You will see, if only he stays alive.
You will see, if only he stays alive.
Second Act쪽 239 / 346
THE MANThe best would be if you had him hanged.
(shrieks)
AASELord Jesus!
THE MANIf the executioner gets hold of him,
Who knows if he might not come to his senses then.
Who knows if he might not come to his senses then.
(dizzy)
AASEOh, your talk will drive me mad!
Come along! It's about...
Come along! It's about...
THE MANHis soul's salvation.
AASEAnd his body too!
If he is in the bog, we will pull him out;
If he is bewitched, we will have him exorcised.
If he is in the bog, we will pull him out;
If he is bewitched, we will have him exorcised.
THE MANHm!... Here is a cattle path...
AASEMay God reward you
For helping to search for him!
For helping to search for him!
THE MANThat is Christian duty.
AASEOh? Then the others are all heathens!
There was not one who wanted to join the search...
There was not one who wanted to join the search...
THE MANThey know him too well.
AASEHe was too clever for them! (wrings her hands).
Remember,... his life is at stake!
Remember,... his life is at stake!
THE MANHere is the track of a man's foot!
AASELet's search here then.
THE MANWe will split up at our mountain hut.
(He and his wife go ahead).
(to Aase)
SOLVEJGTell me some more.
(dries her eyes)
AASEMore about my son?
SOLVEJGYes;...
Everything!
Everything!
(smiles and lifts her head proudly)
AASEEverything? You would get tired of it!
SOLVEJGYou would sooner tire of telling
Than I of listening.
Low, treeless hills below the high mountains; further back mountain peaks. The shadows are already long; it is late in the day.
PEER GYNT (comes bounding in large leaps and stops on the slope).
The whole village is after me!
Armed with rifles and clubs they are.
I can hear old Haegstad roaring ahead...
Everywhere it's known: Peer Gynt has gone off!
That's something else than fighting with a smith!
That's living! I feel like a bear, every limb.
Than I of listening.
Low, treeless hills below the high mountains; further back mountain peaks. The shadows are already long; it is late in the day.
PEER GYNT (comes bounding in large leaps and stops on the slope).
The whole village is after me!
Armed with rifles and clubs they are.
I can hear old Haegstad roaring ahead...
Everywhere it's known: Peer Gynt has gone off!
That's something else than fighting with a smith!
That's living! I feel like a bear, every limb.
Second Act쪽 240 / 346
(strikes around him and makes a leap in the air).
SOLVEJGStrike down! Hurl down! Stem the waterfall!
Pull up pines by the root!
That is life! That strengthens and hardens and makes one cheerful!
To hell with all those feeble lies!
Pull up pines by the root!
That is life! That strengthens and hardens and makes one cheerful!
To hell with all those feeble lies!
(run over the hills shouting and singing)
THREE MOUNTAIN DAMSELSTrond in the Valleys! Beard and Kaare!
Mountain spirits! Will you come sleep with us?
Mountain spirits! Will you come sleep with us?
PEER GYNTWhom are you calling so?
THE DAMSELSMountain spirits! Mountain spirits!
FIRST DAMSELTrond! Come, be yearning!
SECOND DAMSELBeard! Come, be wild!
THIRD DAMSELAll the beds are empty there!
FIRST DAMSELWild is yearning!
SECOND DAMSELAnd yearning is wild!
THIRD DAMSELIf there are no boys, you take a mountain spirit!
PEER GYNTWhere are the boys then?
(stifling laughter)
ALL THREEThey cannot come!
FIRST DAMSELMine, he called me his love, his treasure;
Now he is married to a half-worn widow.
Now he is married to a half-worn widow.
SECOND DAMSELMine met a gypsy woman in the North.
Now they wander together as vagabonds.
Now they wander together as vagabonds.
THIRD DAMSELMine killed our little one.
Now his head grins on a pole.
Now his head grins on a pole.
ALL THREETrond in the Valleys! Beard and Kaare!
Mountain spirits, will you come sleep with us?
Mountain spirits, will you come sleep with us?
(with a leap stands suddenly among them)
PEER GYNTI am a mountain spirit and I take all three!
THE DAMSELSAre you such a fellow, say?
PEER GYNTYou shall see!
FIRST DAMSELCome along then! Come along!
SECOND DAMSELThere is mead!
PEER GYNTPour it in streams!
THIRD DAMSELTonight no bed shall be empty!
(kisses him)
SECOND DAMSELHe crackles and sputters like glowing iron.
Second Act쪽 241 / 346
(also)
THIRD DAMSELLike a child's eye from the darkest pond.
(dances in their midst)
PEER GYNTSad the heart and wild the head;
With laughing eye; the throat constricted!
THE DAMSELS (make long noses at the mountain peaks, shout and sing).
Trond in the Valleys! Beard and Kaare!
Mountain spirits!... Would you sleep with us?
With laughing eye; the throat constricted!
THE DAMSELS (make long noses at the mountain peaks, shout and sing).
Trond in the Valleys! Beard and Kaare!
Mountain spirits!... Would you sleep with us?
(They dance over the hills with Peer Gynt in their midst).
PEER GYNTIn the Round Mountains. Sunset. Shining snowy peaks all around.
(arrives confused and wild)
PEER GYNTCastles rise ever higher!
Oh, what a glittering gate!
Stop! Stay! It already retreats
Further and further back!
High on the tower the weathercock
Flutters its wings;...
Turning blue in distant chasms
Everything flees... the mountain closes again.
What are those trunks and roots
Springing up from crevices there?
Those are giants with heron legs!
Now they too sink away.
Like rainbow streaks it darts
Painfully into eye and brain.
What is that bell-ringing now?
What presses heavy on my eyes?
Oh, how it churns in my forehead...
That ring that burns me like fire...!
I can no longer remember
Who the devil put it on me!
Oh, what a glittering gate!
Stop! Stay! It already retreats
Further and further back!
High on the tower the weathercock
Flutters its wings;...
Turning blue in distant chasms
Everything flees... the mountain closes again.
What are those trunks and roots
Springing up from crevices there?
Those are giants with heron legs!
Now they too sink away.
Like rainbow streaks it darts
Painfully into eye and brain.
What is that bell-ringing now?
What presses heavy on my eyes?
Oh, how it churns in my forehead...
That ring that burns me like fire...!
I can no longer remember
Who the devil put it on me!
(sinks down).
PEER GYNTThe ride over the Gendin?
Lies and delusion?
Up against wall-steep slopes
With the bride... and a day in a daze
Chasing falcons and vultures,
Threatening troll folk,
Frolicking with wild maidens;...
Lies and delusion!
Lies and delusion?
Up against wall-steep slopes
With the bride... and a day in a daze
Chasing falcons and vultures,
Threatening troll folk,
Frolicking with wild maidens;...
Lies and delusion!
(stares long upward).
Second Act쪽 242 / 346
PEER GYNTThere I see two eagles drift.
To the south the geese go.
And I must struggle and plod here
In mud and filth, knee-deep! (jumps up).
I want to join! I want to wash myself clean in
The bath of the sharpest winds!
I want up! I want to beautify myself
In the radiant sunshine!
I want away, far over the mountains,
I want to ride until I forget everything;
I want to go over salty seas,
And high over England's prince;
Yes, just look up, girls;
What I do is nobody's business;
Why do you stand waiting below...?
Yes, maybe I will fall down after all.
Where have those eagles gone now?...
The devil has taken them!...
Now a high gable rises;
Ever larger becomes the pointed roof;
From stone rubble the whole house grows up;...
Look, the door stands wide open,
Ah, now I recognize the house,
That is grandfather's new place!
Gone is the old hovel,
Gone the gate that was about to fall.
And all the windows shine;
There is a feast in the great hall.
There I heard the provost just now
Tap his glass with his knife;...
There the captain throws his bottle...
The mirror shatters into pieces;
Let it go! Let everything go!
Hush, mother; it does not matter!
The rich Jon Gynt feasts now;
Hurrah for the Gynt family!
What is that yelling and shouting?
What a noise and racket?
The captain calls for Peer-son,...
The provost wants to drink to me.
Forward, Peer Gynt, inside,
There the verdict rings:
Peer, you are of great descent,
And something great you shall become one day!
(He runs forward, but bumps his nose against a boulder, falls and lies still).
A mountain slope with large rustling deciduous trees. Stars twinkle through the leaves; birds sing in the treetops. A woman dressed in green walks across the slope. Peer Gynt follows her with various loving gestures.
To the south the geese go.
And I must struggle and plod here
In mud and filth, knee-deep! (jumps up).
I want to join! I want to wash myself clean in
The bath of the sharpest winds!
I want up! I want to beautify myself
In the radiant sunshine!
I want away, far over the mountains,
I want to ride until I forget everything;
I want to go over salty seas,
And high over England's prince;
Yes, just look up, girls;
What I do is nobody's business;
Why do you stand waiting below...?
Yes, maybe I will fall down after all.
Where have those eagles gone now?...
The devil has taken them!...
Now a high gable rises;
Ever larger becomes the pointed roof;
From stone rubble the whole house grows up;...
Look, the door stands wide open,
Ah, now I recognize the house,
That is grandfather's new place!
Gone is the old hovel,
Gone the gate that was about to fall.
And all the windows shine;
There is a feast in the great hall.
There I heard the provost just now
Tap his glass with his knife;...
There the captain throws his bottle...
The mirror shatters into pieces;
Let it go! Let everything go!
Hush, mother; it does not matter!
The rich Jon Gynt feasts now;
Hurrah for the Gynt family!
What is that yelling and shouting?
What a noise and racket?
The captain calls for Peer-son,...
The provost wants to drink to me.
Forward, Peer Gynt, inside,
There the verdict rings:
Peer, you are of great descent,
And something great you shall become one day!
(He runs forward, but bumps his nose against a boulder, falls and lies still).
A mountain slope with large rustling deciduous trees. Stars twinkle through the leaves; birds sing in the treetops. A woman dressed in green walks across the slope. Peer Gynt follows her with various loving gestures.
(stops and turns around)
THE WOMAN IN GREENIs it true?
(makes a cutting motion across his throat)
Second Act쪽 243 / 346
PEER GYNTAs true as I am called Peer;...
As true as you are a beautiful woman!
Will you have me, say? You will see how decent I am;
You will not have to weave or spin.
You will have food, as much as you can eat.
I will never pull your hair...
As true as you are a beautiful woman!
Will you have me, say? You will see how decent I am;
You will not have to weave or spin.
You will have food, as much as you can eat.
I will never pull your hair...
THE WOMAN IN GREENAnd not beat me either?
PEER GYNTNo; did you think that?
A king's son would surely not beat women.
A king's son would surely not beat women.
THE WOMAN IN GREENAre you a king's son?
PEER GYNTYes.
THE WOMAN IN GREENI am the child of the Dovre king.
PEER GYNTAre you? Well, look at that, how splendidly that works out.
THE WOMAN IN GREENInside the Round Mountain is my father's castle.
PEER GYNTMy mother's is larger, as far as I can see.
THE WOMAN IN GREENDo you know my father? He is called King Brose.
PEER GYNTDo you know my mother? She is called Queen Aase.
THE WOMAN IN GREENWhen father rages, the mountains split.
PEER GYNTThey tumble when mother starts scolding.
THE WOMAN IN GREENFather can span the highest vault.
PEER GYNTMother can ride through the swiftest stream.
THE WOMAN IN GREENHave you no other clothes than those rags there?
PEER GYNTOh, you should see my Sunday suit!
THE WOMAN IN GREENI also wear gold and silk on weekdays.
PEER GYNTBut this looks more like leaves and stems.
THE WOMAN IN GREENYes, there is one thing, remember that especially;
That is the custom among the Round folk:
All our property has two sides.
If you come with me to my father's castle
It could happen that, going by appearances,
You would think you were standing in a barren stone desert.
That is the custom among the Round folk:
All our property has two sides.
If you come with me to my father's castle
It could happen that, going by appearances,
You would think you were standing in a barren stone desert.
Second Act쪽 244 / 346
PEER GYNTYes, that is actually exactly the same with us!
The gilding would seem full of rust and soot,
And perhaps you would think the glittering windows
Were stuffed with rags and tatters.
The gilding would seem full of rust and soot,
And perhaps you would think the glittering windows
Were stuffed with rags and tatters.
THE WOMAN IN GREENBlack looks white and ugly beautiful.
PEER GYNTBig looks small, and filthy looks clean.
THE WOMAN IN GREENYes, Peer, I see that we suit each other!
PEER GYNTLike the leg to the trouser, like the comb to the hair.
(calls back toward the mountain)
THE WOMAN IN GREENBridal pony! Bridal pony! Come then, my pony!
(A gigantic pig comes running with a rope for harness and an old sack as a saddle. Peer Gynt swings onto it and takes the woman in front of him).
(A gigantic pig comes running with a rope for harness and an old sack as a saddle. Peer Gynt swings onto it and takes the woman in front of him).
PEER GYNTHeigh-ho! We ride through the Round Gate,
Hurry, hurry, my fiery steed!
Hurry, hurry, my fiery steed!
(tenderly)
THE WOMAN IN GREENAh, yesterday I walked so weary and faint;...
You never know what can happen!
You never know what can happen!
(whips the pig which gallops away)
PEER GYNTThe king's hall of the Troll King. Large assembly of Court Trolls, Mountain Spirits, and Earth Gnomes. The King on a throne, with crown and scepter. His children and nearest relatives on either side of him. Peer Gynt stands before him. Great commotion in the hall.
THE COURT TROLLSSlay him! The Christian son has defiled
The Troll King's loveliest maid!
The Troll King's loveliest maid!
A YOUNG TROLLMay I cut his finger?
A SECONDMay I pull his hair?
A TROLL MAIDENHuh! Let me bite him in the thigh!
(with a skimming ladle)
A WITCHWill he be made into pickled meat?
(with a slaughtering knife)
A SECONDShall I roast him on a spit or fry him in a pan?
THE TROLL KINGPut some ice in your blood!
(beckons his followers closer).
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THE TROLL KINGLet us not be so loud.
Things have gone downhill for us in recent years;
We have lost the right foothold,
And we must not spurn help from the people.
Moreover, the young man seems without faults;
And strongly built too, as far as I can see.
Too bad that he has only one head;
But well, my daughter also has no more;
Three-headed trolls are going out of fashion,
Even two-headed ones are hardly seen anymore;
And then those heads are still only so-so.
Things have gone downhill for us in recent years;
We have lost the right foothold,
And we must not spurn help from the people.
Moreover, the young man seems without faults;
And strongly built too, as far as I can see.
Too bad that he has only one head;
But well, my daughter also has no more;
Three-headed trolls are going out of fashion,
Even two-headed ones are hardly seen anymore;
And then those heads are still only so-so.
(to Peer Gynt).
THE TROLL KINGSo it is my daughter you desire?
PEER GYNTYour daughter and the kingdom as dowry besides.
THE TROLL KINGYou get half now during my lifetime,
And the other half when I am done for.
And the other half when I am done for.
PEER GYNTI am satisfied with that.
THE KINGYes, hold on, my son!...
You must also make a couple of promises;
Everything is broken if you break one,
And you will not leave here alive then...
First, you must promise never to look back
At what lies beyond the borders of the Round;
You must shun day and deed,... every spot of light.
You must also make a couple of promises;
Everything is broken if you break one,
And you will not leave here alive then...
First, you must promise never to look back
At what lies beyond the borders of the Round;
You must shun day and deed,... every spot of light.
PEER GYNTCall me king, and that will be easy for me.
THE KINGAnd then,... now I will test you...
(rises from his throne).
(to Peer Gynt)
THE ELDEST COURT TROLLLet us see if you have enough sense
To crack the king's riddle!
To crack the king's riddle!
THE KINGHow does a troll differ from a man?
PEER GYNTThere is no difference at all, as far as I can see.
Big ones want to pinch and small ones to wring;...
Just like with us, if they dared.
Big ones want to pinch and small ones to wring;...
Just like with us, if they dared.
THE KINGVery true; we agree on that, and on more.
But morning is morning, and evening is evening,
So difference remains nonetheless.
Now I will tell you what it consists of:
Out there, under the shining vault,
Among humans it says: Man, be yourself!
In here with us, among the troll folk,
It says: "Be yourself... enough!"
But morning is morning, and evening is evening,
So difference remains nonetheless.
Now I will tell you what it consists of:
Out there, under the shining vault,
Among humans it says: Man, be yourself!
In here with us, among the troll folk,
It says: "Be yourself... enough!"
THE COURT TROLLDo you grasp the meaning?
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PEER GYNTIt seems a bit obscure to me.
THE KING"Enough" my son, that decisive, strong
Word, must henceforth be your motto.
Word, must henceforth be your motto.
(scratches behind his ear)
PEER GYNTYes, but...
THE KINGIt must be, if you are to rule here!
PEER GYNTAlright, go ahead; that is not the worst...
THE KINGMoreover, you must learn to appreciate
Our simple, homely way of life.
(He beckons; two trolls with pig heads, white nightcaps, etc. bring food and drink).
The cow gives cakes and the ox gives mead;
Do not ask if they taste sour or sweet;
The main thing is, and that is not to forget,
That it is home-made.
Our simple, homely way of life.
(He beckons; two trolls with pig heads, white nightcaps, etc. bring food and drink).
The cow gives cakes and the ox gives mead;
Do not ask if they taste sour or sweet;
The main thing is, and that is not to forget,
That it is home-made.
(pushes the things away)
PEER GYNTThe devil take your home cooking!
I will certainly never get used to that custom.
I will certainly never get used to that custom.
THE KINGThe bowl goes with it, and it is of gold.
And whoever owns it has my daughter's favor.
And whoever owns it has my daughter's favor.
(crying)
PEER GYNTIt is written: you shall force yourself;
In time perhaps that drink will seem less sour.
Come on! (gives in).
In time perhaps that drink will seem less sour.
Come on! (gives in).
THE KINGLook, that is a sensible word.
Do you spit?
Do you spit?
PEER GYNTI just have to hope that I will get used to it.
THE KINGThen you must also shed all your Christian clothes;
For know this, to the honor of Dovre,
Everything here is mountain work, nothing comes from the valley,
Except the silk ribbon at the end of the tail.
For know this, to the honor of Dovre,
Everything here is mountain work, nothing comes from the valley,
Except the silk ribbon at the end of the tail.
(angry)
PEER GYNTI have no tail!
THE KINGYou can get one.
Chamberlain, tie my Sunday tail on him.
Chamberlain, tie my Sunday tail on him.
PEER GYNTDon't try! What do you think... that is going too far!
THE KINGNever court my daughter with a bare rear.
PEER GYNTMake a man into an animal!
THE KINGMy son, you are mistaken!
I am simply making you a courtly suitor.
You will wear a bright yellow ribbon,
And that counts here as the greatest honor.
I am simply making you a courtly suitor.
You will wear a bright yellow ribbon,
And that counts here as the greatest honor.
(pensively)
Second Act쪽 247 / 346
PEER GYNTThey say a man is but a sigh.
And one must adapt to custom.
Tie it on!
And one must adapt to custom.
Tie it on!
THE KINGYou are a decent lad.
THE COURT TROLLNow try how nicely you can wag it!
(angry)
PEER GYNTSay, will you force me to do more things?
Do you also demand my Christian faith?
Do you also demand my Christian faith?
THE KINGNo, you may keep that, rest assured.
Faith is free here, no one lays claim to it;
By deeds and conduct one recognizes the troll.
If we only agree on deeds and actions,
You may well call faith what we call fear.
Faith is free here, no one lays claim to it;
By deeds and conduct one recognizes the troll.
If we only agree on deeds and actions,
You may well call faith what we call fear.
PEER GYNTYou are, despite your many quirks,
A more sensible fellow than one would think.
A more sensible fellow than one would think.
THE KINGMy son, we are better than our reputation;
That is also a difference between you and us...
But now let the seriousness be over;
Now we will feast ears and eyes.
Playmaid, play! Let the Dovre harp sound!
Come, dancemaid! Show how one dances in Dovre!
That is also a difference between you and us...
But now let the seriousness be over;
Now we will feast ears and eyes.
Playmaid, play! Let the Dovre harp sound!
Come, dancemaid! Show how one dances in Dovre!
(Music and dance).
COURT TROLLWhat do you think of it?
PEER GYNTWhat? Yes... hm!...
THE KINGSpeak without fear.
What do you see, say?
What do you see, say?
PEER GYNTA hideous performance.
A bell-cow beats with its hooves on catgut;
A pig in knee-breeches trips along.
A bell-cow beats with its hooves on catgut;
A pig in knee-breeches trips along.
COURT TROLLSDevour him!
THE KINGRemember, he has human senses!
FEMALE TROLLSTear his ears off, his eyes out!
(crying)
THE DAUGHTERHuhu! That we have to hear as reward,
When my sister and I play and dance!
When my sister and I play and dance!
PEER GYNTOh come, was it you? Well, a joke,
You know, is not meant badly.
You know, is not meant badly.
THE DAUGHTERCan I trust that?
PEER GYNTBoth dancing and playing
Was, I swear, very lovely.
Was, I swear, very lovely.
Second Act쪽 248 / 346
THE KINGIt is something strange with human nature;
It sometimes lingers remarkably long;
If it gets a bruise in our company,
It becomes a scar, but heals quite quickly.
My son-in-law is as accommodating as possible;
Good-naturedly he took off his Christian clothes;
Good-naturedly he drank the mead,
Good-naturedly even let his tail be tied on...
So willing in short, for everything I asked,
That I certainly thought the old Adam
Was once and for all driven out the door;
But look, suddenly he is back again.
Yes, yes, then a cure is needed
For that stubborn human nature.
It sometimes lingers remarkably long;
If it gets a bruise in our company,
It becomes a scar, but heals quite quickly.
My son-in-law is as accommodating as possible;
Good-naturedly he took off his Christian clothes;
Good-naturedly he drank the mead,
Good-naturedly even let his tail be tied on...
So willing in short, for everything I asked,
That I certainly thought the old Adam
Was once and for all driven out the door;
But look, suddenly he is back again.
Yes, yes, then a cure is needed
For that stubborn human nature.
PEER GYNTWhat will you do then?
THE KINGIn your left eye
I'll make a little cut; then you'll squint;
But everything you see will seem sound and beautiful.
Then I'll cut out your right eye's lens...
I'll make a little cut; then you'll squint;
But everything you see will seem sound and beautiful.
Then I'll cut out your right eye's lens...
PEER GYNTAre you drunk?
(lays some sharp instruments on the table)
THE KINGHere you see my instruments;
You'll get blinkers like an old nag;
Then you'll find your bride beautiful,...
And your eyes will never again make you see
Tripping pigs and a bell-cow...
You'll get blinkers like an old nag;
Then you'll find your bride beautiful,...
And your eyes will never again make you see
Tripping pigs and a bell-cow...
PEER GYNTThat is madness!
THE ELDEST COURT TROLLThat is true king's talk.
He is the wise one, you are the fool!
He is the wise one, you are the fool!
THE KINGConsider from how many vexations
You will be spared for your whole life.
Realize that your eyes are the source
Of the biting, tormenting tear-lye.
You will be spared for your whole life.
Realize that your eyes are the source
Of the biting, tormenting tear-lye.
PEER GYNTVery true. And I know the Bible verse:
If your eye offends you, pluck it out.
But tell me! When will that heal again,
Become a human eye again?
If your eye offends you, pluck it out.
But tell me! When will that heal again,
Become a human eye again?
THE KINGIt will never become that again.
PEER GYNTOh! Well, then I'll say thank you.
THE KINGWhat will you do?
PEER GYNTI'm leaving.
THE KINGNo, halt! It's easy to get in here!
But the Dovre king's gate lets no one out.
But the Dovre king's gate lets no one out.
PEER GYNTYou would not force me by violence?
Second Act쪽 249 / 346
THE KINGListen now, be sensible, Prince Peer!
You have talent for being a troll. Right, he already
Behaves quite troll-like.
And that is what you want, isn't it?
You have talent for being a troll. Right, he already
Behaves quite troll-like.
And that is what you want, isn't it?
PEER GYNTYes, certainly, I want that.
For a bride and a kingdom thrown in,
I can put up with one thing and another.
But there must be measure in all things.
I accepted the tail, that is perfectly true:
But I can untie what another tied.
I threw off my trousers; they were old and patched;
But I can at least fasten them again if necessary.
And perhaps I will also see a chance to free myself
From that troll-like way of life.
I am willing to swear that a cow is a girl,...
An oath can always be quietly swallowed again;
But that you never again in your life become free,
That you cannot die as a decent human,
Must remain a troll all your days...
And especially that you can never turn back...
As the book says: to apply myself to that,
That is something I must say I pass on.
For a bride and a kingdom thrown in,
I can put up with one thing and another.
But there must be measure in all things.
I accepted the tail, that is perfectly true:
But I can untie what another tied.
I threw off my trousers; they were old and patched;
But I can at least fasten them again if necessary.
And perhaps I will also see a chance to free myself
From that troll-like way of life.
I am willing to swear that a cow is a girl,...
An oath can always be quietly swallowed again;
But that you never again in your life become free,
That you cannot die as a decent human,
Must remain a troll all your days...
And especially that you can never turn back...
As the book says: to apply myself to that,
That is something I must say I pass on.
THE KINGNow I am really getting angry, hear;
And then there is truly no joking with me.
You pale milksop! Do you know who I am?
First you offend my daughter here...
And then there is truly no joking with me.
You pale milksop! Do you know who I am?
First you offend my daughter here...
PEER GYNTThat is a lie, I say!
THE KINGYou must marry her.
PEER GYNTDo you dare to claim that...?
THE KINGWhat? Can you deny
That you desired her and pursued her?
That you desired her and pursued her?
(whistles)
PEER GYNTIs that all? As if that could bind anyone!
THE KINGHumans always remain the same.
You fully acknowledge the intention;
But only what is tangible has force;
So you think that desiring means nothing?
Just wait; a light will soon dawn on you...
You fully acknowledge the intention;
But only what is tangible has force;
So you think that desiring means nothing?
Just wait; a light will soon dawn on you...
PEER GYNTYou won't catch me with your bait of lies!
THE DAUGHTERMy Peer, father will get you before the year is out.
PEER GYNTOpen up; I want out!
THE KINGIn a goatskin
You will have your child sent home.
You will have your child sent home.
(wipes his sweat)
PEER GYNTIf only I were awake!
Second Act쪽 250 / 346
THE KINGShould it go to the king's park?
PEER GYNTSend it to the parish!
THE KINGFine, Prince Peer, that is your affair.
But so much is certain: done is done,
And also that your offspring will grow up;
Such a hybrid thing grows amazingly fast...
But so much is certain: done is done,
And also that your offspring will grow up;
Such a hybrid thing grows amazingly fast...
PEER GYNTCome on, old man, don't be such a stubborn ox;
Girl, be sensible! And listen to reason.
You should know that I am no prince and not rich;...
And whether you measure or weigh me,
You will gain nothing by keeping me.
Girl, be sensible! And listen to reason.
You should know that I am no prince and not rich;...
And whether you measure or weigh me,
You will gain nothing by keeping me.
(The daughter faints and is carried away by troll maidens).
THE KINGSmash him to mush against the mountain wall, children!
SMALL TROLLSCome on, let us play with him first! Cat and mouse!
Wolf and sheep! Bite him and chase him into a corner!
Wolf and sheep! Bite him and chase him into a corner!
THE KINGFine, go ahead! I am angry and sleepy. Goodnight! (exits).
(chased by the small trolls)
PEER GYNTLet go, devil's brood!
(tries to go up through the chimney).
SMALL TROLLSEarth gnomes! Dwarves!
Bite him from behind!
Bite him from behind!
PEER GYNTOuch!
(tries to go down through the cellar hole).
SMALL TROLLSClose all cracks!
COURT TROLLWhat fun the little ones are having!
PEER GYNT (fighting with a small troll that has bitten into his ear).
Let go, you filth!
PEER GYNT (fighting with a small troll that has bitten into his ear).
Let go, you filth!
(hits it on its fingers)
COURT TROLLWatch out, you lout, it’s a king’s child!
PEER GYNTA rat’s nest! (runs over there).
SMALL TROLLSLittle brother! You must stop that!
PEER GYNTThe old one was a scoundrel, but the boys are worse!
SMALL TROLLSTear him apart!
PEER GYNTOh, if only I were as small as a mouse!
(runs around).
(they swirl around him)
SMALL TROLLSClose the ring! Close the ring!
(weeping)
Second Act쪽 251 / 346
PEER GYNTOh, if only I were a louse!
(falls down).
SMALL TROLLSNow at his eyes!
(buried under the heap of trolls)
PEER GYNTHelp, Mother! I’m dying!
(Church bells in the distance).
SMALL TROLLSBells in the mountains! The black-robed one is coming!
The trolls flee with howls and roars. The hall collapses; everything sinks.
Pitch dark. Peer Gynt strikes out around him and cuts with a large branch.
The trolls flee with howls and roars. The hall collapses; everything sinks.
Pitch dark. Peer Gynt strikes out around him and cuts with a large branch.
PEER GYNTAnswer! Who are you?
A VOICE IN THE DARKNESSMyself.
PEER GYNTOut of the way!
THE VOICEGo around, Peer! There’s plenty of room.
(tries to go through at another spot but is blocked)
PEER GYNTWho are you?
THE VOICEMyself. Can you say the same?
PEER GYNTI can say what I want; and my sword can strike!
Look out! Hey! There it falls already, whizzing!
Saul slew hundreds; Peer Gynt slays thousands.
Look out! Hey! There it falls already, whizzing!
Saul slew hundreds; Peer Gynt slays thousands.
(strikes and cuts).
PEER GYNTWho are you?
THE VOICEMyself.
PEER GYNTThat stupid talk
Keep to yourself; that doesn’t clear things up!
What are you?
Keep to yourself; that doesn’t clear things up!
What are you?
THE VOICEThe Great Bøyg.[2]
PEER GYNTOh, come on!
First the riddle was black; now it seems gray.
Out of the way, Bøyg!
First the riddle was black; now it seems gray.
Out of the way, Bøyg!
THE VOICEGo around, Peer!
PEER GYNTThrough! (strikes and hews) He falls!
(tries to advance but meets resistance again).
PEER GYNTHo ho! Are there more?
THE VOICEBøyg, Peer Gynt! Only one.
Bøyg, who took a blow and yet is not wounded.
Bøyg, who is dead, and Bøyg who still lives.
Bøyg, who took a blow and yet is not wounded.
Bøyg, who is dead, and Bøyg who still lives.
(throws away the branch)
PEER GYNTThe weapon is bewitched; but I still have fists!
(fights his way through).
Second Act쪽 252 / 346
THE VOICEYes, rely on your fists, on your body.
Hee hee, Peer Gynt, then you’ll reach the top alright.
Hee hee, Peer Gynt, then you’ll reach the top alright.
(comes back)
PEER GYNTForward or back, it’s equally far...
Out or in, it’s the same path!
There he is! And there! All around!
As soon as I’m out, I’m back in the circle...
Name yourself! Let me see you! What are you then?
Out or in, it’s the same path!
There he is! And there! All around!
As soon as I’m out, I’m back in the circle...
Name yourself! Let me see you! What are you then?
THE VOICEBøyg.
(gropes around)
PEER GYNTNot dead; not alive. A mist. A vapor.
No shape. Intangible! It’s like grabbing
Into a heap of buzzing half-awake bears! (shouts).
Strike out!
No shape. Intangible! It’s like grabbing
Into a heap of buzzing half-awake bears! (shouts).
Strike out!
THE VOICEBøyg is not crazy.
PEER GYNTStrike!
THE VOICEBøyg does not strike.
PEER GYNTFight! You must!
THE VOICEThe Great Bøyg wins without fighting.
PEER GYNTIf only there were a troll here that could prick me!
If only there were a goblin no older than a year!
But something to fight. But there’s nothing here...
Now he’s snoring! Bøyg!
If only there were a goblin no older than a year!
But something to fight. But there’s nothing here...
Now he’s snoring! Bøyg!
THE VOICEWhat?
PEER GYNTUse force!
THE VOICEThe Great Bøyg conquers everything with gentleness.
(bites into his arms and hands)
PEER GYNTClaws in the flesh, tearing teeth!
I must see a drop of my own blood!
I must see a drop of my own blood!
(One hears as the flapping of wings of large birds).
BIRDS' SCREAMSBøyg, is he coming?
THE VOICEYes! Step by step.
THE BIRDSSisters all, far away! Fly here!
PEER GYNTIf you want to save me, lass, do it quickly.
Don’t look so shy and sad at your
Prayer book! Throw it right in his eyes!
Don’t look so shy and sad at your
Prayer book! Throw it right in his eyes!
THE BIRDSHe wavers!
THE VOICEWe’ve got him.
THE BIRDSSisters! Quick!
PEER GYNTToo dearly bought is life like this,
With such an hour of murderous play.
With such an hour of murderous play.
(collapses).
Second Act쪽 253 / 346
THE BIRDSBøyg, there he falls! Grab him! Grab him!
(In the distance, bells and psalm-singing are heard).
BIRDSBØYG (dissolves into nothing and cries in a death rattle)
He was too strong. Women stood beside him.
Sunrise. In the mountains in front of Aase's mountain hut. The door is closed; everything is still and empty.
Peer Gynt lies sleeping against the outer wall of the hut.
He was too strong. Women stood beside him.
Sunrise. In the mountains in front of Aase's mountain hut. The door is closed; everything is still and empty.
Peer Gynt lies sleeping against the outer wall of the hut.
(awakes, looks around with slow, sleepy gaze. He spits)
PEER GYNTUgh, I wish I had a salted herring!
(spits again, immediately sees Helga, who approaches with a basket full of food).
Ah, little one, are you here? What do you want here, eh?
(spits again, immediately sees Helga, who approaches with a basket full of food).
Ah, little one, are you here? What do you want here, eh?
HELGAIt’s Solvejg...
(jumps up)
PEER GYNTWhere is she?
HELGAHere behind the hut.
(hiding)
SOLVEJGIf you come here, I’ll run away.
PEER GYNTAre you maybe afraid I’ll grab you?
SOLVEJGShame on you!
PEER GYNTDo you know where I was last night?...
The troll princess clung to me like a burr.
The troll princess clung to me like a burr.
SOLVEJGThen it was good that bells were ringing in the village.
PEER GYNTPeer Gynt is not the fellow they can lure,...
What do you say, eh?
What do you say, eh?
(weeping)
HELGAOh, there she runs away fast! (runs after her).
Wait!
Wait!
(holds her by an arm)
PEER GYNTLook, what I have in my pocket!
A silver button, I say! That’s for you...
Put in a good word for me!
A silver button, I say! That’s for you...
Put in a good word for me!
HELGAPlease, let me go!
PEER GYNTHere you have it.
HELGALet go! There stands the basket of food!
PEER GYNTGod help you, if you don’t...!
HELGALet me go! I’m scared!
(gently; lets her go)
PEER GYNTI meant to say; ask her not to forget me!
(Helga runs off quickly).
END OF THE SECOND ACT
Act III쪽 254 / 346
Act III
Deep in the pine forest. Gray autumn weather. Snowfall. Peer Gynt stands in his shirtsleeves chopping wood.
(he fells a large pine with crooked branches)
PEER GYNTYes, yes, you're tough, you old friend;
But it won't help you, you'll have to go.
But it won't help you, you'll have to go.
(he chops again).
PEER GYNTI see, you're wearing a coat of mail;...
But I'll smash it, no matter how strong...
Yes, yes, you shake your gnarled arm;
It's understandable, you're angry, you're annoyed;
But however it is, you must yield to me...!
But I'll smash it, no matter how strong...
Yes, yes, you shake your gnarled arm;
It's understandable, you're angry, you're annoyed;
But however it is, you must yield to me...!
(suddenly stops).
PEER GYNTDelusion! It's only an old tree.
Delusion! It's no coat of mail;
It's only a pine with rough bark...
It's hard work, chopping trees,
But madness to chop and dream at the same time.
That must end now,... staring into the mist
And letting oneself drift while wide awake...
You are banished! A hunted man in the woods.
Delusion! It's no coat of mail;
It's only a pine with rough bark...
It's hard work, chopping trees,
But madness to chop and dream at the same time.
That must end now,... staring into the mist
And letting oneself drift while wide awake...
You are banished! A hunted man in the woods.
(he chops hard for a while).
PEER GYNTBanished. You have no mother anymore
To bring you food, to set your table;
If you want to eat, fellow, help yourself,
Fetch something raw from forest or stream.
Look for some brushwood and light a fire,
Fiddle and cook and make do.
If you want warm clothes, catch a reindeer;
If you want to build a house, hew blocks of stone;
If you want to raise it, you must saw beams
And carry them on your back to the place....
To bring you food, to set your table;
If you want to eat, fellow, help yourself,
Fetch something raw from forest or stream.
Look for some brushwood and light a fire,
Fiddle and cook and make do.
If you want warm clothes, catch a reindeer;
If you want to build a house, hew blocks of stone;
If you want to raise it, you must saw beams
And carry them on your back to the place....
(his axe sinks, he stares ahead).
PEER GYNTIt will be beautiful. A tower with a vane
Shall stand on the roof and rise high;
And on the gable, carved from wood,
A mermaid, with a fish tail instead of legs.
There must be copper on the lock and the vane.
I must also get some glass;
Strangers will then ask, amazed,
What shines so far away in the mountains.
Shall stand on the roof and rise high;
And on the gable, carved from wood,
A mermaid, with a fish tail instead of legs.
There must be copper on the lock and the vane.
I must also get some glass;
Strangers will then ask, amazed,
What shines so far away in the mountains.
(laughs grimly).
PEER GYNTOh hellish lies! There they are again.
You are an outlaw, fellow!
You are an outlaw, fellow!
(he chops again with fury).
PEER GYNTA roof of bark
Will suffice against wind and frost.
Will suffice against wind and frost.
(looks up at the tree).
Act III쪽 255 / 346
PEER GYNTNow it's swaying. Come, just one more blow!
Then it will fall, as long as it is, by itself;
It already trembles in the young wood, rustling and moaning!
(he begins to strip the trunk of its branches; suddenly he listens and stands still with raised axe).
Someone is coming behind me!... So you do it,
You Haegstad farmer;... that's a treacherous trick.
Then it will fall, as long as it is, by itself;
It already trembles in the young wood, rustling and moaning!
(he begins to strip the trunk of its branches; suddenly he listens and stands still with raised axe).
Someone is coming behind me!... So you do it,
You Haegstad farmer;... that's a treacherous trick.
(hides behind the tree and peers out).
PEER GYNTA fellow! Only one. He looks scared.
He glances around timidly. What is he hiding
Under his tunic? A sickle! He stops and peers,
Lays his fist on his stick... and now? What is that?
Why does he stop and grab his sickle?
Oh dear! He cut off his finger!
His whole finger! He's bleeding like a pig!
There he goes off with his fist in a cloth.
He glances around timidly. What is he hiding
Under his tunic? A sickle! He stops and peers,
Lays his fist on his stick... and now? What is that?
Why does he stop and grab his sickle?
Oh dear! He cut off his finger!
His whole finger! He's bleeding like a pig!
There he goes off with his fist in a cloth.
(stands up).
PEER GYNTHe seems possessed! An indispensable finger!
Off! And without anyone forcing him...
Wait! Now I understand...! That is the only
Way to avoid the draft.
That's it. They wanted to send him to war,
And the fellow, of course, didn't want to go...
But to chop it off...? To lose it for good...?
To think of it, to wish it, even to will it;
And to do it! No, I don't understand that!
Off! And without anyone forcing him...
Wait! Now I understand...! That is the only
Way to avoid the draft.
That's it. They wanted to send him to war,
And the fellow, of course, didn't want to go...
But to chop it off...? To lose it for good...?
To think of it, to wish it, even to will it;
And to do it! No, I don't understand that!
(Shakes his head briefly, then goes back to work).
PEER GYNTA room in Aase's house. Everything is in disarray; chests stand open;
everyday clothes are spread around; a cat in the bed. Aase and the neighbor woman are busy packing and tidying up.
everyday clothes are spread around; a cat in the bed. Aase and the neighbor woman are busy packing and tidying up.
(goes to one side)
AASEKari, listen!
KARIWhat is it?
(on the other side)
AASEListen...!
Where is...? Where can I find...? Tell me, where is...?
What am I looking for? I'm dazed!
Where is the key to the chest?
Where is...? Where can I find...? Tell me, where is...?
What am I looking for? I'm dazed!
Where is the key to the chest?
KARIIt's in the lock.
AASEWhat's rattling outside?
KARIThe last load.
Being taken to Haegstad.
Being taken to Haegstad.
(weeping)
Act III쪽 256 / 346
AASEOh, I would be happy
If I myself were carried out in the black chest!
Oh, how much must a person suffer and endure!
God have mercy! The whole house is empty!
What the Haegstad farmer left, the bailiff took.
Even the clothes on my back were not spared.
It's a shame to treat a person like this!
If I myself were carried out in the black chest!
Oh, how much must a person suffer and endure!
God have mercy! The whole house is empty!
What the Haegstad farmer left, the bailiff took.
Even the clothes on my back were not spared.
It's a shame to treat a person like this!
(sits down on the edge of the bed).
AASENow everything, house, home, and land is lost;
Hard was the old man, but harder the judgment;
There was no help anymore and no mercy;
Peer was not there, and no one could help me.
Hard was the old man, but harder the judgment;
There was no help anymore and no mercy;
Peer was not there, and no one could help me.
KARIHere in the house you may stay until your death.
AASEYes, the cat and I, we are given charity bread!
KARIYes, mother, it was Peer who cost you dearly!
AASEPeer? Say, are you out of your mind!
Ingrid came home safe and sound, after all.
They should have stayed with the devil;...
He is the guilty one, he, and nobody else;
The evil one drove my poor boy to it!
Ingrid came home safe and sound, after all.
They should have stayed with the devil;...
He is the guilty one, he, and nobody else;
The evil one drove my poor boy to it!
KARIWouldn't you rather send for the priest?
He is worse off than you might think.
He is worse off than you might think.
AASEFor the priest? Oh yes, that wouldn't be bad.
(raises herself).
AASEBut no! I can't! I am his mother, after all;
I will help; that's no more than my motherly duty;
Do as much as I can, when no one else does anything.
That jacket here, he can have it. I'll patch it.
I wish I dared snatch that fur from them too!
Where are the stockings?
I will help; that's no more than my motherly duty;
Do as much as I can, when no one else does anything.
That jacket here, he can have it. I'll patch it.
I wish I dared snatch that fur from them too!
Where are the stockings?
KARIThere, with the other junk.
(rummages in it)
AASEWhat do I find here? Oh no, an old
Casting ladle, Kari! With that he played
Casting buttons, melting, and stamping.
Once, when there was a feast here, the boy came home
And asked his father for a lump of tin;
No tin, said Jon, but King Christian's coin,
Silver; one must see that you are a son of Jon Gynt.
God forgive Jon; but he was drunk,
And then he paid no attention to gold or tin.
Here are the stockings. Oh, what holes!
That'll take darning, Kari!
Casting ladle, Kari! With that he played
Casting buttons, melting, and stamping.
Once, when there was a feast here, the boy came home
And asked his father for a lump of tin;
No tin, said Jon, but King Christian's coin,
Silver; one must see that you are a son of Jon Gynt.
God forgive Jon; but he was drunk,
And then he paid no attention to gold or tin.
Here are the stockings. Oh, what holes!
That'll take darning, Kari!
KARIThat's necessary, I think.
Act III쪽 257 / 346
AASEWhen that's done, I'll go to bed;
I feel so weak and sick and oppressed...
Two woolen shirts; they forgot those!
I feel so weak and sick and oppressed...
Two woolen shirts; they forgot those!
KARIYes, they just did.
AASEThat's just right.
You can put one aside.
Or wait, we should keep both;
The one he has on is already so thin.
You can put one aside.
Or wait, we should keep both;
The one he has on is already so thin.
KARIBut, mother Aase, that's not allowed!
AASEWell, you know, the priest proclaims
Forgiveness for this and many other sins.
Outside a newly built hut in the forest. A reindeer antler above the door. The snow lies deep. Dusk is falling. Peer Gynt stands in front of the door and nails a large wooden lock in place.
Forgiveness for this and many other sins.
Outside a newly built hut in the forest. A reindeer antler above the door. The snow lies deep. Dusk is falling. Peer Gynt stands in front of the door and nails a large wooden lock in place.
(laughs loudly now and then)
PEER GYNTA lock there must be; a lock that keeps out
All the goblins, men and women.
A lock there must be, to lock the hut
Against all those malicious, sly dwarfs...
They come with the dark; they knock and tap:
Open up, Peer Gynt, we are quick as thoughts!
We shake the bed, we blow the fire,
Rise up through the chimney like fiery dragons.
Heehee! Peer, do you think with nails and planks
To block the entrance for the spiteful dwarf folk?
(Solvejg enters on snowshoes across the heath; she has a scarf over her head and a bundle in her hand).
All the goblins, men and women.
A lock there must be, to lock the hut
Against all those malicious, sly dwarfs...
They come with the dark; they knock and tap:
Open up, Peer Gynt, we are quick as thoughts!
We shake the bed, we blow the fire,
Rise up through the chimney like fiery dragons.
Heehee! Peer, do you think with nails and planks
To block the entrance for the spiteful dwarf folk?
(Solvejg enters on snowshoes across the heath; she has a scarf over her head and a bundle in her hand).
SOLVEJGGod bless your work. You must not reject me.
I come because you called, so you must take me.
I come because you called, so you must take me.
PEER GYNTSolvejg! It's not...! Yes, it's true!...
And you're no longer afraid to come close to me!
And you're no longer afraid to come close to me!
SOLVEJGYou sent me a message through little Helga;
Much more later the wind secretly brought me.
A message was all your mother told me,
A message my dream when I lay down to sleep.
Nights so sad, and so empty all the days,
Told me that I must come now.
Life was extinguished down there;
I could no longer laugh or cry from the heart.
I wasn't quite sure what was going on in you;
I only knew that I was drawn to you.
Much more later the wind secretly brought me.
A message was all your mother told me,
A message my dream when I lay down to sleep.
Nights so sad, and so empty all the days,
Told me that I must come now.
Life was extinguished down there;
I could no longer laugh or cry from the heart.
I wasn't quite sure what was going on in you;
I only knew that I was drawn to you.
PEER GYNTBut your father?
SOLVEJGIn God's wide world
I have no one who is father or mother to me.
I am free now of everyone.
I have no one who is father or mother to me.
I am free now of everyone.
Act III쪽 258 / 346
PEER GYNTSolvejg, my dear,
To be mine?
To be mine?
SOLVEJGYes, only yours;
You must be everything to me; my home and family.
You must be everything to me; my home and family.
(weeping).
SOLVEJGThe worst was leaving my little sister;...
But worse still to leave my father;
But the hardest of all to leave my mother's breast;...
No, God forgive me, the worst of all
Was the pain of parting from all... all!
But worse still to leave my father;
But the hardest of all to leave my mother's breast;...
No, God forgive me, the worst of all
Was the pain of parting from all... all!
PEER GYNTAnd do you know my sentence passed in spring?
That separates me forever from home and land.
That separates me forever from home and land.
SOLVEJGDo you think I would for worldly goods
Forever leave those whom I loved?
Forever leave those whom I loved?
PEER GYNTAnd do you know that, once outside the forest,
I may be caught if anyone sees me?
I may be caught if anyone sees me?
SOLVEJGOn snowshoes I came, and asked the way;
They asked where I was going; I answered: home.
They asked where I was going; I answered: home.
PEER GYNTAway then with all those nails and planks.
No more bolts against spiteful dwarfs.
If you dare henceforth stay with the hunter,
Then my hut will be consecrated, I know.
Solvejg! Let me look at you! Not too close!
Just look! How radiantly fair you are!
Let me lift you up! How light and delicate you are!
If I must carry you, Solvejg, I will never tire!
I will not make you dirty. With outstretched arms
I hold you in front of me, you dear, merciful one!
Who would have thought I would carry you...!
Oh, but I have longed for you nights and days.
Here, you see, I have built and constructed;
But that must go now; it's poor and bare here...
No more bolts against spiteful dwarfs.
If you dare henceforth stay with the hunter,
Then my hut will be consecrated, I know.
Solvejg! Let me look at you! Not too close!
Just look! How radiantly fair you are!
Let me lift you up! How light and delicate you are!
If I must carry you, Solvejg, I will never tire!
I will not make you dirty. With outstretched arms
I hold you in front of me, you dear, merciful one!
Who would have thought I would carry you...!
Oh, but I have longed for you nights and days.
Here, you see, I have built and constructed;
But that must go now; it's poor and bare here...
SOLVEJGWhether poor or rich,... it suits me here.
You breathe so freely in the cool mountain breeze...
Down there it was stuffy; I felt oppressed;
That was also what drove me from the village.
But here, where you hear the rustling of the pines....
Here is peace and song!... here I feel at home.
You breathe so freely in the cool mountain breeze...
Down there it was stuffy; I felt oppressed;
That was also what drove me from the village.
But here, where you hear the rustling of the pines....
Here is peace and song!... here I feel at home.
PEER GYNTAnd do you know it for sure? Your whole life long?
SOLVEJGThe path I took leads never back.
Act III쪽 259 / 346
PEER GYNTI have you then! Come! Let me show you my hut!
Go inside! I'll just fetch some firewood;
It will be warm and cozy and bright,
You'll sit softly and suffer no cold!
(he opens the door; Solvejg goes inside. He stands still for a moment;
then he laughs aloud with joy and leaps into the air).
Go inside! I'll just fetch some firewood;
It will be warm and cozy and bright,
You'll sit softly and suffer no cold!
(he opens the door; Solvejg goes inside. He stands still for a moment;
then he laughs aloud with joy and leaps into the air).
PEER GYNTMy king's child! Now it is found and won!
No, now the castle-building shall begin anew!
(he grabs the axe and is about to go back; at the same moment
an oldish woman in a torn green skirt emerges from the thicket. An ugly boy with a beer bottle in his hand limps after her, holding on to her skirt).
No, now the castle-building shall begin anew!
(he grabs the axe and is about to go back; at the same moment
an oldish woman in a torn green skirt emerges from the thicket. An ugly boy with a beer bottle in his hand limps after her, holding on to her skirt).
THE WOMANGood evening, Peer Gynt!
PEER GYNTEh? Who's that?
THE WOMANOld friends, Peer Gynt! My home is nearby.
We are neighbors.
We are neighbors.
PEER GYNTOh? That's more than I know.
THE WOMANAs your hut rose, mine also arose.
(tries to leave)
PEER GYNTI'm in a hurry...
THE WOMANYes, you always are, man;
But I'll follow you and you won't get rid of me so easily.
But I'll follow you and you won't get rid of me so easily.
PEER GYNTYou're mistaken!
THE WOMANThat I once did;
I did that time when you came with promises.
I did that time when you came with promises.
PEER GYNTPromises...? What the devil is this talk?
THE WOMANHave you forgotten the evening at father's house?
Have you forgotten...?
Have you forgotten...?
PEER GYNTI forgot what I never knew.
Where did we last see each other?
Where did we last see each other?
THE WOMANWhere we saw each other the first time.
(to the boy).
THE WOMANLet father have a drink; I think he's thirsty.
PEER GYNTFather? You're drunk! Do you call him...?
THE WOMANYou ought to recognize the animal by its hide!...
Have you no eyes? You can surely see
His leg is as lame as your whole nature.
Have you no eyes? You can surely see
His leg is as lame as your whole nature.
PEER GYNTAre you trying to make me believe...?
THE WOMANAre you trying to find excuses?
Act III쪽 260 / 346
PEER GYNTThat long-legged boy...!
THE WOMANHe has grown fast.
PEER GYNTDo you dare foist upon me, you ugly witch...
THE WOMANListen, Peer Gynt, you're as coarse as an ox...!
(weeping).
THE WOMANCan I help it that I'm not so beautiful anymore,
As when you lured me over sloping hills?
The devil, when I gave birth in autumn, bent
My back, and you don't get better from that.
But if you want to see me beautiful again as before,
Just point that girl, who sits yonder, to the door.
Drive her out of your eyes and mind;...
Do that, dear friend, then I'll change my looks!
As when you lured me over sloping hills?
The devil, when I gave birth in autumn, bent
My back, and you don't get better from that.
But if you want to see me beautiful again as before,
Just point that girl, who sits yonder, to the door.
Drive her out of your eyes and mind;...
Do that, dear friend, then I'll change my looks!
PEER GYNTAway from me, evil witch!
THE WOMANBut I'm not going, you hear!
PEER GYNTI'll smash your brains in...!
THE WOMANYes, just try if you dare!
Hoho, Peer Gynt, no blow can hurt me!...
I'll come back every day anyway.
I'll look through the door and spy on you together.
If you sit with the girl in the twilight,...
If you grow tender... Peer Gynt... fancy a bit of love,...
I'll sit beside you and demand my share.
She and I, we'll have you turn and turn about.
Farewell, my lad; have your wedding tomorrow, you hear!
Hoho, Peer Gynt, no blow can hurt me!...
I'll come back every day anyway.
I'll look through the door and spy on you together.
If you sit with the girl in the twilight,...
If you grow tender... Peer Gynt... fancy a bit of love,...
I'll sit beside you and demand my share.
She and I, we'll have you turn and turn about.
Farewell, my lad; have your wedding tomorrow, you hear!
PEER GYNTYou hellish nightmare!
THE WOMANBut that's right!
The boy, your lame one, you will raise him!
Devil's child, do you want to go to your father?
The boy, your lame one, you will raise him!
Devil's child, do you want to go to your father?
(spits at him)
THE BOYThere!
I'll chop you with an axe, you wait; someday!
I'll chop you with an axe, you wait; someday!
(kisses the boy)
THE WOMANOh, what a head on that body!
You will make your father proud yet!
You will make your father proud yet!
(stamping feet)
PEER GYNTOh, were you so far...!
THE WOMANWhen we are close now?
(shakes fists)
PEER GYNTAnd all that...!
THE WOMANJust for sensual desire!
It's a pity for you, Peer!
It's a pity for you, Peer!
PEER GYNTMost of all for another!...
Solvejg! my pearl, so pure, so spotless!
Solvejg! my pearl, so pure, so spotless!
Act III쪽 261 / 346
THE WOMANYes, yes, said the devil, innocence must suffer,
When his father was drunk and his mother beat him!
(She goes back into the thicket with the boy, who throws the beer bottle after him).
When his father was drunk and his mother beat him!
(She goes back into the thicket with the boy, who throws the beer bottle after him).
(after a long silence)
PEER GYNTGo around, said the Boyg. Yes, now I must do it...
There my royal castle fell in ruins!
It raised a wall around her... and I was so close;
Suddenly the beauty was gone; my joy withered...
Give it up, fellow! There is no way
Straight through all that from you to her.
Straight through? There must be one to find.
There is something about repentance, if I remember rightly.
But what? What is it? I no longer have the book,
I've forgotten most of it, and here there's no one
In the wild forest to guide me...
Repentance? Years could pass
Before I was through it. Such a life would be dreary.
To smash what is gleaming and light and beautiful,
And then from the shards to make something new.
That works with a fiddle but not with a clock.
You must not trample what is still to grow.
But that was a lie from that witch's face!
Now all that horror is out of my eyes...
Yes; out of my eyes, but not out of my head.
It will haunt me everywhere.
Ingrid! And those three up on the mountain!
Must they also join? With screaming and fooling
Demand to be embraced,
To be carried carefully and tenderly?
Go around, Peer; even if your arm were as long
As the slenderest fir or a pine trunk,...
I believe I still held her too close to me
To set her down spotless and unharmed...
I must go around it, however it goes,
So that it brings me no gain and no loss.
You must shake off such things until you forget them...
There my royal castle fell in ruins!
It raised a wall around her... and I was so close;
Suddenly the beauty was gone; my joy withered...
Give it up, fellow! There is no way
Straight through all that from you to her.
Straight through? There must be one to find.
There is something about repentance, if I remember rightly.
But what? What is it? I no longer have the book,
I've forgotten most of it, and here there's no one
In the wild forest to guide me...
Repentance? Years could pass
Before I was through it. Such a life would be dreary.
To smash what is gleaming and light and beautiful,
And then from the shards to make something new.
That works with a fiddle but not with a clock.
You must not trample what is still to grow.
But that was a lie from that witch's face!
Now all that horror is out of my eyes...
Yes; out of my eyes, but not out of my head.
It will haunt me everywhere.
Ingrid! And those three up on the mountain!
Must they also join? With screaming and fooling
Demand to be embraced,
To be carried carefully and tenderly?
Go around, Peer; even if your arm were as long
As the slenderest fir or a pine trunk,...
I believe I still held her too close to me
To set her down spotless and unharmed...
I must go around it, however it goes,
So that it brings me no gain and no loss.
You must shake off such things until you forget them...
(takes a few steps toward the hut, but stops again).
PEER GYNTTo go in after all this? So filthy and base?
To go in with all those ghosts behind me?
To go in with all those ghosts behind me?
(throws the axe away).
PEER GYNTIt is the evening before the feast. To touch her now
As I am now would be sacrilege.
As I am now would be sacrilege.
(at the door)
SOLVEJGAre you coming soon?
(half aloud)
PEER GYNTGo around!
Act III쪽 262 / 346
SOLVEJGWhat?
PEER GYNTWait a while.
It's dark here, and I still have something heavy to fetch.
It's dark here, and I still have something heavy to fetch.
SOLVEJGWait; I'll help you; we'll carry it together.
PEER GYNTNo, better stay there! I'll carry it alone.
SOLVEJGBut don't be too long, say!
PEER GYNTJust be patient, my girl!
Whether long or short,... just wait.
Whether long or short,... just wait.
(nods to him)
SOLVEJGI will wait!
(Peer Gynt goes into the forest. Solvejg remains standing in the half-open door).
Aase's room. Evening. A brushwood fire burns in the hearth and lights the room. The cat on a chair at the foot of the bed. Aase lies in bed and restlessly feels the blankets with her hands.
(Peer Gynt goes into the forest. Solvejg remains standing in the half-open door).
Aase's room. Evening. A brushwood fire burns in the hearth and lights the room. The cat on a chair at the foot of the bed. Aase lies in bed and restlessly feels the blankets with her hands.
AASEOh, dear Lord, won't he come?
It's taking awfully long.
I can't send for him anymore
And I have so much to tell him.
I don't have much time left!
So sudden! Who would have thought!
Oh, if I only knew
Whether I was too hard on him!
It's taking awfully long.
I can't send for him anymore
And I have so much to tell him.
I don't have much time left!
So sudden! Who would have thought!
Oh, if I only knew
Whether I was too hard on him!
(enters)
PEER GYNTGood evening!
AASEGod bless you!
There he is! My boy! My Peer!
But how dare you venture here?
Your life is in danger here!
There he is! My boy! My Peer!
But how dare you venture here?
Your life is in danger here!
PEER GYNTOh, what do I care about life.
I had to come to you now.
I had to come to you now.
AASEWhat will Kari think!
Now I can go in peace!
Now I can go in peace!
PEER GYNTGo? What kind of talk is that?
Where do you think you're going?
Where do you think you're going?
AASEOh Peer, it's coming to an end;
I don't have much longer!
I don't have much longer!
(wrings his hands and paces back and forth)
PEER GYNTAnd I who thought to escape the sorrow,
And thought I was free here...!
Are your hands and feet cold?
And thought I was free here...!
Are your hands and feet cold?
AASEYes, Peer, it will soon be over...
If you see my eyes breaking,
Oh, close them gently then.
And then you must see about a coffin;
But, boy, let it be a fine one.
Oh no, it's true...
If you see my eyes breaking,
Oh, close them gently then.
And then you must see about a coffin;
But, boy, let it be a fine one.
Oh no, it's true...
PEER GYNTBe quiet, hear!
There's time enough for that.
There's time enough for that.
Act III쪽 263 / 346
AASEYes, yes. (looks around restlessly in the room).
Here you see the little
That's left. That's how people are.
Here you see the little
That's left. That's how people are.
(clenches fists)
PEER GYNTNow again! (loudly). I know it's my fault.
What good does it do to hear it again?
What good does it do to hear it again?
AASEYou! No, it's that cursed drinking,
That's where all the mischief comes from!
My boy, you were drunk after all:
Then no one knows what they're doing;
And then you rode that reindeer;
It's clear enough you were crazy!
That's where all the mischief comes from!
My boy, you were drunk after all:
Then no one knows what they're doing;
And then you rode that reindeer;
It's clear enough you were crazy!
PEER GYNTDon't talk about that anymore.
Let the whole thing rest.
What is sad we will spare
Until later... another day.
Let the whole thing rest.
What is sad we will spare
Until later... another day.
(sits on the edge of the bed).
PEER GYNTNow, little mother, we'll have a chat,
About this and that,
And forget the nasty and bitter,
And everything that hurts and torments...
Oh look, there's the old cat still;
So she lasted this long too?
About this and that,
And forget the nasty and bitter,
And everything that hurts and torments...
Oh look, there's the old cat still;
So she lasted this long too?
AASEShe's been acting so strangely at night too;
You know what that means!
You know what that means!
PEER GYNTWhat's the news in the village, tell me?
(smiling)
AASEThey say that somewhere here
There's a girl who's gone to the mountains...
There's a girl who's gone to the mountains...
(quickly)
PEER GYNTMads-Moen, did he get through?
AASEThey say she has no ears
For both her parents' grief.
You ought to look into it
You, Peer, might know what to do...
For both her parents' grief.
You ought to look into it
You, Peer, might know what to do...
PEER GYNTAnd how is smith Aslak?
AASEOh, don't mention that dirty smith.
I'd rather tell you the name
Of the girl, you know... of her...
I'd rather tell you the name
Of the girl, you know... of her...
PEER GYNTNo, now we'll talk together,
Just about this and that,
And forget all the nasty and bitter
And everything that hurts and torments.
Are you thirsty? Shall I get you a drink?
Are you lying comfortably? The bed is short.
Let me see;... yes, it's true
This is the bed where I slept as a boy?
Do you remember how often you sat
At the foot end in the evening,
Tucked me in warm and snug,
And sang all sorts of songs?
Just about this and that,
And forget all the nasty and bitter
And everything that hurts and torments.
Are you thirsty? Shall I get you a drink?
Are you lying comfortably? The bed is short.
Let me see;... yes, it's true
This is the bed where I slept as a boy?
Do you remember how often you sat
At the foot end in the evening,
Tucked me in warm and snug,
And sang all sorts of songs?
Act III쪽 264 / 346
AASEOf course! And then we played "sledging,"
When father was out carousing.
The quilt was the sledge's fur
And the floor a frozen fjord.
When father was out carousing.
The quilt was the sledge's fur
And the floor a frozen fjord.
PEER GYNTYes, but the very best,
Tell me, mother, do you still remember?...
That was the wild horses...
Tell me, mother, do you still remember?...
That was the wild horses...
AASEYes, do you think I don't remember...?
We borrowed Kari's cat;
It sat on a wooden stool...
We borrowed Kari's cat;
It sat on a wooden stool...
PEER GYNTTo the castle of the moon in the west,
To the eastern castle of the sun,
To the Soria-Moria castle then
We went with a whoop-hey! across the floor.
A stick, found in the cupboard,
We used for a whip.
To the eastern castle of the sun,
To the Soria-Moria castle then
We went with a whoop-hey! across the floor.
A stick, found in the cupboard,
We used for a whip.
AASEI sat in front on the driver's seat...
PEER GYNTAnd then you let the reins go!
You looked back, as soon as we rode,
And asked me: aren't you cold?
God bless you, you old dear,...
You were a good soul...!
Why are you groaning like that?
You looked back, as soon as we rode,
And asked me: aren't you cold?
God bless you, you old dear,...
You were a good soul...!
Why are you groaning like that?
AASEI have such pain in
My back, from that hard plank.
My back, from that hard plank.
PEER GYNTStretch out; I'll support you.
There now; isn't that soft?
There now; isn't that soft?
(restlessly)
AASENo, Peer, I want to go!
PEER GYNTGo?
AASEYes, go; I long for it so.
PEER GYNTNonsense! Stay under the covers.
Let me sit at the foot end.
There now; we'll shorten the evening
With fairy tales and all sorts of games.
Let me sit at the foot end.
There now; we'll shorten the evening
With fairy tales and all sorts of games.
AASEBetter fetch the Bible from the cupboard:
I feel so restless.
I feel so restless.
PEER GYNTIn the castle of Soria-Moria
King and prince hold a great feast.
Just rest in the warm sledge
I'll drive you there across the field...
King and prince hold a great feast.
Just rest in the warm sledge
I'll drive you there across the field...
AASEBut, dear Peer, am I invited?
PEER GYNTYes, we both are.
(throws a rope around the chair where the cat lies, takes a stick in his hand and sits on the foot end of the bed).
Giddyap! Get going, you Blackie!
Tell me, mother, aren't you cold?
Yes, yes; because you feel the cutting
When Grane starts trotting!
(throws a rope around the chair where the cat lies, takes a stick in his hand and sits on the foot end of the bed).
Giddyap! Get going, you Blackie!
Tell me, mother, aren't you cold?
Yes, yes; because you feel the cutting
When Grane starts trotting!
AASEDear Peer, what is that I hear ringing...?
Act III쪽 265 / 346
PEER GYNTThe bells of the white harness!
AASEHuh! How hollow that sounds, my dear!
PEER GYNTWe're riding across a fjord.
AASEI'm scared! What is that roaring
And groaning, so strangely wild?
And groaning, so strangely wild?
PEER GYNTIt's the tree tops, mother, rustling
Of the pine forest. Just sit still.
Of the pine forest. Just sit still.
AASEWhat glitters and shines over there?
Where does that light come from?
Where does that light come from?
PEER GYNTFrom the castle. All the windows gleam.
Do you hear how they dance?
Do you hear how they dance?
AASEYes.
PEER GYNTSaint Peter stands outside the door
And invites us to enter.
And invites us to enter.
AASEDoes he greet us?
PEER GYNTHe stands bowing,
Pouring the finest wine.
Pouring the finest wine.
AASEOh, wine! Does he also have cakes?
PEER GYNTYes, he does! A whole mountain.
The provost's wife also comes
With coffee and sweets.
The provost's wife also comes
With coffee and sweets.
AASEAnd will we talk to each other then?
PEER GYNTAs often and as long as you like.
AASEOh Peer, what wonderful things
You are taking me to, poor soul!
You are taking me to, poor soul!
(cracks the whip)
PEER GYNTGiddyap! Hurry then, my Blackie!
AASETell me, dear Peer, you drive well, don't you?
(cracks again)
PEER GYNTYou can't go astray here.
AASEThat swaying.
It makes me so strange and tired.
It makes me so strange and tired.
PEER GYNTThere I see the castle rising;
Just a moment, and we'll be there.
Just a moment, and we'll be there.
AASEI'll just close my eyes quietly,
Trusting you, my Peer!
Trusting you, my Peer!
Act III쪽 266 / 346
PEER GYNTOnward then, Grane, my trotter!
In the castle there is a great crowd;
They push and throng through the gate.
Here comes Peer Gynt with old Aase!
What do you say to that, Saint Peter?
May mother not enter?
I think you can search long
Before you find such an honest soul;
I won't speak of myself;
I can turn back if need be.
If you wish to pour, I'll accept it gratefully,
If not, I'll also leave content.
I have made up as many lies
As the devil went to preach,
And called mother a hen
Because she sometimes cackled.
But her you must honor and respect
And see that she is well;
No better will surely come here
From anywhere, in this time...
Aha! There is God the Father!
Saint Peter, now you'll catch it!
In the castle there is a great crowd;
They push and throng through the gate.
Here comes Peer Gynt with old Aase!
What do you say to that, Saint Peter?
May mother not enter?
I think you can search long
Before you find such an honest soul;
I won't speak of myself;
I can turn back if need be.
If you wish to pour, I'll accept it gratefully,
If not, I'll also leave content.
I have made up as many lies
As the devil went to preach,
And called mother a hen
Because she sometimes cackled.
But her you must honor and respect
And see that she is well;
No better will surely come here
From anywhere, in this time...
Aha! There is God the Father!
Saint Peter, now you'll catch it!
(in a deep voice).
PEER GYNT"Stop that nonsense now;
Mother Aase has free entry!"
Mother Aase has free entry!"
(laughs loudly and turns to his mother).
PEER GYNTAs if I didn't know that!
Now something else is coming!
Now something else is coming!
(anxiously).
PEER GYNTWhy do you look as if your eyes are breaking?
Tell me, mother! What's the matter now...?
Tell me, mother! What's the matter now...?
(goes to the head of the bed).
PEER GYNTYou mustn't lie there staring...!
Speak, mother, it's me, Peer!
(gently touches her forehead and hands; then he throws the rope off the chair and says softly):
There, yes!... You can rest now, Grane;
For now the journey is over.
Speak, mother, it's me, Peer!
(gently touches her forehead and hands; then he throws the rope off the chair and says softly):
There, yes!... You can rest now, Grane;
For now the journey is over.
(closes her eyes and bends over her).
PEER GYNTThanks for your whole life,
For slaps and tender care...
But now you must also thank me...
For slaps and tender care...
But now you must also thank me...
(presses his cheek against her mouth).
PEER GYNTThere; that was your thanks for the ride.
(The neighbor woman enters).
KARIWhat? Peer! Well, then we are past
Her bitterest sorrow!
Dear Lord, how soundly she sleeps now!...
Or is she already...?
Her bitterest sorrow!
Dear Lord, how soundly she sleeps now!...
Or is she already...?
PEER GYNTHush; she is dead.
(Kari weeps by the corpse. Peer Gynt paces slowly around the room; finally he stops by the bed).
Let her be buried with all honor.
I must see how I can get away from here.
(Kari weeps by the corpse. Peer Gynt paces slowly around the room; finally he stops by the bed).
Let her be buried with all honor.
I must see how I can get away from here.
Act III쪽 267 / 346
KARIAre you going far away?
PEER GYNTTo sea.
KARISo far!
PEER GYNTAnd further still.
(exits).
END OF THE THIRD ACT
Fourth Act쪽 268 / 346
Fourth Act
On the southwest coast of Morocco. A palm grove. A laid table, sunshade, and straw mats. Deeper among the trees are hammocks. Out at sea lies a steam yacht with Norwegian and American flags. A rowboat is on the beach. It is towards sunset.
Peer Gynt, a handsome gentleman of middle age in elegant traveling clothes, a gold lorgnette hanging on his chest, presides at the table as host. Mister Cotton, Monsieur Ballon, and Messrs. von Eberkopf and Trumpeterstrale have just finished their meal.
PEER GYNTDrink, gentlemen! If man is made
To enjoy, then let him do so.
And death is death... What may I offer?
To enjoy, then let him do so.
And death is death... What may I offer?
TRUMPETERSTRALEYou're a splendid host, brother Gynt!
PEER GYNTI share that honor with my money,
My cook and steward...
My cook and steward...
MR. COTTONVery well!
I drink to the health of all four!
I drink to the health of all four!
MR. BALLONMonsieur, you have a taste, a tone,
Rarely found nowadays
In anyone alive and single,...
A certain... I don't know what...
Rarely found nowadays
In anyone alive and single,...
A certain... I don't know what...
V. EBERKOPFA haze,
A sheen of free spiritual development,
A possession of world citizenship,
A glance through the dense veil of clouds,
Unbound by prejudices,
Endowed with higher enlightenment,
A primal nature that knows life,
United at the zenith of the trilogy.
Is it not, monsieur, what you meant?
A sheen of free spiritual development,
A possession of world citizenship,
A glance through the dense veil of clouds,
Unbound by prejudices,
Endowed with higher enlightenment,
A primal nature that knows life,
United at the zenith of the trilogy.
Is it not, monsieur, what you meant?
MR. BALLONYes, that may be; though such things
Sound not so pretty in French.
Sound not so pretty in French.
V. EBERKOPFOh, away! That language is so stiff...
But shall we now seek the ground
Of the phenomenon...
But shall we now seek the ground
Of the phenomenon...
PEER GYNTIt is found.
It comes from my not being married.
Yes, gentlemen, that's as clear
As water. What must a man be?
Himself: I answer in short.
He must look after himself and his own.
But can he do that if he's a pack camel
For the weal and woe of others, sometimes?
It comes from my not being married.
Yes, gentlemen, that's as clear
As water. What must a man be?
Himself: I answer in short.
He must look after himself and his own.
But can he do that if he's a pack camel
For the weal and woe of others, sometimes?
V. EBERKOPFBut that living for and in oneself,
I suspect, must have cost you struggle...
I suspect, must have cost you struggle...
Fourth Act쪽 269 / 346
PEER GYNTOh, certainly, yes; in earlier days;
But I always came off with honor.
Once, though, I came close
To falling into a tight snare.
I was a fine, handsome fellow,
And she, the lady, was my choice,...
She was of royal blood...
But I always came off with honor.
Once, though, I came close
To falling into a tight snare.
I was a fine, handsome fellow,
And she, the lady, was my choice,...
She was of royal blood...
MR. BALLONOh, royal?
(disdainfully)
PEER GYNTOf those families,
You know...
You know...
(slaps the table)
TRUMPETERSTRALENoble rabble!
(shrugs his shoulders)
PEER GYNTFallen magnates, ever seeking
Their pride in keeping their lineage
Free from stains of plebeian blood.
Their pride in keeping their lineage
Free from stains of plebeian blood.
MR. COTTONAnd so the matter fell through?
MR. BALLONHer parents refused the match?
PEER GYNTOn the contrary!
MR. BALLONAh!
(apologetically)
PEER GYNTYou understand!
There was something that required the marriage
To be concluded as quickly as possible.
But, I say frankly, the whole affair
Went against me from the start.
In some things I am rather peculiar,
And I prefer to be my own master.
And when my father-in-law then came
With the demand, though veiled,
That I should change my station and name,
Be raised into the nobility,
With much else that was unacceptable,
Not to say highly indelicate...
Then I withdrew decently.
I refused his ultimatum,...
Renounced my young bride.
There was something that required the marriage
To be concluded as quickly as possible.
But, I say frankly, the whole affair
Went against me from the start.
In some things I am rather peculiar,
And I prefer to be my own master.
And when my father-in-law then came
With the demand, though veiled,
That I should change my station and name,
Be raised into the nobility,
With much else that was unacceptable,
Not to say highly indelicate...
Then I withdrew decently.
I refused his ultimatum,...
Renounced my young bride.
(drumming on the table, seemingly absorbed)
PEER GYNTYes, yes; there is indeed a Fate
In which a man can trust;
And knowing that is a comfort.
In which a man can trust;
And knowing that is a comfort.
MR. BALLONAnd thus the matter ended?
PEER GYNTNo, I had something else to deal with;
For unauthorized persons meddled
With loud cries in the affair;
Worst of all, the younger members of the family.
With seven I fought a duel.
That was a time I'll never forget,
Though I came off quite lucky.
It cost blood; but all that blood
Much increased my value,
And emphatically points to the fact,
As I said, of a guiding Fate.
For unauthorized persons meddled
With loud cries in the affair;
Worst of all, the younger members of the family.
With seven I fought a duel.
That was a time I'll never forget,
Though I came off quite lucky.
It cost blood; but all that blood
Much increased my value,
And emphatically points to the fact,
As I said, of a guiding Fate.
Fourth Act쪽 270 / 346
V. EBERKOPFYou have a view of the course of life
That raises you to a thinker.
While another thinks he sees
Separate scattered images,
And can never find a solution,
You know how to combine it all.
With one measure you measure all things.
You sharpen a point on all your words,
Which then, like rays, emanate
From the light of one philosophy...
And you were never a student?
That raises you to a thinker.
While another thinks he sees
Separate scattered images,
And can never find a solution,
You know how to combine it all.
With one measure you measure all things.
You sharpen a point on all your words,
Which then, like rays, emanate
From the light of one philosophy...
And you were never a student?
PEER GYNTI am, as I said,
Simply an autodidact.
Methodically I have learned nothing;
But thought and pondered much,
And read much about everything.
I began late in life;
Then it falls a bit hard sometimes,
But by reading, page by page,
And taking in ripe and green.
History I took in pieces,
For I never had time for more.
And since in evil times one must
Have something for firm support,
I took religion in gulps.
That goes down easier.
One must not read too greedily,
But only see what may be useful...
Simply an autodidact.
Methodically I have learned nothing;
But thought and pondered much,
And read much about everything.
I began late in life;
Then it falls a bit hard sometimes,
But by reading, page by page,
And taking in ripe and green.
History I took in pieces,
For I never had time for more.
And since in evil times one must
Have something for firm support,
I took religion in gulps.
That goes down easier.
One must not read too greedily,
But only see what may be useful...
MR. COTTONThat's practical!
(lights a cigar)
PEER GYNTDear friends,
Consider my life's course.
How did I come to the West!
A poor fellow, with empty hands!
I had to toil hard for my bread;
Believe me, it was often hard.
But life, friends, is worth much;
And, as they say, death is bitter.
Well! Fortune, you see, was kind to me;
And old Fate not envious.
It went. And since I was also strong,
It went steadily better, better.
Ten years later I was called
The Croesus among Charlestown's shipowners.
Now my name flew from town to town;
Luck was now on board with me...
Consider my life's course.
How did I come to the West!
A poor fellow, with empty hands!
I had to toil hard for my bread;
Believe me, it was often hard.
But life, friends, is worth much;
And, as they say, death is bitter.
Well! Fortune, you see, was kind to me;
And old Fate not envious.
It went. And since I was also strong,
It went steadily better, better.
Ten years later I was called
The Croesus among Charlestown's shipowners.
Now my name flew from town to town;
Luck was now on board with me...
MR. COTTONIn what did you deal?
PEER GYNTMostly in negroes,
To our Union State of Carolina;
And idol statues also, to China.
To our Union State of Carolina;
And idol statues also, to China.
MR. BALLONFi donc!
TRUMPETERSTRALEPotztausend, Uncle Gynt.
Fourth Act쪽 271 / 346
PEER GYNTYou may perhaps find the business inconsistent
With what is permissible... or not?
I myself sometimes felt that vividly,
And often found it odious.
But, once begun... as things go,...
It is hard to let it go again.
And at any rate it's not so easy
In such a large enterprise,
With thousands of others involved,
To break abruptly with such a business.
I have a dislike for "abrupt breaking";
But admit on the other hand that
I have always taken account
Of what is called the consequences;
And that crossing boundaries
Was always unpleasant to me.
Also, I was getting older;
I began to approach fifty,...
Got gradually graying hair;
And though my prosperity still increased,
The thought became painful to me:
Who knows how soon the hour strikes
When the judgment intervenes decisively,
Separating the goats from the sheep.
What to do? To stop the trade
With China was impossible.
Yet I found a way out. I began with
Something else in the same place.
In spring I exported gods,
In autumn I cleaned out priests;
Supplied them well with all necessities,
Like stockings, Bibles, rum, and rice...
With what is permissible... or not?
I myself sometimes felt that vividly,
And often found it odious.
But, once begun... as things go,...
It is hard to let it go again.
And at any rate it's not so easy
In such a large enterprise,
With thousands of others involved,
To break abruptly with such a business.
I have a dislike for "abrupt breaking";
But admit on the other hand that
I have always taken account
Of what is called the consequences;
And that crossing boundaries
Was always unpleasant to me.
Also, I was getting older;
I began to approach fifty,...
Got gradually graying hair;
And though my prosperity still increased,
The thought became painful to me:
Who knows how soon the hour strikes
When the judgment intervenes decisively,
Separating the goats from the sheep.
What to do? To stop the trade
With China was impossible.
Yet I found a way out. I began with
Something else in the same place.
In spring I exported gods,
In autumn I cleaned out priests;
Supplied them well with all necessities,
Like stockings, Bibles, rum, and rice...
MR. COTTONAnd at a profit?
PEER GYNTNaturally, yes.
It went. They worked tirelessly, and
For every god I sold,
A Chinese was converted, baptized.
Thus it worked neutralizing.
The field of mission never lay fallow,
For every god I peddled,
A priest kept under control.
It went. They worked tirelessly, and
For every god I sold,
A Chinese was converted, baptized.
Thus it worked neutralizing.
The field of mission never lay fallow,
For every god I peddled,
A priest kept under control.
MR. COTTONYes, but the African goods?
Fourth Act쪽 272 / 346
PEER GYNTThere my morality also triumphed.
I saw that it was no suitable business
For someone of my age.
One never knows when it will end.
And then the snares set for us
By the whole philanthropic host,
Not to mention the pirates,
And risk of wind and weather.
All together gave the decisive turn.
I thought: Come, Peter, reef the sails;
And see what you can still make good.
So I bought some land in the South,
Kept the last meat import,
Which was prime quality too.
They thrived, grew round and fat,
A joy for them and me.
Yes, I dare say, without boasting,
That I was like a father to them,...
Which also yielded good interest.
I built schools, that decently
Virtue might constantly remain
At a certain general level,
And strictly saw to it that her thermometer
Never sank below the mark.
Now, however, I have also
Withdrawn entirely from that;...
I sold the plantation with the whole
Bother, skin and hair.
At parting I gave them all,
Big and small, free grog.
Then the whole lot got a good drunk,
The widows also got snuff.
So I hope, insofar
That word is not an empty phrase:
He who does no harm, does good,...
Thus my earlier debt is paid;
And more than many can I support
My sins with many good works.
I saw that it was no suitable business
For someone of my age.
One never knows when it will end.
And then the snares set for us
By the whole philanthropic host,
Not to mention the pirates,
And risk of wind and weather.
All together gave the decisive turn.
I thought: Come, Peter, reef the sails;
And see what you can still make good.
So I bought some land in the South,
Kept the last meat import,
Which was prime quality too.
They thrived, grew round and fat,
A joy for them and me.
Yes, I dare say, without boasting,
That I was like a father to them,...
Which also yielded good interest.
I built schools, that decently
Virtue might constantly remain
At a certain general level,
And strictly saw to it that her thermometer
Never sank below the mark.
Now, however, I have also
Withdrawn entirely from that;...
I sold the plantation with the whole
Bother, skin and hair.
At parting I gave them all,
Big and small, free grog.
Then the whole lot got a good drunk,
The widows also got snuff.
So I hope, insofar
That word is not an empty phrase:
He who does no harm, does good,...
Thus my earlier debt is paid;
And more than many can I support
My sins with many good works.
(clinks glasses with him)
V. EBERKOPFHow edifying it is to hear
A theory made into deed,
Divested of mists and night,
Despite all outward happenings!
PEER GYNT (who during the foregoing has been diligently helping himself from the various bottles).
We folk from the North, we understand
How to get through! The secret of it,
Through life, is simply:
Keep your ears always tightly shut,
So no adder may creep in.
A theory made into deed,
Divested of mists and night,
Despite all outward happenings!
PEER GYNT (who during the foregoing has been diligently helping himself from the various bottles).
We folk from the North, we understand
How to get through! The secret of it,
Through life, is simply:
Keep your ears always tightly shut,
So no adder may creep in.
MR. COTTONWhat kind of adder, dear friend?
Fourth Act쪽 273 / 346
PEER GYNTA little one, but strongly enticing
To the once-and-for-all decisive. (drinks again.)
The whole art of daring something,
Having the courage of one's deed,...
Is that: to stand before free choice
On life's thousand winding paths...
To know for certain that all days
Are not finished with one day of struggle,...
To know that there stands open
A bridge that can lead you back.
That theory has always upheld me;
It has colored my life's course.
And that principle is an heirloom
From my ancestral family.
To the once-and-for-all decisive. (drinks again.)
The whole art of daring something,
Having the courage of one's deed,...
Is that: to stand before free choice
On life's thousand winding paths...
To know for certain that all days
Are not finished with one day of struggle,...
To know that there stands open
A bridge that can lead you back.
That theory has always upheld me;
It has colored my life's course.
And that principle is an heirloom
From my ancestral family.
MR. BALLONYou are a Norwegian?
PEER GYNTA born Norwegian;
But a world citizen at heart.
What share of luck I got
I owe mostly to America.
My well-stocked bookshelves
To Germany's younger scholars.
From France I got, besides vests,
Manners and my little wit,...
From England I learned to do business
With a sharp eye for my own advantage.
The Jews taught me to wait.
Some sense for dolce far niente
I got from Italy...
And once, when hard pressed,
I defended myself, saved my life,
By means of Swedish steel.
But a world citizen at heart.
What share of luck I got
I owe mostly to America.
My well-stocked bookshelves
To Germany's younger scholars.
From France I got, besides vests,
Manners and my little wit,...
From England I learned to do business
With a sharp eye for my own advantage.
The Jews taught me to wait.
Some sense for dolce far niente
I got from Italy...
And once, when hard pressed,
I defended myself, saved my life,
By means of Swedish steel.
(raises his glass)
TRUMPETERSTRALEYes, Swedish steel...!
V. EBERKOPFHim who used it,
Let us first of all pay homage!
Let us first of all pay homage!
(They clink glasses and drink with him. His head begins to grow hot).
MR. COTTONAll this is very fine and good;...
But, Sir, now I would very much like to know
What you want to do with all your money?
But, Sir, now I would very much like to know
What you want to do with all your money?
PEER GYNTHm; how so, do?
(they move closer)
ALL FOURYes, let's hear.
PEER GYNTWell, first I want to travel a bit more.
See, that's why I took you on board,
As traveling companions, in Gibraltar.
I longed for a circle of friends
To dance around my golden calf.
See, that's why I took you on board,
As traveling companions, in Gibraltar.
I longed for a circle of friends
To dance around my golden calf.
V. EBERKOPFVery witty!
MR. COTTONBut no one hoists
His sail solely to sail.
You have a goal, that is certain,
And the goal is...?
His sail solely to sail.
You have a goal, that is certain,
And the goal is...?
PEER GYNTI want to be emperor.
ALL FOURWhat?!
(nods)
Fourth Act쪽 274 / 346
PEER GYNTEmperor!
THE GENTLEMENWhere?
PEER GYNTOver the whole world!
MR. BALLONHow so, my friend...?
PEER GYNTWell, with my money!
The plan is not at all new;
It was the soul of all my ventures.
As a boy I rode in my dreams
Far on the clouds over the sea,
Rose up with sword and long mantle...
And came tumbling straight down.
But the goal remained fixed in me.
It is written or said
Somewhere, I don't remember where,
That if a man gains the whole world
And yet loses himself, such a man
Gains nothing but a crown of thorns.
That's what it says... or something like it;
And in that word lies much truth.
The plan is not at all new;
It was the soul of all my ventures.
As a boy I rode in my dreams
Far on the clouds over the sea,
Rose up with sword and long mantle...
And came tumbling straight down.
But the goal remained fixed in me.
It is written or said
Somewhere, I don't remember where,
That if a man gains the whole world
And yet loses himself, such a man
Gains nothing but a crown of thorns.
That's what it says... or something like it;
And in that word lies much truth.
V. EBERKOPFBut what then is the Gyntian Self?
PEER GYNTThe world here, behind my forehead,
That makes me no one but myself,
If God is God, and not the devil.
That makes me no one but myself,
If God is God, and not the devil.
TRUMPETERSTRALEYes, now I understand the meaning!
MR. BALLONSublime as a thinker!
V. EBERKOPFLofty as a poet!
(in rising excitement)
PEER GYNTThe Gyntian Self... that is the host
Of wishes, lusts, and desires,...
The Gyntian Self, that is the sea
Of demands, fancies, longings,
Of everything that makes my breast swell,
And makes me live as Gynt.
But just as God needs the earth
To exist as the world's God,
So I need money
To be a true emperor.
Of wishes, lusts, and desires,...
The Gyntian Self, that is the sea
Of demands, fancies, longings,
Of everything that makes my breast swell,
And makes me live as Gynt.
But just as God needs the earth
To exist as the world's God,
So I need money
To be a true emperor.
MR. BALLONBut money, you have!
PEER GYNTNot enough.
Yes, possibly for a day or four, five,
As emperor à la Lippe-Detmold.
But I want to be myself en bloc,
Want to be Gynt wherever I go,
Sir Gynt, I say, from head to toe!
Yes, possibly for a day or four, five,
As emperor à la Lippe-Detmold.
But I want to be myself en bloc,
Want to be Gynt wherever I go,
Sir Gynt, I say, from head to toe!
(carried away)
MR. BALLONTo possess the world's greatest beauty!
V. EBERKOPFThe oldest brand of Johannisberger!
TRUMPETERSTRALEAll of King Charles's swords!
MR. COTTONBut first a favorable investment
That yields well...
That yields well...
Fourth Act쪽 275 / 346
PEER GYNTThat is already found;
And that's why I let the anchor drop here.
Tonight we go northward.
Newspapers I got on board
Report an important piece of news...!
And that's why I let the anchor drop here.
Tonight we go northward.
Newspapers I got on board
Report an important piece of news...!
(stands up with raised glass)
PEER GYNTIt's as if luck cannot stop
Helping him who has "pluck" himself...
Helping him who has "pluck" himself...
THE GENTLEMENWell? Tell us...
PEER GYNTHellas is in revolt.
(springing up)
ALL FOURWhat! The Greeks...?
PEER GYNTHave risen.
THE FOURHurrah!
PEER GYNTThe Turk is in a tight spot! (finishes his glass).
MR. BALLONTo Hellas! Up! For glory and honor!
I'll help with my French sword!
I'll help with my French sword!
V. EBERKOPFI with proclamations... from afar!
MR. COTTONI as well... with supplies!
TRUMPETERSTRALEFrom Bender I'll fetch back the spurs
Lost there by King Charles!
Lost there by King Charles!
(embraces Peer Gynt)
MR. BALLONForgive me that I, for a moment,
Misjudged you!
Misjudged you!
(shakes his hands)
V. EBERKOPFI stupid duck
Almost took you for a scoundrel.
Almost took you for a scoundrel.
MR. COTTONThat's too strong; well, for a fool...
(wants to kiss him)
TRUMPETERSTRALEI, Uncle Gynt, for a specimen
Of the worst Yankee rabble...!
Forgive me...!
Of the worst Yankee rabble...!
Forgive me...!
V. EBERKOPFWe all erred...
PEER GYNTWhat is all this?
V. EBERKOPFUnited we see
Now brilliantly the whole Gyntian host
Of wishes, lusts, and desires...!
Now brilliantly the whole Gyntian host
Of wishes, lusts, and desires...!
(admiringly)
MR. BALLONThus Monsieur Gynt reveals himself!
(also)
V. EBERKOPFThat's what I call being Gynt with honor!
PEER GYNTBut tell me...?
MR. BALLONDon't you understand?
PEER GYNTI'll be hanged if I do!
Fourth Act쪽 276 / 346
MR. BALLONComment donc? Are you not setting course
For Greece with ship and money?
For Greece with ship and money?
(whistles mockingly)
PEER GYNTNo, thank you! I support the stronger
And lend the Turk my silver.
And lend the Turk my silver.
MR. BALLONImpossible!
V. EBERKOPFWell, witty irony!
PEER GYNT (is silent for a moment, leans on a chair and assumes a dignified air).
Hear now, gentlemen, it seems best to me
To part, before the last remnant
Of friendship goes up entirely in smoke.
He who owns nothing can easily risk something.
He who controls nothing of the world
But the strip of ground he shades,
Is made for cannon fodder.
But if one has his sheep safe on dry land
As I do, then the stakes are higher.
Go to Hellas! I will send, free of charge,
All of you there, armed.
The more you encourage the fight,
The better I can draw the bow.
So up for freedom and for right!
Storm forward! Give the Turks hell!
And then end your careers with honor
On pointed Janissary lances...
But excuse me. (taps his pocket).
I have money
And am myself, Sir Peter Gynt.
(He opens his sunshade and goes towards the grove where the hammocks hang).
PEER GYNT (is silent for a moment, leans on a chair and assumes a dignified air).
Hear now, gentlemen, it seems best to me
To part, before the last remnant
Of friendship goes up entirely in smoke.
He who owns nothing can easily risk something.
He who controls nothing of the world
But the strip of ground he shades,
Is made for cannon fodder.
But if one has his sheep safe on dry land
As I do, then the stakes are higher.
Go to Hellas! I will send, free of charge,
All of you there, armed.
The more you encourage the fight,
The better I can draw the bow.
So up for freedom and for right!
Storm forward! Give the Turks hell!
And then end your careers with honor
On pointed Janissary lances...
But excuse me. (taps his pocket).
I have money
And am myself, Sir Peter Gynt.
(He opens his sunshade and goes towards the grove where the hammocks hang).
TRUMPETERSTRALEWhat a swine!
MR. BALLONFeels nothing for honor!
MR. COTTONOh, honor, well, that doesn't say much;
But think what a chance for us
If the revolt succeeds and the country becomes free...
But think what a chance for us
If the revolt succeeds and the country becomes free...
MR. BALLONI already saw myself as a conqueror!
Surrounded by beautiful Greek women!
Surrounded by beautiful Greek women!
TRUMPETERSTRALEI already saw in my Swedish hands
The hero's spurs once lost!
The hero's spurs once lost!
V. EBERKOPFI saw the civilization of the whole land
Proceeding from my fatherland...
Proceeding from my fatherland...
MR. COTTONThe worst is the material loss.
God damn! I could weep!
I already saw myself as possessor of Olympus.
If what is said is true,
There must be copper mines there,
Which could be exploited.
And besides that, the river Castaly,
Of which so much has been told,
With falls, which are estimated,
At more than a thousand horsepower...!
God damn! I could weep!
I already saw myself as possessor of Olympus.
If what is said is true,
There must be copper mines there,
Which could be exploited.
And besides that, the river Castaly,
Of which so much has been told,
With falls, which are estimated,
At more than a thousand horsepower...!
Fourth Act쪽 277 / 346
TRUMPETERSTRALEYet I want to go. My Swedish sword
Is worth more than Yankee dollars!
Is worth more than Yankee dollars!
MR. COTTONPerhaps; but once in the thick of things
We soon drown in the crowd;
And where then is the chance for profit?
We soon drown in the crowd;
And where then is the chance for profit?
MR. BALLONDamn! So close to one's luck being so near...!
And suddenly to see it sink away!
And suddenly to see it sink away!
(with clenched fists towards the yacht)
MR. COTTONYonder in that black chest lies
Turned into gold the negro blood!...
Turned into gold the negro blood!...
V. EBERKOPFA royal idea! Come!
His empire is gone to the devil!
Forward!
His empire is gone to the devil!
Forward!
MR. BALLONWhat do you mean?
V. EBERKOPFI want power!
The crew is easy to bribe.
On board! I annex the yacht!
The crew is easy to bribe.
On board! I annex the yacht!
MR. COTTONYou... what...?
V. EBERKOPFI grab what I can get.
(runs towards the rowboat)
MR. COTTONMy own welfare absolutely demands
That I also grab something. (follows him).
That I also grab something. (follows him).
TRUMPETERSTRALEWhat a scoundrel!
MR. BALLONA villainous deed!... But... after all!
(follows the others)
TRUMPETERSTRALEThen I must also go along in the boat;...
But under violent protest...!
But under violent protest...!
(follows him)
TRUMPETERSTRALEAnother spot on the coast. Moonlight and drifting clouds. The yacht far out at sea under full steam.
Peer Gynt runs along the shore. Then he pinches his arm, then again stands staring out to sea.
Peer Gynt runs along the shore. Then he pinches his arm, then again stands staring out to sea.
PEER GYNTNightmare!... Dream!... Soon I'll wake!
The yacht is putting out to sea! And at breakneck speed!
It's imagination! I'm asleep! I'm drunk and mad!
The yacht is putting out to sea! And at breakneck speed!
It's imagination! I'm asleep! I'm drunk and mad!
(wrings his hands)
PEER GYNTYet it's impossible that I should die!
(tugs at his hair)
PEER GYNTA dream! I will it... It must be a dream!
Terrible! Oh no, it's truth, alas!
Such villainous friends...! Hear me, O Lord!
You are wise and just...! Oh, punish...!
Terrible! Oh no, it's truth, alas!
Such villainous friends...! Hear me, O Lord!
You are wise and just...! Oh, punish...!
(with raised arms)
Fourth Act쪽 278 / 346
PEER GYNTIt is I, Peer Gynt! Dear Lord, oh, do look!
Have mercy on me, or I must perish!
Let them reverse engines! Have them lower the boat!
Stop the thieves! Jam the rigging somehow!
Hear me! Set other matters aside!
The world can manage itself, in the meantime...
Oh heavens, he does not hear! He is deaf as usual!
That's a fine thing! A God who knows no remedy!
Have mercy on me, or I must perish!
Let them reverse engines! Have them lower the boat!
Stop the thieves! Jam the rigging somehow!
Hear me! Set other matters aside!
The world can manage itself, in the meantime...
Oh heavens, he does not hear! He is deaf as usual!
That's a fine thing! A God who knows no remedy!
(waves upward)
PEER GYNTPsst! I'm done with that negro plantation!
I sent missionaries to Asia!
One good turn deserves another!
Oh, help me on board...!
(A flash of fire shoots up from the yacht and a thick cloud of smoke rises; a dull explosion is heard; Peer Gynt gives a scream and sinks down in the sand; gradually the smoke clears; the ship has disappeared).
I sent missionaries to Asia!
One good turn deserves another!
Oh, help me on board...!
(A flash of fire shoots up from the yacht and a thick cloud of smoke rises; a dull explosion is heard; Peer Gynt gives a scream and sinks down in the sand; gradually the smoke clears; the ship has disappeared).
(pale and softly)
PEER GYNTThat was the punishing sword!
Sunken instantly with man and mouse!
Oh, blessed be chance and my luck... (moved).
Chance? Oh, no, it was more than that.
Me He had to save; they had to perish.
Oh, praise and thanks that You preserved me,
Kept an eye on me, despite all my faults...
Sunken instantly with man and mouse!
Oh, blessed be chance and my luck... (moved).
Chance? Oh, no, it was more than that.
Me He had to save; they had to perish.
Oh, praise and thanks that You preserved me,
Kept an eye on me, despite all my faults...
(takes a deep breath)
PEER GYNTWhat a wonderful calm and comfort
It is to feel oneself so specially protected.
But here in the desert! Where will I find food?
Oh, I'll find something. That is His affair now.
It's not so dangerous;... (loudly and coaxingly).
He will not want
That I, a poor little sparrow, should perish?
But be humble in spirit. And give Him time.
Let the Lord provide. Don't lose heart...
It is to feel oneself so specially protected.
But here in the desert! Where will I find food?
Oh, I'll find something. That is His affair now.
It's not so dangerous;... (loudly and coaxingly).
He will not want
That I, a poor little sparrow, should perish?
But be humble in spirit. And give Him time.
Let the Lord provide. Don't lose heart...
(suddenly starts up)
PEER GYNTWas that a lion, grumbling in the reeds...?
(chattering his teeth)
PEER GYNTNo, it was no lion. (bracing himself).
A lion, well, why not!
Those beasts, they keep their distance,
It's not a thing to start with who is boss.
They have instinct;... they feel, that's certain,
That it's dangerous to play with elephants...
But still... I'll go and find a tree.
Yonder acacias and palms are waving.
If I can climb into one, I'll be safe and calm;...
Especially if I also knew a couple of psalms...
A lion, well, why not!
Those beasts, they keep their distance,
It's not a thing to start with who is boss.
They have instinct;... they feel, that's certain,
That it's dangerous to play with elephants...
But still... I'll go and find a tree.
Yonder acacias and palms are waving.
If I can climb into one, I'll be safe and calm;...
Especially if I also knew a couple of psalms...
Fourth Act쪽 279 / 346
(climbs up)
PEER GYNTMorning is not like evening;
That word has often been weighed and considered.
That word has often been weighed and considered.
(sits down comfortably)
PEER GYNTHow glorious to feel one's spirit so enlightened.
To think nobly is more than to be rich.
But trust in Him. He knows well how much
As a cup of suffering, I, for my part, can bear.
He feels fatherly also towards my person...
(casts a glance at the sea and whispers with a sigh):
But economical,... no, that He is not!
Night. A Moroccan camp on the edge of the desert. Watchfires and resting soldiers.
To think nobly is more than to be rich.
But trust in Him. He knows well how much
As a cup of suffering, I, for my part, can bear.
He feels fatherly also towards my person...
(casts a glance at the sea and whispers with a sigh):
But economical,... no, that He is not!
Night. A Moroccan camp on the edge of the desert. Watchfires and resting soldiers.
(enters, tearing his hair)
A SLAVEThe Emperor's white horse has disappeared!
(enters, rending his clothes)
A SECOND SLAVEThe Emperor's sacred robe has been stolen!
(enters)
OVERSEERA hundred strokes on the soles of the feet
For him who cannot catch the thief!
For him who cannot catch the thief!
(The soldiers mount their horses and gallop off in all directions).
OVERSEERDaybreak. A grove of palms and acacias.
PEER GYNT (in a tree with a broken branch in his hand, keeps a troop of monkeys at bay).
Fatal! A most wretched night! (strikes out).
Now they are throwing fruit. No, that's something else.
Apes are nasty animals, after all!
It is written: you shall watch and fight;
But I truly cannot; I am stiff and tired.
PEER GYNT (in a tree with a broken branch in his hand, keeps a troop of monkeys at bay).
Fatal! A most wretched night! (strikes out).
Now they are throwing fruit. No, that's something else.
Apes are nasty animals, after all!
It is written: you shall watch and fight;
But I truly cannot; I am stiff and tired.
(is teased again; impatiently)
OVERSEERI must put an end to this torment!
I must catch one of these fellows,
Hang and skin him, and with his hide
I'll cover myself, as best I can;
Then the others will take me for a real...
What are we humans? Nothing but a breath.
And one must adapt somewhat to local custom...
Another troop! They crawl and swarm...
Shoo! Scat! They act as if they were mad.
If only I had a stray tail!...
Something to make me look a bit like an animal...
What's that? Now they're perching above my head...!
I must catch one of these fellows,
Hang and skin him, and with his hide
I'll cover myself, as best I can;
Then the others will take me for a real...
What are we humans? Nothing but a breath.
And one must adapt somewhat to local custom...
Another troop! They crawl and swarm...
Shoo! Scat! They act as if they were mad.
If only I had a stray tail!...
Something to make me look a bit like an animal...
What's that? Now they're perching above my head...!
(looks up)
Fourth Act쪽 280 / 346
OVERSEERThat old one,... his fists full of dirt or filth...!
(cringes in fear and is still for a while. The monkey makes a movement; Peer Gynt begins to coax and speak sweetly as to a dog).
There,... are you there, you old Sim!
He's good, yes, isn't he! He wants to be petted!
He won't throw;... he wouldn't think of it...
Knows me well! Peep-peep! We are good friends!
Ow-ow! Do you hear that I can speak your language?
Sim and I, we are related, aren't we?
Tomorrow Sim gets something nice, you hear...! You beast!
All the load over me! Ugh! What filth!..!
Or was it perhaps food? From the taste it was not recognizable;
But as for taste, habit does most;
Who was it again, the thinker who once said:
One spits and must hope that one gets used to it...?
There come the young ones too! (fights and strikes).
It's really too absurd,
That man, who is called lord of creation,
Should be forced to...! Police! Police!
The old one was mean, but the young ones are worse!
Early morning. A rocky area with a view of the desert. On one side a mountain gorge and a cave. A thief and a receiver in the gorge with the emperor's horse and robe. The horse, richly caparisoned, is tied to a stone. Riders in the distance.
(cringes in fear and is still for a while. The monkey makes a movement; Peer Gynt begins to coax and speak sweetly as to a dog).
There,... are you there, you old Sim!
He's good, yes, isn't he! He wants to be petted!
He won't throw;... he wouldn't think of it...
Knows me well! Peep-peep! We are good friends!
Ow-ow! Do you hear that I can speak your language?
Sim and I, we are related, aren't we?
Tomorrow Sim gets something nice, you hear...! You beast!
All the load over me! Ugh! What filth!..!
Or was it perhaps food? From the taste it was not recognizable;
But as for taste, habit does most;
Who was it again, the thinker who once said:
One spits and must hope that one gets used to it...?
There come the young ones too! (fights and strikes).
It's really too absurd,
That man, who is called lord of creation,
Should be forced to...! Police! Police!
The old one was mean, but the young ones are worse!
Early morning. A rocky area with a view of the desert. On one side a mountain gorge and a cave. A thief and a receiver in the gorge with the emperor's horse and robe. The horse, richly caparisoned, is tied to a stone. Riders in the distance.
THE THIEFGleaming, flashing
Points of lances,...
Look! Look!
Points of lances,...
Look! Look!
THE RECEIVERI feel my head
Already rolling in the sand.
Woe! Woe!
Already rolling in the sand.
Woe! Woe!
(folds his arms across his chest)
THE THIEFMy father was a thief;
His son must steal.
His son must steal.
THE RECEIVERMy father was a receiver;
His son must receive.
His son must receive.
THE THIEFYour fate you must bear;
Yourself you must be.
Yourself you must be.
(listening)
THE RECEIVERFootsteps in the woods!
Quick, away! But where?
Quick, away! But where?
THE THIEFDeep is the cave,
And great the Prophet!
(They flee, abandoning their loot. The riders disappear into the distance).
And great the Prophet!
(They flee, abandoning their loot. The riders disappear into the distance).
(enters, cutting a reed whistle)
Fourth Act쪽 281 / 346
PEER GYNTWhat a delightful morning!...
The dung beetle rolls his balls of dung,
The snail crawls out of its shell.
Yes, the morning hour has gold in its mouth.
It is indeed a remarkable power,
Which nature has placed in the daylight.
One feels so calm, feels one's courage grow.
I would even dare, if need be, to take on an ox...
What stillness all around! Yes, rural joys...
Incomprehensible that I once despised them;
That one shuts oneself up in great buildings,
To let all sorts of people into one's house...
Oh, look, how busy the little lizard is,
Biting and thinking of nothing at all!
What innocence in the life of such a creature.
Each follows its Creator's command in obedience,
Preserves inalienably its own peculiarity,
Is itself, itself in play and strife,
Itself, as it became when first it came to be.
The dung beetle rolls his balls of dung,
The snail crawls out of its shell.
Yes, the morning hour has gold in its mouth.
It is indeed a remarkable power,
Which nature has placed in the daylight.
One feels so calm, feels one's courage grow.
I would even dare, if need be, to take on an ox...
What stillness all around! Yes, rural joys...
Incomprehensible that I once despised them;
That one shuts oneself up in great buildings,
To let all sorts of people into one's house...
Oh, look, how busy the little lizard is,
Biting and thinking of nothing at all!
What innocence in the life of such a creature.
Each follows its Creator's command in obedience,
Preserves inalienably its own peculiarity,
Is itself, itself in play and strife,
Itself, as it became when first it came to be.
(puts on his lorgnette)
PEER GYNTA toad. In the middle of a sandstone block.
Petrification around. Only the head sticks out.
There it sits, peering as through a window,
At the world, and is itself... enough... (reflects).
Enough? Itself...? Where did that come from?
I read it as a boy in a religious book.
Was it in the Bible? Or in Solomon's proverbs?
Sad; I notice that year by year
My memory fails me for time and place.
Petrification around. Only the head sticks out.
There it sits, peering as through a window,
At the world, and is itself... enough... (reflects).
Enough? Itself...? Where did that come from?
I read it as a boy in a religious book.
Was it in the Bible? Or in Solomon's proverbs?
Sad; I notice that year by year
My memory fails me for time and place.
(sits down in the shade)
Fourth Act쪽 282 / 346
PEER GYNTHere it is nice and cool to rest... now a little breather.
Look, here ferns grow. Edible roots. (tastes one).
It is food more fit for the unreasoning beast;...
But it is written: force your nature!
And further it says: pride must be humbled.
And he who humbles himself shall be exalted. (uneasily).
Exalted? Yes, certainly, that will happen to me;...
Something else is impossible to imagine.
Fate will help me get out of here,
Will arrange it so that I rise higher.
This is a trial; later comes deliverance,...
If only the Lord lets me stay healthy.
(shakes off these thoughts, lights a cigarette, stretches out, and stares over the desert plain).
What an immeasurable, boundless plain.
Far in the distance a ostrich walks...
What could have been God's purpose
In creating all that empty and dead,
Which lacks all sources of life;
That scorched land, benefiting no one;
That piece of the world lying fallow;
That corpse, which never since the hour of creation,
Has given its Creator so much as thanks!
What is it for?... Nature is wasteful...
Is that the sea, in the east, that flat,
Gleaming there? No, it's just an illusion,
The sea is in the west; behind, and higher,
Dammed by a sloping chain of hills.
Look, here ferns grow. Edible roots. (tastes one).
It is food more fit for the unreasoning beast;...
But it is written: force your nature!
And further it says: pride must be humbled.
And he who humbles himself shall be exalted. (uneasily).
Exalted? Yes, certainly, that will happen to me;...
Something else is impossible to imagine.
Fate will help me get out of here,
Will arrange it so that I rise higher.
This is a trial; later comes deliverance,...
If only the Lord lets me stay healthy.
(shakes off these thoughts, lights a cigarette, stretches out, and stares over the desert plain).
What an immeasurable, boundless plain.
Far in the distance a ostrich walks...
What could have been God's purpose
In creating all that empty and dead,
Which lacks all sources of life;
That scorched land, benefiting no one;
That piece of the world lying fallow;
That corpse, which never since the hour of creation,
Has given its Creator so much as thanks!
What is it for?... Nature is wasteful...
Is that the sea, in the east, that flat,
Gleaming there? No, it's just an illusion,
The sea is in the west; behind, and higher,
Dammed by a sloping chain of hills.
(a thought crosses his mind)
Fourth Act쪽 283 / 346
PEER GYNTDammed? Then I could…! The hills are narrow;
Dammed? A breakthrough, a canal,…
Like a stream of life the water would rush
Through the gorge and fill the entire desert!
Soon that whole glowing grave
Would become a fresh, billowing sea.
The oases would become islands,
Green the Atlas would rise as the northern border;
Sailboats would, like birds, cleave
The path, until now destined for caravans.
Fresh air would drive away the hot
Vapors,… dew would drip from clouds;
City after city the people would build,
And grass would grow around waving palms.
In the south, behind Sahara's wall, the land would become
A coastal land with new, rejuvenated culture.
Steam would drive Timbuktu's factories;
Bornu would soon be colonized;
Safe through Habesh the explorer would ride
In his wagon to the Upper Nile.
In the middle of the sea, on a fertile oasis,
I will transplant the Norse race;
My valley folk's blood is almost royal;
Crossing with the Arab will do the rest.
Around a bend, on a rising coast,
I will found the capital, Peeropolis.
The world is decrepit! Now comes the turn
Of Gyntiana, my young land!
Dammed? A breakthrough, a canal,…
Like a stream of life the water would rush
Through the gorge and fill the entire desert!
Soon that whole glowing grave
Would become a fresh, billowing sea.
The oases would become islands,
Green the Atlas would rise as the northern border;
Sailboats would, like birds, cleave
The path, until now destined for caravans.
Fresh air would drive away the hot
Vapors,… dew would drip from clouds;
City after city the people would build,
And grass would grow around waving palms.
In the south, behind Sahara's wall, the land would become
A coastal land with new, rejuvenated culture.
Steam would drive Timbuktu's factories;
Bornu would soon be colonized;
Safe through Habesh the explorer would ride
In his wagon to the Upper Nile.
In the middle of the sea, on a fertile oasis,
I will transplant the Norse race;
My valley folk's blood is almost royal;
Crossing with the Arab will do the rest.
Around a bend, on a rising coast,
I will found the capital, Peeropolis.
The world is decrepit! Now comes the turn
Of Gyntiana, my young land!
(jumps up)
PEER GYNTIf only capital, then it's done…
A golden key for the gate of the sea!
A crusade against the dead! Come! Open the bags
O miser, anxiously guarded by you.
People glow for freedom in all lands;…
Like Noah's donkey I will over the world
Send out a cry, bring the baptism of liberation
To the glorious, sultry, burgeoning shores.
I must move on! Capital from the East or the West!
My kingdom,… half in the East or the West!
My kingdom,… my half kingdom for a horse!
A golden key for the gate of the sea!
A crusade against the dead! Come! Open the bags
O miser, anxiously guarded by you.
People glow for freedom in all lands;…
Like Noah's donkey I will over the world
Send out a cry, bring the baptism of liberation
To the glorious, sultry, burgeoning shores.
I must move on! Capital from the East or the West!
My kingdom,… half in the East or the West!
My kingdom,… my half kingdom for a horse!
(the horse neighs in the rock cleft).
PEER GYNTA horse! And clothes…! Jewels,… and weapons!
(comes closer).
PEER GYNTImpossible! Yes, really…! I once read
Somewhere, that will can move mountains;…
But that it can also move a horse…!
Nonsense! It's my fate, that a horse stands here…
"Ab esse ad posse" and whatever else follows…
Somewhere, that will can move mountains;…
But that it can also move a horse…!
Nonsense! It's my fate, that a horse stands here…
"Ab esse ad posse" and whatever else follows…
(puts on the clothes over his own and examines himself).
Fourth Act쪽 284 / 346
PEER GYNTSir Peter,… a Turk from top to toe!
A man never knows what might happen…
Hurry, Grane, my proud steed!
A man never knows what might happen…
Hurry, Grane, my proud steed!
(mounts the horse).
PEER GYNTGolden slippers to support my feet!
By the harness one knows the great lords!
By the harness one knows the great lords!
(he gallops into the desert).
PEER GYNTTent of an Arab chief, standing alone in an oasis. Peer Gynt
in his Turkish dress, resting on cushions. He drinks coffee and
smokes a long pipe. Anitra and a group of girls dance and
sing for him.
in his Turkish dress, resting on cushions. He drinks coffee and
smokes a long pipe. Anitra and a group of girls dance and
sing for him.
CHORUS OF GIRLSThe Prophet has come!
The Prophet, the lord, the all-knowing!
To us, to us he has come,
Riding over the sandy desert!
The Prophet, the lord, the never-mistaken.
To us, to us he has come,
Sailing through the sandy desert!
Sound flutes and drums,
The Prophet, the Prophet has come!
The Prophet, the lord, the all-knowing!
To us, to us he has come,
Riding over the sandy desert!
The Prophet, the lord, the never-mistaken.
To us, to us he has come,
Sailing through the sandy desert!
Sound flutes and drums,
The Prophet, the Prophet has come!
ANITRAHis steed is white as the milk stream
That flows through Paradise.
Kneel! Bow your heads in humility!
His eyes are stars, shining and glad.
But no creature can bear
The brilliant glow of those stars' rays!
Through the sand sea he came.
Gold and pearls sprang from his chest.
Where he rode, it became light.
Behind him it grew dark.
Behind him raged the Samum,… became aridity.
He, the glorious one, came!
Through the sand sea he came,
Adorned like a son of earth,
Kaaba, Kaaba, stands empty;…
He himself has proclaimed it!
That flows through Paradise.
Kneel! Bow your heads in humility!
His eyes are stars, shining and glad.
But no creature can bear
The brilliant glow of those stars' rays!
Through the sand sea he came.
Gold and pearls sprang from his chest.
Where he rode, it became light.
Behind him it grew dark.
Behind him raged the Samum,… became aridity.
He, the glorious one, came!
Through the sand sea he came,
Adorned like a son of earth,
Kaaba, Kaaba, stands empty;…
He himself has proclaimed it!
CHORUS OF GIRLSSound flutes and drums,
The Prophet, the Prophet has come;
The Prophet, the Prophet has come;
(The girls dance to muted music).
Fourth Act쪽 285 / 346
PEER GYNTI once read printed… and the word is true…
"No one is a prophet in his own country."…
This life here pleases me much better
Than that back there, among Charleston's shipowners.
There was something hollow in that whole business,
Something strange, impure, that always remained;…
I never felt quite at ease,
And never so entirely a man of the trade.
What did I actually do there, I ask myself?
Always turning in business like a mill horse;
When I think of it, I can't understand it;…
It came about; that's the whole thing…
To be oneself, based on gold,
Is like building one's house on sand.
For rings and chains and the rest,
People wag their tails and crawl in the mud;
They take off their hats for a tie pin with a crown,
But a ring or pin is not the person…
Prophet;… look, that's a pure position.
Then one knows on what footing one stands.
If it goes up, then it's oneself who receives
The homage, and not his pound sterling or shilling.
One is what one is, simply;
No accident or chance one is indebted to,
One doesn't rely on patent or permit either…
Prophet;… yes, that's just the thing for me.
And I became it so extremely unexpectedly,…
Solely because I rode through the desert,
And met these children of nature on my path.
The Prophet had come; that was it.
It was truly not my plan to deceive;
To answer prophetically is also not lying,
And I can always withdraw.
I am not bound; that's out of the question;…
The whole is more a personal matter;
I can go as I came; my horse stands ready.
In short, I am master of the situation.
"No one is a prophet in his own country."…
This life here pleases me much better
Than that back there, among Charleston's shipowners.
There was something hollow in that whole business,
Something strange, impure, that always remained;…
I never felt quite at ease,
And never so entirely a man of the trade.
What did I actually do there, I ask myself?
Always turning in business like a mill horse;
When I think of it, I can't understand it;…
It came about; that's the whole thing…
To be oneself, based on gold,
Is like building one's house on sand.
For rings and chains and the rest,
People wag their tails and crawl in the mud;
They take off their hats for a tie pin with a crown,
But a ring or pin is not the person…
Prophet;… look, that's a pure position.
Then one knows on what footing one stands.
If it goes up, then it's oneself who receives
The homage, and not his pound sterling or shilling.
One is what one is, simply;
No accident or chance one is indebted to,
One doesn't rely on patent or permit either…
Prophet;… yes, that's just the thing for me.
And I became it so extremely unexpectedly,…
Solely because I rode through the desert,
And met these children of nature on my path.
The Prophet had come; that was it.
It was truly not my plan to deceive;
To answer prophetically is also not lying,
And I can always withdraw.
I am not bound; that's out of the question;…
The whole is more a personal matter;
I can go as I came; my horse stands ready.
In short, I am master of the situation.
(approaches the entrance of the tent)
ANITRAProphet and ruler!
PEER GYNTWhat does my slave desire?
ANITRAWaiting outside your tent are the sons of the plain;
They ask to be allowed to see your face…
They ask to be allowed to see your face…
Fourth Act쪽 286 / 346
PEER GYNTStop!
Tell them to be off quickly:
Tell them I can hear their prayers from afar.
Add that I want no menfolk here!
Men, my child, are wretched folk,
Real scoundrels, as they call it!
Anitra, you can't understand, my child,
How base… I mean, how sinful they are!…
Well, enough. Dance for me, children!
The Prophet wants to forget sad thoughts.
Tell them to be off quickly:
Tell them I can hear their prayers from afar.
Add that I want no menfolk here!
Men, my child, are wretched folk,
Real scoundrels, as they call it!
Anitra, you can't understand, my child,
How base… I mean, how sinful they are!…
Well, enough. Dance for me, children!
The Prophet wants to forget sad thoughts.
(dancing)
THE GIRLSThe Prophet is good; the Prophet is sad
Over the evil done by the sons of dust!
The Prophet is mild; let his mildness be praised;
He opens his Paradise for sinners!
Over the evil done by the sons of dust!
The Prophet is mild; let his mildness be praised;
He opens his Paradise for sinners!
(while following Anitra with his eyes during the dance)
PEER GYNTHer legs are as quick as drumsticks.
By Jove! She's a tasty little thing, truly.
She has somewhat extravagant forms,…
Not entirely in accordance with the demands of beauty;
But what is beauty? Convention alone,…
A coin, only current according to place or time.
And it's precisely that extravagance that is attractive
When you know the normal through and through.
The average rarely induces a frenzy.
Either excessively full, or excessively thin,
Or frighteningly young, or repulsively old;…
I loathe the average…
Her feet… well, they're not particularly clean;
Nor her arms, that's true, especially one.
But that doesn't make her any the less, really;
I would rather say it's part of it…
Anitra, listen!
By Jove! She's a tasty little thing, truly.
She has somewhat extravagant forms,…
Not entirely in accordance with the demands of beauty;
But what is beauty? Convention alone,…
A coin, only current according to place or time.
And it's precisely that extravagance that is attractive
When you know the normal through and through.
The average rarely induces a frenzy.
Either excessively full, or excessively thin,
Or frighteningly young, or repulsively old;…
I loathe the average…
Her feet… well, they're not particularly clean;
Nor her arms, that's true, especially one.
But that doesn't make her any the less, really;
I would rather say it's part of it…
Anitra, listen!
(comes closer)
ANITRAYour slave has heard!
PEER GYNTYou are charming, child! The Prophet is moved.
If you don't believe me, then hear the proof:
I'll make you a Houri in Paradise!
If you don't believe me, then hear the proof:
I'll make you a Houri in Paradise!
ANITRAThat cannot be, lord!
PEER GYNTWhat? Do you think it's a jest?
It's deadly serious, as surely as I live, hear.
It's deadly serious, as surely as I live, hear.
ANITRABut I have no soul.
PEER GYNTYou will get one!
ANITRAHow then, O lord?
Fourth Act쪽 287 / 346
PEER GYNTLeave that to me;…
I will take your education in hand.
No soul! Yes, certainly, you are very stupid,
As they call it. I have experienced that with sorrow.
But still, for a soul you have room enough.
Come here! Let me measure your skull…
There is room; there is room; yes, I thought so too.
It's true,… you will probably never learn to think very deeply;
And you won't get a very big soul either;…
But oh, that doesn't really matter;…
You will get enough so that you needn't be ashamed…
I will take your education in hand.
No soul! Yes, certainly, you are very stupid,
As they call it. I have experienced that with sorrow.
But still, for a soul you have room enough.
Come here! Let me measure your skull…
There is room; there is room; yes, I thought so too.
It's true,… you will probably never learn to think very deeply;
And you won't get a very big soul either;…
But oh, that doesn't really matter;…
You will get enough so that you needn't be ashamed…
ANITRAThe Prophet is good…
PEER GYNTYou hesitate? Speak!
ANITRABut I would rather have…
PEER GYNTSay it without delay!
ANITRAI don't care so much for a soul;… give me instead…
If I may say so…
If I may say so…
PEER GYNTWhat?
(points to his turban)
ANITRAThat beautiful opal!
(delighted, while handing her the jewel)
PEER GYNTAnitra! Eve's artless daughter!
Magnetically you attract me; I am a man,
And, as a highly renowned writer says:
"Das ewig weibliche zieht uns an!"
Moonlit night. Palm grove in front of Anitra's tent. Peer Gynt with
an Arabian lute in his hand sits under a tree. His hair and beard are
cut; he looks considerably younger.
Magnetically you attract me; I am a man,
And, as a highly renowned writer says:
"Das ewig weibliche zieht uns an!"
Moonlit night. Palm grove in front of Anitra's tent. Peer Gynt with
an Arabian lute in his hand sits under a tree. His hair and beard are
cut; he looks considerably younger.
(plays and sings)
PEER GYNTI have locked my Paradise
And took the key away;
The northern breeze drove my ship on,
And fair women on the strand
Bewailed their loss.
Southward through the salt wet
Of the waves, the fleeing ship was chased.
Where palms wave fair and proud,
Encircling a mild, blue bay,
I set my ship on fire.
Then I mounted a sand-sea ship…
That ship had four legs;
It foamed under spur and whip…
I am a bird, catch me if you can,…
Sitting chirping on a branch.
Anitra, you are sweet palm wine,
That I can now testify!
Yes, even Angora goat cheese
Is only half as tasty as
You, Anitra, darling!
And took the key away;
The northern breeze drove my ship on,
And fair women on the strand
Bewailed their loss.
Southward through the salt wet
Of the waves, the fleeing ship was chased.
Where palms wave fair and proud,
Encircling a mild, blue bay,
I set my ship on fire.
Then I mounted a sand-sea ship…
That ship had four legs;
It foamed under spur and whip…
I am a bird, catch me if you can,…
Sitting chirping on a branch.
Anitra, you are sweet palm wine,
That I can now testify!
Yes, even Angora goat cheese
Is only half as tasty as
You, Anitra, darling!
(hangs the lute over his shoulder and comes closer).
Fourth Act쪽 288 / 346
PEER GYNTSilence! Is my sweetheart listening?
Did she hear my song?
Is she peeping behind the curtains,
Not draped in veils?…
Hush! It sounded as if with force there
A cork popped from a bottle.
Now again! And once more!
Sighs of love? No, song;…
No, it's audible snoring.
Sweet sound! Anitra slumbers!
Nightingale, stop your singing!
Or it will go badly for you,
If you still dare with your piping…
Yet, be it so, says the book.
The nightingale is a singer,
Ah, I am the same.
He, like me, catches with his tones
Tender hearts, soft and young.
Sultry night and sweet song
Are dear and favorable to both of us;
When we sing, we are both
We, Peer Gynt and the nightingale.
And that she sleeps, my darling,
Carries my love-drunkness to its peak;…
With the lips to the cup
Without tasting it…!
But there she is, in truth!
Better anyway that she came.
Did she hear my song?
Is she peeping behind the curtains,
Not draped in veils?…
Hush! It sounded as if with force there
A cork popped from a bottle.
Now again! And once more!
Sighs of love? No, song;…
No, it's audible snoring.
Sweet sound! Anitra slumbers!
Nightingale, stop your singing!
Or it will go badly for you,
If you still dare with your piping…
Yet, be it so, says the book.
The nightingale is a singer,
Ah, I am the same.
He, like me, catches with his tones
Tender hearts, soft and young.
Sultry night and sweet song
Are dear and favorable to both of us;
When we sing, we are both
We, Peer Gynt and the nightingale.
And that she sleeps, my darling,
Carries my love-drunkness to its peak;…
With the lips to the cup
Without tasting it…!
But there she is, in truth!
Better anyway that she came.
(from the tent)
ANITRADid my lord call me in the night?
PEER GYNTThe Prophet, yes, has called.
I was woken just now by cats
That were having a wild hunting chase…
I was woken just now by cats
That were having a wild hunting chase…
ANITRAAh, that was no hunting chase, lord,
It was something quite different.
It was something quite different.
PEER GYNTWhat then?
ANITRAOh, forgive me!
PEER GYNTSpeak!
ANITRAOh, I must blush…
(closer)
PEER GYNTWas it perhaps
What so completely filled me,
When I gave you my opal?
What so completely filled me,
When I gave you my opal?
(frightened)
ANITRAMention you, O worldly treasure,
In the same breath as a cat!
In the same breath as a cat!
PEER GYNTChild, in the matter of love, sometimes
A tomcat and a Prophet
Stand almost on the same footing.
A tomcat and a Prophet
Stand almost on the same footing.
ANITRALord, your jesting flows like honey
From your lips.
From your lips.
Fourth Act쪽 289 / 346
PEER GYNTDear child,
You, like other girls, never see
Great men as they are.
I like to jest, you should know,
Especially with you two.
I am obliged by my position
To a false appearance of seriousness;
Duties make me constrained,
All those cares, that fuss,
That I have with everyone,
Often makes my life burdensome:
But that's only on the surface…
Away with it! In tête-à-tête
I am Peer,… yes, that's what I am.
Hup, we chase the prophet away,
And here I am myself now, Peer!
You, like other girls, never see
Great men as they are.
I like to jest, you should know,
Especially with you two.
I am obliged by my position
To a false appearance of seriousness;
Duties make me constrained,
All those cares, that fuss,
That I have with everyone,
Often makes my life burdensome:
But that's only on the surface…
Away with it! In tête-à-tête
I am Peer,… yes, that's what I am.
Hup, we chase the prophet away,
And here I am myself now, Peer!
(sits down under a tree and draws her to him).
PEER GYNTCome, Anitra, let us rest
Under green palm fans!
I will whisper, you must laugh;
Later we change the roles;
And while I listen laughing
You whisper words of love!
Under green palm fans!
I will whisper, you must laugh;
Later we change the roles;
And while I listen laughing
You whisper words of love!
(lies down at his feet)
ANITRASweet as song your words sound,
Though I don't understand much at all.
Tell me, lord, can your daughter
Get a soul by listening?
Though I don't understand much at all.
Tell me, lord, can your daughter
Get a soul by listening?
PEER GYNTA soul and knowledge, the light of the spirit,
You will get later.
When the East, red-gold-glowing,
Announces: now a new day breaks,
I will give you, my darling, lessons;
Oh, you will learn everything,
But in the quiet hours of night
It would be foolish if I wanted
To behave like a pedant
With musty, worn-out learning.
Actually, the soul is not
After all, so much the main thing.
It is the heart that matters most.
You will get later.
When the East, red-gold-glowing,
Announces: now a new day breaks,
I will give you, my darling, lessons;
Oh, you will learn everything,
But in the quiet hours of night
It would be foolish if I wanted
To behave like a pedant
With musty, worn-out learning.
Actually, the soul is not
After all, so much the main thing.
It is the heart that matters most.
ANITRASpeak, O lord! When I hear you speak
I see a glow like opals!
I see a glow like opals!
PEER GYNTToo sharp a wit is folly;
The bud of cowardice blossoming is evil;
Exaggerated truth is
Toothless wisdom's talk;
Yes, my child,… it's no lie,
There are people in the world
With an overburdened soul,
Who with difficulty reach clarity.
I knew one such,
A pearl from the whole bunch;
And even he missed the mark
In the throng of busy life.
Do you see the sand around the oasis?
If I but wave my turban,
I could fill the world sea
With its waters, the whole plain.
But I would be a fool
If I now created sea and lands.
Do you know what it is to live?
The bud of cowardice blossoming is evil;
Exaggerated truth is
Toothless wisdom's talk;
Yes, my child,… it's no lie,
There are people in the world
With an overburdened soul,
Who with difficulty reach clarity.
I knew one such,
A pearl from the whole bunch;
And even he missed the mark
In the throng of busy life.
Do you see the sand around the oasis?
If I but wave my turban,
I could fill the world sea
With its waters, the whole plain.
But I would be a fool
If I now created sea and lands.
Do you know what it is to live?
ANITRATeach me!
Fourth Act쪽 290 / 346
PEER GYNTIt is to float
Dry-foot with the stream of time,
Wholly and solely as oneself.
Only as a man of power can I be
He who I am, my little dear!
An old falcon loses his feathers,
An old ram gets weak legs.
An old woman loses her teeth,
An old man gets withered hands,…
Everyone a withered soul.
To be young! To be young! I want to rule
As a sultan, ardent, real,…
Not on Gyntiana's shores,
Under leaf-wreathed palms,…
But founded on the freshness
Of maidenly thoughts…
Do you see now, my dear child,
Why I have chosen you
And so stirred your heart?
Why I, so to speak,
Founded my caliphate there?
Your longing must go to me.
I want omnipotence in my state!
You must be mine alone.
I want to be the one who holds you captive,
Like gold and precious stones.
If we part, life is nothing,…
At least, that is to say: yours!
Your whole being, all the empty spaces,
Without willing yes or no,
I want to know full of me.
The night-darkness of your locks,
And all your charms
Must… Babylon's gardens…
Beckon me to sultan's feasts.
Therefore it's not so bad either
That your little head remains empty.
With a soul, self-contemplation becomes
A very first duty.
Wait,… I just got an idea:
I will give you, if you want,
A nice ring for your ankle;…
That's best for both;
You get me as a soul, and besides
Everything remains… status quo.
Dry-foot with the stream of time,
Wholly and solely as oneself.
Only as a man of power can I be
He who I am, my little dear!
An old falcon loses his feathers,
An old ram gets weak legs.
An old woman loses her teeth,
An old man gets withered hands,…
Everyone a withered soul.
To be young! To be young! I want to rule
As a sultan, ardent, real,…
Not on Gyntiana's shores,
Under leaf-wreathed palms,…
But founded on the freshness
Of maidenly thoughts…
Do you see now, my dear child,
Why I have chosen you
And so stirred your heart?
Why I, so to speak,
Founded my caliphate there?
Your longing must go to me.
I want omnipotence in my state!
You must be mine alone.
I want to be the one who holds you captive,
Like gold and precious stones.
If we part, life is nothing,…
At least, that is to say: yours!
Your whole being, all the empty spaces,
Without willing yes or no,
I want to know full of me.
The night-darkness of your locks,
And all your charms
Must… Babylon's gardens…
Beckon me to sultan's feasts.
Therefore it's not so bad either
That your little head remains empty.
With a soul, self-contemplation becomes
A very first duty.
Wait,… I just got an idea:
I will give you, if you want,
A nice ring for your ankle;…
That's best for both;
You get me as a soul, and besides
Everything remains… status quo.
(Anitra snores).
PEER GYNTWhat? She sleeps! So everything slid
Past her, what I have said?…
No; that just characterizes my power,
For rocked by words of love
She floats away in sweet dreams.
Past her, what I have said?…
No; that just characterizes my power,
For rocked by words of love
She floats away in sweet dreams.
(stands up and places jewelry in her lap).
PEER GYNTHere are rings! Here more!
Sleep, Anitra! Dream of Peer!
Sleep! And on your imperial forehead
Sleeping you pressed the crown!
Peer won, merely by his being,
An empire in this night!
Caravan route. The oasis far away in the background. Peer Gynt on his
white horse, races through the desert. He has Anitra in front of him
on the saddle.
Sleep, Anitra! Dream of Peer!
Sleep! And on your imperial forehead
Sleeping you pressed the crown!
Peer won, merely by his being,
An empire in this night!
Caravan route. The oasis far away in the background. Peer Gynt on his
white horse, races through the desert. He has Anitra in front of him
on the saddle.
ANITRAStop! I'll bite…!
PEER GYNTYou little rogue!
ANITRAWhat do you want?
Fourth Act쪽 291 / 346
PEER GYNTWhat? Play dove and hawk!
I'm running away with you! I'm up to mad pranks!
I'm running away with you! I'm up to mad pranks!
ANITRAShame on you! An old Prophet…!
PEER GYNTNonsense!
The Prophet is not old yet, little goose!
Do you think this indicates old age, eh?
The Prophet is not old yet, little goose!
Do you think this indicates old age, eh?
ANITRALet go! I want to go home!
PEER GYNTNow you're being coquettish!
Home! To father-in-law! He's good!
We wild birds, having escaped the cage,
We will never come before his eyes again.
And besides, my child, in the same place
One must never stay too long;
One loses in esteem, the better one is known;…
Especially if one comes as a Prophet or something.
One must pass fleetingly, like a "bon mot."
It was really high time the visit ended.
These desert sons are fickle souls,
In the end prayers and incense were already lacking.
Home! To father-in-law! He's good!
We wild birds, having escaped the cage,
We will never come before his eyes again.
And besides, my child, in the same place
One must never stay too long;
One loses in esteem, the better one is known;…
Especially if one comes as a Prophet or something.
One must pass fleetingly, like a "bon mot."
It was really high time the visit ended.
These desert sons are fickle souls,
In the end prayers and incense were already lacking.
ANITRABut you are a Prophet?
PEER GYNTI am your emperor!
(wants to kiss her).
PEER GYNTLook, how the little minx bites back!
ANITRAGive me the ring you wear on your finger.
PEER GYNTTake, dear Anitra, the whole lot!
ANITRASweet song are your words! Lovely sounding!
PEER GYNTBlessed is he who is so loved as I!
I'll dismount! I'll lead the horse as your slave.
I'll dismount! I'll lead the horse as your slave.
(hands her the whip and dismounts).
PEER GYNTThere, my little rose, my glorious flower;
Here I will walk in sand and wind,
Until a sunstroke hits me and I can go no further.
I am young, Anitra, keep that in mind!
Don't take my antics too seriously.
Playing pranks is a sign of youth!
So if your little head were a bit clearer,
Then you would understand, my lovely jewel,
Your sweetheart plays pranks… ergo he is young!
Here I will walk in sand and wind,
Until a sunstroke hits me and I can go no further.
I am young, Anitra, keep that in mind!
Don't take my antics too seriously.
Playing pranks is a sign of youth!
So if your little head were a bit clearer,
Then you would understand, my lovely jewel,
Your sweetheart plays pranks… ergo he is young!
ANITRAYes, you are young. Do you have more rings?
PEER GYNTYes, don't I? There; take! I can leap like a buck!
If there were vine leaves nearby, I would wreathe myself.
Yes, truly I am young! Hopsa! I'll dance!
If there were vine leaves nearby, I would wreathe myself.
Yes, truly I am young! Hopsa! I'll dance!
(dances and sings).
Fourth Act쪽 292 / 346
PEER GYNTI am a happy little rooster!
Peck me, my dear little hen!
Hei! Hop! Let me skip;…
I am a happy little rooster!
Peck me, my dear little hen!
Hei! Hop! Let me skip;…
I am a happy little rooster!
ANITRAYou're sweating, Prophet; I fear you'll melt;…
Give me that heavy thing that dangles from your belt.
Give me that heavy thing that dangles from your belt.
PEER GYNTTender concern! Keep the purse for good;…
Without gold, loving hearts are content!
Without gold, loving hearts are content!
(dances and sings again).
PEER GYNTYoung Peer Gynt is a madman;
He doesn't know which foot to stand on.
Pah, said Peer;… let it be!
Young Peer Gynt is a madman!
He doesn't know which foot to stand on.
Pah, said Peer;… let it be!
Young Peer Gynt is a madman!
ANITRAIt's delightful to see the Prophet dance!
PEER GYNTProphet? Nonsense!… Let's change clothes!
Come on! Take off!
Come on! Take off!
ANITRAYour caftan is too long,
Your belt too wide and your stockings too tight…
Your belt too wide and your stockings too tight…
PEER GYNTEh bien! (kneels down).
But do me a great displeasure,
It is sweet to suffer for loving hearts!
Hark, when we arrive at my castle,…
But do me a great displeasure,
It is sweet to suffer for loving hearts!
Hark, when we arrive at my castle,…
ANITRAIn your Paradise;… is it still very far?
PEER GYNTOh, some thousand miles…!
ANITRAToo far!
PEER GYNTThere you will get the soul I first promised you.
ANITRAMany thanks, but I'll manage without a soul.
But you asked for displeasure…
But you asked for displeasure…
(stands up)
PEER GYNTYes, by my soul!
Severe, but short,… for a day or two, three!
Severe, but short,… for a day or two, three!
ANITRAAnitra follows your command!… Farewell!
(She gives him a sharp blow with the whip over his fingers
and gallops back through the desert at full speed).
(She gives him a sharp blow with the whip over his fingers
and gallops back through the desert at full speed).
(stands for a while as if thunderstruck)
PEER GYNTWell, now,… have you ever…!
The same place. An hour later.
Peer Gynt, thoughtful and pensive, takes off his Turkish clothes,
piece by piece. Last he takes his traveling cap from his jacket
pocket, puts it on, and stands again in his European attire.
The same place. An hour later.
Peer Gynt, thoughtful and pensive, takes off his Turkish clothes,
piece by piece. Last he takes his traveling cap from his jacket
pocket, puts it on, and stands again in his European attire.
(throwing the turban far away from him)
Fourth Act쪽 293 / 346
PEER GYNTThere lies the Turk then, and here stand I!…
That heathen stuff is no good either.
It was lucky that it only stuck in my clothes,
And hadn't penetrated deep into my marrow…
What did I actually want, I ask myself?
A man does best to live as a Christian,
To despise the colorful peacock dress,
To base his actions on law and morality,
To be himself, and finally to get
A eulogy at the grave and a wreath on the coffin.
That heathen stuff is no good either.
It was lucky that it only stuck in my clothes,
And hadn't penetrated deep into my marrow…
What did I actually want, I ask myself?
A man does best to live as a Christian,
To despise the colorful peacock dress,
To base his actions on law and morality,
To be himself, and finally to get
A eulogy at the grave and a wreath on the coffin.
(takes a few steps).
PEER GYNTThat little wench,… it was so close, truly,
I almost lost my reason through her.
I'm a fool if I still understand rightly
What it was that so confused me.
Well, it's over! Had I gone one step further
With the joke, I would have become ridiculous.
I have failed. Oh well;… but it is a comfort
That I failed as a result of my false position.
It was not the same person who now fell.
It is essentially that: having to live as a prophet,
So utterly devoid of the salt of activity,
That now avenged itself with nauseating insipidity.
A bad business being a prophet!
In that profession you have to float in clouds;…
Prophetically considered, you're done for
As soon as you act soberly and awake.
Insofar I have played the role,
Precisely by thus worshipping that little goose.
But it does not fail to have its effect…
I almost lost my reason through her.
I'm a fool if I still understand rightly
What it was that so confused me.
Well, it's over! Had I gone one step further
With the joke, I would have become ridiculous.
I have failed. Oh well;… but it is a comfort
That I failed as a result of my false position.
It was not the same person who now fell.
It is essentially that: having to live as a prophet,
So utterly devoid of the salt of activity,
That now avenged itself with nauseating insipidity.
A bad business being a prophet!
In that profession you have to float in clouds;…
Prophetically considered, you're done for
As soon as you act soberly and awake.
Insofar I have played the role,
Precisely by thus worshipping that little goose.
But it does not fail to have its effect…
(bursts out laughing).
Fourth Act쪽 294 / 346
PEER GYNTOh, when I think of it!
Tripping and dancing away my days,
Swimming against the stream while twirling and wriggling,
Courting with string music, playing and sighing,
And ending as a rooster… by letting myself be plucked!
Truly, my behavior was prophetically mad…
Yes, plucked!… Boys, how plucked I am!
Well; I fortunately still kept something in reserve;
I still have something in America, and something in my pocket;
So I haven't been reduced to beggary yet.
And this average is basically the best,
Now I am not dependent on coachmen or horses;
I have nothing to do with trunks and carts;
In short, as they say, I master the situation…
Which road should I choose? Many are open to me now;
And the choice distinguishes a fool from a wise man.
My business life is a finished chapter,
My love affair is a discarded coat.
I feel no desire at all for the crab's walk:
"Back and forth, it's equally long;
Out or in, it's the same path,"…
So it says, I think, in a witty work…
So something new; an elevating work,
A goal that is worth the money and trouble.
Describe my life, without concealing anything…?
A book, serving as a guide, if necessary as an example…?
Or wait…! I have all the time at my disposal…
What if I went to study the cravings of earlier times,
As a traveling scholar…?
Yes, truly; that is just the thing for me!
I read chronicles when I was still small,
And I later also practiced science…
I will follow humanity's ancient path!
I will float on the stream of history like a feather,
Relive it all, as in a dream,…
See the heroes' struggle for what is great and good,…
But only as a spectator, from a safe spot,…
See thinkers fall, martyrs perish,
See empires founded and empires decay,…
See world moments arise from small things…
In short, I will skim off the whole history…
I must see about getting a Becker,
And travel chronologically as far as I can.
It's true… I am not strong in history,
And I never quite understand how it fits together.
But oh! When the starting point is sometimes the craziest,
Often the most original outcome is obtained…
How uplifting it is to choose a goal,
And want everything to achieve it!
Tripping and dancing away my days,
Swimming against the stream while twirling and wriggling,
Courting with string music, playing and sighing,
And ending as a rooster… by letting myself be plucked!
Truly, my behavior was prophetically mad…
Yes, plucked!… Boys, how plucked I am!
Well; I fortunately still kept something in reserve;
I still have something in America, and something in my pocket;
So I haven't been reduced to beggary yet.
And this average is basically the best,
Now I am not dependent on coachmen or horses;
I have nothing to do with trunks and carts;
In short, as they say, I master the situation…
Which road should I choose? Many are open to me now;
And the choice distinguishes a fool from a wise man.
My business life is a finished chapter,
My love affair is a discarded coat.
I feel no desire at all for the crab's walk:
"Back and forth, it's equally long;
Out or in, it's the same path,"…
So it says, I think, in a witty work…
So something new; an elevating work,
A goal that is worth the money and trouble.
Describe my life, without concealing anything…?
A book, serving as a guide, if necessary as an example…?
Or wait…! I have all the time at my disposal…
What if I went to study the cravings of earlier times,
As a traveling scholar…?
Yes, truly; that is just the thing for me!
I read chronicles when I was still small,
And I later also practiced science…
I will follow humanity's ancient path!
I will float on the stream of history like a feather,
Relive it all, as in a dream,…
See the heroes' struggle for what is great and good,…
But only as a spectator, from a safe spot,…
See thinkers fall, martyrs perish,
See empires founded and empires decay,…
See world moments arise from small things…
In short, I will skim off the whole history…
I must see about getting a Becker,
And travel chronologically as far as I can.
It's true… I am not strong in history,
And I never quite understand how it fits together.
But oh! When the starting point is sometimes the craziest,
Often the most original outcome is obtained…
How uplifting it is to choose a goal,
And want everything to achieve it!
Fourth Act쪽 295 / 346
(silently moved).
PEER GYNTBreak loose, tear family bonds,
Everything that binds to relatives and friends,…
Let your money and goods fly into the air,
Bid your love happiness good night,…
Everything to find the mystery of truth..
Everything that binds to relatives and friends,…
Let your money and goods fly into the air,
Bid your love happiness good night,…
Everything to find the mystery of truth..
(wipes away a tear).
PEER GYNTThat is the mark of a true researcher!
I feel so immoderately happy
Now I know the riddle of my destiny.
Now I just have to fight my way through thick and thin!
It is quite forgivable that I hold my head high
And feel what I am worth as a man, Peer Gynt,
Also called the emperor of life…
I want to possess the sum of the past;
Never again walk the paths of the living;…
The present is not worth a shoe sole;
The deeds of men are without marrow or pith:
Their spirit has no flight, their actions no strength;…
I feel so immoderately happy
Now I know the riddle of my destiny.
Now I just have to fight my way through thick and thin!
It is quite forgivable that I hold my head high
And feel what I am worth as a man, Peer Gynt,
Also called the emperor of life…
I want to possess the sum of the past;
Never again walk the paths of the living;…
The present is not worth a shoe sole;
The deeds of men are without marrow or pith:
Their spirit has no flight, their actions no strength;…
(shrugs his shoulders).
PEER GYNTAnd women,… that's but a poor breed!…
Summer day. High up in the North. A hut in the forest in the
mountains. Open door with a large wooden lock. A reindeer antler above
the door. A flock of goats standing by the wall of the hut.
A middle-aged woman, blond and pretty, sits spinning outside in the
sunshine.
Summer day. High up in the North. A hut in the forest in the
mountains. Open door with a large wooden lock. A reindeer antler above
the door. A flock of goats standing by the wall of the hut.
A middle-aged woman, blond and pretty, sits spinning outside in the
sunshine.
(casts a glance at the road below and sings)
THE WOMANPerhaps winter and spring will pass,
And summer and autumn with dying leaves…
But one day you will come… my love believes!
And I will wait… that I have promised.
And summer and autumn with dying leaves…
But one day you will come… my love believes!
And I will wait… that I have promised.
(calls the goats, spins and sings again).
THE WOMANGod help you, wherever on earth you go,
God bless you, when at his feet you stand!
Here I will wait from year to year…
And if you wait up here, then I will find you there!
In Egypt. Dawn. The Memnon Colossus in the sand. Peer Gynt comes
running and looks around for a moment.
God bless you, when at his feet you stand!
Here I will wait from year to year…
And if you wait up here, then I will find you there!
In Egypt. Dawn. The Memnon Colossus in the sand. Peer Gynt comes
running and looks around for a moment.
Fourth Act쪽 296 / 346
PEER GYNTHere I could conveniently begin my journey…
So now I'm an Egyptian for a change;
But an Egyptian, relying on the Gyntian self;
Later I think to go to Assyria.
To start completely with creation,
Would only entail a waste of time;…
I'll leave the biblical history out of it,
I'll find its trace anyway;
And to get to the bottom of things, as they say,
Is beyond my plan and my ability.
So now I'm an Egyptian for a change;
But an Egyptian, relying on the Gyntian self;
Later I think to go to Assyria.
To start completely with creation,
Would only entail a waste of time;…
I'll leave the biblical history out of it,
I'll find its trace anyway;
And to get to the bottom of things, as they say,
Is beyond my plan and my ability.
(sits down on a stone).
PEER GYNTNow I'll rest a bit and wait patiently,
Until Memnon has sung his morning song.
After breakfast I will climb the Pyramid;
If I have time, I'll later also go inside.
Then overland to the Red Sea;
Perhaps I'll find King Potiphar's grave there…
Then I'll be an Asian again. In Babylon I'll search
For the world-famous hanging gardens,
That is, the most important trace of culture.
And then with a leap to Troy's wall.
From Troy there is a direct connection
Over sea, to glorious, ancient Athens;…
There I want to closely examine on the spot
And ride through the pass that Leonidas defended;…
Then I'll familiarize myself with the best philosophers,
Find the house where Socrates died as a sacrifice…;
No, that's true too,… there's fighting going on now…!
Well, then Hellenism will have to wait.
Until Memnon has sung his morning song.
After breakfast I will climb the Pyramid;
If I have time, I'll later also go inside.
Then overland to the Red Sea;
Perhaps I'll find King Potiphar's grave there…
Then I'll be an Asian again. In Babylon I'll search
For the world-famous hanging gardens,
That is, the most important trace of culture.
And then with a leap to Troy's wall.
From Troy there is a direct connection
Over sea, to glorious, ancient Athens;…
There I want to closely examine on the spot
And ride through the pass that Leonidas defended;…
Then I'll familiarize myself with the best philosophers,
Find the house where Socrates died as a sacrifice…;
No, that's true too,… there's fighting going on now…!
Well, then Hellenism will have to wait.
(looks at his watch).
PEER GYNTIt's too absurd that I have to wait so long
Before the sun rises. My time is short.
So ancient Troy;… I came from there…
Before the sun rises. My time is short.
So ancient Troy;… I came from there…
(stands up and listens).
PEER GYNTWhat is that wonderful rustling and whispering?
(Sunrise).
(sings)
THE MEMNON COLOSSUSFrom divine ashes rise rejuvenated
Birds, singing.
Zeus, the All-Knowing,
Created them as fighters.
Wisdom owls,
Where do my birds sleep?
You must die or guess
The sung riddle!
Birds, singing.
Zeus, the All-Knowing,
Created them as fighters.
Wisdom owls,
Where do my birds sleep?
You must die or guess
The sung riddle!
Fourth Act쪽 297 / 346
PEER GYNTTruly,… didn't it sound as if there came
Sound from the colossus! That was ancient music.
I heard the voice rising and falling…
I will note this. Something for the scholars.
(notes in his pocketbook):
"The colossus sang. I clearly heard the sound,
But did not quite understand the words of the song.
The whole was naturally an illusion.
Nothing else of importance observed today."
Sound from the colossus! That was ancient music.
I heard the voice rising and falling…
I will note this. Something for the scholars.
(notes in his pocketbook):
"The colossus sang. I clearly heard the sound,
But did not quite understand the words of the song.
The whole was naturally an illusion.
Nothing else of importance observed today."
(goes on).
PEER GYNTNear the village of Giza. The great, rock-hewn sphinx. In the
distance the towers and minarets of Cairo.
Peer Gynt enters; he examines the sphinx attentively, first through
his lorgnette, then through his cupped hand.
distance the towers and minarets of Cairo.
Peer Gynt enters; he examines the sphinx attentively, first through
his lorgnette, then through his cupped hand.
PEER GYNTWhere in the world have I seen before
Something that reminds me of this model?
For I have seen it somewhere, in North or South.
Was it a person? And if so, who?
He, Memnon, that occurred to me afterwards,
Resembled the old Troll King,
As he sat there, stiff and rigid,
His seat resting on blunt columns...
But here, this ambiguous wonder creature,
This hybrid, so strange, of lion and woman...
Does this also come from a fairy tale in my head?
Or do I remember it from reality?
From a fairy tale? Wait, now I remember!
It's Böjgen, so true, whom I struck on the head...
That is to say, I dreamed... for I was delirious...
Something that reminds me of this model?
For I have seen it somewhere, in North or South.
Was it a person? And if so, who?
He, Memnon, that occurred to me afterwards,
Resembled the old Troll King,
As he sat there, stiff and rigid,
His seat resting on blunt columns...
But here, this ambiguous wonder creature,
This hybrid, so strange, of lion and woman...
Does this also come from a fairy tale in my head?
Or do I remember it from reality?
From a fairy tale? Wait, now I remember!
It's Böjgen, so true, whom I struck on the head...
That is to say, I dreamed... for I was delirious...
(approaches).
PEER GYNTThe same eyes; and the same lips;...
Not so dull, the eyes, somewhat more polished;
But otherwise in the main pretty much the same...
So, so, you Böjg; you look like a lion,
When one sees you from behind and meets you by day!
Can you still guess? I'll try that.
Now I'll see if you answer as before!
Not so dull, the eyes, somewhat more polished;
But otherwise in the main pretty much the same...
So, so, you Böjg; you look like a lion,
When one sees you from behind and meets you by day!
Can you still guess? I'll try that.
Now I'll see if you answer as before!
(shouts at the sphinx).
PEER GYNTSay, Böjg, who are you?
(behind the sphinx)
A VOICEAh, Sphinx, who are you?
PEER GYNTWhat! The echo answers in German! Remarkable!
THE VOICEWho are you?
PEER GYNTAnd speaks it excellently at that!
That observation is mine and new.
That observation is mine and new.
(notes in his pocketbook:)
Fourth Act쪽 298 / 346
PEER GYNT"Echo in German. Berlin dialect."
(comes out from behind the sphinx)
BEGRIFFENFELDTA human!
PEER GYNTAh! It was he who spoke.
(notes again:)
PEER GYNT"Came to a different conclusion later."
(with various nervous gestures)
BEGRIFFENFELDTSir, excuse me...! A vital question...!
What brings you here today?
What brings you here today?
PEER GYNTA visit. I greet a friend from my youth.
BEGRIFFENFELDTWhat? The sphinx...?
PEER GYNTIs an acquaintance from earlier times.
BEGRIFFENFELDTAmazing... And that after this night!
My forehead is pounding! I fear it will burst!
Do you know the sphinx? Answer! Speak! Can you tell
What it is?
My forehead is pounding! I fear it will burst!
Do you know the sphinx? Answer! Speak! Can you tell
What it is?
PEER GYNTWhat it is? Yes, I can easily;
It is itself.
It is itself.
(springing up)
BEGRIFFENFELDTHa, the solution flashed
Like a lightning bolt there!... Indeed? Do you know for sure?
Itself?
Like a lightning bolt there!... Indeed? Do you know for sure?
Itself?
PEER GYNTYes, at least that's what it told me.
BEGRIFFENFELDTItself! The hour of revolution approaches!
(takes off his hat).
BEGRIFFENFELDTOh, your name, please?
PEER GYNTPeer Gynt, with your permission.
(with quiet admiration)
BEGRIFFENFELDTPeer Gynt! Allegorical! That was to be expected...
Peer Gynt! That means: the unknown,...
The coming one, whose coming was announced to me...
Peer Gynt! That means: the unknown,...
The coming one, whose coming was announced to me...
PEER GYNTOh, really? And have you come to fetch me now...?
BEGRIFFENFELDTPeer Gynt! Profound! Enigmatic! Sharp!
Every word is a source of deep wisdom!
What are you?
Every word is a source of deep wisdom!
What are you?
(modestly)
PEER GYNTI have always tried to be
Myself. And otherwise, here is my passport.
Myself. And otherwise, here is my passport.
BEGRIFFENFELDTAgain that enigmatic word at the bottom!
(grips him by the wrist).
Fourth Act쪽 299 / 346
BEGRIFFENFELDTTo Cairo! The emperor of the researchers is found!
PEER GYNTEmperor?
BEGRIFFENFELDTCome!
PEER GYNTAm I really known...?
(dragging him along)
BEGRIFFENFELDTThe emperor of the researchers... on the basis of the self!
In Cairo. A large courtyard with high walls, surrounded by buildings. Barred windows; iron cages.
Three attendants in the courtyard. A fourth enters.
In Cairo. A large courtyard with high walls, surrounded by buildings. Barred windows; iron cages.
Three attendants in the courtyard. A fourth enters.
THE ARRIVINGSchafmann, tell me, where is the director?
AN ATTENDANTLeft very early this morning.
THE FIRSTI think something awful has happened to him;
For last night...
For last night...
THE SECONDShh, be quiet; he is at the door!
(Begriffenfeldt leads Peer Gynt in, locks the door, and puts the key in his pocket).
(Begriffenfeldt leads Peer Gynt in, locks the door, and puts the key in his pocket).
(to himself)
PEER GYNTTruly, an extremely gifted man;
Almost everything he says is beyond my understanding.
Almost everything he says is beyond my understanding.
(looks around).
PEER GYNTSo this is the scholars' club?
BEGRIFFENFELDTHere they are all, the whole lot;...
Seventy researchers and scholars,
Recently increased to a hundred and three...
Seventy researchers and scholars,
Recently increased to a hundred and three...
(shouts at the attendants).
BEGRIFFENFELDTMichel, Schlingelberg, Schafmann, Fuchs,...
Quick into your cages, one, two, three!
Quick into your cages, one, two, three!
THE ATTENDANTSUs?
BEGRIFFENFELDTWho else? Get going! Get going!
Turn the world around, then we'll turn with it.
Turn the world around, then we'll turn with it.
(forces them into a cage).
BEGRIFFENFELDTToday he has come, the great Peer;...
The rest you can understand... I'll say no more.
The rest you can understand... I'll say no more.
(locks the cage and throws the key into a well).
PEER GYNTBut, dear Doctor and Director...?
BEGRIFFENFELDTNone of that! I am no longer that...
Mr. Peer, can you keep quiet? I must express myself...
Mr. Peer, can you keep quiet? I must express myself...
(in increasing anxiety)
PEER GYNTWhat is it?
Fourth Act쪽 300 / 346
BEGRIFFENFELDTPromise that you will not tremble.
PEER GYNTI'll do my best...
(pulls him into a corner and whispers)
BEGRIFFENFELDTAbsolute reason
Died yesterday precisely at eleven o'clock.
Died yesterday precisely at eleven o'clock.
PEER GYNTGod save me...!
BEGRIFFENFELDTYes, it is extremely distressing,
And doubly unpleasant in my position,
For this house was until this hour still regarded
As a lunatic asylum.
And doubly unpleasant in my position,
For this house was until this hour still regarded
As a lunatic asylum.
PEER GYNTWhat! As a lunatic asylum!
BEGRIFFENFELDTNot anymore, you understand!
(pale and softly)
PEER GYNTNow I recognize the place!
And that man is mad;... and no one knows it!
And that man is mad;... and no one knows it!
(tries to get away).
(follows him)
BEGRIFFENFELDTI hope you have understood me?
When I say it is dead, that is only apparent.
It went out of itself... jumped out of its skin,...
Exactly like the late Münchhausen's fox.
When I say it is dead, that is only apparent.
It went out of itself... jumped out of its skin,...
Exactly like the late Münchhausen's fox.
PEER GYNTJust a moment...
(holds him)
BEGRIFFENFELDTNo, it was like an eel;...
Not like a fox. A needle pricked through the eye;
It writhed violently...
Not like a fox. A needle pricked through the eye;
It writhed violently...
PEER GYNTWhere can I find an exit!
BEGRIFFENFELDTA cut around its neck and, zip! down!
PEER GYNTHe is mad! Completely insane now!
BEGRIFFENFELDTOne thing is clear, and cannot be concealed...
This going-out-of-itself will result in
A complete upheaval on land and sea.
The persons who were formerly called insane
Became normal yesterday evening,
In accordance with reason in its new phase.
And if one then looks at the matter properly,
It follows that at that very hour
The so-called wise began to rave.
This going-out-of-itself will result in
A complete upheaval on land and sea.
The persons who were formerly called insane
Became normal yesterday evening,
In accordance with reason in its new phase.
And if one then looks at the matter properly,
It follows that at that very hour
The so-called wise began to rave.
PEER GYNTYou mentioned the word hour; my time is short...
BEGRIFFENFELDTYour time? It's good that you mention it!
(opens a door and shouts).
BEGRIFFENFELDTCome out! Now the new age dawns!
Reason is dead. Long live Peer Gynt!
Reason is dead. Long live Peer Gynt!
Fourth Act쪽 301 / 346
PEER GYNTBut, my good man...!
(The madmen gradually come out into the courtyard).
BEGRIFFENFELDTGood morning! Come here!
Greet the dawn of liberation!
Your emperor stands before you!
Greet the dawn of liberation!
Your emperor stands before you!
PEER GYNTEmperor?
BEGRIFFENFELDTCertainly.
PEER GYNTBut the honor is so great, so entirely excessive...
BEGRIFFENFELDTOh, abandon all false modesty
In an hour like this...
In an hour like this...
PEER GYNTYes, but give me time...!
No, I am not fit for it; I am already completely bewildered!
No, I am not fit for it; I am already completely bewildered!
BEGRIFFENFELDTA man who has heard the sphinx's opinion?
Who is himself?
Who is himself?
PEER GYNTThere lies the knot, yes.
I am myself in every respect;
But here, as far as I understand, here one must
Be outside oneself, so to speak.
I am myself in every respect;
But here, as far as I understand, here one must
Be outside oneself, so to speak.
BEGRIFFENFELDTWhat? Outside oneself? No, there you are mistaken!
Here one is oneself without mercy,
Absolutely oneself, without anything else;
One sails as oneself, straight before the wind.
In the cask of one's self each one seals himself up;
In his own fermentation he dives to the bottom,...
And seals himself hermetically with the bung of his self;
And stops the wood in the well of his self.
No one has tears for others' sorrows,
No one thoughts for others' thinking.
Our self, that we are in spirit and sounds,
Our self, to the very edge of the springboard...
And thus, if an emperor is to be chosen here,
You are our true man for the throne.
Here one is oneself without mercy,
Absolutely oneself, without anything else;
One sails as oneself, straight before the wind.
In the cask of one's self each one seals himself up;
In his own fermentation he dives to the bottom,...
And seals himself hermetically with the bung of his self;
And stops the wood in the well of his self.
No one has tears for others' sorrows,
No one thoughts for others' thinking.
Our self, that we are in spirit and sounds,
Our self, to the very edge of the springboard...
And thus, if an emperor is to be chosen here,
You are our true man for the throne.
PEER GYNTI wish the devil...!
BEGRIFFENFELDTBut cheer up!
Almost everything on earth is new at first.
"Oneself";... come, I'll show you an example,
I'll just pick the first that I see...
Almost everything on earth is new at first.
"Oneself";... come, I'll show you an example,
I'll just pick the first that I see...
(to a somber figure).
BEGRIFFENFELDTGood day, Huhu! Well, do you still walk about,
My son, always in the garb of sorrow?
My son, always in the garb of sorrow?
HUHUCan I help it, as my people still
Untranslated, forgotten, die? (to Peer Gynt).
You are a stranger; will you listen?
Untranslated, forgotten, die? (to Peer Gynt).
You are a stranger; will you listen?
(bowing)
Fourth Act쪽 302 / 346
PEER GYNTIt will be an honor!
HUHUGood then, listen...
Like a garland of flowers, far in the East,
Lies the Malabar coast.
Dutch and Portuguese
Have brought civilization there.
Moreover, there are still masses
Of the true Malabars.
Those who corrupted our language
Are now masters of the land there;
But in times long past,
The orangutan ruled there.
He was lord of the forest and master;
Free he could kill and roar.
Untamed product of nature
He grew and yawned as such.
Unhindered he could scream;
He was the ruler in his realm...
But then came the yoke of strangers
Confusing our primeval forest language.
A night of four hundred years
Sapped the orangutan's strength;
And one knows, such long nights
Hinder all development.
The primal sound of the forest fell silent
And one no longer heard grumbling;...
If we are to express thoughts
We must do so with words.
What a constraint for all classes!
Dutch and Portuguese,
Coloreds and Malabars,
Everything found it equally burdensome...
I have tried to fight for it,
For our primeval forest language, the true one,...
To revive the poor corpse,...
Supporting the people's right to scream,...
Screamed myself, and also demonstrated
Its use in folk songs...
But no one appreciates my efforts...
My sorrow you will understand.
Thank you for listening to me;...
Do you know advice, let me hear it!
Like a garland of flowers, far in the East,
Lies the Malabar coast.
Dutch and Portuguese
Have brought civilization there.
Moreover, there are still masses
Of the true Malabars.
Those who corrupted our language
Are now masters of the land there;
But in times long past,
The orangutan ruled there.
He was lord of the forest and master;
Free he could kill and roar.
Untamed product of nature
He grew and yawned as such.
Unhindered he could scream;
He was the ruler in his realm...
But then came the yoke of strangers
Confusing our primeval forest language.
A night of four hundred years
Sapped the orangutan's strength;
And one knows, such long nights
Hinder all development.
The primal sound of the forest fell silent
And one no longer heard grumbling;...
If we are to express thoughts
We must do so with words.
What a constraint for all classes!
Dutch and Portuguese,
Coloreds and Malabars,
Everything found it equally burdensome...
I have tried to fight for it,
For our primeval forest language, the true one,...
To revive the poor corpse,...
Supporting the people's right to scream,...
Screamed myself, and also demonstrated
Its use in folk songs...
But no one appreciates my efforts...
My sorrow you will understand.
Thank you for listening to me;...
Do you know advice, let me hear it!
(softly)
PEER GYNTIt is written: one must howl
With the wolves that are in the forest.
With the wolves that are in the forest.
(loudly).
PEER GYNTDear friend, I believe I know
That in Morocco's forests
There are still troops of orangutans,
Living without interpreter or songs;
Their sound sounded Malabar!
It would be beautiful and exemplary,
If you now, like other greats,
Went there, for your people's benefit...
That in Morocco's forests
There are still troops of orangutans,
Living without interpreter or songs;
Their sound sounded Malabar!
It would be beautiful and exemplary,
If you now, like other greats,
Went there, for your people's benefit...
HUHUThank you for listening to me!
I will do as you advise.
I will do as you advise.
(with a solemn gesture).
HUHUThe East has rejected its interpreter!
The West has orangutans! (Exit).
The West has orangutans! (Exit).
Fourth Act쪽 303 / 346
BEGRIFFENFELDTNow was he himself? I should think so.
He is full of himself, and of that one thing alone.
He is himself in everything he gives of himself,
Himself precisely by virtue of his being-of-himself.
Come here! Now I'll show you another,
Since yesterday no less properly sane.
He is full of himself, and of that one thing alone.
He is himself in everything he gives of himself,
Himself precisely by virtue of his being-of-himself.
Come here! Now I'll show you another,
Since yesterday no less properly sane.
(to a fellah who carries a mummy on his back).
BEGRIFFENFELDTKing Apis, exalted lord, how are you?
(furiously to Peer Gynt)
THE FELLAHAm I King Apis?
(moves behind the doctor)
PEER GYNTI must unfortunately confess
That I am not acquainted with the circumstances.
But I believe, if I may judge by the tone, that...
That I am not acquainted with the circumstances.
But I believe, if I may judge by the tone, that...
THE FELLAHNow you are lying too!
BEGRIFFENFELDTLet Your Highness tell
How things stand.
How things stand.
THE FELLAHI will tell you.
(turns to Peer Gynt).
THE FELLAHDo you see him whom I carry on my back?
King Apis was once his name.
Now he bears the name of mummy,
And is therefore completely dead.
He built the pyramids,
Sculpted the great sphinx,
And fought, as the doctor says,
With the Turks, left and right.
And therefore all Egypt
Praised him as a god here,
And worshipped him in all his temples
In the image of a bull...
But I am that King Apis,
That is as certain as I stand here;
And if you still do not understand that,
Then you will soon see.
King Apis was out hunting once,
And dismounted, the hero,
And sat down for a moment
Aside, on my ancestors' field.
But the field that the king fertilized,
That nourished me with its grain;
And if anyone demands more proof,
I will show him invisible horns.
And is it not then desperate for me
That no one acknowledges my power!
I am Apis by right of birth,
But am despised as a fellah.
If you can give me good advice,
Oh do so, without deceit;...
What must I do to become
Like Apis the Great, even now?
King Apis was once his name.
Now he bears the name of mummy,
And is therefore completely dead.
He built the pyramids,
Sculpted the great sphinx,
And fought, as the doctor says,
With the Turks, left and right.
And therefore all Egypt
Praised him as a god here,
And worshipped him in all his temples
In the image of a bull...
But I am that King Apis,
That is as certain as I stand here;
And if you still do not understand that,
Then you will soon see.
King Apis was out hunting once,
And dismounted, the hero,
And sat down for a moment
Aside, on my ancestors' field.
But the field that the king fertilized,
That nourished me with its grain;
And if anyone demands more proof,
I will show him invisible horns.
And is it not then desperate for me
That no one acknowledges my power!
I am Apis by right of birth,
But am despised as a fellah.
If you can give me good advice,
Oh do so, without deceit;...
What must I do to become
Like Apis the Great, even now?
PEER GYNTYour Highness build pyramids,
Sculpt a great sphinx,
And fight, as the doctor says,
With the Turks, left and right.
Sculpt a great sphinx,
And fight, as the doctor says,
With the Turks, left and right.
Fourth Act쪽 304 / 346
THE FELLAHYes, that's a fine talk!
A fellah! Such a bald mouse!
I have my hands full keeping my hut free
Of the rat vermin.
Go, man,... go find something better,
What makes great, gives me peace back!
And moreover makes me completely equal
To Apis, the hero, on my back!
A fellah! Such a bald mouse!
I have my hands full keeping my hut free
Of the rat vermin.
Go, man,... go find something better,
What makes great, gives me peace back!
And moreover makes me completely equal
To Apis, the hero, on my back!
PEER GYNTThen if Your Highness hanged himself,
And then, in the earth's bosom,
Within the bounds of the coffin,
Also kept himself completely dead?
And then, in the earth's bosom,
Within the bounds of the coffin,
Also kept himself completely dead?
THE FELLAHThat I will! A noose for my life!
To the gallows then with my hide...
At first it makes some difference;
But that wears off in time.
To the gallows then with my hide...
At first it makes some difference;
But that wears off in time.
(goes off and makes preparations to hang himself).
BEGRIFFENFELDTThat was a personality, sir,...
A man with method...
A man with method...
PEER GYNTYes, I see that...;
But he is really doing it! God have mercy on us!
I am getting dizzy;... I feel confusion in my head already!
But he is really doing it! God have mercy on us!
I am getting dizzy;... I feel confusion in my head already!
BEGRIFFENFELDTA transitional state; it won't last long.
PEER GYNTA transition? What? Excuse me... I must go...
(holds him)
BEGRIFFENFELDTAre you mad?
PEER GYNTNot yet... God forbid!
(Alarm. The Minister Husein pushes forward through the crowd).
HUSEINThey say an emperor has arrived today?
(to Peer Gynt)
HUSEINIs that you?
(desperately)
PEER GYNTYes, that's a settled matter!
HUSEINGood... Here are documents that require an answer.
(clutches his hair)
PEER GYNTHeigh-ho! Very well; the madder the better!
HUSEINWill you do me the honor of dipping me in? (bows deeply).
I am a pen.
I am a pen.
(bows even deeper)
PEER GYNTAnd I, as you see,
A crumpled imperial parchment.
A crumpled imperial parchment.
HUSEINMy history, sir, is briefly this:
I am taken for a sand-box and I am a pen.
I am taken for a sand-box and I am a pen.
Fourth Act쪽 305 / 346
PEER GYNTAnd mine, Mr. Pen, I can also tell you...
I am a sheet of white paper and never yet written on.
I am a sheet of white paper and never yet written on.
HUSEINWhat I serve, people cannot understand;
Everyone wants to use me for sprinkling sand!
Everyone wants to use me for sprinkling sand!
PEER GYNTI belonged to a woman as a book with silver clasp;...
Be wise or be mad, that's only a misprint!
Be wise or be mad, that's only a misprint!
HUSEINJust think: what a life of suffering,
To be a pen and never enjoy the pleasure of a knife!
To be a pen and never enjoy the pleasure of a knife!
(makes a jump)
PEER GYNTThink: being a reindeer; jumping from above;...
Always falling,... never feeling ground under one's hooves!
Always falling,... never feeling ground under one's hooves!
HUSEINA knife! I am blunt;... let me be cut and split!
The world will perish if the knife is not put in!
The world will perish if the knife is not put in!
PEER GYNTIt would be a pity for the world, which, as his own work,
Our dear Lord found so well made.
Our dear Lord found so well made.
BEGRIFFENFELDTHere is a knife!
(seizes it)
HUSEINOh, how I will slurp up the ink!
What a delight to cut oneself.
What a delight to cut oneself.
(cuts his throat).
(steps aside)
BEGRIFFENFELDTDon't splash so!
(increasingly anxious)
PEER GYNTHold him!
HUSEINHold me! That is the word!
Hold! Hold the pen! Paper on the table...! (falls down).
Now I am used up. Remember this: this is the postscript:
He lived and died as a held pen!
Hold! Hold the pen! Paper on the table...! (falls down).
Now I am used up. Remember this: this is the postscript:
He lived and died as a held pen!
(staggering)
PEER GYNTWhat must I...! What am I? O great one, hold me!
I am whatever you want... a Turk, a sinner,...
A troll...; but help!... there was something that broke...!
I am whatever you want... a Turk, a sinner,...
A troll...; but help!... there was something that broke...!
(shouts).
PEER GYNTI no longer know what you are called, so quickly!...
Help me... you refuge for all fools!
Help me... you refuge for all fools!
(faints).
PEER GYNTBEGRIFFENFELDT (with a straw crown in his hand, leaps astride him).
Ha, look how he holds himself high in the dust!...
And is himself...! Let him be crowned!...
Ha, look how he holds himself high in the dust!...
And is himself...! Let him be crowned!...
(places the crown on his head and shouts:)
Fourth Act쪽 306 / 346
PEER GYNTLong live the emperor of the self!
(in the cage)
SCHAFMANNEs lebe hoch der grosse Peer
END OF THE FOURTH ACT
Fifth Act쪽 307 / 346
Fifth Act
On board a ship in the North Sea, off the coast of Norway. Sunset. Stormy weather.
Peer Gynt, a vigorous old man, with silver-grey hair and beard, stands aft on the deck. He is half dressed as a sailor, with a pea-jacket and high boots. His clothes are somewhat worn and shabby; he himself is weather-beaten and with a harder expression on his face. The captain of the ship is at the helm by the mate. The crew are further forward.
(leans with his arms on the bulwark and gazes towards the coast)
PEER GYNTLook there, the Halling in winter garb...
He decks himself, the old one, with the evening glow.
Slanting behind him stands the Jokel, his brother;
He still has his green ice-mantle on.
The Folgefann is especially fine,...
Lies like a maiden in shimmering sheen.
Don't be fools, old boys!
Stay where you are, you granite fellows!
He decks himself, the old one, with the evening glow.
Slanting behind him stands the Jokel, his brother;
He still has his green ice-mantle on.
The Folgefann is especially fine,...
Lies like a maiden in shimmering sheen.
Don't be fools, old boys!
Stay where you are, you granite fellows!
(calls forward)
THE CAPTAINTwo men at the wheel,... and put out the lanterns.
PEER GYNTA stiff breeze!
THE CAPTAINThere's a storm coming tonight.
PEER GYNTCan you see the Ronden from the sea?
THE CAPTAINNo, that's not possible;... it lies behind the glacier.
PEER GYNTOr Blaaho?
THE CAPTAINNo, either; but up in the yards
You can see the Galdhopig in fine weather.
You can see the Galdhopig in fine weather.
PEER GYNTWhere does Haartegen lie?
(points)
THE CAPTAINThere, about there.
PEER GYNTExactly, yes.
THE CAPTAINYou seem to know this place.
PEER GYNTWhen I left the country, I sailed past here;
And the leavings, they say, stick longest in the pot.
And the leavings, they say, stick longest in the pot.
(spits and gazes at the coast)
PEER GYNTOver there, where it washes, blue, in skerry and cleft,...
Where the mountain fissure darkens, narrow as a groove,
And below, along the open fjord,...
There still live people, they say.
Where the mountain fissure darkens, narrow as a groove,
And below, along the open fjord,...
There still live people, they say.
(looks at the captain)
Fifth Act쪽 308 / 346
PEER GYNTThey build far apart here.
THE CAPTAINYes.
There's room and distance from house to house.
There's room and distance from house to house.
PEER GYNTWill we be in by daylight?
THE CAPTAINAbout that,
If the night doesn't become too bad, at least.
If the night doesn't become too bad, at least.
PEER GYNTIn the west something is brewing.
THE CAPTAINYes, it is.
PEER GYNTStop!
Remind me of it when we settle accounts later...
I intend to with the crew... as they say...
"Make it good"...
Remind me of it when we settle accounts later...
I intend to with the crew... as they say...
"Make it good"...
THE CAPTAINI thank you!
PEER GYNTOh, it's only a little;
I have dug gold and lost what I found;...
Fate and I are no longer friends;
You know what I gave you to keep.
That's the remainder;... the devil took the rest from me.
I have dug gold and lost what I found;...
Fate and I are no longer friends;
You know what I gave you to keep.
That's the remainder;... the devil took the rest from me.
THE CAPTAINIt is more than enough to make a show
With the people over there.
With the people over there.
PEER GYNTI have no family.
No one expects the rich scoundrel...
Well,... then I am also free from fuss at my arrival.
No one expects the rich scoundrel...
Well,... then I am also free from fuss at my arrival.
THE CAPTAINThere's the squall already.
PEER GYNTThere you have it, yes...
If any of the men are in special need,
I'm not so particular about a few cents.
If any of the men are in special need,
I'm not so particular about a few cents.
THE CAPTAINThat's generous. Most of them are poor;
All have wives and children at home.
On their wages alone, it's poverty indeed;
But if they sometimes bring a little extra home,
The reunion becomes a never-to-be-forgotten feast.
All have wives and children at home.
On their wages alone, it's poverty indeed;
But if they sometimes bring a little extra home,
The reunion becomes a never-to-be-forgotten feast.
PEER GYNTWhat do you say? Do they have wives and children?
Are they married?
Are they married?
THE CAPTAINIndeed and three times! All of them...
The worst off is probably the cook;
At his home there is bitter hunger and poverty.
The worst off is probably the cook;
At his home there is bitter hunger and poverty.
PEER GYNTMarried? Have someone at home who waits?
Who is happy when they come? What?
Who is happy when they come? What?
THE CAPTAINYes, indeed,...
In a poor man's way.
In a poor man's way.
PEER GYNTAnd when they get there,
What then?
What then?
THE CAPTAINI suppose the wife then dishes up
Something good, once in a while...
Something good, once in a while...
Fifth Act쪽 309 / 346
PEER GYNTAnd light on the table?
THE CAPTAINMaybe two; and a drink with the meal.
PEER GYNTAnd then they sit there by the stove, cosy?
With children around them? And a hubbub in the house
That no one understands what the others are saying,...
Is that their celebration, tell me...?
With children around them? And a hubbub in the house
That no one understands what the others are saying,...
Is that their celebration, tell me...?
THE CAPTAINThat could happen;
And therefore it would be generous, what you just now
Promised to do.
And therefore it would be generous, what you just now
Promised to do.
(strikes on the bulwark)
PEER GYNTNot on your life!
Do you take me for a fool? Do you think I'll shell out
To please other people's children?
I have sweated hard enough earning my money.
No one expects old Peer Gynt there.
Do you take me for a fool? Do you think I'll shell out
To please other people's children?
I have sweated hard enough earning my money.
No one expects old Peer Gynt there.
THE CAPTAINWell, as you wish; your money is your own.
PEER GYNTExactly! It's mine, and it's not very much.
Your bill, as soon as you drop anchor!
Passage from Panama as a cabin passenger,
And a drink for the crew. Nothing more;
If I give more, you may kill me, captain!
Your bill, as soon as you drop anchor!
Passage from Panama as a cabin passenger,
And a drink for the crew. Nothing more;
If I give more, you may kill me, captain!
THE CAPTAINI have to give you a receipt, not a beating;...
But excuse me; now the breeze is becoming a storm.
(He goes forward. It has become dark; lights are lit in the cabin. The sea grows rough. Fog and heavy clouds.)
But excuse me; now the breeze is becoming a storm.
(He goes forward. It has become dark; lights are lit in the cabin. The sea grows rough. Fog and heavy clouds.)
PEER GYNTHaving a bunch of wild brats at home;...
Living in the memory of others as a joy;...
Followed in their thoughts on their way...
There is no one who ever thinks of me...
Light on the table? I'll prevent that!
I'll think of something...! I'll make them dead drunk;...
Not one of the fellows will land sober.
Drunk they'll come to wife and children!
They'll swear! Pound on the table,
Frighten those who wait, so they tremble with fear!
The wife will scream and flee the house;
The children too! I'll kill all joy!
(The ship lurches violently; he staggers and has difficulty keeping his balance.)
Well, that's what you call pitching properly.
The sea works as if it were paid for it;...
It's still the same along the coast here in the North;...
The sea, always wild and spiteful... (listens).
What is that cry?
Living in the memory of others as a joy;...
Followed in their thoughts on their way...
There is no one who ever thinks of me...
Light on the table? I'll prevent that!
I'll think of something...! I'll make them dead drunk;...
Not one of the fellows will land sober.
Drunk they'll come to wife and children!
They'll swear! Pound on the table,
Frighten those who wait, so they tremble with fear!
The wife will scream and flee the house;
The children too! I'll kill all joy!
(The ship lurches violently; he staggers and has difficulty keeping his balance.)
Well, that's what you call pitching properly.
The sea works as if it were paid for it;...
It's still the same along the coast here in the North;...
The sea, always wild and spiteful... (listens).
What is that cry?
(forward)
Fifth Act쪽 310 / 346
THE LOOKOUTA wreck to leeward!
(midships, commanding)
THE CAPTAINHard aport! Close to the wind!
THE MATEAre there people on the wreck?
THE LOOKOUTI can make out three!
PEER GYNTPut out a boat!...
THE CAPTAINIt would be swamped directly.
(goes forward)
PEER GYNTWho'd think of such a thing?
(to some of the crew)
PEER GYNTIf you are men,
Help then! What does it matter if you get a wet suit...
Help then! What does it matter if you get a wet suit...
THE BOATSWAINIt's impossible in such a heavy sea.
PEER GYNTThey shout again! The wind is shifting...
Cook, dare you try? Come, I'll pay you...
Cook, dare you try? Come, I'll pay you...
THE COOKNo, even if you gave me twenty pounds sterling...
PEER GYNTOld women! Cowards! Can you forget
That they are people with wives and children at home?
Who are waiting...
That they are people with wives and children at home?
Who are waiting...
THE BOATSWAINPatience keeps you cheerful.
THE CAPTAINSandbank... keep away!
THE MATEThe wreck has sunk.
PEER GYNTIt suddenly became quiet...?
THE BOATSWAINIf they were married men,
Then there are three new-made widows now.
Then there are three new-made widows now.
(The storm grows worse. Peer Gynt goes to the afterdeck.)
Fifth Act쪽 311 / 346
PEER GYNTThere's no faith left among people,...
No Christianity, as it's taught and written,...
They do little good, and pray even less,
And pay no heed to the mighty powers...
In a night like this, God is sometimes dangerous.
The fellows ought to be careful, think what is true,
That it's dangerous to play with elephants;...
And then they pick a quarrel with him, really!
I am not to blame; the offering bowl has,
I can prove it, received my money.
But what good does that do me?... They say sometimes:
On a good conscience it's lovely to rest;
Oh yes, that holds good on dry land,
But means absolutely nothing on board,
Where a decent man is among scoundrels.
At sea you can never be yourself properly;
You must go with the others from deck to the hold;
If the hour of vengeance strikes for boatswain or cook,
Then I am dragged along with the lot;...
Your own merits are not counted at all,
You are worth no more than a sausage at slaughter time...
The fault is that I have been too pious.
And ingratitude is now my reward for everything.
If I were younger, I might perhaps turn back yet,
And try for a time to play the master.
Well, I still have time! In the village they'll say:
Peer came back as a great gentleman!
I want the farm back, come what may;...
I'll rebuild the house, it shall glitter like a castle.
But no one shall gain admittance or come inside!
They'll stand at the door and have to back down;...
Begging and pleading,... they may do that freely;
But no one shall get a single shilling from me;...
If fate should make me howl under its whip,
Then I'll find someone I can beat in my turn...
A STRANGE PASSENGER (stands in the dark beside Peer Gynt and greets him amiably).
Good evening!
No Christianity, as it's taught and written,...
They do little good, and pray even less,
And pay no heed to the mighty powers...
In a night like this, God is sometimes dangerous.
The fellows ought to be careful, think what is true,
That it's dangerous to play with elephants;...
And then they pick a quarrel with him, really!
I am not to blame; the offering bowl has,
I can prove it, received my money.
But what good does that do me?... They say sometimes:
On a good conscience it's lovely to rest;
Oh yes, that holds good on dry land,
But means absolutely nothing on board,
Where a decent man is among scoundrels.
At sea you can never be yourself properly;
You must go with the others from deck to the hold;
If the hour of vengeance strikes for boatswain or cook,
Then I am dragged along with the lot;...
Your own merits are not counted at all,
You are worth no more than a sausage at slaughter time...
The fault is that I have been too pious.
And ingratitude is now my reward for everything.
If I were younger, I might perhaps turn back yet,
And try for a time to play the master.
Well, I still have time! In the village they'll say:
Peer came back as a great gentleman!
I want the farm back, come what may;...
I'll rebuild the house, it shall glitter like a castle.
But no one shall gain admittance or come inside!
They'll stand at the door and have to back down;...
Begging and pleading,... they may do that freely;
But no one shall get a single shilling from me;...
If fate should make me howl under its whip,
Then I'll find someone I can beat in my turn...
A STRANGE PASSENGER (stands in the dark beside Peer Gynt and greets him amiably).
Good evening!
PEER GYNTGood evening! What...? Who are you?
THE STRANGE PASSENGERI am your fellow passenger, at your service.
PEER GYNTOh, yes? I thought I was the only one.
THE STRANGE PASSENGERThat was a mistake, which is now corrected.
PEER GYNTBut it's strange that I only see you now
For the first time this evening...
For the first time this evening...
Fifth Act쪽 312 / 346
THE STRANGE PASSENGERI don't come out during the day.
PEER GYNTAre you perhaps ill? You look white as a sheet...
THE STRANGE PASSENGERNo, thank you,... I feel perfectly well.
PEER GYNTIt's storming hard.
THE STRANGE PASSENGERYes, blessed, man!
PEER GYNTBlessed?
THE STRANGE PASSENGERThe waves are as high as houses.
It's enough to make your mouth water!
Just think what wrecks the night will make;...
And how many corpses will drift ashore!
It's enough to make your mouth water!
Just think what wrecks the night will make;...
And how many corpses will drift ashore!
PEER GYNTGood God!
THE STRANGE PASSENGERHave you never seen anyone hanged,
Strangled,... or drowned?
Strangled,... or drowned?
PEER GYNTNow it's getting too bad...
THE STRANGE PASSENGERCorpses laugh. But their laugh is forced;
And most of them would rather have bitten off their tongues.
And most of them would rather have bitten off their tongues.
PEER GYNTStop it now!...
THE STRANGE PASSENGERJust one more question!
If, for example, we struck the ground...
And sank...
If, for example, we struck the ground...
And sank...
PEER GYNTDo you think there is danger?
THE STRANGE PASSENGERI really don't know what answer to give.
But suppose I float and you sink to the bottom...
But suppose I float and you sink to the bottom...
PEER GYNTOh, nonsense...
THE STRANGE PASSENGERI only put it as a possibility.
But when one has one foot in the grave,
One becomes soft, and gladly gives charitable gifts...
But when one has one foot in the grave,
One becomes soft, and gladly gives charitable gifts...
(feels in his pocket)
PEER GYNTOh, money then!
THE STRANGE PASSENGERNo; but please, be so kind
As to give me your highly esteemed corpse?
As to give me your highly esteemed corpse?
PEER GYNTThat's going too far!
THE STRANGE PASSENGEROnly the body, you understand;
It's for science...
It's for science...
PEER GYNTEnough!
Fifth Act쪽 313 / 346
THE STRANGE PASSENGERI beg you, consider,... the arrangement is advantageous!
I will open your body and show it to the world.
Chiefly I want to seek the seat of dreams...
And moreover critically examine the whole...
I will open your body and show it to the world.
Chiefly I want to seek the seat of dreams...
And moreover critically examine the whole...
PEER GYNTBe off!
THE STRANGE PASSENGEROh, come,... a drowned man...
PEER GYNTAway, blasphemer! You are calling down the storm!
It's bad enough, with storm and rain,
A wild sea and all sorts of signs
Of something that can shorten us by a head,
And you do everything as if to provoke it!
It's bad enough, with storm and rain,
A wild sea and all sorts of signs
Of something that can shorten us by a head,
And you do everything as if to provoke it!
THE STRANGE PASSENGERYou are not in the mood for further negotiation;...
But oh, time often brings changes...
But oh, time often brings changes...
(bows amiably)
THE STRANGE PASSENGERI'll see you at the sinking, if not before!
Perhaps you'll be in a better humour then.
Perhaps you'll be in a better humour then.
(goes into the cabin)
PEER GYNTGhastly fellows, these scientific men!
Such freethinkers...
Such freethinkers...
(to the boatswain who comes past him)
PEER GYNTTell me, that man...
That other passenger? What sort of fellow is he?
That other passenger? What sort of fellow is he?
THE BOATSWAINI don't know that there is any other but you.
PEER GYNTNo other? This is getting stranger and stranger.
(to the cabin boy who comes out of the cabin)
PEER GYNTWho went into the cabin?
THE CABIN BOYThe ship's dog, sir!
(goes on)
(calls)
THE LOOKOUTLand ahead!
PEER GYNTMy trunk! My money!
My luggage on deck!
My luggage on deck!
THE BOATSWAINThere are other things to do.
PEER GYNTIt was only joking, captain! I said it in fun;...
I promise you for sure, I'll give something to the cook...
I promise you for sure, I'll give something to the cook...
THE CAPTAINJib torn!
THE MATEAnd the foremast too.
(calls forward)
THE BOATSWAINLand ahead!
THE CAPTAINWe are there!
Fifth Act쪽 314 / 346
(The ship strikes. Commotion and confusion.)
(The ship is wrecked on the coast among rocks and breakers. In the mist the boat with two men is dimly seen. A heavy sea capsizes it; a cry is heard; then for a while all is quiet. Then the upturned boat comes drifting ashore.)
Peer Gynt rises near the boat.
PEER GYNTHelp! Boat from land! Help! I am drowning!
Help me, O God,... as your word says!
Help me, O God,... as your word says!
(clings to the keel)
(rises on the other side)
THE COOKOh, dear Lord,... oh stand by me!
My poor children! Guide me to land!
My poor children! Guide me to land!
(holds on to the keel)
PEER GYNTLet go!
THE COOKLet go!
PEER GYNTI'll strike!
THE COOKI'll strike back!
PEER GYNTI'll crush you! I'll trample you to death!
Let go! The keel won't carry two!
Let go! The keel won't carry two!
THE COOKI know that! Away!
PEER GYNTAway you!
THE COOKVery well!
(They fight; the cook injures one hand; he clings with the other.)
(They fight; the cook injures one hand; he clings with the other.)
PEER GYNTTake away that fist!
THE COOKFor God's sake!
Think of my wife and children at home!
Think of my wife and children at home!
PEER GYNTThen my life is more due,
For I leave no children behind.
For I leave no children behind.
THE COOKYou have lived already; I am young!
PEER GYNTAway; quickly now! Sink;... you are getting too heavy.
THE COOKMercy! Let me be, in God's name!
No one will mourn for you...
No one will mourn for you...
(screams and lets go)
THE COOKI am drowning...!
(seizes hold of him)
PEER GYNTI hold you by the collar;
Quick, say your Lord's Prayer yet!
Quick, say your Lord's Prayer yet!
THE COOKI don't remember any more...; everything is going black...!
PEER GYNTThen just the most important... hurry up...
THE COOKGive us this day!
PEER GYNTSkip that;
You'll get what you need.
You'll get what you need.
Fifth Act쪽 315 / 346
THE COOKGive us this day...
PEER GYNTThe same old tune!
It's noticeable... you were always a cook... (lets him slip).
It's noticeable... you were always a cook... (lets him slip).
(sinking)
THE COOKGive us this day our... (sinks).
PEER GYNTAmen, man!
You were and remained yourself to the end...
You were and remained yourself to the end...
(works himself up on the keel)
PEER GYNTWhere there's life, there's hope...
(puts his hand on the boat)
THE STRANGE PASSENGERGood morning!
PEER GYNTHoy!
THE STRANGE PASSENGERI heard your call!
I am glad I found you after all.
Well? Do you see that I can prophesy?
I am glad I found you after all.
Well? Do you see that I can prophesy?
PEER GYNTLet go! Let go! I can hardly keep myself!
THE STRANGE PASSENGERI can swim with my left leg.
I'll float, even if I only hold the tip
Of my finger here, in this groove.
But apropos of the corpse...
I'll float, even if I only hold the tip
Of my finger here, in this groove.
But apropos of the corpse...
PEER GYNTBe quiet!
THE STRANGE PASSENGERIf it now comes to an end after all...
PEER GYNTShut up!
THE STRANGE PASSENGERJust as you wish! (silence).
PEER GYNTWell... and...?
THE STRANGE PASSENGERI am silent.
PEER GYNTWhat devil's work!...
What do you want?
What do you want?
THE STRANGE PASSENGERTo wait.
(clutches his hair)
PEER GYNTI'll go mad!...
What are you?
What are you?
(nods)
THE STRANGE PASSENGERFriendly!
PEER GYNTWhat else?
THE STRANGE PASSENGERWhat do you think? Do you know anyone else
Who resembles me?
Who resembles me?
PEER GYNTThe devil knows...!
(softly)
THE STRANGE PASSENGERDoes he usually then bring light
On life's way through fear and darkness?
On life's way through fear and darkness?
PEER GYNTWell yes! When it comes down to it, perhaps
You are a bringer of light?
You are a bringer of light?
Fifth Act쪽 316 / 346
THE STRANGE PASSENGERFriend,... have you felt once every six months
The deep earnestness of fear?
The deep earnestness of fear?
PEER GYNTOne gets afraid when dangers threaten;...
But I find your words exaggerated...
But I find your words exaggerated...
THE STRANGE PASSENGERDid it ever happen to you once in your life
To win the victory granted in fear?
To win the victory granted in fear?
(looks at him)
PEER GYNTAre you coming to me with a way out?
You should have done that earlier.
It seems ridiculous to choose your time
When I am on the point of drowning.
You should have done that earlier.
It seems ridiculous to choose your time
When I am on the point of drowning.
THE STRANGE PASSENGERYou rely more on a victory,
Sitting comfortably by your fireside?
Sitting comfortably by your fireside?
PEER GYNTWell, yes... but keep that nonsense to yourself.
Do you think that can be encouraging?
Do you think that can be encouraging?
THE STRANGE PASSENGERWhere I come from, a laugh counts
As much as lofty speech.
As much as lofty speech.
PEER GYNTTo each his own; what suits inferiors,
A bishop may not permit himself.
A bishop may not permit himself.
THE STRANGE PASSENGERAnd those whose ashes rest in urns
Do not always walk on buskins.
Do not always walk on buskins.
PEER GYNTAway, you spectre! Away with that hand!
I don't want to die! I want to reach land!
I don't want to die! I want to reach land!
THE STRANGE PASSENGERBe at ease! Right in the middle of
The fifth act one does not die.
The fifth act one does not die.
(slips away)
PEER GYNTThere it came out at last!...
He was a heavy moralist.
A churchyard in a high mountain village. A funeral procession. The priest and the people. The last verse of a hymn is being sung. Peer Gynt passes by on the road.
He was a heavy moralist.
A churchyard in a high mountain village. A funeral procession. The priest and the people. The last verse of a hymn is being sung. Peer Gynt passes by on the road.
(at the gate)
PEER GYNTThere goes a countryman under the ground.
Thank God and praise that I am not he.
Thank God and praise that I am not he.
(goes inside the gate)
(speaks at the grave)
Fifth Act쪽 317 / 346
THE PRIESTAnd now, while his soul ascends to heaven,
And the body lies like an empty shell,...
Now, dear friends, let a word be said
Of the life of this dead man, here on earth.
He was not rich, nor very clever.
His voice was weak, his bearing unmanly.
He spoke his opinion feebly and waveringly,
And was scarcely master in his own house;
He came into the church quietly, shyly,
As if asking whether, like others, he might sit.
From the Gudbrandsdal, you know, he came.
When he came here, he was still almost a youth;
And to the last, you surely still remember,
He always kept his right hand in his coat pocket.
The right hand hidden... that was the mark...
That made one remember this man's image,
And besides that subdued, that shy
Withdrawal, when he entered.
Though he preferred to go his own way quietly
And remained a stranger among us,
Yet you know how, though he hid it,
That hand had only four fingers left.
I well remember that morning, long ago,
When there was a conscription at Lunde.
It was in time of war. In everyone's mouth was
The country's need and what was to be expected.
I was there too. Broad at the table sat
The captain with officials and sergeants;
And one lad after another was measured,
Examined, and enrolled as a soldier.
The room was full, and outside the windows
Echoed the loud laughter of the young folk.
A name was called out. A new one came,
Who looked pale, deadly white, like glacier snow.
They beckoned him; he approached the table,
His right hand wrapped in a cloth;...
He panted, swallowed, gasped for words,
But could not speak, though they commanded him.
At last, however; and then, cheeks glowing,
Half stammering, stuttering and then quickly,
He tells of a sickle, which, flying out,
Had neatly cut off one finger.
In the room it became deadly still.
Everyone looked at each other; pursed their lips;
They stoned the lad with silent glances.
He felt it well, but dared not look up.
The captain rose, old, grey, and stiff;...
He spat, pointed to the door, saying: go!
And he went. People stepped aside on both sides,
So that it was as if he had to run the gauntlet;...
Once outside, he took to his heels in haste;...
Upwards now,... up, between rocks and bushes,
Up, among loose stones, rolling, falling...
High up in the mountains lay his home...
Half a year later it was when he came here
With mother, infant, and his future wife.
He rented a piece of land, lying fallow over there,
There, where the boundary of the great heath is.
He married then as soon as it was possible;
He built a hut; he broke the hard ground;
He got on, as many a piece of land
Bore witness, rolling like a yellow sea;...
He came to church with his hand hidden,...
But unseen at home, those nine fingers
Worked fully as hard as ten...
One spring flood once swept everything away.
They saved their lives. Then poor and naked,
He set to work at clearing again.
And before autumn, smoke rose once more
From a more sheltered spot, from a new hut.
Sheltered from the water, yes... not from avalanches;
Two years later it lay buried under snow,
But the man remained brave and undaunted;
He cleared and hacked, he dug out stones,...
And before the first snow fell the following year
His house stood for the third time built.
Three sons he had, three fine, strong boys;
They had to go to school and the school was far.
To get from his house to the highway,
One had to pass through a rocky cleft, very narrow and steep.
What did he do then? The eldest had to manage
As best he could,... where the path became too steep,
He tied a rope around the child to support him;...
The other two he carried on arm and back.
Thus he struggled year after year; they grew up.
Did he receive thanks, which were due to him?
Three rich gentlemen in the New World
Forgot the Norwegian mountain land and their father.
He had no broad vision. Of what was outside
His immediate surroundings, he could see nothing.
What sounds to us like bells,
Sonorous in tone, penetrating deep into the heart, had no meaning for him.
People, fatherland, the sublime, the lofty,
Stood as if shrouded in mist before the eye of his mind.
But he was humble, humble this man;
And from that conscription day he bore the judgment,
As surely as the blush of shame on his cheek,
And his four fingers, hidden in his pocket.
A transgressor of the law of the land? Oh, yes!
But there is something that shines above laws,
Just as over there those peaks' white tent
Has clouds and above them again peaks.
A bad citizen he was. And for church and state
An unfruitful tree. But here, on the high field,
In his family circle, where he saw his work,
There he was great, because he was himself!
His inborn tone remained true to itself;
Muffled in tone, that was his whole life.
And therefore: peace be with you, silent fighter,
Who fought and fell in a small peasant's strife!
We will not search hearts and reins;
That is no work for us, but for the Creator;...
But firmly and freely I dare express the hope:
That man will not stand maimed before his God!
(The people from the procession disperse and go. Peer Gynt remains alone.)
And the body lies like an empty shell,...
Now, dear friends, let a word be said
Of the life of this dead man, here on earth.
He was not rich, nor very clever.
His voice was weak, his bearing unmanly.
He spoke his opinion feebly and waveringly,
And was scarcely master in his own house;
He came into the church quietly, shyly,
As if asking whether, like others, he might sit.
From the Gudbrandsdal, you know, he came.
When he came here, he was still almost a youth;
And to the last, you surely still remember,
He always kept his right hand in his coat pocket.
The right hand hidden... that was the mark...
That made one remember this man's image,
And besides that subdued, that shy
Withdrawal, when he entered.
Though he preferred to go his own way quietly
And remained a stranger among us,
Yet you know how, though he hid it,
That hand had only four fingers left.
I well remember that morning, long ago,
When there was a conscription at Lunde.
It was in time of war. In everyone's mouth was
The country's need and what was to be expected.
I was there too. Broad at the table sat
The captain with officials and sergeants;
And one lad after another was measured,
Examined, and enrolled as a soldier.
The room was full, and outside the windows
Echoed the loud laughter of the young folk.
A name was called out. A new one came,
Who looked pale, deadly white, like glacier snow.
They beckoned him; he approached the table,
His right hand wrapped in a cloth;...
He panted, swallowed, gasped for words,
But could not speak, though they commanded him.
At last, however; and then, cheeks glowing,
Half stammering, stuttering and then quickly,
He tells of a sickle, which, flying out,
Had neatly cut off one finger.
In the room it became deadly still.
Everyone looked at each other; pursed their lips;
They stoned the lad with silent glances.
He felt it well, but dared not look up.
The captain rose, old, grey, and stiff;...
He spat, pointed to the door, saying: go!
And he went. People stepped aside on both sides,
So that it was as if he had to run the gauntlet;...
Once outside, he took to his heels in haste;...
Upwards now,... up, between rocks and bushes,
Up, among loose stones, rolling, falling...
High up in the mountains lay his home...
Half a year later it was when he came here
With mother, infant, and his future wife.
He rented a piece of land, lying fallow over there,
There, where the boundary of the great heath is.
He married then as soon as it was possible;
He built a hut; he broke the hard ground;
He got on, as many a piece of land
Bore witness, rolling like a yellow sea;...
He came to church with his hand hidden,...
But unseen at home, those nine fingers
Worked fully as hard as ten...
One spring flood once swept everything away.
They saved their lives. Then poor and naked,
He set to work at clearing again.
And before autumn, smoke rose once more
From a more sheltered spot, from a new hut.
Sheltered from the water, yes... not from avalanches;
Two years later it lay buried under snow,
But the man remained brave and undaunted;
He cleared and hacked, he dug out stones,...
And before the first snow fell the following year
His house stood for the third time built.
Three sons he had, three fine, strong boys;
They had to go to school and the school was far.
To get from his house to the highway,
One had to pass through a rocky cleft, very narrow and steep.
What did he do then? The eldest had to manage
As best he could,... where the path became too steep,
He tied a rope around the child to support him;...
The other two he carried on arm and back.
Thus he struggled year after year; they grew up.
Did he receive thanks, which were due to him?
Three rich gentlemen in the New World
Forgot the Norwegian mountain land and their father.
He had no broad vision. Of what was outside
His immediate surroundings, he could see nothing.
What sounds to us like bells,
Sonorous in tone, penetrating deep into the heart, had no meaning for him.
People, fatherland, the sublime, the lofty,
Stood as if shrouded in mist before the eye of his mind.
But he was humble, humble this man;
And from that conscription day he bore the judgment,
As surely as the blush of shame on his cheek,
And his four fingers, hidden in his pocket.
A transgressor of the law of the land? Oh, yes!
But there is something that shines above laws,
Just as over there those peaks' white tent
Has clouds and above them again peaks.
A bad citizen he was. And for church and state
An unfruitful tree. But here, on the high field,
In his family circle, where he saw his work,
There he was great, because he was himself!
His inborn tone remained true to itself;
Muffled in tone, that was his whole life.
And therefore: peace be with you, silent fighter,
Who fought and fell in a small peasant's strife!
We will not search hearts and reins;
That is no work for us, but for the Creator;...
But firmly and freely I dare express the hope:
That man will not stand maimed before his God!
(The people from the procession disperse and go. Peer Gynt remains alone.)
Fifth Act쪽 318 / 346
PEER GYNTNow that, I call Christianity!
Nothing at all that gives one a creepy feeling...
Yes, the theme; to be oneself unflinchingly,...
Around which the whole sermon revolved,...
Is in itself alone edifying.
Nothing at all that gives one a creepy feeling...
Yes, the theme; to be oneself unflinchingly,...
Around which the whole sermon revolved,...
Is in itself alone edifying.
(looks into the open grave)
PEER GYNTWas it he, perhaps, who maimed himself there
When I was in the forest felling trees?
Who knows? If I were not standing here with my stick
At the edge of the grave of that kindred spirit,
I could think it was I who slept
And heard, as if dreamed true, my own praise...
Indeed, it is a Christian and beautiful custom,
Kindly to let the glance still wander
In memory over the dead man's life.
Yes, I would like to hear my own fate
Narrated to the people by that worthy man.
Well, it may yet be a while,
Before the gravedigger comes and invites me to my own;...
And, as the Scripture says: better is best,
And likewise: every evil in its time,
And further: borrow no money for your funeral...
The church remains after all your true comfort.
I did not use to attach so much importance to it;...
Now I feel how much good it does,
To hear experts assure you:
What a man sows, that shall he also reap...
He must be himself; for himself and his own
He must care in great things and small.
If things don't go well for him, he still has the honour
That he knew how to order his life according to the precept...
Now homeward! Even if the road is difficult and steep,
Let fate still mock me long;...
Old Peer Gynt goes his own way,
And remains what he is always: poor but honest.
When I was in the forest felling trees?
Who knows? If I were not standing here with my stick
At the edge of the grave of that kindred spirit,
I could think it was I who slept
And heard, as if dreamed true, my own praise...
Indeed, it is a Christian and beautiful custom,
Kindly to let the glance still wander
In memory over the dead man's life.
Yes, I would like to hear my own fate
Narrated to the people by that worthy man.
Well, it may yet be a while,
Before the gravedigger comes and invites me to my own;...
And, as the Scripture says: better is best,
And likewise: every evil in its time,
And further: borrow no money for your funeral...
The church remains after all your true comfort.
I did not use to attach so much importance to it;...
Now I feel how much good it does,
To hear experts assure you:
What a man sows, that shall he also reap...
He must be himself; for himself and his own
He must care in great things and small.
If things don't go well for him, he still has the honour
That he knew how to order his life according to the precept...
Now homeward! Even if the road is difficult and steep,
Let fate still mock me long;...
Old Peer Gynt goes his own way,
And remains what he is always: poor but honest.
(exit)
PEER GYNTA mountain slope with the dried-up bed of a stream. A ruined mill by the stream; cracked ground, devastation around. Higher up a large farmstead.
Up at the farmstead, a public auction is being held. Many people are gathered. Drinking and noise. Peer Gynt sits down on a heap of rubble near the mill.
Up at the farmstead, a public auction is being held. Many people are gathered. Drinking and noise. Peer Gynt sits down on a heap of rubble near the mill.
PEER GYNTBack and forth, it's equally far;
In or out, it's the same journey;...
Time destroys, the stream is dried up.
Go round about, said the Boyg;... so I do.
In or out, it's the same journey;...
Time destroys, the stream is dried up.
Go round about, said the Boyg;... so I do.
Fifth Act쪽 319 / 346
A MAN IN MOURNINGNow there is nothing but rubbish left...
(notices Peer Gynt)
A MAN IN MOURNINGAre there strangers here too? God bless you, friend!
PEER GYNTLikewise! There's a merry goings-on here today.
Is it a christening, or a wedding being celebrated?
Is it a christening, or a wedding being celebrated?
THE MAN IN MOURNINGI would rather call it a housewarming.
The bride lies in a worm-chest.
The bride lies in a worm-chest.
PEER GYNTAnd the worms fight for the tasty morsel.
THE MAN IN MOURNINGThat's the end of the song; with that it's over.
PEER GYNTAll songs end the same;
And all are old; I knew them as a boy.
And all are old; I knew them as a boy.
(with a casting ladle)
A TWENTY-YEAR-OLDLook here now, what I have bought!
In this Peer Gynt cast his silver buttons!
In this Peer Gynt cast his silver buttons!
A SECONDAnd I! A money scoop for a shilling!
A THIRDIs that all? Four and a half for a pedlar's knapsack!
PEER GYNTPeer Gynt? Who was that?
THE MAN IN MOURNINGI only know
That he was brother-in-law to Aslak and to death.
That he was brother-in-law to Aslak and to death.
A MAN IN GREYDo you forget me now? Are you drunk, I say?
THE MAN IN MOURNINGDo you forget that at Haegstad there was a blockhouse door?
THE MAN IN GREYYes, yes; but you were never very particular.
THE MAN IN MOURNINGIf only she doesn't take death by the nose...
THE MAN IN GREYA drink, brother-in-law! On our brotherhood!
THE MAN IN MOURNINGThe devil your brother-in-law! That's drunken talk...
THE MAN IN GREYOh, nonsense; our blood is not so diluted yet,
You still feel related to Peer Gynt after all.
You still feel related to Peer Gynt after all.
(goes away with him)
(softly)
PEER GYNTI meet acquaintances still.
(calls after the man in mourning)
A BOYIf you drink again,
Then mother will come from her grave to fetch you, Aslak!
Then mother will come from her grave to fetch you, Aslak!
(stands up)
Fifth Act쪽 320 / 346
PEER GYNTHere the agronomist's saying is out of place:
The more you dig around, the better it smells.
The more you dig around, the better it smells.
(with a bearskin)
PEER GYNTWhat is that?
THE BOYIt's the skin of the white bear that Peer Gynt killed on the Ronden!
PEER GYNTLet me see it! That must be the one he had a fight with?
THE BOYYes, it's quite a story: my grandfather was there...
PEER GYNTWhat? He was there? He must have seen the fight?
THE BOYNo, no, the bear first killed the grandfather...
PEER GYNTWhat? Then there must have been something wrong with the bear!
THE BOYOh, it wasn't the bear's fault; it was the grandfather's: he was drunk.
PEER GYNTAh, that explains it. So it was the grandfather who was the real bear!
THE BOYYes, they say he was a terrifying fellow, the old man.
PEER GYNTAnd the skin? Has it been sold?
THE BOYNo, it's up for auction again now.
PEER GYNTWhat! The same skin? Then I'd like to buy it!
THE BOYWell, it's yours for a crown and a half.
PEER GYNTThat's cheap. I'll take it!
(pays and gets the skin)
PEER GYNTNow I have something to remember the old bear by.
THE MAN IN GREYLook, there's the famous Peer Gynt himself!
PEER GYNTWhat? Who?
THE MAN IN GREYPeer Gynt! Don't you recognise me? I am Aslak!
PEER GYNTOh, so that's who you are!
ASLAKYes, and I knew you at once!
PEER GYNTWell, well, then you must have a drink with me!
ASLAKGladly! But first I must ask you something.
PEER GYNTAsk away!
ASLAKIs it true that you buried a treasure on the Ronden?
Fifth Act쪽 321 / 346
PEER GYNTBuried a treasure? Who says so?
ASLAKThey say you found a great treasure in America, but you hid it on the Ronden before you went home.
PEER GYNTHa! That sounds like a fairy tale!
ASLAKWell, there are many who believe it. And I would like to dig for it.
PEER GYNTDig away! But if you find anything, it will be a miracle.
ASLAKYou won't mind if I try?
PEER GYNTNot in the least!
ASLAKGood! Then I'll start tomorrow.
PEER GYNTDo that! But now we must drink!
(They go off together, arm in arm. The auction continues.)
A WOMANNow here is a fine spinning wheel.
A MANAnd a distaff.
A WOMANAnd a loom.
A MANAnd a chest of linen.
PEER GYNTThat's from the farm where Peer Gynt lived?
THE WOMANYes, from the Halling farm.
PEER GYNTDid you know him?
THE WOMANNo, I'm from further down the valley.
PEER GYNTBut you know his story?
THE WOMANYes, they say he was a bad man who ran away from his wife and mother.
PEER GYNTThat's what they say. But perhaps he had his reasons.
THE WOMANHe should have stayed and taken care of his own.
PEER GYNTMaybe he couldn't.
THE WOMANNonsense! Everyone can do what is right.
PEER GYNTI suppose that's true.
THE WOMANAre you a relative of his?
PEER GYNTNo, I am just a stranger passing through.
THE WOMANThen you don't know his real story!
PEER GYNTOh, I have heard bits and pieces.
THE WOMANWell, I'll tell you the truth: he was a devil, that Peer Gynt!
Fifth Act쪽 322 / 346
PEER GYNTHe was, was he?
THE WOMANYes, he ran away from his mother and she died of grief.
PEER GYNTThat's sad.
THE WOMANAnd he left his wife to starve.
PEER GYNTThat's worse.
THE WOMANYes, but she is dead too now.
PEER GYNTAnd what about the children?
THE WOMANThey are grown up and gone away.
PEER GYNTSo all that remains is the auction?
THE WOMANYes, everything is being sold.
PEER GYNTThen I have seen enough. Goodbye!
THE WOMANGoodbye!
PEER GYNT(alone)
So this is what remains of Peer Gynt's life:
a bearskin, a spinning wheel, and a story.
But the story will live on. And perhaps it will be told
in such a way that he becomes a legend.
At any rate, it is better than being forgotten.
So this is what remains of Peer Gynt's life:
a bearskin, a spinning wheel, and a story.
But the story will live on. And perhaps it will be told
in such a way that he becomes a legend.
At any rate, it is better than being forgotten.
A BOYThe Dovre cat! Only the skin, look!
That was what drove the goblins away, at Christmas!
That was what drove the goblins away, at Christmas!
(with a reindeer skull)
A SECONDHere is the wild reindeer that once
Carried Peer Gynt over the Gendin Ridge.
Carried Peer Gynt over the Gendin Ridge.
(with a hammer, shouts to the man in mourning)
A THIRDHey there, Aslak! Do you know that hammer?
Didn't you use it to crack that nut?
Didn't you use it to crack that nut?
(with empty hands)
A FOURTHMads Moen, this is the cloak that makes invisible!
With it Peer Gynt flew through the air with Ingrid!
With it Peer Gynt flew through the air with Ingrid!
PEER GYNTBrandy, boys! Something to cheer me up...!
Now I'm going to auction off some old junk!
Now I'm going to auction off some old junk!
A BOYWhat do you have to sell?
PEER GYNTI have a castle...
It lies in the Rondane; it's strongly walled.
It lies in the Rondane; it's strongly walled.
THE BOYA button offered!
PEER GYNTIt ought to be worth a dram.
To offer less would be a shame.
To offer less would be a shame.
A SECONDHe's funny, the old fellow!
(The people gather around him).
Fifth Act쪽 323 / 346
PEER GYNTGrane, my stallion,
Who bids?
Who bids?
ONE FROM THE CROWDWhere does he run?
PEER GYNTIn the West,
Far from here, lads! That steed can gallop
As fast, as fast, as Peer Gynt could lie.
Far from here, lads! That steed can gallop
As fast, as fast, as Peer Gynt could lie.
VOICESWhat else have you got?
PEER GYNTBoth rags and gold!
It was bought at a loss! I sell at a loss.
It was bought at a loss! I sell at a loss.
A BOYCall it out!
PEER GYNTA dream from a hymnbook!
That's for sale for a crooked fishhook.
That's for sale for a crooked fishhook.
THE BOYTo the devil with dreams!
PEER GYNTMy empire!
I throw it out for grabs; you may fight over it!
I throw it out for grabs; you may fight over it!
THE BOYIs the crown included?
PEER GYNTOf the finest straw.
It'll fit the first one who puts it on his head.
Here's more! A wind-egg, look!
A gray hair from a fool! A prophet's beard!
He gets everything who shows me on the mountain
The signpost with the inscription: here lies the way!
It'll fit the first one who puts it on his head.
Here's more! A wind-egg, look!
A gray hair from a fool! A prophet's beard!
He gets everything who shows me on the mountain
The signpost with the inscription: here lies the way!
(who has come up)
THE OFFICIALMy good man, if this goes on much longer,
It may happen that your path leads straight to arrest.
It may happen that your path leads straight to arrest.
(with his hat in his hand)
PEER GYNTQuite possible. But tell me, who was Peer Gynt?
THE OFFICIALNone of your jokes...
PEER GYNTPardon! I mean it seriously!...
THE OFFICIALOh, they say he was a terrible poet...
PEER GYNTA poet...?
THE OFFICIALYes, whatever was strong and great,
He pretended he had done it himself.
But excuse me... I have other duties... (Exit).
He pretended he had done it himself.
But excuse me... I have other duties... (Exit).
PEER GYNTAnd where is he now, that remarkable man?
AN ELDERLY MANHe went overseas to a far, strange land,
There it went badly for him, as one might have expected...
And years ago they hanged him.
There it went badly for him, as one might have expected...
And years ago they hanged him.
PEER GYNTHanged? Yes, indeed, that I thought;
The late Peer Gynt remained true to himself to the end. (Bows).
Greetings... and many thanks for today!
The late Peer Gynt remained true to himself to the end. (Bows).
Greetings... and many thanks for today!
Fifth Act쪽 324 / 346
(goes a few steps but stops again).
PEER GYNTSay, merry lads and pretty girls...
Shall I, in turn, tell you a story now?
Shall I, in turn, tell you a story now?
SEVERALYes, do you know one?
PEER GYNTThen it's settled...
(Comes closer; a strange expression glides over his face).
PEER GYNTIn San Francisco I dug for gold.
All the town was full of fairground folk.
One could play the violin with his toes;
One danced a Spanish dance on his knees.
A third, I heard, made verses
While his skull was being drilled.
Then the devil also came with his arts...
Wanted to see, like so many, what he could earn.
His art was this: in a deceptive manner
To be able to grunt like a real pig.
His personality attracted, though unknown.
The house was packed, expectation was high.
He appeared in a cloak with swirling folds;
One must "drape oneself," as the Germans say.
But under that cloak, which no one knew...
He had managed to hide a pig.
And now the performance could begin.
The devil pinched and the pig gave voice.
The whole was presented as a fantasy
About the life of the pig, captive and free;
Finally a scream, as under the butcher's knife...
After which the artist bowed and withdrew...
The case was much discussed by experts;
The key was criticized and praised;
The voice sounded too thin, said one;
Another found the death-scream too studied...
But all agreed on this: as grunting
The performance was definitely exaggerated...
See, that's how it went for the devil, because he was stupid,
And didn't take his audience into account.
All the town was full of fairground folk.
One could play the violin with his toes;
One danced a Spanish dance on his knees.
A third, I heard, made verses
While his skull was being drilled.
Then the devil also came with his arts...
Wanted to see, like so many, what he could earn.
His art was this: in a deceptive manner
To be able to grunt like a real pig.
His personality attracted, though unknown.
The house was packed, expectation was high.
He appeared in a cloak with swirling folds;
One must "drape oneself," as the Germans say.
But under that cloak, which no one knew...
He had managed to hide a pig.
And now the performance could begin.
The devil pinched and the pig gave voice.
The whole was presented as a fantasy
About the life of the pig, captive and free;
Finally a scream, as under the butcher's knife...
After which the artist bowed and withdrew...
The case was much discussed by experts;
The key was criticized and praised;
The voice sounded too thin, said one;
Another found the death-scream too studied...
But all agreed on this: as grunting
The performance was definitely exaggerated...
See, that's how it went for the devil, because he was stupid,
And didn't take his audience into account.
(He bows and goes. A hesitant silence falls over the crowd).
PEER GYNTWhitsun Eve. In the great forest. Farther away, on a cleared piece of
land, a hut with a reindeer antler above the gable.
Peer Gynt crawls through the undergrowth and looks for wild onions.
land, a hut with a reindeer antler above the gable.
Peer Gynt crawls through the undergrowth and looks for wild onions.
Fifth Act쪽 325 / 346
PEER GYNTThis here is a standpoint. Where is the next?
Examine everything, and then choose the best.
That's what I did too;... from Emperor Caesar
Down to the depths to Nebuchadnezzar,
So I had to go through the whole Bible.
The old man ended up back with his mother.
It says also: from dust you are born...
What matters in life is to fill your belly.
Fill it with onions? That doesn't seem much to me;...
I'd rather be cunning and set snares.
Here's water again, I won't suffer thirst;
Among wild animals I still count as number one.
If I die one day,... which may well happen...
Then I'll crawl under a fallen tree;
And cover myself,... like a bear... with dry leaves,
And carve in the bark in very large letters:
Here rests Peer Gynt, that honest fellow,
Emperor of all other animals,...
Emperor?
Examine everything, and then choose the best.
That's what I did too;... from Emperor Caesar
Down to the depths to Nebuchadnezzar,
So I had to go through the whole Bible.
The old man ended up back with his mother.
It says also: from dust you are born...
What matters in life is to fill your belly.
Fill it with onions? That doesn't seem much to me;...
I'd rather be cunning and set snares.
Here's water again, I won't suffer thirst;
Among wild animals I still count as number one.
If I die one day,... which may well happen...
Then I'll crawl under a fallen tree;
And cover myself,... like a bear... with dry leaves,
And carve in the bark in very large letters:
Here rests Peer Gynt, that honest fellow,
Emperor of all other animals,...
Emperor?
(laughs to himself).
PEER GYNTYou fortune-teller, old fool!
You are no emperor; you are an onion.
Now I'll peel you, my dear Peer!
It's no use whether you cry or beg.
You are no emperor; you are an onion.
Now I'll peel you, my dear Peer!
It's no use whether you cry or beg.
(takes an onion and peels it layer by layer).
PEER GYNTThere lies the battered outer skin,
The castaway on the keel of the jolly boat.
The passenger skin here, thin and sparse;...
Its taste is somewhat like Peer Gynt.
Underneath sits the gold-digger self;
The juice is gone... if it ever was there.
This thick skin here, with the hard tip,
Is the fur-hunter on Hudson Bay.
That underneath looks like a crown... thank you very much!
We'll throw that away without further ado.
Here the antiquarian, short but sturdy.
And here the prophet, fresh and juicy.
He stinks, as it is written, of lies,
That an honest man gets tears in his eyes.
This little skin, which rolls up soft and limp,
Is the gentleman who lived idle and soft.
What comes now seems sickly. It has black streaks;...
Black can mean priests and negroes.
The castaway on the keel of the jolly boat.
The passenger skin here, thin and sparse;...
Its taste is somewhat like Peer Gynt.
Underneath sits the gold-digger self;
The juice is gone... if it ever was there.
This thick skin here, with the hard tip,
Is the fur-hunter on Hudson Bay.
That underneath looks like a crown... thank you very much!
We'll throw that away without further ado.
Here the antiquarian, short but sturdy.
And here the prophet, fresh and juicy.
He stinks, as it is written, of lies,
That an honest man gets tears in his eyes.
This little skin, which rolls up soft and limp,
Is the gentleman who lived idle and soft.
What comes now seems sickly. It has black streaks;...
Black can mean priests and negroes.
(pulls off several at once).
PEER GYNTWhat an amazing number of layers!
Won't the core soon come to light?
Won't the core soon come to light?
(pulls the whole onion apart).
Fifth Act쪽 326 / 346
PEER GYNTNo, still not! Right to the innermost
They're all skins,... smaller and smaller...
Nature is witty!
They're all skins,... smaller and smaller...
Nature is witty!
(throws the remains away).
PEER GYNTCurse all this fretting!
If you start thinking, you often come out badly.
Well, at least I have nothing to fear from danger,
For I lie firmly here on hands and feet.
If you start thinking, you often come out badly.
Well, at least I have nothing to fear from danger,
For I lie firmly here on hands and feet.
(scratches his neck).
PEER GYNTA strange lot, the whole business!
Life, as they say, has a fox behind the ears;
But if you grab for it, Mr. Fox makes off,
And you catch something else,... or nothing at all.
Life, as they say, has a fox behind the ears;
But if you grab for it, Mr. Fox makes off,
And you catch something else,... or nothing at all.
(he approaches the hut, notices it, and is startled).
PEER GYNTThat hut there? In the pine forest...! Oh!
(rubs his eyes).
PEER GYNTIt seems to me
I once knew that building...
A reindeer skull adorns the gable...?
A mermaid, half fish, half woman...!
Lies! No mermaid!... Nails,... planks,...
A lock that locks out goblin thoughts...!
I once knew that building...
A reindeer skull adorns the gable...?
A mermaid, half fish, half woman...!
Lies! No mermaid!... Nails,... planks,...
A lock that locks out goblin thoughts...!
(singing in the hut)
SOLVEJGNow everything is ready for the Whitsun feast.
My dear boy, so far, far away...
You will come, won't you?
If you have a heavy load,
Just take your time;...
You know I am waiting...
That I have said.
My dear boy, so far, far away...
You will come, won't you?
If you have a heavy load,
Just take your time;...
You know I am waiting...
That I have said.
(stands up, silent and deathly pale)
PEER GYNTOne who was faithful,... and one who forgot...
One who kept,... and one who lost...
Oh, seriousness!... And it can never be done over!
Oh, fear!... Here lay my empire!
One who kept,... and one who lost...
Oh, seriousness!... And it can never be done over!
Oh, fear!... Here lay my empire!
(runs into the forest).
PEER GYNTNight. Pine forest. A forest fire has raged. Charred tree trunks for miles. White mists hanging here and there over the forest floor.
Peer Gynt hurries through the forest.
Peer Gynt hurries through the forest.
Fifth Act쪽 327 / 346
PEER GYNTAsh and dust and white vapors,...
Plenty of building materials here!
Stench and rotting leaves inside,
To be mortar for a grave.
Sham, dream, stillborn knowledge,
With that it will be paved;
Vaulted, by work, as a dome,
For which lies provide the forms.
Flight from earnest, aversion to penance,
As a coat of arms above it...
Adorns it with the judgment words:
Petrus Gyntus Caesar fecit!
Plenty of building materials here!
Stench and rotting leaves inside,
To be mortar for a grave.
Sham, dream, stillborn knowledge,
With that it will be paved;
Vaulted, by work, as a dome,
For which lies provide the forms.
Flight from earnest, aversion to penance,
As a coat of arms above it...
Adorns it with the judgment words:
Petrus Gyntus Caesar fecit!
(listens).
PEER GYNTWhat crying?—Children's voices?
Crying that sounds like singing...
Balls of yarn rolling at my feet...!
Crying that sounds like singing...
Balls of yarn rolling at my feet...!
(kicks at them).
PEER GYNTAway! You hinder me in my step!
(on the ground)
THE YARN BALLSWe are thoughts;
You should have thought us;...
Little dancing feet
You should have given us!
You should have thought us;...
Little dancing feet
You should have given us!
(goes around them)
PEER GYNTI gave life to only one;...
It became an ugly, crippled wretch!
It became an ugly, crippled wretch!
THE YARN BALLSWe should have risen
As trembling voices,...
Now we must roll
As gray yarn balls.
As trembling voices,...
Now we must roll
As gray yarn balls.
(stumbles)
PEER GYNTYarn! You cursed rascal!
Are you trying to trip up your father?
Are you trying to trip up your father?
(flees).
PEER GYNTWITHERED LEAVES (flying around).
We are a slogan
You should have proclaimed.
See how the ash
Tore us miserably.
A worm gnawed through us
Every fiber;
We never got to form
A wreath around fruit.
We are a slogan
You should have proclaimed.
See how the ash
Tore us miserably.
A worm gnawed through us
Every fiber;
We never got to form
A wreath around fruit.
PEER GYNTYou were not created for nothing still;...
Just lie still and serve as fertilizer yet.
Just lie still and serve as fertilizer yet.
A WHISPER IN THE AIRWe are songs;
You should have sung us!...
A thousand times
You stifled us.
Deep in your soul once
We lay and waited;...
You never called us forth.
Now poison in your throat!
You should have sung us!...
A thousand times
You stifled us.
Deep in your soul once
We lay and waited;...
You never called us forth.
Now poison in your throat!
PEER GYNTPoison in you, you foolish song!
Did I have time for song and rhyme?
Did I have time for song and rhyme?
(forces his way through the thicket).
(dripping from the branches)
Fifth Act쪽 328 / 346
DEWDROPSWe are tears
You never shed.
Ice crust that tears open,
We could have melted.
Now the ice is frozen fast
Around the heart;
The wound is sealed;
And we are powerless.
You never shed.
Ice crust that tears open,
We could have melted.
Now the ice is frozen fast
Around the heart;
The wound is sealed;
And we are powerless.
PEER GYNTI wept in the hall of Rondane,...
And yet I got a tail there!
And yet I got a tail there!
BROKEN STALKSWe are deeds
You should have accomplished;
Doubt, the murderer,
Bent and split us.
At the end of days
We will all come
To accuse you,...
Then you shall get your reward!
You should have accomplished;
Doubt, the murderer,
Bent and split us.
At the end of days
We will all come
To accuse you,...
Then you shall get your reward!
PEER GYNTVillainies! Do you dare to write
On my debit side the negative?
On my debit side the negative?
(rushes away).
(far away)
AASE'S VOICEFie, what a driver!
Oh, you've overturned me!
Snow fell all day;...
Evil has he done me...
The whole ride went wrong.
Peer, where is the castle now?
The devil has lured you
With the stable broomstick!
Oh, you've overturned me!
Snow fell all day;...
Evil has he done me...
The whole ride went wrong.
Peer, where is the castle now?
The devil has lured you
With the stable broomstick!
PEER GYNTI'd better get out of here.
Must I, on top of all my sins, also
Bear the devil's from now on,
Then I will soon collapse.
Must I, on top of all my sins, also
Bear the devil's from now on,
Then I will soon collapse.
(hurries off).
PEER GYNTAnother part of the forest.
PEER GYNTA gravedigger! Where are you, fellow?
Song from bawling clerks' mouths;
A mourning band tied around my hat.
I have many dead; I bury them now!
THE BUTTON-MOLDER (with a box of tools and a large casting ladle, comes from a side path).
Good evening, old one!
Song from bawling clerks' mouths;
A mourning band tied around my hat.
I have many dead; I bury them now!
THE BUTTON-MOLDER (with a box of tools and a large casting ladle, comes from a side path).
Good evening, old one!
PEER GYNTSame to you, man!
THE BUTTON-MOLDERYou seem to be in a hurry. Where are you going?
PEER GYNTTo the churchyard.
THE BUTTON-MOLDEROh? I don't see very well,...
Excuse me,... are you by any chance called Peer?
Excuse me,... are you by any chance called Peer?
PEER GYNTPeer Gynt is my name.
THE BUTTON-MOLDERWell, I call that lucky!
Peer Gynt is exactly the one I'm to fetch today.
Peer Gynt is exactly the one I'm to fetch today.
PEER GYNTFetch me? What do you want?
(points at his ladle)
THE BUTTON-MOLDERJust look here;
I'm a button-molder. And you must go into this.
I'm a button-molder. And you must go into this.
PEER GYNTWhat for?
Fifth Act쪽 329 / 346
THE BUTTON-MOLDERTo be melted down.
PEER GYNTMelted?
THE BUTTON-MOLDERHere, it's empty and scoured.
Your grave is dug, your coffin is ready.
Your body is destined for the worms;...
But I have orders, without delay,
By command of my Master, to collect your soul.
Your grave is dug, your coffin is ready.
Your body is destined for the worms;...
But I have orders, without delay,
By command of my Master, to collect your soul.
PEER GYNTImpossible! Like that, without any notice...!
THE BUTTON-MOLDERIt's an old custom at birth and death
To choose the day for the ceremony in silence,
And tell the hero of the feast nothing in advance.
To choose the day for the ceremony in silence,
And tell the hero of the feast nothing in advance.
PEER GYNTIndeed. My head is spinning a bit.
So you are...?
So you are...?
THE BUTTON-MOLDERYou heard it,... button-molder.
PEER GYNTI see! Many names has the dear child.
So, so, Peer, so you end up there!
But this, good friend, is not fair play!
I know I deserve better treatment;...
I'm not as bad as you might think perhaps,...
I have also done some good here on earth;...
At worst I can be called a simpleton,...
But certainly not such a particularly great sinner.
So, so, Peer, so you end up there!
But this, good friend, is not fair play!
I know I deserve better treatment;...
I'm not as bad as you might think perhaps,...
I have also done some good here on earth;...
At worst I can be called a simpleton,...
But certainly not such a particularly great sinner.
THE BUTTON-MOLDERNo, that is precisely the knot, my friend;
You are not a sinner in the higher sense either;
And therefore you escape hell,
And come into my ladle, like many others.
You are not a sinner in the higher sense either;
And therefore you escape hell,
And come into my ladle, like many others.
PEER GYNTCall it what you will,... ladle or hell;
Brown stout or ale, it's all beer.
Away, Satan!
Brown stout or ale, it's all beer.
Away, Satan!
THE BUTTON-MOLDERYou aren't so discourteous
As to think I walk on a horse's foot?
As to think I walk on a horse's foot?
PEER GYNTOn horse's foot or fox's claw,...
Be off! And mind what you do!
Be off! And mind what you do!
THE BUTTON-MOLDERGood friend, you are greatly mistaken.
We are both in a hurry, and to save time
I'll explain the matter to you thoroughly.
You are, as you yourself just said,
Not what is called a truly great sinner;
At best mediocre...
We are both in a hurry, and to save time
I'll explain the matter to you thoroughly.
You are, as you yourself just said,
Not what is called a truly great sinner;
At best mediocre...
PEER GYNTLook, now you're starting
To talk sense...
To talk sense...
THE BUTTON-MOLDERYes... just wait;
But to call you virtuous would be going too far...
But to call you virtuous would be going too far...
PEER GYNTI make no claim to that at all.
Fifth Act쪽 330 / 346
THE BUTTON-MOLDERSo in between, so-so.
A sinner of the genuinely distinguished sort
Is not found along the road these days;
It takes more than messing around in the mud;
True sin demands seriousness, true sin demands strength.
A sinner of the genuinely distinguished sort
Is not found along the road these days;
It takes more than messing around in the mud;
True sin demands seriousness, true sin demands strength.
PEER GYNTYes, that's a true statement indeed;
You have to go at it like the old Vandals.
You have to go at it like the old Vandals.
THE BUTTON-MOLDERYou, however, took sin lightly.
PEER GYNTOutwardly only, man, like a dirty stain.
THE BUTTON-MOLDERNow we agree. The sulfur pool
Is not for you who dabble in the mud...
Is not for you who dabble in the mud...
PEER GYNTAnd so, good friend, I may go free again?
THE BUTTON-MOLDERNo, so you are melted down, man.
PEER GYNTWhat kind of trick is this you've thought up
At home, while I was abroad?
At home, while I was abroad?
THE BUTTON-MOLDERThe custom is as old as the serpent and its origin,
And designed to prevent loss of value.
You know the craft,... you know that often
A casting can fail, and then it's worthless;
Sometimes they become buttons without an eye.
What would you do?
And designed to prevent loss of value.
You know the craft,... you know that often
A casting can fail, and then it's worthless;
Sometimes they become buttons without an eye.
What would you do?
PEER GYNTI'd throw the casting away.
THE BUTTON-MOLDERIndeed; Jon Gynt also knew that trick,
As long as there was money in chest and purse.
But the Master, you see, is very thrifty;
And therefore he's a wealthy man.
He doesn't throw away the least as completely useless,
If it can still be used as raw material.
You were meant to be a shiny button
On the world's vest; but the eye didn't hold.
Therefore I must now melt you with the scrap,
To, as they say, be absorbed into the mass.
As long as there was money in chest and purse.
But the Master, you see, is very thrifty;
And therefore he's a wealthy man.
He doesn't throw away the least as completely useless,
If it can still be used as raw material.
You were meant to be a shiny button
On the world's vest; but the eye didn't hold.
Therefore I must now melt you with the scrap,
To, as they say, be absorbed into the mass.
PEER GYNTYou don't mean to melt me together with Tom, Dick, and Harry
Into something new?
Into something new?
THE BUTTON-MOLDERYes, that is indeed my plan.
We have done that so often already.
In Kongsberg they do the same with coins
Whose stamp has worn off through long circulation.
We have done that so often already.
In Kongsberg they do the same with coins
Whose stamp has worn off through long circulation.
Fifth Act쪽 331 / 346
PEER GYNTBut that's a mean swindle!
Dear friend, listen, let me go now!...
A button without an eye, a worn-out coin,...
What is that to someone in your Master's position?
Dear friend, listen, let me go now!...
A button without an eye, a worn-out coin,...
What is that to someone in your Master's position?
THE BUTTON-MOLDEROh, still, as long as the spirit is in it,
As metal a person always has value.
As metal a person always has value.
PEER GYNTNo, I say! No! With tooth and nail
I will resist. Anything rather than that!
I will resist. Anything rather than that!
THE BUTTON-MOLDERBut what else then? Be sensible,
You are not light enough for heaven...
You are not light enough for heaven...
PEER GYNTI'm modest; my ambition doesn't reach that high;
But I won't give up a bit of myself.
Let me be punished in the old way, according to law!
Put me for a while with him-of-the-hoof,...
A hundred years, if it can't be less;
Look, that is something a person can bear;
For the pain is only moral
And thus not so tremendous.
It's a transition, as it is said,
And as the fox put it:... one waits; then finally
The hour of deliverance strikes; one withdraws,
And meanwhile hopes for better days...
But that other thing,... to have to go
Into a strange, indifferent body, like vapor,...
That ladle method, that dissolving of Gynt,...
That revolts my whole soul!
But I won't give up a bit of myself.
Let me be punished in the old way, according to law!
Put me for a while with him-of-the-hoof,...
A hundred years, if it can't be less;
Look, that is something a person can bear;
For the pain is only moral
And thus not so tremendous.
It's a transition, as it is said,
And as the fox put it:... one waits; then finally
The hour of deliverance strikes; one withdraws,
And meanwhile hopes for better days...
But that other thing,... to have to go
Into a strange, indifferent body, like vapor,...
That ladle method, that dissolving of Gynt,...
That revolts my whole soul!
THE BUTTON-MOLDERBut, dear Peer, how can you
Make such a fuss over a trifle.
You were never your self before;...
What does it matter then if you die completely now?
Make such a fuss over a trifle.
You were never your self before;...
What does it matter then if you die completely now?
PEER GYNTWas I never? Now I must laugh!
Peer Gynt has been something else then? Oh, come!
No, Button-Molder, you talk blindly.
If you could search my heart and reins,
You would find Peer there, and still Peer.
And definitely nothing else and not much more.
Peer Gynt has been something else then? Oh, come!
No, Button-Molder, you talk blindly.
If you could search my heart and reins,
You would find Peer there, and still Peer.
And definitely nothing else and not much more.
THE BUTTON-MOLDERThat cannot be true. Here I have my order.
Look, here it says clearly: Peer Gynt you must fetch.
He has missed his life's purpose.
Into the ladle with him, as a failed product.
Look, here it says clearly: Peer Gynt you must fetch.
He has missed his life's purpose.
Into the ladle with him, as a failed product.
PEER GYNTNonsense! Certainly another is meant.
Does it really say Peer? Is it not Rasmus or Jon?
Does it really say Peer? Is it not Rasmus or Jon?
THE BUTTON-MOLDERI melted them long ago.
Come now willingly and waste no more time!
Come now willingly and waste no more time!
Fifth Act쪽 332 / 346
PEER GYNTAbsolutely not! Yes, that would be a fine thing
If tomorrow it turned out that another was meant.
You are responsible, my good man!
So be careful, for what may follow...
If tomorrow it turned out that another was meant.
You are responsible, my good man!
So be careful, for what may follow...
THE BUTTON-MOLDERI have it here in writing though...
PEER GYNTBut give me time!
THE BUTTON-MOLDERWhat will you do then?
PEER GYNTI want to prove
That I was myself my whole life;
And that is the question we are arguing about.
That I was myself my whole life;
And that is the question we are arguing about.
THE BUTTON-MOLDERProve? How?
PEER GYNTWith witnesses and certificates.
THE BUTTON-MOLDERI fear my master will not recognize them.
PEER GYNTImpossible! But that is a later concern!
Good friend, let me bail myself out;
I'll be back soon. One only comes into the world once,
And one clings to oneself, as a creature.
So are we agreed, eh?
Good friend, let me bail myself out;
I'll be back soon. One only comes into the world once,
And one clings to oneself, as a creature.
So are we agreed, eh?
THE BUTTON-MOLDERWell, so be it then.
But remember, I'll find you at the next crossroads!
But remember, I'll find you at the next crossroads!
(Peer Gynt runs off quickly).
THE BUTTON-MOLDERFarther away in the forest.
(at full speed)
PEER GYNTTime is money, as it is written.
If only you knew where a crossroads comes...
Maybe it's still far, maybe close by,
The ground burns under me like glowing metal.
A witness! A witness! Where can I find one?
It's almost unthinkable here in the forest.
The world is a botch job. The system is bad,
When someone has to prove his obvious right.
(A bent old man, with a stick in his hand and a sack on his back, trudges ahead of him.)
If only you knew where a crossroads comes...
Maybe it's still far, maybe close by,
The ground burns under me like glowing metal.
A witness! A witness! Where can I find one?
It's almost unthinkable here in the forest.
The world is a botch job. The system is bad,
When someone has to prove his obvious right.
(A bent old man, with a stick in his hand and a sack on his back, trudges ahead of him.)
(stops)
THE OLD MANAh, good sir; alms for a homeless man!
PEER GYNTSorry; I have no small change on me...
THE OLD MANPrince Peer! No! What a meeting...
PEER GYNTWho are you?
THE OLD MANDoes he not recognize the Old Man of Rondane?
PEER GYNTBut you're not...?
THE OLD MANThe Troll King, yes!
Fifth Act쪽 333 / 346
PEER GYNTThe Troll King? Do you mean it? The Troll King, you say?
THE OLD MANOh yes, I am in a very bad way...!
PEER GYNTRuined?
THE OLD MANStripped to the shirt.
Now I go begging with a hunger like a wolf.
Now I go begging with a hunger like a wolf.
PEER GYNTHurrah! Such a witness doesn't grow on trees!
THE OLD MANHis Highness the Prince has also grown gray since I saw him.
PEER GYNTDear father-in-law, the years gnaw and wear.
Now; we'll draw a line through private affairs,...
And, above all, no family quarrel.
I was a madman...
Now; we'll draw a line through private affairs,...
And, above all, no family quarrel.
I was a madman...
THE OLD MANOh yes, oh yes;...
But the Prince was wise not to take the bride;
Thus he spared himself sorrow and shame!
For since then she has lived so wildly...
But the Prince was wise not to take the bride;
Thus he spared himself sorrow and shame!
For since then she has lived so wildly...
PEER GYNTOh come!
THE OLD MANShe went her own way entirely;
And now,... think of it, she lives together with Trond.
And now,... think of it, she lives together with Trond.
PEER GYNTWhich Trond?
THE OLD MANOf the Valbergs.
PEER GYNTHim? Well, well;
He was the one from whom I once stole three girls.
He was the one from whom I once stole three girls.
THE OLD MANMy grandson is big, and fat and plump,
And has handsome children all over the country...
And has handsome children all over the country...
PEER GYNTYes, good man, spare me your stories;...
I have something quite different on my mind now...
I've gotten into a difficult fix, namely...
And I need a testimony or a certificate;...
With that my father-in-law can help me best...
I would naturally have something to offer for it...
I have something quite different on my mind now...
I've gotten into a difficult fix, namely...
And I need a testimony or a certificate;...
With that my father-in-law can help me best...
I would naturally have something to offer for it...
THE OLD MANOh, oh? Can I be of service to His Highness the Prince?
Perhaps then I might also get a testimonial in return?
Perhaps then I might also get a testimonial in return?
PEER GYNTWith pleasure. I'm a bit short of cash,
And have to be thrifty, and save on all sides.
But now hear what it's about. You remember still
When I came for your daughter, at Rondane, that day...
And have to be thrifty, and save on all sides.
But now hear what it's about. You remember still
When I came for your daughter, at Rondane, that day...
THE OLD MANThat would be true, Prince!
Fifth Act쪽 334 / 346
PEER GYNTDrop that Prince now!
Enough. You wanted by all means then
To take away my sight by a cut in the lens,
And turn Peer Gynt into a troll.
What did I do then? I resisted,...
Swore that I would follow my own will;
I renounced love and honor and power,
Solely to be myself.
This fact, you see, you must swear to before the court...
Enough. You wanted by all means then
To take away my sight by a cut in the lens,
And turn Peer Gynt into a troll.
What did I do then? I resisted,...
Swore that I would follow my own will;
I renounced love and honor and power,
Solely to be myself.
This fact, you see, you must swear to before the court...
THE OLD MANThat I cannot!
PEER GYNTWhat does that mean now?
THE OLD MANYou don't want to force me to a lie?
You know very well that you put on our trousers,
And drank the mead...?
You know very well that you put on our trousers,
And drank the mead...?
PEER GYNTYes, you lured temptingly,...
But at the decisive moment I resisted.
And it is precisely by that that one knows the man.
The final words are what matter.
But at the decisive moment I resisted.
And it is precisely by that that one knows the man.
The final words are what matter.
THE OLD MANBut you clung to the final word.
PEER GYNTWhat does that mean now?
THE OLD MANWhen you left Rondane,
You wrote behind your ear my life's motto.
You wrote behind your ear my life's motto.
PEER GYNTWhich one?
THE OLD MANThe word... the cutting, strong one...
PEER GYNTThe word?
THE OLD MANThat separates us from the human race,
And says: Troll, to yourself be enough!
And says: Troll, to yourself be enough!
(recoils)
PEER GYNTEnough!
THE OLD MANAnd you have your whole life
Since then always acted according to it.
Since then always acted according to it.
PEER GYNTI! Peer Gynt?
(weeps)
THE OLD MANThat is ungrateful!
You lived like a troll but kept it hidden.
The word, which I taught you, enabled you
To get ahead as a well-to-do man!...
And now you come here and want nothing more to know
Of me and the word, to which you owe it all.
You lived like a troll but kept it hidden.
The word, which I taught you, enabled you
To get ahead as a well-to-do man!...
And now you come here and want nothing more to know
Of me and the word, to which you owe it all.
PEER GYNTEnough! A troll! An egoist!
That is all nonsense; it must be a trick!
That is all nonsense; it must be a trick!
(pulls out a bundle of old newspapers)
Fifth Act쪽 335 / 346
THE OLD MANYou certainly don't know that we also have a newspaper?
Wait; then you shall see here, red on black,
How the "Bloksberg Post" praises and glorifies you;
And the same did the "Hekla Mountain Courier",
Ever since the winter when you left...
Would you like to read them, Peer? Do so then;
Here is something signed with: "Horse's Hoof",
And here: "From the Trollish-National".
The writer serves up the truth here
That little depends on tail and horns,
As long as you are like them inside.
"Our enough," he says, "stamps the troll's seal
On the man",... and then he names you as an example.
Wait; then you shall see here, red on black,
How the "Bloksberg Post" praises and glorifies you;
And the same did the "Hekla Mountain Courier",
Ever since the winter when you left...
Would you like to read them, Peer? Do so then;
Here is something signed with: "Horse's Hoof",
And here: "From the Trollish-National".
The writer serves up the truth here
That little depends on tail and horns,
As long as you are like them inside.
"Our enough," he says, "stamps the troll's seal
On the man",... and then he names you as an example.
PEER GYNTA troll? I!
THE OLD MANYes, it looks that way.
PEER GYNTSo I could just as well have stayed where I was?
Could have stayed in Rondane and sat at my ease?
Saved care and trouble and many a pair of shoes?
A troll... Peer Gynt!... That's nonsense! That's rubbish!
Farewell! Here's a tip for tobacco.
Could have stayed in Rondane and sat at my ease?
Saved care and trouble and many a pair of shoes?
A troll... Peer Gynt!... That's nonsense! That's rubbish!
Farewell! Here's a tip for tobacco.
THE OLD MANBut, dear Prince Peer!
PEER GYNTCome, you are crazy,
Or perhaps senile. Look for a hospital.
Or perhaps senile. Look for a hospital.
THE OLD MANOh, that is exactly what I am looking for.
But my grandchildren, as I said,
Have an enormous influence in the country;
And they say that I only exist in books.
They say sometimes, from your family you must have it...
I poor wretch, feel what a true word that is.
It's hard to be considered lies and nonsense...
But my grandchildren, as I said,
Have an enormous influence in the country;
And they say that I only exist in books.
They say sometimes, from your family you must have it...
I poor wretch, feel what a true word that is.
It's hard to be considered lies and nonsense...
PEER GYNTGood man, that misfortune happens to many.
THE OLD MANAnd we ourselves have no poor fund,
No savings bank, relief fund, or welfare;...
In Rondane such a thing wouldn't work either.
No savings bank, relief fund, or welfare;...
In Rondane such a thing wouldn't work either.
PEER GYNTNo, there that hellish: to yourself be enough applied!
THE OLD MANOh, the Prince must not complain about that word.
And if he, in one way or another...
And if he, in one way or another...
PEER GYNTDear man, you are completely on the wrong track.
I myself am, as they say, as bare as a church mouse...
I myself am, as they say, as bare as a church mouse...
THE OLD MANThat cannot be true? Is the Prince also poor?
Fifth Act쪽 336 / 346
PEER GYNTStone poor. My princely self is pawned.
And that is your fault, you damned trolls!
That's what comes of bad company.
And that is your fault, you damned trolls!
That's what comes of bad company.
THE OLD MANThen the chance is lost for me too!
Farewell! I'll do my best to reach the city.
Farewell! I'll do my best to reach the city.
PEER GYNTWhat will you do there?
THE OLD MANGo to the theater.
They are asking in the newspaper for national subjects...
They are asking in the newspaper for national subjects...
PEER GYNTWell, good journey then; and greet them from me.
If I can get away, I'll also go that way.
Then I'll write a farce, foolish and profound,
Which will be called: "Sic transit gloria mundi."
If I can get away, I'll also go that way.
Then I'll write a farce, foolish and profound,
Which will be called: "Sic transit gloria mundi."
(Runs away. The Old Man calls after him).
PEER GYNTAt a crossroads.
PEER GYNTNow it comes down to it, Peer, more than ever!
That troll's word has passed judgment.
The boat is wrecked, you must float on planks.
Anything rather than into the heap of old rags!
That troll's word has passed judgment.
The boat is wrecked, you must float on planks.
Anything rather than into the heap of old rags!
(at the crossroads)
THE BUTTON-MOLDERWell now, Peer Gynt, where is your certificate?
PEER GYNTIs it a crossroads here again? That's quick, I must say!
THE BUTTON-MOLDERI read your face like a book,
Before I see what the paper tells.
Before I see what the paper tells.
PEER GYNTThis running bores me; ... you always miss ...
THE BUTTON-MOLDERYes, and even then, what good does it do you?
PEER GYNTOf course; out here at night in the dense forest ...
THE BUTTON-MOLDERThere goes an old man. Shall I call him here?
PEER GYNTNo, let him go. He is drunk anyway!
THE BUTTON-MOLDERBut perhaps he would ...
PEER GYNTHush; no ... let him go!
THE BUTTON-MOLDERWell ... are we done then?
PEER GYNTJust one more question!
What is it, after all, to "be oneself"?
What is it, after all, to "be oneself"?
THE BUTTON-MOLDERA strange question, especially from the mouth of
A man who just now ...
A man who just now ...
Fifth Act쪽 337 / 346
PEER GYNTGive a short and clear answer!
THE BUTTON-MOLDERTo be oneself is: to slay oneself.
But for you that explanation is certainly not enough?
Let us say therefore: to appear everywhere
With my Master's intention as a signboard.
But for you that explanation is certainly not enough?
Let us say therefore: to appear everywhere
With my Master's intention as a signboard.
PEER GYNTBut if someone never came to know
What the Master intended with him?
What the Master intended with him?
THE BUTTON-MOLDERThat he must feel.
PEER GYNTBut how often feelings deceive us, ...
And then one goes ad undas so imperceptibly.
And then one goes ad undas so imperceptibly.
THE BUTTON-MOLDERVery true, Peer Gynt; lack of right feeling
Makes the hoof-man get the best catch.
Makes the hoof-man get the best catch.
PEER GYNTThis is a confounded confused story, ...
Listen, I renounce being myself; ...
It might be difficult to prove it.
I consider that part of the matter lost.
But recently, when I wandered here alone through the pine forest,
I felt my conscience gnawing seriously;
I said to myself: you are a sinner after all.
Listen, I renounce being myself; ...
It might be difficult to prove it.
I consider that part of the matter lost.
But recently, when I wandered here alone through the pine forest,
I felt my conscience gnawing seriously;
I said to myself: you are a sinner after all.
THE BUTTON-MOLDERNow you seem to be starting afresh ...
PEER GYNTOh no, not at all; a great sinner, I mean;
Not only in deeds, but also in words and will.
Abroad I have lived scandalously ...
Not only in deeds, but also in words and will.
Abroad I have lived scandalously ...
THE BUTTON-MOLDERMaybe; but I would need to see it registered.
PEER GYNTYes, just give me time, then I will look for a priest,
And confess headlong, and bring you his certificate.
And confess headlong, and bring you his certificate.
THE BUTTON-MOLDERYes, if you bring that, then it's in order,
And you will be spared the ladle question.
But my order, Peer ...
And you will be spared the ladle question.
But my order, Peer ...
PEER GYNTThat paper is old;
It must date from an earlier time; ...
Then I lived a time, so sickly and weak,
And played prophet and believed in Fate.
So, may I try?
It must date from an earlier time; ...
Then I lived a time, so sickly and weak,
And played prophet and believed in Fate.
So, may I try?
THE BUTTON-MOLDERYes, but ...!
PEER GYNTOh, come on, ...
You surely don't have so much to do,
Here in the district the air is so healthy; ...
People live so much longer because of it.
Remember what the priest of Justedal wrote:
"It rarely happens that anyone dies here in the valley."
You surely don't have so much to do,
Here in the district the air is so healthy; ...
People live so much longer because of it.
Remember what the priest of Justedal wrote:
"It rarely happens that anyone dies here in the valley."
Fifth Act쪽 338 / 346
THE BUTTON-MOLDERTo the next crossroads ... but then no longer.
PEER GYNTA priest, even if I have to grab one with tongs!
(trots off).
PEER GYNTHeath hill. The road winds upward.
PEER GYNTHe can still serve me for many things,
Said Esben, and picked up a magpie wing.
Who would have thought that his load of sin
Would set him free on his last evening?
Well, really the matter is just as ugly,
For it brings me from the ash into the fire after all; ...
But there is also a comforting word, old and tried, ...
Which says: as long as there is life, there is hope.
(A thin person, in a high-girt priest's robe and with a
fowler's net over his shoulder, walks quickly up the hill).
Said Esben, and picked up a magpie wing.
Who would have thought that his load of sin
Would set him free on his last evening?
Well, really the matter is just as ugly,
For it brings me from the ash into the fire after all; ...
But there is also a comforting word, old and tried, ...
Which says: as long as there is life, there is hope.
(A thin person, in a high-girt priest's robe and with a
fowler's net over his shoulder, walks quickly up the hill).
PEER GYNTWho goes there? A priest with a bird-net?
Peer, you are indeed the favorite of fortune!
Good evening, reverend sir! The path is steep ...
Peer, you are indeed the favorite of fortune!
Good evening, reverend sir! The path is steep ...
THE THIN ONESo it is; but what won't one do for a soul?
PEER GYNTAha; is there one who is going to heaven?
THE THIN ONENo;
I hope he is on another road.
I hope he is on another road.
PEER GYNTReverend sir, may I walk a bit with you?
THE THIN ONEGladly. Company is always welcome to me.
PEER GYNTI have something on my mind, and ...
THE THIN ONEHeraus! Forward!
PEER GYNTYou see before you a respectable man.
I have never sinned against the law;
I have never sat behind bolt and lock.
Yet, sometimes one loses firm footing
And stumbles ...
I have never sinned against the law;
I have never sat behind bolt and lock.
Yet, sometimes one loses firm footing
And stumbles ...
THE THIN ONEThat happens to the best too ... ah yes!
PEER GYNTThe little sins ...
THE THIN ONELittle only?
PEER GYNTYes;
Of sins "en gros" I have always kept myself free.
Of sins "en gros" I have always kept myself free.
THE THIN ONEWell, good friend, leave me then; ...
I am not the man you take me for ...
You look at my finger? What do you see there?
I am not the man you take me for ...
You look at my finger? What do you see there?
PEER GYNTA remarkably developed nail system.
Fifth Act쪽 339 / 346
THE THIN ONEAnd now? You look so at my foot?
(pointing)
PEER GYNTIs that hoof real?
THE THIN ONEYes, I flatter myself it is.
(takes off his hat)
PEER GYNTI would have sworn you were a priest;
And so I have the honor ... Well, better is best;
If the hall door is open ... avoid the kitchen;
If you can get to the king ... leave the lackey standing!
And so I have the honor ... Well, better is best;
If the hall door is open ... avoid the kitchen;
If you can get to the king ... leave the lackey standing!
THE THIN ONEYour hand! You seem to me without prejudice.
Now, dear friend, how can I serve you?
But you must not ask me for power or money,
That I cannot give you, even if you were to hang me.
You cannot imagine what a slump there is in business.
There is such a tremendous decline in turnover;
No supply of souls; but now and then
A single one ...
Now, dear friend, how can I serve you?
But you must not ask me for power or money,
That I cannot give you, even if you were to hang me.
You cannot imagine what a slump there is in business.
There is such a tremendous decline in turnover;
No supply of souls; but now and then
A single one ...
PEER GYNTHas mankind improved so noticeably then?
THE THIN ONEOn the contrary, it has actually shamefully deteriorated:
Most end up in the ladle.
Most end up in the ladle.
PEER GYNTYes, yes ... I have heard something about that ladle;
It was actually because of it that I came.
It was actually because of it that I came.
THE THIN ONESpeak freely!
PEER GYNTIf it is not indiscreet,
Then I would like to wish ...
Then I would like to wish ...
THE THIN ONEA refuge? What?
PEER GYNTYou guess my request already, before I utter it.
Business, you say, is not particularly good;
Perhaps you will therefore not be too precise ...
Business, you say, is not particularly good;
Perhaps you will therefore not be too precise ...
THE THIN ONEBut, dear friend ...
PEER GYNTMy demands are not excessive.
Any payment is really not necessary at all;
Only friendly company, according to circumstance and place.
Any payment is really not necessary at all;
Only friendly company, according to circumstance and place.
THE THIN ONEWarm room?
PEER GYNTNot too warm; ... and preferably
Permission to leave again, freely and openly, ...
The right, as it is called, to withdraw,
If opportunity arises to get something better.
Permission to leave again, freely and openly, ...
The right, as it is called, to withdraw,
If opportunity arises to get something better.
Fifth Act쪽 340 / 346
THE THIN ONEMy good friend, that will be difficult;
You would not believe what a mass of requests
Of similar content people send me,
When they have to leave their earthly work.
You would not believe what a mass of requests
Of similar content people send me,
When they have to leave their earthly work.
PEER GYNTBut if I recall my past life now,
Then I think the right of access is due to me ...
Then I think the right of access is due to me ...
THE THIN ONEIt was only small work though ...
PEER GYNTAs they say; ...
But it just occurred to me, I traded in Negroes ...
But it just occurred to me, I traded in Negroes ...
THE THIN ONEThey traded in senses and wills,
But they did it stupidly, and did not get in either.
But they did it stupidly, and did not get in either.
PEER GYNTI also sent many Brahma figures to China.
THE THIN ONEWhat bombast and bluff! That makes us laugh!
There are those who send out worse figures
In sermons, in arts and literature ...
Yet they must stay outside ...
There are those who send out worse figures
In sermons, in arts and literature ...
Yet they must stay outside ...
PEER GYNTBut more ...
You must know, ... I have played prophet.
You must know, ... I have played prophet.
THE THIN ONEAbroad? Humbug! Most of the gazers
"Ins Blaue" end up in the ladle.
If you have nothing else to boast of,
Then I cannot, to my regret, give you shelter.
"Ins Blaue" end up in the ladle.
If you have nothing else to boast of,
Then I cannot, to my regret, give you shelter.
PEER GYNTYes, listen ...: I was shipwrecked ... sat on a wreck ...
And a drowning man grasps at a straw,
And it is written: self-preservation is the first law,
And so, half through me, a cook lost his life.
And a drowning man grasps at a straw,
And it is written: self-preservation is the first law,
And so, half through me, a cook lost his life.
Fifth Act쪽 341 / 346
THE THIN ONEI would rather have heard that a kitchen maid
At the same time lost something else, half through you.
What kind of talk is that about "half"? ...
With all respect ... Who, do you think, wants to
Stoke the precious fire, in times
Like these, for such characterless people?
Don't be angry; your sins are roguish tricks;
Excuse me for speaking my mind bluntly ...
No, dear friend, give that up;
And make yourself familiar with the ladle idea.
What do you gain if I give you bed and board?
Think, after all; you are a clever man.
Yes, you retain memory; that is true; ...
But the outlook over the land behind you
Becomes, for your heart and for your mind,
An outlook over a barren plain.
Nothing for you to cry over, laugh over,
Nothing to rejoice or despair about;
Only things to feel annoyed about.
At the same time lost something else, half through you.
What kind of talk is that about "half"? ...
With all respect ... Who, do you think, wants to
Stoke the precious fire, in times
Like these, for such characterless people?
Don't be angry; your sins are roguish tricks;
Excuse me for speaking my mind bluntly ...
No, dear friend, give that up;
And make yourself familiar with the ladle idea.
What do you gain if I give you bed and board?
Think, after all; you are a clever man.
Yes, you retain memory; that is true; ...
But the outlook over the land behind you
Becomes, for your heart and for your mind,
An outlook over a barren plain.
Nothing for you to cry over, laugh over,
Nothing to rejoice or despair about;
Only things to feel annoyed about.
PEER GYNTIt is written: one cannot judge
Where the shoe pinches if one has not worn it oneself.
Where the shoe pinches if one has not worn it oneself.
THE THIN ONEThat is true; I have ... such and such believed, —
Only need for an odd boot.
But it was lucky I spoke of boots;
It reminds me I must go on ...
I am out for roast meat, I hope fat and thick;
And I am standing here wasting my time ...
Only need for an odd boot.
But it was lucky I spoke of boots;
It reminds me I must go on ...
I am out for roast meat, I hope fat and thick;
And I am standing here wasting my time ...
PEER GYNTAnd may I also ask, what sin-feeder
Has fattened that fellow?
Has fattened that fellow?
THE THIN ONEAs far as I know,
He was always himself, by night and by day;
And that, after all, is the main thing.
He was always himself, by night and by day;
And that, after all, is the main thing.
PEER GYNTHimself? Does that kind come to your house then?
Fifth Act쪽 342 / 346
THE THIN ONEAs it happens; the door is at least ajar.
Mark, one can be oneself in two ways:
Be the right side or the wrong side.
You know, they have just invented in Paris
To make portraits with the help of the sun.
One can produce direct images,
Or negatives, which are equally valuable, ...
Only that there light and shadow are reversed, ...
And to laymen's eyes therefore look ugly;
But likeness lies in them nevertheless,
And it's only a matter of bringing it out.
If a soul in its earthly course
Has photographed itself negatively,
Is the plate therefore broken? ...
One simply sends it to me.
I then take it under further treatment,
And suitable means produce the change.
We steam, we bathe, we burn, we polish,
With sulfur and more such ingredients,
Until the image appears that the plate should have given, ...
That is, what is called the positive.
But if one, like you, has half erased oneself, ...
Then no sulfur or potash helps.
Mark, one can be oneself in two ways:
Be the right side or the wrong side.
You know, they have just invented in Paris
To make portraits with the help of the sun.
One can produce direct images,
Or negatives, which are equally valuable, ...
Only that there light and shadow are reversed, ...
And to laymen's eyes therefore look ugly;
But likeness lies in them nevertheless,
And it's only a matter of bringing it out.
If a soul in its earthly course
Has photographed itself negatively,
Is the plate therefore broken? ...
One simply sends it to me.
I then take it under further treatment,
And suitable means produce the change.
We steam, we bathe, we burn, we polish,
With sulfur and more such ingredients,
Until the image appears that the plate should have given, ...
That is, what is called the positive.
But if one, like you, has half erased oneself, ...
Then no sulfur or potash helps.
PEER GYNTSo whoever comes to you, black as a raven, leaves
As a white partridge? May I ask what name
Is written under the negative portrait
That you now have to turn into a positive?
As a white partridge? May I ask what name
Is written under the negative portrait
That you now have to turn into a positive?
THE THIN ONEIt says Peter Gynt.
PEER GYNTPeter Gynt? Oh, come!
And is Gynt himself?
And is Gynt himself?
THE THIN ONEHe swears it, yes.
PEER GYNTWell, he is credible, that Mr. Peer.
THE THIN ONEDo you know him perhaps?
PEER GYNTOh yes, somewhat; ...
One knows many people.
One knows many people.
THE THIN ONEI have little time ...
Where did you last see him?
Where did you last see him?
PEER GYNTThat was at the Cape.
THE THIN ONEDi buona speranza!
PEER GYNTYes, but he left again
With the next ship, if I remember correctly.
With the next ship, if I remember correctly.
THE THIN ONEThen I must go there, immediately.
If only I can catch him in time!
That Cape land ... I always had a dislike for it;
There are those wicked missionaries from Stavanger.
If only I can catch him in time!
That Cape land ... I always had a dislike for it;
There are those wicked missionaries from Stavanger.
(southward, away).
Fifth Act쪽 343 / 346
PEER GYNTSuch a fool! There he goes off
Like a panting dog, with his tongue hanging out!
It was a delight to hoodwink him.
Such a fellow thinks a lot of himself and plays the boss!
It's well worth making a fuss about.
His trade won't keep his mouth open;
He'll soon fall off the bone with all his bustle ...
Hm, I am not sitting very securely in the saddle either;
I am expelled, so to speak, from the nobility of selfhood.
Like a panting dog, with his tongue hanging out!
It was a delight to hoodwink him.
Such a fellow thinks a lot of himself and plays the boss!
It's well worth making a fuss about.
His trade won't keep his mouth open;
He'll soon fall off the bone with all his bustle ...
Hm, I am not sitting very securely in the saddle either;
I am expelled, so to speak, from the nobility of selfhood.
(a shooting star lights up; he nods to it).
PEER GYNTGreetings from Peer Gynt, brother meteor!
Flare up, go out, and vanish in an instant...
(Shivers as if in fear, and walks deeper into the mists; after a while
of silence he cries out:)
Is there no one, no one in all the turmoil...
No one in the abyss, no one in heaven...!
(He reappears a bit lower down, throws his hat on the
ground and clutches his hair with his hands. Gradually he becomes
calmer.)
Flare up, go out, and vanish in an instant...
(Shivers as if in fear, and walks deeper into the mists; after a while
of silence he cries out:)
Is there no one, no one in all the turmoil...
No one in the abyss, no one in heaven...!
(He reappears a bit lower down, throws his hat on the
ground and clutches his hair with his hands. Gradually he becomes
calmer.)
PEER GYNTSo inexpressibly poor can a human soul
Fall back into the gray mists of Nothing.
O glorious earth, do not be angry
That I trod upon your grass without doing any good.
O glorious sun, who sent your beams
Into an empty hut where no person welcomed them.
There was no one inside to warm, to cherish,...
The owner, they said, was always away.
Glorious sun, and glorious earth,
Why did you let my mother be born into your light?
Spirit is scarce, nature is wasteful,
It is hard to pay for one's birth with one's life...
I want to go upward, to the very high peaks;
Once more I want to see the sun rise,
Gaze tiredly upon the promised land,
Find my resting place in a snowfall;
There one can write: "here lies no one buried."
And then,... after that...! Let it go as it may.
Fall back into the gray mists of Nothing.
O glorious earth, do not be angry
That I trod upon your grass without doing any good.
O glorious sun, who sent your beams
Into an empty hut where no person welcomed them.
There was no one inside to warm, to cherish,...
The owner, they said, was always away.
Glorious sun, and glorious earth,
Why did you let my mother be born into your light?
Spirit is scarce, nature is wasteful,
It is hard to pay for one's birth with one's life...
I want to go upward, to the very high peaks;
Once more I want to see the sun rise,
Gaze tiredly upon the promised land,
Find my resting place in a snowfall;
There one can write: "here lies no one buried."
And then,... after that...! Let it go as it may.
(Churchgoers sing on the forest path).
PEER GYNTBlessed morning,
When fiery tongues
From God's kingdom descended on earth!
From the earth now rise
The songs of children's children,
In praise of the Holy Spirit!
When fiery tongues
From God's kingdom descended on earth!
From the earth now rise
The songs of children's children,
In praise of the Holy Spirit!
(shrinks back in fright)
PEER GYNTDo not look there! There is night and ruin...
I fear I was dead long before I died!
I fear I was dead long before I died!
Fifth Act쪽 344 / 346
(Wants to sneak away through the thicket, but comes to a crossroads).
THE BUTTON-MOLDERGood morning, Peer Gynt, where is the sin register?
PEER GYNTWouldn't you think that I called and whistled
At everything within my reach?
At everything within my reach?
THE BUTTON-MOLDERAnd you found nobody?
PEER GYNTNobody,... except a traveling photographer.
THE BUTTON-MOLDERYes, the reprieve is over.
PEER GYNTEverything is over.
The owl scents prey. Do you hear him hooting?
The owl scents prey. Do you hear him hooting?
THE BUTTON-MOLDERI only hear bells...
(pointing)
PEER GYNTWhat is that shining there?
THE BUTTON-MOLDERThat's only a light in a hut.
PEER GYNTWhat is that sound...?
THE BUTTON-MOLDERThat's only a singing woman.
PEER GYNTYes, there,... there I will find
My sin register...
My sin register...
(seizes him)
THE BUTTON-MOLDERSet your house in order!
(They have come out of the wood and stand by the hut. Day breaks).
PEER GYNTSet my house in order? There it is! Away!
Go! Even if the ladle were as big as a chest...
There would be no room for me and my list of sins.
Go! Even if the ladle were as big as a chest...
There would be no room for me and my list of sins.
THE BUTTON-MOLDERTo the third crossroads, Peer; but then...!
(he turns aside and disappears).
(closer to the house)
PEER GYNTBack and forth, it's the same distance.
Out or in, it's the same path. (Stops).
No!... Like a wild, infinite lament
Is going home, entering, and returning again.
Out or in, it's the same path. (Stops).
No!... Like a wild, infinite lament
Is going home, entering, and returning again.
(takes a few steps further, but stops again).
PEER GYNTAround, said the Boyg!
(hears singing in the hut).
Fifth Act쪽 345 / 346
PEER GYNTNo, this time
Straight through, however difficult it may be!
(He runs quickly toward the house; at the same moment
Solvejg comes out of the door, dressed for church and with her hymnbook
wrapped in a handkerchief; a staff in her hand. She stands upright,
tall and gentle.)
Straight through, however difficult it may be!
(He runs quickly toward the house; at the same moment
Solvejg comes out of the door, dressed for church and with her hymnbook
wrapped in a handkerchief; a staff in her hand. She stands upright,
tall and gentle.)
(he falls down on the threshold)
PEER GYNTIf you want to damn a sinner, speak it out!
SOLVEJGThere he is! There he is! God be praised!
(seeks for him, groping).
PEER GYNTCry out how heavily I have sinned!
SOLVEJGMy only boy! You have not sinned!
(gropes again and finds him).
(behind the house)
THE BUTTON-MOLDERThe register, Peer Gynt?
PEER GYNTCry out my crime!
(sits down beside him)
SOLVEJGThrough you my life became a beautiful song.
Blessed be that you came to me again!
Blessed be the Pentecost feast, when we meet again.
Blessed be that you came to me again!
Blessed be the Pentecost feast, when we meet again.
PEER GYNTThen I am lost!
SOLVEJGThere is One who knows a remedy.
(laughs)
PEER GYNTLost! Unless you can solve riddles!
SOLVEJGName them.
PEER GYNTName them! Well, yes! Come on!
Can you say where Peer Gynt has been all this time?
Can you say where Peer Gynt has been all this time?
SOLVEJGBeen?
PEER GYNTCarrying the mark of destiny in his breast!
Been... as God willed and thought him!
Can you say that? If not, then I must go...
And perish in the mist lands.
Been... as God willed and thought him!
Can you say that? If not, then I must go...
And perish in the mist lands.
(smiles)
SOLVEJGOh, that is easy to guess.
PEER GYNTThen tell me what you know!
Where was I, as myself, as the whole, the true?
Where was I, marked with God's stamp in my being?
Where was I, as myself, as the whole, the true?
Where was I, marked with God's stamp in my being?
SOLVEJGIn my faith, in my hope, and in my love.
(recoils)
PEER GYNTWhat are you saying...! Hush! Those words are delusion!
Of the boy in me, you yourself were the mother!
Of the boy in me, you yourself were the mother!
Fifth Act쪽 346 / 346
SOLVEJGThat I am, yes; but who is his father?
He is the one who forgives at a mother's prayers.
He is the one who forgives at a mother's prayers.
(a light passes over him; he cries out)
PEER GYNTMother! Wife! Pure, innocent maiden!...
O, hide me, hide me in your soul!
(He clings to her and hides his face in her
lap. Long silence. The sun rises.)
O, hide me, hide me in your soul!
(He clings to her and hides his face in her
lap. Long silence. The sun rises.)
(singing softly)
SOLVEJGSleep now, my dearest boy!
I will rock you, I will watch...
My boy sat on his mother's lap.
They played together all their life long.
My boy slept at his mother's breast
All his life long. God bless you, my joy!
My boy lay so close to my heart
All his life. Now he is so tired.
Sleep now, my dearest boy!
I will rock you, I will watch!
I will rock you, I will watch...
My boy sat on his mother's lap.
They played together all their life long.
My boy slept at his mother's breast
All his life long. God bless you, my joy!
My boy lay so close to my heart
All his life. Now he is so tired.
Sleep now, my dearest boy!
I will rock you, I will watch!
(behind the house)
THE VOICE OF THE BUTTON-MOLDERWe will meet again at the last crossroads;
And then we shall see if...; I say no more.
And then we shall see if...; I say no more.
(sings louder in the light of day)
SOLVEJGI will rock you, I will watch;...
Sleep and dream now, my dearest!
Sleep and dream now, my dearest!
AANTEEKENINGEN[1] A peasant dance.
[2] "den store Böjgen" = literally: "the great Bend". It means
all half-heartedness, everything that does not dare boldly, but goes
by roundabout ways and bends and seeks excuses. Here an invisible,
intangible, elusive symbolic specter that encloses and impedes Peer
Gynt on all sides. (Trans.)
[2] "den store Böjgen" = literally: "the great Bend". It means
all half-heartedness, everything that does not dare boldly, but goes
by roundabout ways and bends and seeks excuses. Here an invisible,
intangible, elusive symbolic specter that encloses and impedes Peer
Gynt on all sides. (Trans.)
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